A Girl Walks Home Alone at Night
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The 25Th Bath Film Festival
The 25th Bath Film Festival 3 – 13 Dec 2015 bathfilmfestival.org.uk The F-Rating was launched at Bath Film Festival 2014 to massive international attention. The F stands for feminist and is used to highlight films directed and/or written by women and/or with significant female characters on screen in their own right. This year we are thrilled to welcome Pukka Herbs as the official sponsors of the F-Rating 2015 Expect to see, and possibly sample, Pukka treats at F-Rated screenings - just look for the rating’s logo on the film pages. Do please show your support by coming to see the films and drinking lots of what we believe are the best herbal teas on sale! Hello & Welcome Welcome to the 25th Bath Film Festival, we have got a fantastic programme of previews, F-Rated delights, docs, shorts and awards, so dive in and Find Your Film! Holly Tarquini, Executive Director Contents Find Your Film 4 – 5 About the 25th Bath Film Festival 7 Festival Team Recommends 8 – 9 Find Your F-Rated Film 10 – 11 Find Your Film by Feel 12 – 13 IMDb Awards 15 Anniversary T-Shirts and Hoodies 17 Our Sponsors 18 – 19 Map and Bookings 20 – 21 All the Films 22 - 41 Registered Office: 2nd Floor, Abbey Chambers, Kingston Parade, Bath BA1 1LY 01225 463 458 [email protected] Bath Box Office 01225 463 362 /BathFilmFestival @bathfilm #FindYourFilm Registered in the UK no. 3400371 Registered Charity no. 1080952 /BathFilmFestival @BathFilm 3 Find Your Film EvEnT vEnUE Start PAgE EvEnT vEnUE Start PAgE Thursday 3 December Sunday 6 December Room Odeon 19.00 22 Tocando -
Hollywood and Film Critics
Hollywood and film critics: Is journalistic criticism about cinema now a part of the culture industry helping economy more than art? Argo: a case study of the movie and film reviews published in the printed media in United States student: Seyedjavad Rasooli Tutor: Jaume Soriano Coordinator: María Dolores Montero Sánchez DEPARTAMENTO DE MEDIOS, COMUNICACIÓN Y CULTURA Barcelona, September de 2015 Table of Contents Abstract ...................................................................................................................4 Introduction ............................................................................................................. 5 Theoretical Framework ............................................................................................. 6 Frankfurt School and Critical theory ......................................................................................... 6 The concept of culture industry................................................................................................ 8 The Culture Industry and Film................................................................................................. 11 About Hollywood .................................................................................................................... 12 Hollywood and Ideology.......................................................................................................... 15 About Film Critic Genre.......................................................................................................... -
An Old River Flowed Again After Debby Some Candidate Questions May Be
1A SUNDAY, JULY 15, 2012 | YOUR COMMUNITY NEWSPAPER SINCE 1874 | $1.00 Lake City Reporter LAKECITYREPORTER.COM Fort White FFA Working to save SUNDAY EDITION studies nutrient pets from deadly effects, wins big. 1C summer heat. 1D Alligator C\^\e[ Lake Cody Scarp Ichetucknee Trace Rivers, lakes, streams 242 A new twist for INTERSTATE 441 75 47 240 political forum 240 137 131 238 47 Ichetucknee Springs State Park 441 27 Fort White SANTA FE RIVER DAVE KIMLER/Lake City Reporter An old river flowed again after Debby The Ichetucknee Trace, inundated with floodwater, appeared as it did in 1829. JASON MATTHEW WALKER/Lake City Reporter By TONY BRITT Anthony Free, an audio/visual, television specialist at Florida Gateway College, works on TV monitors in preparation for the [email protected] live broadcasts of the candidate forum, which will be held at the college on July 30, 31 and August 2. Thirty-seven candi- dates for city and county commission, state attorney, Third Circuit judge, Columbia County Sheriff, Columbia County school raveling by boat from Alligator Lake to superintendent and school board will be questioned by Lake City Reporter Editor Robert Bridges. the Santa Fe River would normally be an exercise in futility, but when floodwaters from Tropical Storm Debby inundated Columbia County and the Ichetucknee TTrace last month, the old river that had been under- Some candidate questions ground for many decades seemed to reappear on the landscape. The Ichetucknee River Trace is the Cody Scarp, contours may be selected by readers former riverbed of of ancient coastline, the Ichetucknee River where the river histori- forms rough boundary. -
Jamal Rostami
CURRICULUM VITAE JAFAR KHADEMI HAMIDI, Ph.D. Mining Eng. Dept., Faculty of Engineering Phone: +98 21-82884364 Tarbiat Modares University Fax: +98 21-82884324 Jalal Ale Ahmad Highway, Nasr Bridge Email: [email protected] P.O. Box: 14115-143, Tehran, Iran http://www.modares.ac.ir/~jafarkhademi SUMMARY OF EXPERIENCE Jafar Khademi Hamidi received his PhD degree in Mining Engineering from Amirkabir University of Technology (Tehran Polytechnic) in January 2011 with dissertation entitled "A model for hard rock TBM performance prediction". As a PhD student in Tehran Polytechnic, he was a recipient of several competitive awards that include honored and top-rank recognition student, selected young researcher, sabbatical opportunity and INEF awards. He worked as a consultant in the area of underground construction, mechanical excavation, geotechnical investigations, construction bid preparation, tunneling in difficult ground conditions and longwall coal mine design between 2006 and 2013. He has started faculty job at Tarbiat Modares University (TMU) from spring 2012. Currently, as an Assistant Professor of Mining Engineering and founder of Mechanized Excavation Laboratory in TMU, he is to pursue basic and applied researches in the field of mechanical mining and excavation. RESEARCH INTEREST Underground mining (geotechnical engineering, design and planning, risk analysis) Mechanical mining and excavation (rock drillability/cuttability/boreability, design and fabrication of rock cuttability index tests, rock abrasion and tool wear) GIS -
Re-Configurations Contextualising Transformation Processes and Lasting Crises in the Middle East and North Africa Politik Und Gesellschaft Des Nahen Ostens
Politik und Gesellschaft des Nahen Ostens Rachid Ouaissa · Friederike Pannewick Alena Strohmaier Editors Re-Configurations Contextualising Transformation Processes and Lasting Crises in the Middle East and North Africa Politik und Gesellschaft des Nahen Ostens Series Editors Martin Beck, Institute of History, University of Southern Denmark, Odense, Denmark Cilja Harders, Institut für Politikwissenschaft, Freie Universität Berlin, Berlin, Germany Annette Jünemann, Institut für Internationale Politik, Helmut Schmidt Universität, Hamburg, Germany Rachid Ouaissa, Centrum für Nah- und Mittelost-Stud, Philipps-Universität Marburg, Marburg, Germany Stephan Stetter, Institut für Politikwissenschaften, Universität der Bundeswehr München, München, Germany Die Reihe beschäftigt sich mit aktuellen Entwicklungen und Umbruchen̈ in Nor- dafrika, dem Nahen Osten, der Golfregion und darüber hinaus. Die politischen, sozialen und ökonomischen Dynamiken in der Region sind von hoher globaler Bedeutung und sie strahlen intensiv auf Europa aus. Die Reihe behandelt die gesa- mte Bandbreite soziopolitischer Themen in der Region: Veränderungen in Konfikt- mustern und Kooperationsbeziehungen in Folge der Arabischen Revolten 2010/11 wie etwa Euro-Arabische und Euro-Mediterrane Beziehungen oder den Nahost- konfikt. Auf nationaler Ebene geht es um Themen wie Reform, Transformation und Autoritarismus, Islam und Islamismus, soziale Bewegungen, Geschlechterver- hältnisse aber auch energie- und umweltpolitische Fragen, Migrationsdynamiken oder neue Entwicklungen in der Politischen Ökonomie. Der Schwerpunkt liegt auf innovativen politikwissenschaftlichen Werken, die die gesamte theoretische Breite des Faches abdecken. Eingang fnden aber auch Beiträge aus anderen sozialwissen- schaftlichen Disziplinen, die relevante politische Zusammenhänge behandeln. This book series focuses on key developments in the Middle East and North Africa as well as the Gulf and beyond. The regions’ political, economic and social dynam- ics are of high global signifcance, not the least for Europe. -
For Immediate Release Tribeca Film Festival® Announces
FOR IMMEDIATE RELEASE TRIBECA FILM FESTIVAL® ANNOUNCES FEATURE FILM LINE UP FOR THE COMPETITION, SPOTLIGHT, VIEWPOINTS AND MIDNIGHT SECTIONS OF THE 16TH ANNUAL FESTIVAL APRIL 19-30 ProgrAm Includes Artistic Gems, Comedies, Complex Artistic PortrAits, And PoliticAl And Social Action Films that will Engage, Inspire and Entertain New York, NY [MArch 2, 2017] – An exciting slate of films that showcases the breadth of contemporary filmmaking across a range of styles will premiere at the 2017 Tribeca Film Festival, presented by AT&T. The Festival today announced the feature films across the following programs: Competition, including U.S. Narrative, Documentary, and International Narrative categories; Spotlight, supported by The Lincoln Motor Company, a selection of anticipated premieres from major talent; Viewpoints, which recognizes distinct voices in international and American independent filmmaking; and the popular Midnight Section, supported by EFFEN® Vodka, featuring the best in psychological thriller, horror, sci-fi, and cult cinema. After receiving a record number of entries, the Festival’s seasoned team of programmers, led by Cara Cusumano in her new role as Director of Programming and Artistic Director Frédéric Boyer, carefully curated an edgy, entertaining and provocative program. The 16th Annual Tribeca Film Festival takes place April 19 – 30. Today’s announcement includes 82 of the 98 feature-length titles in the Festival. In a year of record high submissions, the Festival’s curators chose to reduce the size of the overall program by 20%, making this the most selective and focused festival slate yet. The Competition section features 32 films: 12 documentaries, 10 U.S. narratives and 10 international narratives. -
Abstracts Electronic Edition
Societas Iranologica Europaea Institute of Oriental Manuscripts of the State Hermitage Museum Russian Academy of Sciences Abstracts Electronic Edition Saint-Petersburg 2015 http://ecis8.orientalstudies.ru/ Eighth European Conference of Iranian Studies. Abstracts CONTENTS 1. Abstracts alphabeticized by author(s) 3 A 3 B 12 C 20 D 26 E 28 F 30 G 33 H 40 I 45 J 48 K 50 L 64 M 68 N 84 O 87 P 89 R 95 S 103 T 115 V 120 W 125 Y 126 Z 130 2. Descriptions of special panels 134 3. Grouping according to timeframe, field, geographical region and special panels 138 Old Iranian 138 Middle Iranian 139 Classical Middle Ages 141 Pre-modern and Modern Periods 144 Contemporary Studies 146 Special panels 147 4. List of participants of the conference 150 2 Eighth European Conference of Iranian Studies. Abstracts Javad Abbasi Saint-Petersburg from the Perspective of Iranian Itineraries in 19th century Iran and Russia had critical and challenging relations in 19th century, well known by war, occupation and interfere from Russian side. Meantime 19th century was the era of Iranian’s involvement in European modernism and their curiosity for exploring new world. Consequently many Iranians, as official agents or explorers, traveled to Europe and Russia, including San Petersburg. Writing their itineraries, these travelers left behind a wealthy literature about their observations and considerations. San Petersburg, as the capital city of Russian Empire and also as a desirable station for travelers, was one of the most important destination for these itinerary writers. The focus of present paper is on the descriptions of these travelers about the features of San Petersburg in a comparative perspective. -
University of Florida Thesis Or Dissertation Formatting
VOICES OF A REBELLIOUS GENERATION: CULTURAL AND POLITICAL RESISTANCE IN IRAN’S UNDERGROUND ROCK MUSIC By SHABNAM GOLI A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC UNIVERSITY OF FLORIDA 2014 © 2014 Shabnam Goli I dedicate this thesis to my soul mate, Alireza Pourreza, for his unconditional love and support. I owe this achievement to you. ACKNOWLEDGMENTS Completion of this thesis would not have been possible without the help and support of many people. I thank my committee chair, Dr. Larry Crook, for his continuous guidance and encouragement during these three years. I thank you for believing in me and giving me the possibility for growing intellectually and musically. I am very thankful to my committee member, Dr. Welson Tremura, who devoted numerous hours of endless assistance to my research. I thank you for mentoring me and dedicating your kind help and patience to my work. I also thank my professors at the University of Florida, Dr. Silvio dos Santos, Dr. Jennifer Smith, and Dr. Jennifer Thomas, who taught me how to think and how to prosper in my academic life. Furthermore, I express my sincere gratitude to all the informants who agreed to participate in several hours of online and telephone interviews despite all their difficulties, and generously shared their priceless knowledge and experience with me. I thank Alireza Pourreza, Aldoush Alpanian, Davood Ajir, Ali Baghfar, Maryam Asadi, Mana Neyestani, Arash Sobhani, ElectroqutE band members, Shahyar Kabiri, Hooman Ajdari, Arya Karnafi, Ebrahim Nabavi, and Babak Chaman Ara for all their assistance and support. -
News Release. Vanguard Programme Seduces
August 9, 2016 .NEWS RELEASE. VANGUARD PROGRAMME SEDUCES AUDIENCES WITH DANGEROUSLY DARK AND SOPHISTICATED CINEMA New films from Ana Lily Amirpour, Fabrice Du Welz and Nacho Vigalondo TORONTO — The Toronto International Film Festival® announced today its Vanguard programme featuring dark and edgy films that twist genre and art house conventions together in a new way. Vanguard is generously sponsored by AXE. “At the Festival, everyone has the opportunity to indulge their different cinematic tastes. In the Vanguard lineup, art house and genre collide to surprise, delight and shock, with films that are a bit darker, a bit more transgressive and a bit more dangerous,” said Colin Geddes, International Programmer for the Festival. “Genre tropes and standards are taken to new levels and the settings of revenge tales, ghosts, aliens and dystopian futures serve as backdrops for stories of the human condition and complex moral decisions.” The 2016 selection includes Nacho Vigalondo’s twist on the Kaiju genre, Colossal; the first animated feature film from graphic novelist and animator Dash Shaw, My Entire High School Sinking Into the Sea; Fabrice Du Welz’s thrilling Message from the King; Sarah Adina Smith’s Buster's Mal Heart starring Rami Malek in his first leading role in a feature film; and The Bad Batch, the second feature from Ana Lily Amirpour starring Keanu Reeves, Jim Carrey and Giovanni Ribisi. The 41st Toronto International Film Festival runs from September 8 to 18, 2016. Films screening as part of the Vanguard programme include: The Bad Batch Ana Lily Amirpour, USA North American Premiere A savage dystopian cannibal fairy tale set in a Texas wasteland where society's rejects are just trying to make ends meat. -
NEW BLOOD in CONTEMPORARY CINEMA W OMEN DIRECTORS and the POETICS of HORROR New Blood in Contemporary Cinema
PATRICIA PISTERS NEW BLOOD IN CONTEMPORARY CINEMA W OMEN DIRECTORS AND THE POETICS OF HORROR New Blood in Contemporary Cinema New Blood in Contemporary Cinema Women Directors and the Poetics of Horror Patricia Pisters Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting- edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © Patricia Pisters, 2020 Edinburgh University Press Ltd The Tun – Holyrood Road, 12(2f) Jackson’s Entry, Edinburgh EH8 8PJ Typeset in Monotype Ehrhardt by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain. A CIP record for this book is available from the British Library ISBN 978 1 4744 6695 0 (hardback) ISBN 978 1 4744 6697 4 (webready PDF) ISBN 978 1 4744 6698 1 (epub) The right of Patricia Pisters to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988, and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Contents List of Figures vii Acknowledgements viii Introduction: Virginia’s Unruly Daughters and Carrie’s Crimson Sisters 1 Red Flags on the Red Carpet 1 The Bloody Difference: Virginia Woolf’s Unruly Daughters 5 Cinematic Poetics of Horror, Metaphors and Relations: A Note on Theory 11 Following a Trail of Blood: Carrie’s Crimson Sisters 16 Drop by Drop: Chapter Overview 18 1. -
Bengal Tiger at the Baghdad Zoo
BENGAL TIGER AT THE BAGHDAD ZOO BY RAJIV JOSEPH DRAMATISTS PLAY SERVICE INC. BENGAL TIGER AT THE BAGHDAD ZOO Copyright © 2012, Rajiv Joseph All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of BENGAL TIGER AT THE BAGHDAD ZOO is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for BENGAL TIGER AT THE BAGHDAD ZOO are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. -
101 Films for Filmmakers
101 (OR SO) FILMS FOR FILMMAKERS The purpose of this list is not to create an exhaustive list of every important film ever made or filmmaker who ever lived. That task would be impossible. The purpose is to create a succinct list of films and filmmakers that have had a major impact on filmmaking. A second purpose is to help contextualize films and filmmakers within the various film movements with which they are associated. The list is organized chronologically, with important film movements (e.g. Italian Neorealism, The French New Wave) inserted at the appropriate time. AFI (American Film Institute) Top 100 films are in blue (green if they were on the original 1998 list but were removed for the 10th anniversary list). Guidelines: 1. The majority of filmmakers will be represented by a single film (or two), often their first or first significant one. This does not mean that they made no other worthy films; rather the films listed tend to be monumental films that helped define a genre or period. For example, Arthur Penn made numerous notable films, but his 1967 Bonnie and Clyde ushered in the New Hollywood and changed filmmaking for the next two decades (or more). 2. Some filmmakers do have multiple films listed, but this tends to be reserved for filmmakers who are truly masters of the craft (e.g. Alfred Hitchcock, Stanley Kubrick) or filmmakers whose careers have had a long span (e.g. Luis Buñuel, 1928-1977). A few filmmakers who re-invented themselves later in their careers (e.g. David Cronenberg–his early body horror and later psychological dramas) will have multiple films listed, representing each period of their careers.