DOCSLIB.ORG

Stingray Music Channels

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Stingray Music Channels THE 50 CONTINUOUS MUSIC CHANNELS OF THE STINGRAY MUSIC SERVICE: ROCK POP ADULT ALTERNATIVE DANCE CLUBBIN’ Contemporary pop rock with great songs from yesterday. From the dance floor to your living room! CLASSIC ROCK EASY LISTENING Classic rock of the late 60’s to the 80’s. Showcasing well-known songs and melodies in the most relaxing way. ROCK SWINGING STANDARDS Great rock from the 80’s to today. The names are legendary; the songs are classics. ROCK ALTERNATIVE HIT LIST The essence of rock today: new and newer tunes. Today's hottest hits with recent favorites. NEW HEAVY METAL NEW GROOVE (DISCO AND FUNK) All the classics that made metal what it is today. Full on Disco and Funk; try keeping still to this. ALT ROCK CLASSICS MAXIMUM PARTY Revel in alternative music from the 80’s and 90’s era. Let this be the soundtrack to any great party. THE CHILL LOUNGE COUNTRY Ambient, trip hop, downtempo, chill…electronic mood at its best. COUNTRY CLASSICS POP ADULT The best-loved traditional and classic country music. From today's hitmakers to perennial favorites. ALT COUNTRY / AMERICANA THE LIGHT Americana is the crossroads for country, folk & rock music. Inspiring pop and folk Christian music. HOT COUNTRY JAMMIN' All the hits from today's new country. Hot reggae and Island music. NO FENCES GOSPEL A blend of your favorite country classics from the 80's & 90's. From contemporary Gospel songs to the power of gospel traditions. BLUEGRASS HOLIDAY HITS Traditional bluegrass and the stars of today's best pickers. All the best classic holiday songs for your listening enjoyment. FOLK ROOTS NEW ECLECTIC ELECTRONIC The best songwriting and storytelling. This is electronic music for life at the club level. URBAN POP DECADES SOUL STORM Contemporary soul and R&B. FLASHBACK 70'S Relive an explosive musical decade that was the 70’s. URBAN BEATS Hip Hop culture featuring recent hits of the day. EVERYTHING 80'S The best of pop music from the 80’s. NEW HIP HOP Rhythms, rhymes, samples and beats. NOTHIN' BUT 90'S All the hits of the 90’s. NEW CLASSIC R’N’B & SOUL Motown, Stax, Philly and more, all the movers and shakers of the soul years! JUKEBOX OLDIES Rock and roll from the 50’s and 60’s. NEW Y2K STINGRAY EXTRA All about the 2000’s! The Y2K generation is all about media, internet hype and anything new; including music. THE SPA Relaxing instrumental electro-acoustic music. JAZZ KID'S STUFF The world's best children's entertainers and storytellers. JAZZ MASTERS Artists that shaped the world of jazz from the 50's and 60's. NEW BROADWAY Experience all your favourite show tune hits. Bright lights here we JAZZ NOW come! An aural snapshot of the world of jazz today. Cool and contemporary! LATINO SMOOTH JAZZ LATINO TROPICAL The easiest groove from the hottest in contemporary jazz. Today’s hottest salsa, rumba and tropical hits. THE BLUES TODAY'S LATIN POP Classic blues from the 60's to the new artists of today. The best in today's emerging Latin pop artists. LATINO URBANA CLASSICAL Popular Latin sounds with an urban hip hop twist. CHAMBER MUSIC RETRO LATINO Intimate small ensemble and recital works of the world’s Enjoy the best of yesterday’s Latin big stars and songs. greatest composers. NEW ROMANCE LATINO CLASSIC MASTERS Love Songs in Spanish. Concertos, symphonies and ballet music, from 1760 to today. NEW ROCK EN ESPAÑOL POP CLASSICS The best of Rock and Rock Alternative in Spanish. The world's best loved melodies of the past 200 years. stingray.com.
Load more

Recommended publications
  • Electro House 2015 Download Soundcloud
    Electro house 2015 download soundcloud CLICK TO DOWNLOAD TZ Comment by Czerniak Maciek. Lala bon. TZ Comment by Czerniak Maciek. Yeaa sa pette. TZ. Users who like Kemal Coban Electro House Club Mix ; Users who reposted Kemal Coban Electro House Club Mix ; Playlists containing Kemal Coban Electro House Club Mix Electro House by EDM Joy. Part of @edmjoy. Worldwide. 5 Tracks. Followers. Stream Tracks and Playlists from Electro House @ EDM Joy on your desktop or mobile device. An icon used to represent a menu that can be toggled by interacting with this icon. Best EDM Remixes Of Popular Songs - New Electro & House Remix; New Electro & House Best Of EDM Mix; New Electro & House Music Dance Club Party Mix #5; New Dirty Party Electro House Bass Ibiza Dance Mix [ FREE DOWNLOAD -> Click "Buy" ] BASS BOOSTED CAR MUSIC MIX BEST EDM, BOUNCE, ELECTRO HOUSE. FREE tracks! PLEASE follow and i will continue to post songs:) ALL CREDIT GOES TO THE PRODUCERS OF THE SONG, THIS PAGE IS FOR PROMOTIONAL USE ONLY I WILL ONLY POST SONGS THAT ARE PUT UP FOR FREE. 11 Tracks. Followers. Stream Tracks and Playlists from Free Electro House on your desktop or mobile device. Listen to the best DJs and radio presenters in the world for free. Free Download Music & Free Electronic Dance Music Downloads and Free new EDM songs and tracks. Get free Electro, House, Trance, Dubstep, Mixtape downloads. Exclusive download New Electro & House Best of Party Mashup, Bootleg, Remix Dance Mix Click here to download New Electro & House Best of Party Mashup, Bootleg, Remix Dance Mix Maximise Network, Eric Clapman and GANGSTA-HOUSE on Soundcloud Follow +1 entry I've already followed Maximise Music, Repost Media, Maximise Network, Eric.
    [Show full text]
  • EDM (Dance Music): Disco, Techno, House, Raves… ANTHRO 106 2018
    EDM (Dance Music): Disco, Techno, House, Raves… ANTHRO 106 2018 Rebellion, genre, drugs, freedom, unity, sex, technology, place, community …………………. Disco • Disco marked the dawn of dance-based popular music. • Growing out of the increasingly groove-oriented sound of early '70s and funk, disco emphasized the beat above anything else, even the singer and the song. • Disco was named after discotheques, clubs that played nothing but music for dancing. • Most of the discotheques were gay clubs in New York • The seventies witnessed the flowering of gay clubbing, especially in New York. For the gay community in this decade, clubbing became 'a religion, a release, a way of life'. The camp, glam impulses behind the upsurge in gay clubbing influenced the image of disco in the mid-Seventies so much that it was often perceived as the preserve of three constituencies - blacks, gays and working-class women - all of whom were even less well represented in the upper echelons of rock criticism than they were in society at large. • Before the word disco existed, the phrase discotheque records was used to denote music played in New York private rent or after hours parties like the Loft and Better Days. The records played there were a mixture of funk, soul and European imports. These "proto disco" records are the same kind of records that were played by Kool Herc on the early hip hop scene. - STARS and CLUBS • Larry Levan was the first DJ-star and stands at the crossroads of disco, house and garage. He was the legendary DJ who for more than 10 years held court at the New York night club Paradise Garage.
    [Show full text]
  • Aaron Spectre «Lost Tracks» (Ad Noiseam, 2007) | Reviews На Arrhythmia Sound
    2/22/2018 Aaron Spectre «Lost Tracks» (Ad Noiseam, 2007) | Reviews на Arrhythmia Sound Home Content Contacts About Subscribe Gallery Donate Search Interviews Reviews News Podcasts Reports Home » Reviews Aaron Spectre «Lost Tracks» (Ad Noiseam, 2007) Submitted by: Quarck | 19.04.2008 no comment | 198 views Aaron Spectre , also known for the project Drumcorps , reveals before us completely new side of his work. In protovoves frenzy break­grindcore Specter produces a chic downtempo, idm album. Lost Tracks ­ the result of six years of work, but despite this, the rumor is very fresh and original. The sound is minimalistic without excesses, but at the same time the melodies are very beautiful, the bit powerful and clear, pronounced. Just want to highlight the composition of Break Ya Neck (Remix) , a bit mystical and mysterious, a feeling, like wandering somewhere in the http://www.arrhythmiasound.com/en/review/aaron-spectre-lost-tracks-ad-noiseam-2007.html 1/3 2/22/2018 Aaron Spectre «Lost Tracks» (Ad Noiseam, 2007) | Reviews на Arrhythmia Sound dusk. There was a place and a vocal, in a track Degrees the gentle voice Kazumi (Pink Lilies) sounds. As a result, Lost Tracks can be safely put on a par with the works of such mastadonts as Lusine, Murcof, Hecq. Tags: downtempo, idm Subscribe Email TOP-2013 Submit TOP-2014 TOP-2015 Tags abstract acid ambient ambient-techno artcore best2012 best2013 best2014 best2015 best2016 best2017 breakcore breaks cyberpunk dark ambient downtempo dreampop drone drum&bass dub dubstep dubtechno electro electronic experimental female vocal future garage glitch hip hop idm indie indietronica industrial jazzy krautrock live modern classical noir oldschool post-rock shoegaze space techno tribal trip hop Latest The best in 2017 - albums, places 1-33 12/30/2017 The best in 2017 - albums, places 66-34 12/28/2017 The best in 2017.
    [Show full text]
  • Raja Mohan 21M.775 Prof. Defrantz from Bronx's Hip-Hop To
    Raja Mohan 21M.775 Prof. DeFrantz From Bronx’s Hip-Hop to Bristol’s Trip-Hop As Tricia Rose describes, the birth of hip-hop occurred in Bronx, a marginalized city, characterized by poverty and congestion, serving as a backdrop for an art form that flourished into an international phenomenon. The city inhabited a black culture suffering from post-war economic effects and was cordoned off from other regions of New York City due to modifications in the highway system, making the people victims of “urban renewal.” (30) Given the opportunity to form new identities in the realm of hip-hop and share their personal accounts and ideologies, similar to traditions in African oral history, these people conceived a movement whose worldwide appeal impacted major events such as the Million Man March. Hip-hop’s enormous influence on the world is undeniable. In the isolated city of Bristol located in England arose a style of music dubbed trip-hop. The origins of trip-hop clearly trace to hip-hop, probably explaining why artists categorized in this genre vehemently oppose to calling their music trip-hop. They argue their music is hip-hop, or perhaps a fresh and original offshoot of hip-hop. Mushroom, a member of the trip-hop band Massive Attack, said, "We called it lover's hip hop. Forget all that trip hop bullshit. There's no difference between what Puffy or Mary J Blige or Common Sense is doing now and what we were doing…” (Bristol Underground Website) Trip-hop can abstractly be defined as music employing hip-hop, soul, dub grooves, jazz samples, and break beat rhythms.
    [Show full text]
  • IN SEARCH of WARMER CLIMES Following a Move to LA, Bonobo Returns to Ninja Tune with New LP, ‘Migration’
    MUSIC ONE STOP SHOP February’s tunes reviewed p.106 THE LONG GAME Albums arriving this month p.128 MIX ‘N’ MATCH Compilations not to miss p.132 IN SEARCH OF WARMER CLIMES Following a move to LA, Bonobo returns to Ninja Tune with new LP, ‘Migration’... p.129 djmag.com 105 HOUSE BEN ARNOLD QUICKIES Roberto Clementi Avesys EP [email protected] Pets Recordings 8.0 Sheer class from Roberto Clementi on Pets. The title track is brooding and brilliant, thick with drama, while 'Landing A Man'’s relentless thump betrays a soft and gentle side. Lovely. Jagwar Ma Give Me A Reason (Michael Mayer Does The Amoeba Remix) Marathon MONEY 8.0 SHOT! Showing that he remains the master (and managing Baba Stiltz to do so in under seven minutes too), Michael Mayer Is Everything smashes this remix of baggy dance-pop dudes Studio Barnhus Jagwar Ma out of the park. 9.5 The unnecessarily young Baba Satori Stiltz (he's 22) is producing Imani's Dress intricate, brilliantly odd house Crosstown Rebels music that bearded weirdos 8.0 twice his age would give their all chopped hardcore loops, and a brilliance from Tact Recordings Crosstown is throwing weight behind the rather mid-life crises for. Think the bouncing bassline. Sublime work. comes courtesy of roadman (the unique sound of Satori this year — there's an album dizzying brilliance of Robag small 'r' is intentional), aka coming — but ignore the understatedly epic Ewan Whrume for a reference point, Dorsia Richard Fletcher. He's also Tact's Pearson mixes of 'Imani's Dress' at your peril.
    [Show full text]
  • Quantifying Music Trends and Facts Using Editorial Metadata from the Discogs Database
    QUANTIFYING MUSIC TRENDS AND FACTS USING EDITORIAL METADATA FROM THE DISCOGS DATABASE Dmitry Bogdanov, Xavier Serra Music Technology Group, Universitat Pompeu Fabra [email protected], [email protected] ABSTRACT Discogs metadata contains information about music re- leases (such as albums or EPs) including artists name, track While a vast amount of editorial metadata is being actively list including track durations, genre and style, format (e.g., gathered and used by music collectors and enthusiasts, it vinyl or CD), year and country of release. It also con- is often neglected by music information retrieval and mu- tains information about artist roles and relations as well sicology researchers. In this paper we propose to explore as recording companies and labels. The quality of the data Discogs, one of the largest databases of such data available in Discogs is considered to be high among music collec- in the public domain. Our main goal is to show how large- tors because of its strict guidelines, moderation system and scale analysis of its editorial metadata can raise questions a large community of involved enthusiasts. The database and serve as a tool for musicological research on a number contains contributions by more than 347,000 people. It of example studies. The metadata that we use describes contains 8.4 million releases by 5 million artists covering a music releases, such as albums or EPs. It includes infor- wide range of genres and styles (although the database was mation about artists, tracks and their durations, genre and initially focused on Electronic music). style, format (such as vinyl, CD, or digital files), year and Remarkably, it is the largest open database containing country of each release.
    [Show full text]
  • Ambient Music Guide's Best Albums of 2015 Part 2 - Chillout Mix
    Ambient Music Guide's Best Albums of 2015 Part 2 - Chillout Mix START TRACK TITLE ARTIST ALBUM/E.P. (click to buy the release online) (m/s) 00’00 Expansion Ascendant Ætheral Code (Synphaera Records) 07’52 Terra Firma Pan Electric & Ishq Elemental Journey (Pink Lizard Music) 13’53 Nature Boy Another Fine Day A Good Place to Be (Interchill Records) 18’36 Luftrum 8 Motionfield Luftrum (Carpe Sonum Records) 25’37 Are We Learning Yet? Shakta (Seb Taylor) Collected Downtempo vol. 2 (Tribal Shift Records) 29’30 Are You Connectome? The Dread Plastination of Otis T Fernbank (thedreadband.com) 34’19 Messianic Hibernation (Seb Taylor) Collected Downtempo vol. 3 (Tribal Shift Records) 38’53 You Are The Stars Kick Bong A Waking Dream (Cosmicleaf) 43’33 Point Of View Kurt Stenzel Jodorowsky's Dune soundtrack (Cinewax) 45’55 World 1 Si Matthews Tales of Ten Worlds (Carpe Sonum) 54’46 Sea Surfaces Martin Nonstatic Granite (Ultimae Records) 60’42 Unfamiliar Shadows Twilight Archive Mood Chain (Electrophonogram) 65’39 Nespole Floating Points Elaenia (Luaka Bop) 70’14 Strands Ascendant Various - Ambient Online vol. 4 (Ambientonline.org) 77’40 Gonglaing Ebauche Adrift (Invisible Agent Records) 85’32 Voila St Germain St Germain (Nonesuch/Parlophone) 91’31 The Beginning + Viola Abakus + St Germain The Beginning/Dreamer e.p. (Modus Recordings) 97’28 Last Train To Lhasa (ambient Banco de Gaia Last Train To Lhasa: 20th Anniversary Edition (Disco mix) Gecko) 101’52 Last Train To Lhasa Banco de Gaia Last Train To Lhasa: 20th Anniversary Edition (Disco (Astropilot remix) Gecko) 107’14 Dreamer Abakus The Beginning/Dreamer e.p.
    [Show full text]
  • Arhai's Balkan Folktronica: Serbian Ethno Music Reimagined for British
    Ivana Medić Arhai’s Balkan Folktronica... DOI: 10.2298/MUZ1416105M UDK: 78.031.4 78.071.1:929 Бацковић Ј. Arhai’s Balkan Folktronica: Serbian Ethno Music Reimagined for British Market* Ivana Medić1 Institute of Musicology SASA (Belgrade) Abstract This article focuses on Serbian composer Jovana Backović and her band/project Arhai, founded in Belgrade in 1998. The central argument is that Arhai made a transition from being regarded a part of the Serbian ethno music scene (which flourished during the 1990s and 2000s) to becoming a part of the global world music scene, after Jovana Backović moved from her native Serbia to the United Kingdom to pursue an international career. This move did not imply a fundamental change of her musical style, but a change of cultural context and market conditions that, in turn, affected her cultural identity. Keywords Arhai, Jovana Backović, world music, ethno, Balkan Folktronica Although Serbian composer, singer and multi-instrumentalist Jovana Backović is only 34 years old, the band Arhai can already be considered her lifetime project. The Greek word ‘Arhai’ meaning ‘beginning’ or ‘ancient’ it is aptly chosen to summarise Backović’s artistic mission: rethinking tradition in contemporary context. Нer interest in traditional music was sparked by her father, himself a professional musician and performer of both traditional and popular folk music (Medić 2013). Backović founded Arhai in Belgrade in 1998, while still a pupil at music school Slavenski, and continued to perform with the band while receiving instruction in classical composition and orchestration at the Belgrade Faculty of Music. In its first, Belgrade ‘incarnation’, Arhai was a ten-piece band that developed a fusion of traditional music from the Balkans with am bient sounds and jazz-influenced improvisation, using both acoustic and electric instruments and a quartet of fe male vocalists.
    [Show full text]
  • BEATPORT LAUNCHES NEW ORGANIC HOUSE / DOWNTEMPO GENRE CATEGORY a New Space Dedicated to Deeper, Slower, and More Meditative Shades of House Music
    FOR IMMEDIATE RELEASE BEATPORT LAUNCHES NEW ORGANIC HOUSE / DOWNTEMPO GENRE CATEGORY A new space dedicated to deeper, slower, and more meditative shades of house music. BERLIN, DE - JUNE 23, 2020 - Beatport, the world’s number one destination for electronic ​ ​ ​ music, has announced that it has expanded its deep genre classifications even further, with the launch of Organic House / Downtempo. Cultivated by acts such as Sabo, BLOND:ISH, Britta ​ ​ ​ Arnold, Shawni, Bedouin, Nicola Cruz, Oliver Koletzki, Lazarusman, Namito, Amonita, Behrouz, Amine K, Mira, Acid Pauli, M.A.N.D.Y., Damian Lazarus, YokoO, KMLN, Pachanga Boys, Monolink, and many more, the slow and radiant sound of this particular style ​ of dance music has emerged from desert-dwelling parties to a place of global fandom that warrants its own space on Beatport. The genre includes storied labels such as Do Not Sit On ​ ​ The Furniture, Sol Selectas, Crosstown Rebels, Desert Dwellers, Get Physical, RADIANT., Hoomidaas Records, Pipe & Pochet, and Bercana Music. The new genre coalesced around feedback Beatport received from its prominent labels, artists, distributors, and the Organic House / Downtempo community. Whereas previously this genre was spread across Afro House, Deep House, Electronica, Melodic House & Techno, this music now has its own space in which to thrive and showcase its many talented artists and often long-running labels. Speaking about the launch, Raphael Pujol, Beatport Head of Curation, stated, “We are ​ ​ thrilled to give the extra visibility to this music through the creation of the Organic House / Downtempo genre classification. This unique sound was scattered over 3 or 4 genres and made it very difficult for customers to find the music they love, and to give the amount of exposure they deserve to labels and artists.” Echoing Pujol are a few of the genre’s leading artists, like Acid Pauli "Up to now it has been ​ ​ quite challenging to find this kind of music here.
    [Show full text]
  • Genre in Practice: Categories, Metadata and Music-Making in Psytrance Culture
    Genre in Practice: Categories, Metadata and Music-Making in Psytrance Culture Feature Article Christopher Charles University of Bristol (UK) Abstract Digital technology has changed the way in which genre terms are used in today’s musical cultures. Web 2.0 services have given musicians greater control over how their music is categorised than in previous eras, and the tagging systems they contain have created a non-hierarchical environment in which musical genres, descriptive terms, and a wide range of other metadata can be deployed in combination, allowing musicians to describe their musical output with greater subtlety than before. This article looks at these changes in the context of psyculture, an international EDM culture characterised by a wide vocabulary of stylistic terms, highlighting the significance of these changes for modern-day music careers. Profiles are given of two artists, and their use of genre on social media platforms is outlined. The article focuses on two genres which have thus far been peripheral to the literature on psyculture, forest psytrance and psydub. It also touches on related genres and some novel concepts employed by participants (”morning forest” and ”tundra”). Keywords: psyculture; genre; internet; forest psytrance; psydub Christopher Charles is a musician and researcher from Bristol, UK. His recent PhD thesis (2019) looked at the careers of psychedelic musicians in Bristol with chapters on event promotion, digital music distribution, and online learning. He produces and performs psydub music under the name Geoglyph, and forest psytrance under the name Espertine. Email: <[email protected]>. Dancecult: Journal of Electronic Dance Music Culture 12(1): 22–47 ISSN 1947-5403 ©2020 Dancecult http://dj.dancecult.net http://dx.doi.org/10.12801/1947-5403.2020.12.01.09 Charles | Genre in Practice: Categories, Metadata and Music-Making in Psytrance Culture 23 Introduction The internet has brought about important changes to the nature and function of genre in today’s musical cultures.
    [Show full text]
  • Paul D. Miller, Aka DJ Spooky That Subliminal Kid: Ice Music Collection CAE1217
    Paul D. Miller, aka DJ Spooky that Subliminal Kid: Ice Music Collection CAE1217 Introduction/Abstract For his book and exhibition titled Ice Music, Miller worked through music, photographs and film stills from his journeys to the Antarctic and Arctic, along with original artworks, and re-appropriated archival materials, to contemplate humanity’s relationship with the natural world. Materials include graphics from The Books of Ice, copies of four original scores composed by Paul Miller, DVD of Syfy Channel clips, the CD Ice Music, press, photographs, and pieces of personal gear used in the Polar Regions. Biographical Note: Paul D. Miller Paul D. Miller, also known as ‘DJ Spooky, That Subliminal Kid’, which is his stage name and self constructed persona, is an experimental and electronic hip-hop musician, conceptual artist, and writer. He was born in 1970 in Washington DC but has been based in New York City for many years. He is the son of one of Howard University's former Deans of Law who died when he was only three, and a mother who was in charge of a fabric shop of international repute. Paul Miller then spent the main part of his childhood in Washington DC’s nurturing bohemia. Paul Miller is a Professor at the European Graduate School (EGS) where he teaches Music Mediated Art. DJ Spooky is known amongst other things for his electronic experimentations in music known as both “illbient” and “trip hop.” His first album, Dead Dreamer, was released in 1996 and he has since then released over a dozen albums. Miller, as DJ Spooky, has collaborated with drummer Dave Lombardo of thrash metal band Slayer; singer, songwriter and guitarist Thurston Moore of Sonic Youth; Chuck D of Public Enemy fame; rapper Kool Keith; Towa Tei, formerly of Deee-Lite; Vernon Reid of Living Colour; The Coup; artists Yoko Ono and Shepard Fairey and many others.
    [Show full text]
  • The History of Rock Music - the Nineties
    The History of Rock Music - The Nineties The History of Rock Music: 1995-2001 Drum'n'bass, trip-hop, glitch music History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Post-post-rock (These are excerpts from my book "A History of Rock and Dance Music") The Louisville alumni 1995-97 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The Squirrel Bait and Rodan genealogies continued to dominate Kentucky's and Chicago's post-rock scene during the 1990s. Half of Rodan, i.e. Tara Jane O'Neil (now on vocals and guitar) and Kevin Coultas, formed Sonora Pine with keyboardist and guitarist Sean Meadows, violinist Samara Lubelski and pianist Rachel Grimes. Their debut album, Sonora Pine (1996), basically applied Rodan's aesthetics to the format of the folk lullaby. Another member of Rodan, guitarist Jeff Mueller, formed June Of 44 (11), a sort of supergroup comprising Sonora Pine's guitarist Sean Meadows, Codeine's drummer and keyboardist Doug Scharin, and bassist and trumpet player Fred Erskine. Engine Takes To The Water (1995) signaled the evolution of "slo-core" towards a coldly neurotic form, which achieved a hypnotic and catatonic tone, besides a classic austerity, on the mini-album Tropics And Meridians (1996). Sustained by abrasive and inconclusive guitar doodling, mutant rhythm and off-key counterpoint of violin and trumpet, Four Great Points (1998) metabolized dub, raga, jazz, pop in a theater of calculated gestures.
    [Show full text]