DOCSLIB.ORG

E-520 Instruction Manual

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
E-520 Instruction Manual s0018_e_oime_00_1_cover_7.fm Page 1 Monday, March 24, 2008 2:42 PM DIGITAL CAMERA Basic guide P. 2 Review the camera part names INSTRUCTION MANUAL and the basic steps for shooting INSTRUCTION and playback. MANUAL Table of Contents P. 20 z Before you start to use your new camera, please read the “Safety Precautions” section in this manual. z We recommend that you take test shots to get accustomed to your camera before taking important photographs. z The screen and camera illustrations shown in this manual were produced during the development stages and may differ from the actual product. z The contents in this manual are based on firmware version 1.0 for this camera. If there are addition and/or modification of functions due to firmware update for the camera, Printed in China the contents will differ. For the latest information, please visit the Olympus website. s0018_e_00_0_unified.book Page 2 Tuesday, March 18, 2008 4:08 PM Camera Mode dial Built-in flash gP. 4 gP. 73 Power switch Hot shoe gP. 75 gP. 14 Control dial # (flash) button (j) gP. 19, 26 gP. 73 F (Exposure j/Y/< compensation) button (Sequential shooting/ gP. 48 Self-timer/Remote control) button gP. 57-60, 92 Shutter button COPY/< (Copy/Print) button gP. 16, 31 gP. 86, 102 Strap eyelet gP. 10 Strap eyelet gP. 10 Self-timer/Remote control lamp/ Remote control receiver gP. 58 Lens release button gP. 12 Lens attachment mark Lens lock pin gP. 12 Mount Mirror gP. 37 (Attach the lens after removing the body cap from the camera to prevent dust and dirt from entering the camera body.) 2 EN s0018_e_00_0_unified.book Page 3 Tuesday, March 18, 2008 4:08 PM Basic guide Eyecup gP. 58 Diopter adjustment dial gP. 14 Viewfinder gP. 6 AEL/AFL button LCD monitor gP. 37, 49, 90 gP. 8, 9, 36 0 (Protect) button gP. 87 q (Playback) button gP. 79 o (Image stabilizer) button gP. 60 S (Erase) button gP. 88 < button gP. 91 P (AF target) MENU button button gP. 54 gP. 29 INFO u (Live view) (Information button gP. 36 display) button P. 28, 40, 79 g Arrow pad gP. 27, 29 i button gP. 29 Tripod socket Names of parts and functions Battery compartment cover gP. 11 Battery compartment lock gP. 11 Card cover gP. 13 Card access lamp gP. 13, 16, 108 CF card slot gP. 13 xD-Picture Card slot gP. 13 Multi-connector Eject button Connector cover gP. 84, 103, 107 gP. 13 3 EN s0018_e_00_0_unified.book Page 4 Tuesday, March 18, 2008 4:08 PM Mode dial The mode dial allows you to change the camera settings easily according to the subject. Easy shooting modes • Select according to the shooting scene. The camera sets the appropriate shooting conditions automatically. • When rotating the mode dial or turning off the power in the easy shooting modes, functions with changes made to their settings are restored to the factory default settings. Allows you to shoot using an optimum aperture and shutter AUTO AUTO speed that the camera sets. The built-in flash pops up automatically in low-light conditions. i PORTRAIT Suitable for shooting a portrait-style image of a person. l LANDSCAPE Suitable for shooting landscapes and other outdoor scenes. & MACRO Suitable for taking close-up pictures. j SPORT Suitable for capturing fast-moving action without blurring. Suitable for shooting both the main subject and background / NIGHT+PORTRAIT at night. When you select a mode to suit the shooting situation, the camera optimizes the settings for the shooting conditions. Unlike the mode dial’s scene mode, most functions cannot be changed. 1 Set the mode dial to g. 1 PORTRAIT • The scene menu is For taking a displayed. portrait-style 2 Use to select the scene shot. Scene mode ac g mode. • The sample image followed by a description of the SELECT GO selected mode is displayed. 3 Press the i button. • The camera enters the shooting stand-by mode. • To change the setting, press the i button again. The scene menu is displayed. 4 EN s0018_e_00_0_unified.book Page 5 Tuesday, March 18, 2008 4:08 PM Basic guide Types of scene modes Icon Mode Icon Mode I 1PORTRAIT J 11 MACRO L 2 LANDSCAPE r 12 NATURE MACRO K 3 LANDSCAPE+PORTRAIT & 13 CANDLE G 4 NIGHT SCENE * 14 SUNSET U 5 NIGHT+PORTRAIT ( 15 FIREWORKS G 6 CHILDREN @ 16 DOCUMENTS J 7 SPORT s 17 PANORAMA H 8 HIGH KEY g 18 BEACH & SNOW I 9 LOW KEY I 19 UNDERWATER WIDE q 10 DIS MODE H 20 UNDERWATER MACRO Advanced shooting modes Names of parts and functions • For more advanced shooting and greater creative control, you can set the aperture value and shutter speed. • The settings made in the advanced shooting modes are retained even if the camera is turned off. Allows you to shoot using an aperture and shutter speed P Program shooting that the camera sets. (gP. 43) Allows you to set the aperture manually. The camera sets A Aperture priority shooting the shutter speed automatically. (gP. 44) Allows you to set the shutter speed manually. The camera S Shutter priority shooting sets the aperture automatically. (gP. 44) Allows you to set the aperture and shutter speed manually. M Manual shooting (gP. 45) 5 EN s0018_e_00_0_unified.book Page 6 Tuesday, March 18, 2008 4:08 PM Viewfinder AF target gP. 54 Image stabilizer gP. 60 Aperture value gP. 43-46 AF confirmation mark Shutter speed P. 43-46 gP. 16, 43 , 56 g Flash gP. 70 White balance (blinks: charging in progress, (Displayed when set to a lights up: charging completed) setting other than auto white balance.) gP. 64 AE lock gP. 49 Exposure compensation Battery check value gP. 48 (ready for use) (charging required) Metering mode gP. 47 Shooting mode gP. 4 6 EN s0018_e_00_0_unified.book Page 7 Tuesday, March 18, 2008 4:08 PM Super control panel Basic guide The following screen allows the display and setting of shooting settings at the same time and is called the super control panel. Press the INFO button to display the super control panel on the LCD monitor. g“Using the super control panel” (P. 28) Flash charging Shutter speed gP. 43-46 gP. 73 Exposure compensation indicator gP. 48 Exposure level indicator gP. 45 Flash intensity control indicator gP. 74 Battery check gP. 6 Super FP flash 1 gP. 76 Noise reduction mO gP. 69 Auto bracket P. 50, 74 Shooting mode 0 g Arrow pad lock p gP. 92 gP. 4 RC mode m gP. 76 Image stabilizer HIt gP. 60 AF illuminator T gP. 89 Date gP. 15 Internal temperature warning m gP. 118 Aperture value gP. 43-46 Exposure compensation value 250 F5.6 gP. 48 Exposure level +2.0 gP. 45 FP BKT Names of parts and functions 2008. 08.16 RC IS 2 AF Picture mode gP. 67 OFF arge Color space Normal gP. 96 Card Record mode Face Number of storable gP. 121 gP. 62 detection still pictures gP. 39 gP. 128 AF mode gP. 52 AF target gP. 54 Sharpness N gP. 67 Contrast J gP. 67 Flash intensity control gP. 74 Saturation T gP. 67 Gradation z gP. 68 Flash mode gP. 70 B&W filter x gP. 67 Picture tone y P. 67 Remote control/Self-timer/Sequential shooting g gP. 57-60 Metering mode gP. 47 ISO sensitivity gP. 51 White balance P. 64 g The functions within this area can be set on White balance compensation gP. 65 the super control panel. 7 EN s0018_e_00_0_unified.book Page 8 Tuesday, March 18, 2008 4:08 PM LCD monitor (Live view) You can use the LCD monitor to view the subject while shooting. Press the u button to use live view. g“Using live view” (P. 36) Metering mode Aperture value gP. 43-46 gP. 47 Shutter speed gP. 43-46 Flash mode gP. 70 Home position p gP. 55 Flash P. 73 RC mode q gP. 76 g (blinks: charging in progress, Super FP flash s gP. 76 lights up: charging Auto bracket t gP. 50, 74 completed) AE lock u gP. 49 Live view AF mode po gP. 37 Image stabilizer vws gP. 60 Exposure compensation value gP. 48 Shooting mode AF confirmation mark gP. 4 gP. 16, 38, 56 Battery check gP. 6 250250 FF5.65.6 ++2.02.0 HP RC FP BKT AEL H-AF ISIS 2 WWBB AAUTOUTO IISOSO AAUTOUTO L N 3388 Histogram AF target Number of storable gP. 116 gP. 54 still pictures gP. 128 Internal temperature warning Record mode gP. 118 gP. 62 Card Face detection g ISO sensitivity gP. 121 gP. 39 gP. 51 Sequential shooting Flash intensity control gP. 57 Self-timer P. 58 gP. 74 g Remote control gP. 58 White balance gP. 64 8 EN s0018_e_00_0_unified.book Page 9 Tuesday, March 18, 2008 4:08 PM LCD monitor (Playback) Basic guide You can switch the monitor display using the INFO button. g“Information display” (P. 82) Record mode gP. 62 Focal length gP. 123 (The focal length is displayed in 1 mm units.) Battery check gP. 6 Shooting mode gP. 4 Card gP. 121 Aperture value gP. 43-46 Print reservation Number of prints Shutter speed gP. 100 gP. 43-46 Protect Exposure gP. 87 compensation gP. 48 x 1100 L N [[3648x2736,1/8]3 6 4 8 x 2 7 3 6 , 1 / 8 ] 1 / 22505 0 FF5.65 . 6 ++2.02 . 0 445mm5 m m IISOS O 11000 0 Names of parts and functions 00.0.
Load more

Recommended publications
  • Live Streaming with Your Nikon Camera
    Live Streaming with your Nikon Camera PUBLISHED - 11 JUN 2020 Ultimate Guide to Live Streaming with your Nikon Camera If you want to achieve outstanding image quality when live streaming during a video conference call, follow the steps outlined below to achieve a more professional look to your video image quality and audio. Let’s take a look at the equipment required: Nikon DSLR or Z series camera with Clean HDMI output Nikkor Lens Tripod Capture Card or Device Live Streaming Software Lighting Microphone Computer Optional: EH-5B & EH-5P Power Adaptor and dummy battery Achieving a professional quality broadcast look is not as difficult as you think, and there are many different ways to configure and setup the components to enable you to ‘Go Live’. I will take you through the setup I have in place that meets my requirements, but they are 1 of 11 alternative ways to do this depending on the quality and complexity of the streaming solution you require. Camera Setup Lens Choice The lens you use will be determined by the space you have available and the look you want in your stream. A zoom lens such as a 24-70mm f/2.8 or f/4 will give you flexibility with your composition and framing. You could also consider a 35mm or 50mm f1.8 prime lens, which will both give a really good look to your stream, but are less flexible when it comes to framing your shot. A f/1.8 lens is a good choice if you want to hide a distracting background by setting your aperture to f/1.8.
    [Show full text]
  • Nikon D5500/D5600 Quick Guide Close the Pop-Up Flash And/Or Toggle the Settings to Disable the Flash
    Nikon D5500/D5600 Quick Guide close the pop-up flash and/or toggle the settings to disable the flash. Tips for everyone To instantaneously exit all menus, press the shutter button To turn the camera on and off, turn the power switch that halfway down. You can either take a photo by pressing it surrounds the shutter button. further, or not take a photo by letting the button go. The screen is on a double hinge. Pull it out using the To shoot movies, switch to Live View and press the “red groove next to the “i” button. Protect the screen by dot” record button (near the shutter button). flipping it closed when you’re not using it. The zoom buttons next to the delete button are only to The camera’s screen is a touchscreen. You can use the zoom into the preview, or pictures you already took. They physical buttons on the camera if you prefer; most will not zoom the lens for when you are taking pictures. functions work either way. For help, tap the Question mark To change screen brightness, press Menu, tap the Wrench, icon on the bottom left corner of the screen. and tap the Monitor brightness option. ‘0’ is the default Are the screen and viewfinder black? You probably left the (which should be good enough for almost everything) but it lens cap on. Pinch the two parts of the cap together to can go from -5 to +5. release the cap. To put the cap back on, pinch the parts To save space on the memory card without losing too and put it back on the lens, then let go.
    [Show full text]
  • D810A Sell-In Presentation V1.2 Final BV.Key
    I AM NEW I AM INTERSTELLAR I AM THE . D810A IN A NUTSHELL Engineered exclusively for astrophotography, the D810A captures magnificent 36.3-megapixel images of nebulae that emit on the hydrogen- alpha wavelength. • Specialized functions answer the challenges of astrophotography. And the camera’s ultra-high ISO and exceptional resolving power ensure brilliant detail. ❑ 36.3 Megapixel CMOS ❑ New M* exposure mode ❑ New virtual exposure preview ❑ Special hydrogen-alpha line sensitivity ❑ Electronic front curtain shutter ❑ ISO 200 – 12,800 (up to 51,200 expanded) ❑ New, adapted i-mode for live view shooting ❑ Unlimited buffer with 4s or longer exposure ❑ Extensive remote options D810A: ASTRO IMAGING KEY FEATURES D810 Via reassessment of the infrared (IR) cut filter, it has become possible to reproduce nebulae that emit in red with an H-alpha spectral line. D810A Visible light spectrum D810A: ASTRO IMAGING KEY FEATURES The D810’s proven mirror balancer and shutter unit in combination with the electronic front- curtain shutter ensure maximum reduction of mechanical vibration – thus maximizing richness of image detail Electronic front- curtain shutter: Enabled Electronic front- curtain shutter: Disabled Images are taken with D810. Optical system: 20cm Newtonian Reflector Telescope and Takahashi MT-200 Collector, at 1600mm, f/8. Equatorial telescope: Auto guide with Takahashi NJP PYXIS, Shutter speed: 1/100 s, ISO sensitivity: ISO 125 D810A: ASTRO IMAGING KEY FEATURES New M* - mode: A new and unique manual exposure mode for long time exposures in astro photography has been added, M*. This mode is additional to standard M, Bulb and Standard daytime monitor display Time exposure.
    [Show full text]
  • Table of Contents
    Contents 1 Table of Contents Part I DSLR Remote Pro for Windows 3 Part II Installing and Registering DSLR Remote Pro for Windows 4 Part III Main Window 5 1 Release and Preview................................................................................................................................... Buttons 6 2 Reviewing and................................................................................................................................... deleting images 7 3 Changing camera................................................................................................................................... settings 7 4 Full screen mode................................................................................................................................... 7 5 Bulb Mode and................................................................................................................................... Mirror Lockup 8 6 Auto Bracketing................................................................................................................................... 8 7 Grid and focus................................................................................................................................... point overlays 10 8 Flashing highlight................................................................................................................................... display 11 9 Screen blanking..................................................................................................................................
    [Show full text]
  • Canon Unleashes Its Best Ever Powershot G Series Camera – the Landmark Powershot G1 X Mark III
    Canon unleashes its best ever PowerShot G series camera – the landmark PowerShot G1 X Mark III Sydney, Australia, 16 October 2017 – Canon today announces the latest addition to its PowerShot G range, the flagship PowerShot G1 X Mark III. Replacing the G1 X Mark II, it’s a killer combination of Canon’s EOS DSLR image quality with the handling and compact size of a PowerShot. With a new, precision, 3x optical lens, an APS-C sensor and Canon's premium DIGIC 7 processor, this camera is versatile enough to be used for high-quality street photography, all the way up to documentary-style storytelling. Superb image quality, rapid speed Perfect for today's enthusiast photographer seeking DSLR quality in a compact form, this camera’s small size makes it ideal for subtly capturing boundless moments whilst on the move. Leveraging an exceptional sensor, similar to the one seen in the EOS 80D, and with capabilities to shoot in an ISO range of 100 to 25,600, it can flexibly capture quality images in a range of conditions. From high contrast scenes, such as indoor environments where detail, clarity and low image noise are critical, to low contrast scenarios, such as a foggy day, the PowerShot G1 X Mark III can always deliver a superb image. The DIGIC 7 processor provides premium image quality straight from the camera, with a reduced need to edit thanks to Auto Lighting Optimiser and Diffraction Correction, which featured in the EOS-1D X Mark II. Whether you’re shooting portraits or macro close-ups, the built in 3x zoom lens boasts a versatile 24 – 72 mm (35 mm equiv.) focal range and a close-focusing distance of just 10cm, so you can cover an impressive range of photography genres with a single lens.
    [Show full text]
  • Nikon D5100: from Snapshots to Great Shots
    Nikon D5100: From Snapshots to Great Shots Rob Sylvan Nikon D5100: From Snapshots to Great Shots Rob Sylvan Peachpit Press 1249 Eighth Street Berkeley, CA 94710 510/524-2178 510/524-2221 (fax) Find us on the Web at www.peachpit.com To report errors, please send a note to [email protected] Peachpit Press is a division of Pearson Education Copyright © 2012 by Peachpit Press Senior Acquisitions Editor: Nikki McDonald Associate Editor: Valerie Witte Production Editor: Lisa Brazieal Copyeditor: Scout Festa Proofreader: Patricia Pane Composition: WolfsonDesign Indexer: Valerie Haynes Perry Cover Image: Rob Sylvan Cover Design: Aren Straiger Back Cover Author Photo: Rob Sylvan Notice of Rights All rights reserved. No part of this book may be reproduced or transmitted in any form by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. For information on getting permission for reprints and excerpts, contact permissions@ peachpit.com. Notice of Liability The information in this book is distributed on an “As Is” basis, without warranty. While every precaution has been taken in the preparation of the book, neither the author nor Peachpit shall have any liability to any person or entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by the instructions contained in this book or by the computer software and hardware products described in it. Trademarks All Nikon products are trademarks or registered trademarks of Nikon and/or Nikon Corporation. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks.
    [Show full text]
  • E-P3 Instruction Manual
    Basic guide Quick task index Table of Contents DIGITAL CAMERA Basic photography/frequently- 1. used options 2. Other shooting options 3. Flash shooting Instruction Manual 4. Shooting and viewing movies 5. Playback options 6. Sending and receiving images 7. Using OLYMPUS Viewer 2/[ib] 8. Printing pictures 9. Camera setup 10. Customizing camera settings 11. Information 12. SAFETY PRECAUTIONS System chart Index Thank you for purchasing an Olympus digital camera. Before you start to use your new camera, please read these instructions carefully to enjoy optimum performance and a longer service life. Keep this manual in a safe place for future reference. We recommend that you take test shots to get accustomed to your camera before taking important photographs. The screen and camera illustrations shown in this manual were produced during the development stages and may differ from the actual product. The contents in this manual are based on fi rmware version 1.0 for this camera. If there are additions and/or modifi cations of functions due to fi rmware update for the camera, the contents will differ. For the latest information, please visit the Olympus website. Unpack the box contents The following items are included with the camera. If anything is missing or damaged, contact the dealer from whom you purchased the camera. Body cap Strap USB cable AV cable Camera CB-USB6 (Monaural) CB-AVC3 • Computer software CD-ROM • Instruction manual • Warranty card Camera Lithium ion Lithium ion grip battery charger MCG-1 PS-BLS1 (BLS-1) PS-BCS1 (BCS-1) or BLS-5 or BCS-5 Attaching the strap Attaching the grip 1 Thread the strap in 2 Lastly, pull the strap Use a coin or similar object the direction of the tight making sure to tighten the screw.
    [Show full text]
  • Midtm Review 245 Spr 10
    MIDTERM EXAM REVIEW – ART 245 - The exam will be open book; you can also bring your camera. - Bring a calculator, to multiply image dimensions measured in pixels - Questions will be multiple choice, true false, short answer 1. camera types - film cameras and digital cameras - how resolution, image quality is defined - advantages of each - CDC’s (compacts) vs. SLR’s (single lens reflex) - characteristics and advantages of each 2. camera care - proper storage, environments to avoid, cold weather hazards 3. exposure controls: aperture and shutter speed - 2 functions of lens aperture - 2 functions of shutter speed - slowest hand held shutter speeds – in range of 1/15 sec w/ image stabilization - methods of controlling aperture and shutter speed on CDC’s w/o manual control: - choice of ISO setting - choice of light conditions - depth of field – it’s relationship to distance from subject 4. non-CDC digital camera types – ultra compacts, superzoom, DSLR: characteristics of each - ultra compacts: - very small, simple and easy to use, - few options, mediocre image quality - super zooms - resemble DSLR’s but smaller and don’t have mirror system - large LCD screens like DSLR’s - live preview and small image sensor like CDC’s - zoom lens has very wide focal length range - DSLR’s (digital single lens reflex) - no live preview on most models; viewing is through viewfinder - mirror system allows you to see what image sensor sees - interchangeable lenses - have larger image sensor than any other digital camera type - much less digital noise at high ISO’s - no shutter lag - auto focus works well in very low light - built in flash is more powerful 5.
    [Show full text]
  • Photography-Guide.Pdf
    The Art of Photography A guide to digital Photography AN E-BOOK BY SHUTTER | TUTORIALS www.shuttertutorials.wordpress.com | www.facebook.com/ShutterTutorials Author Tanay Shandilya CONTENT WORKING OF A DSLR CAMERA THE SENSOR AND CUP UNDERSTANDING LIGHT DYNAMIC RANGE UNDERSTANDING ISO EXPOSURE CAMERA SHUTTER SPEED UNDERSTANDING CAMERA LENSES UNDERSTANDING PHOTOGRAPHY ‘CIRCLE OF CONFUSION’ OPTICAL ZOOMING PERSPECTIVE CHANGE THE HISTOGRAM FULL FRAME v/s CROPPED SENSOR GET TO KNOW FLASH PHOTOGRAPHY Working Of A DSLR Camera A camera based on the single-lens reflex (SLR) principle uses a mirror to show in a viewfinder the image that will be captured. The cross-section (side-view) of the optical components of an SLR shows how the light passes through the lens assembly (1), is reflected into the pentaprism by the reflex mirror (which must be at an exact 45 degree angle) (2) and is projected on the matte focusing screen (3) opens, and the image is projected and captured on the sensor (4), after which actions, the shutter closes, the mirror returns to the 45 degree angle, the diaphragm reopens, and the built in drive mechanism re-tensions the shutter for the next exposure. (5). Via a condensing lens (6) and internal reflections in the roof penta-prism. (7) the image is projected through the eyepiece (8) to the photographer‘s eye. Focusing is either automatic, activated by pressing half-way on the shutter release or a dedicated AF button, as is mainly the case with an autofocusing film SLR; or manual, where the photographer manually focuses the lens by turning a lens ring on the lens barrel.
    [Show full text]
  • Sony ILCE6600/B Camera
    ILCE-6600/B APS-C Mirrorless Interchangeable-Lens Camera The Alpha 6600 include a 24.2MP2 Exmor™ CMOS image sensor, the latest BIONZ X™ image processor and a front- end LSI as implemented in Sony’s full-frame cameras, which combine to deliver all-round enhancements in image quality and performance across all areas of photo and video capture. Key Features 24.2MP2 and incredible image quality The Alpha 6600 boasts an impressive APS-C image sensor with approximately 24.2 effective megapixels, the latest BIONZ X™ image processing engine and the same front end LSI as used on Sony’s acclaimed full-frame cameras to deliver outstanding image quality with rich detail and true-to-life color reproduction. Area specific noise reduction results in low noise even at high ISO which ranges from 100 – 32,000 (Expandable up to ISO 102,400). The design significantlyTechnology increases readout speed, enabling functionality including 11fps continuous shooting5, 4K recording3 with full pixel readout without pixel binning and Full HD 120fps high-speed shooting. 1 Superior autofocus with 4D FOCUS™ The Alpha 6600 incorporates Sony’s unrivaled 4D FOCUS™ system for unsurpassed fast autofocus (AF) acquisition time that can lock focus on even the fastest moving subject in as little as 0.02 seconds1. It also boasts an incredible 425 phase detection and 425 contrast detection AF points that are densely positioned over 84% of the image area, effectively tracking subjects as they move across the frame. Moreover, the Alpha 6600 takes full advantage of its enhanced fast hybrid AF for movies in both HD and 4K3.
    [Show full text]
  • Infrared Photography
    - 1 -De Broux et al Scott T. De Broux Katherine Kay McCaul Sheri Shimamoto January 29, 2007 Infrared Photography Physical evidence documentation through forensic photography remains one the most important aspects of crime scene investigation. Subsequent analysis of photographs will often yield clues investigators can use to reconstruct the events of an incident, or may provide the proof necessary to gain a conviction at trial. Traditional photography records images in the visible light spectrum, and typically will record on film or in a digital file that which the human eye can see. Forensic photographers are often challenged with evidence where traditional photographic techniques are unsuccessful at documenting the evidence necessary to reconcile the facts of a particular case. For years forensic photographers have had a variety of specialized techniques available for documenting evidence under challenging situations. Infrared photography can be used in a variety of these situations to gain result that could not be obtained by photographing in the visible light spectrum. Infrared techniques can be applied in the field or in a laboratory environment. In some instances the only opportunity to document the evidence is in the field at the crime scene. Until recently the only available option to the forensic photographer involved infrared techniques that used conventional film sensitive to wave lengths of light in the infrared range of the electromagnetic spectrum. Complicated workflow often made this technique difficult and expensive to utilize, and lead to underutilization of the technique. Advances in technology have now made digital imaging options available to the forensic photographer for performing infrared photography in both a field or laboratory environment.
    [Show full text]
  • XF Camera System User Manual
    XF Camera System User Manual XF Camera System Manual | Table of Contents 1 Jump to XF Camera System Manual | Table of Contents 2 Table of Contents Content | XF Camera System Manual Primary parts of the XF Camera System 4 Basic settings, and how to restore defaults. 39 Lens, XF Camera Body, IQ Digital Back 4 Custom White Balance 41 Dials, Buttons and Touch Screen Interface 6 Creating a Custom White Balance 41 Lens, XF Camera Body, IQ Digital Back 6 HAP-1 AF Focusing system 42 Assembling the XF Camera System 8 Working with hyperfocal distance 45 Digital Back and camera body modularity 8 XF Camera System Capture Modes 47 Readying the camera system 10 General advice for using the battery and charger 11 XF Camera System Exposure Modes 48 Navigating the XF Camera System 14 Exposure Compensation 49 XF Camera Body Controls 15 Long Exposure 50 OneTouch User Interface Flow Diagram 18 Live View 51 XF Camera Menu Overview 18 Live View on the LCD, Capture One or HDMI monitor 51 IQ Digital Back Menu Overview 20 XF Camara Body OneTouch User Interface Overview 23 Custom Presets 53 XF Camera Body Navigation 23 Top Touch Screen Display 24 Flash Photography 54 Locking the Touch and/or the Dials on the XF Camera 25 Tools on the XF Top screen 25 XF Camera System Lenses 55 IQ Digital Back Navigation 27 Capture One Pro 56 IQ Digital Back Navigation Shortcuts 28 The XF Camera System is bundled with Capture One Pro, 56 IQ Digital Back Viewing images 28 Capture One Tethered Use 59 IQ Digital Back Contextual Menu 29 Overview of Contextual Menu 29 Built-In WiFi and
    [Show full text]