Rudolf Steiner, a Sketch
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Harry Collison, MA – Kingston University Working Paper ______
Harry Collison, MA – Kingston University Working Paper __________________________________________________________________________________________ HARRY COLLISON, MA (1868-1945): Soldier, Barrister, Artist, Freemason, Liveryman, Translator and Anthroposophist Sir James Stubbs, when answering a question in 1995 about Harry Collison, whom he had known personally, described him as a dilettante. By this he did not mean someone who took a casual interest in subjects, the modern usage of the term, but someone who enjoys the arts and takes them seriously, its more traditional use. This was certainly true of Collison, who studied art professionally and was an accomplished portraitist and painter of landscapes, but he never had to rely on art for his livelihood. Moreover, he had come to art after periods in the militia and as a barrister and he had once had ambitions of becoming a diplomat. This is his story.1 Collisons in Norfolk, London and South Africa Originally from the area around Tittleshall in Norfolk, where they had evangelical leanings, the Collison family had a pedigree dating back to at least the fourteenth century. They had been merchants in the City of London since the later years of the eighteenth century, latterly as linen drapers. Nicholas Cobb Collison (1758-1841), Harry’s grandfather, appeared as a witness in a case at the Old Bailey in 1800, after the theft of material from his shop at 57 Gracechurch Street. Francis (1795-1876) and John (1790-1863), two of the children of Nicholas and his wife, Elizabeth, née Stoughton (1764-1847), went to the Cape Colony in 1815 and became noted wine producers.2 Francis Collison received the prize for the best brandy at the first Cape of Good Hope Agricultural Society competition in 1833 and, for many years afterwards, Collison was a well- known name in the brandy industry. -
Albert Steffen, the Poet Marie Steiner 34 a Selection of Poems 38 Little Myths Albert Steffen 51
ALBERT STEFFEN CENTENNIAL ISSUE NUMBER 39 AUTUMN, 1984 ISSN 0021-8235 . Albert Steffen does not need to learn the way into the spiritual world from Anthroposophy. But from him Anthroposophy can come to know of a living “Pilgrimage ” — as an innate predisposition o f the soul — to the world of spirit. Such a poet-spirit must, if he is rightly understood, be recognized within the anthroposophical movement as the bearer o f a message from the spirit realm. It must indeed be felt as a good destiny that he wishes to work within this movement. H e adds, to the evidence which Anthroposophy can give of the truth inherent within it, that which works within a creative personality as spirit-bearer like the light of this truth itself. Rudolf Steiner F ro m Das Goetheanum, February 22, 1925. Editor for this issue: Christy Barnes STAFF: Co-Editors: Christy Barnes and Arthur Zajonc; Associate Editor: Jeanne Bergen; Editorial Assistant: Sandra Sherman; Business Manager and Subscriptions: Scotti Smith. Published twice a year by the Anthroposophical Society in America. Please address subscriptions ($10.00 per year) and requests for back numbers to Scotti Smith, Journal for Anthroposophy, R.D. 2, Ghent, N.Y. 12075. Title Design by Walter Roggenkamp; Vignette by Albert Steffen. Journal for Anthroposophy, Number 39, Autumn, 1984 © 1984, The Anthroposophical Society in America, Inc. CONTENTS STEFFEN IN THE CRISIS OF OUR TIMES To Create out of Nothing 4 The Problem of Evil 5 Present-Day Tasks for Humanity Albert Steffen 8 IN THE WORDS OF HIS CONTEMPORARIES -
Society Anthroposophy Worldwide 4/18
General Anthroposophical Society Anthroposophy Worldwide 4/18 ■ Anthroposophical Society April 2018 • N° 4 Anthroposophical Society 2018 Annual Conference and agm The Executive Council at the Goetheanum after the motion to reaffirm 1 Executive Council letter to members Paul Mackay and Bodo von Plato was rejected 2 agm minutes 6 Reflections 8 Reports General Anthroposophical Society 10 Address by Paul Mackay Address by Bodo von Plato Statement from the Executive 11 Outcome of ballot Seija Zimmermann: emerita status Council at the Goetheanum 12 Elisabeth Vreede, Ita Wegman The agenda of this year’s Annual General Meeting of the General Anthroposophical 18 Obituary: Vladimir Tichomirov Society included a motion to reaffirm Paul Mackay and Bodo von Plato as Executive Obituary: Lyda Bräunlich Council members. The majority of members present rejected this motion. The Execu- 19 Obituary: Johannes Zwiauer tive Council at the Goetheanum has responded with a letter to the members. Membership news School of Spiritual Science Dear members of the Plato since 2001. After an extensive and con- 13 General Anthroposophical Section: Anthroposophical Society, troversial debate at the agm the proposal Goetheanum Studies was rejected by the majority of members 14 Medical Section: We acknowledge with sadness that the present. We have to accept this decision. Research congress motion we submitted, and which was sup- In addition, a number of general secretar- Anthroposophic Medicine ported by the Goetheanum Leadership and ies pointed out that many members who Anthroposophy Worldwide the Conference of General Secretaries, to live at a greater distance from the Goethea- 15 Germany: Congress on vaccination extend the term of office of Paul Mackay num are excluded from having their say in 15 Germany: Rheumatoid and Bodo von Plato as members of the Ex- these situations because they are unable Arthritis study ecutive Council was rejected by the agm to attend for financial reasons. -
Sergei Prokofieff the Threshold for More Than a Hundred Years
General Anthroposophical Society Annual Report 2001 Contents General Anthroposophical Society The General Anthroposophical Society ................................................................................................... 3 The Society World-wide ........................................................................................................................ 3 The Annual Theme for 2002/03 ............................................................................................................. 4 School of Spiritual Science The Sections General Anthroposophical Section.......................................................................................................... 5 Section for Mathematics and Astronomy ................................................................................................ 6 Medical Section .................................................................................................................................... 6 Science Section and Agriculture Department .......................................................................................... 7 Pedagogical Section.............................................................................................................................. 9 Art Section ..........................................................................................................................................10 Section for the Spiritual Striving of Youth ..............................................................................................11 -
Anthroposophical Society of Hawaii Library Catalog.Numbers
Author Title Translator / Editor Transcrip Author Lecture date Lecture Publish / # copies tion 2 (first) Location Edition date Abbott, A. E. Encyclopedia of the Occult Sciences 1960 Abbott, A. E. Number Three: Its Occult Significance in Human Life 1962 Adams, David Artists in Spirit 1981 1981 Adams, George Lemniscatory Ruled Surface in Space and Counterspace 1979 Allen, Paul Christian Rosenkreutz Anthology Pietzner, 1968 Carlo Allen, Paul Time is at Hand Allen, 1995 Joan Allen, Paul Vladimir Soloviev: Russian Mystic 1978 Allen, Paul Writings and Lectures of Rudolf Steiner: A Bibiliography 1952 Andreed, Daniel Rose of the World 1997 Archiati, Pietro From Christianity to Christ 1996 Archiati, Pietro Giving Judas a Chance 1999 Arenson, Adolf Etheric Body Collison, H. 1932 Dornach 1932 2 Arenson, Adolf Fruits of Earnest Study of the Lectures of Rudolf Steiner Collison, H. 1930 Stuttgart 1930 4 Arenson, Adolf Fruits of Earnest Study of the Lectures of Rudolf Steiner III - On the Christ Mystery Collison, H. 1931 Stuttgart 1931 Arenson, Adolf History of the Childhood of Jesus Collison, H. 1922 2 Arenson, Adolf Interior of The Earth Collison, H. 1914 1944 2 Arenson, Adolf Lucifer 1933 Stuttgart 1933 2 Arenson, Adolf Mission of the Ancient Hebrews 1932 Stuttgart 1932 2 Arenson, Adolf On The Study of Spiritual Science Collison, H. 1913 Berlin 1914 2 Arenson, Adolf Sermon on the Mount Collison, H. Jan 20, 1914 Berlin 1914 Arenson, Adolf Ten Commandments 1913 1913 3 Armour, Elsie Saint Joan of Arc Collison, H. Baravalle, H. Geometry 1948 Barfield, Owen History, Guilt and Habit 1979 Barfield, Owen Rediscovery of Meaning and other Essays 1977 Barfield, Owen Romanticism Comes of Age 1966 Barfield, Owen Saving the Appearances Barnes, Henry A Life for the Spirit 1977 Barnes, Henry Into the Hearts Land 2005 Barnes, Henry, et al Education as an Art, Vol. -
Walter Burley Griffin and Marion Mahony Griffin, Architects of Anthroposophy
Walter Burley Griffin and Marion Mahony Griffin, Architects of Anthroposophy Dr John Paull [email protected] A century ago, on the 23rd of May 1912, the winning design of Canberra was announced. Soon after, two talented Chicago architects set sail for Australia. Their plan for Australia’s national capital, already named Canberra but at the time merely an empty paddock, had won first prize in an international competition which attracted 137 entries. The winning prize money for the design was a modest £1750 (McGregor, 2009). Walter Burley Griffin (1876-1937) and Marion Mahony (1871-1961) were married in the year preceding the win. Marion had nagged Walter to enter the competition, “What’s the use of thinking about a thing like this for ten years if when the time comes you don’t get it done in time!” She pointed out the practicalities: “Perhaps you can design a city in two days but the drawings take time and that falls on me” (Griffin, 1949, volume IV p.294). After the win was announced, Walter declared: “I have planned it not in a way that I expected any government in the world would accept. I have planned an ideal city - a city that meets my ideal of a city of the future” (New York Times, 1912). Marion chronicled events of their life together in a typewritten four- volume memoir of over 1600 pages (Griffin, 1949). Her memoir documents their life together and liberally reproduces personal correspondence between them and their associates. Her unpublished manuscript reveals the intensity with which she and Walter embraced the thoughts of Rudolf Steiner (1861-1925) and anthroposophy. -
Theodora's Prophetic Revelation
David W. Wood Theodora’s Prophetic Revelation The Open Biographical Secrets of Rudolf Steiner’s Drama Characters, Part II The present text is a continuation of the research approach followed in our earlier article “The Course of Dr. Strader’s Life”. It seeks to uncover the identity of the real-life historical personality behind Rudolf Steiner’s drama character of the seeress Theodora.1 This character is in turn a metamorphosis of the figure of the Hawk in Goethe’s Fairy Tale. Both Theodora and the Hawk unite in themselves two events: they reflect the final glow of a past epoch before catching the first rays of a newly dawning day. Spiritual Realism Steiner’s very first idea for a theatre play in Munich in the summer of 1910 was not to perform a mystery drama of his own composition, but a dramatized version of Goethe’s Fairy Tale of the Green Snake and Beautiful Lily. However, the project ran into difficulties. The fairy tale images that were suitable for Goethe’s epoch had to be metamorphosed and rendered more realistic in Steiner’s time: “It did not work. One had to conceive it in a much more realistic manner. And out of this there arose the Portal of Initiation. It is obvious: during Goethe’s time the epoch had not yet arrived in which one could carry over what could be seized in fine fairy tale images into the real figures that are in the Portal of Initiation.”2 Steiner designated the art of this first drama as “spiritual realism”, because it sought to depict in an artistic manner real spiritual experiences: “It is carried out with a certain aesthetic feeling, everything in it is spiritual-realistic. -
Goetheanum, Dornach, Switzerland
1 2 3 GOETHEANUM, DORNACH, SWITZERLAND PROJECT. The Goetheanum in Dornach near Basel in Switzerland is the international center of the anthroposophical movement. Named after Johann Wolfgang von Goethe, the building houses two halls (seating 1,000 and 500, respectively), exhibition and lecture rooms, a library, a bookshop as well as administrative rooms of the Anthro- posophical Society. The Society‘s research and education facilites are located in the neighboring buildings. The first Goetheanum, designed by Rudolf Steiner between 1908 and 1925, was a timber and concrete construction which was destroyed by arson on New Year‘s Eve 1922/23. In the course of the year 1923, Steiner designed a new building en- tirely made of reinforced concrete – nowadays known as the Second Goetheanum. Construction works began in 1924; however, the buil- ding was not completed until 1928, after the architect‘s death. ACOUSTICS. In the large auditorium of the Goetheanum, perfor- 5 mances of the in-house theater and eurythmy groups as well as of visiting artists from around the world take place. During the comprehensive refurbishment, an interdisciplinary team – CLIENT consisting of sculptors, architects, acousticians and the very commit- General Anthroposophical Society Goetheanum, Dornach ted client – in a very considerate way integrated all necessary room acoustical measures into the historic structure. ARCHITECT Architekturbüro U. Oelssner, Stuttgart PROJECT DATA Planning and construction period 1989 - 1999 Cost of construction 20 million Swiss francs SERVICES RENDERED Room acoustics Planning 1 Organ 2 Detail of lateral wall 3 Lateral wall 4 Podium 5 Exterior view (west side) Pictures: 1-4 Müller-BBM, 4 5 GNU-FDL / Wladyslaw (talk), edits by: Dontpanic (aka Dogcow) www.MuellerBBM.com. -
The First Goetheanum: a Centenary for Organic Architecture
Journal of Fine Arts Volume 3, Issue 2, 2020, PP 1-11 ISSN 2637-5885 The First Goetheanum: A Centenary for Organic Architecture John Paull* University of Tasmania, Hobart, Australia *Corresponding Author: [email protected], [email protected] ABSTRACT A century has elapsed since the inauguration (on 26 September, 1920) of a remarkable piece of architecture, Rudolf Steiner‟s Goetheanum, headquarters of the Anthroposophy movement, on a verdant hilltop on the outskirts of the Swiss village of Dornach, near Basel. The Goetheanum was an all timber structure, sitting on concrete footings and roofed with Norwegian slate. The building was begun in 1913, and construction progressed through the First World War. Rudolf Steiner‟s intention was to take architecture in a new and organic direction. On New Year‟s Eve, 31 December 1922, the Goetheanum hosted a Eurythmy performance followed by a lecture by Rudolf Steiner for members of the Anthroposophy Society. In the hours that followed, despite the fire-fighting efforts of the Anthroposophists and the local fire brigades, the building burned to the ground. The popular narrative is that the fire was arson but that was never proved. A local watchmaker and anthroposophist, Jakob Ott, was the only person to perish in the fire. He was falsely accused (in death) as „the arsonist‟ but the evidence is rather that he perished in his brave efforts at saving the Goetheanum. Rudolf Steiner saw the “calamity” as an opportunity “to change the sorrowful event into a blessing”. He promptly embarked on plans for a new building, Goetheanum II. -
Haus Hansi John Paull
The Home of Rudolf rSteine: Haus Hansi John Paull To cite this version: John Paull. The Home of Rudolf rSteine: Haus Hansi. Journal of Biodynamics Tasmania, Journal of Biodynamics Tasmania, 2018. hal-01827024 HAL Id: hal-01827024 https://hal.archives-ouvertes.fr/hal-01827024 Submitted on 17 Jul 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. The Home of Rudolf Steiner: Haus Hansi Dr John Paull Geography & Spatial Sciences School of Technology, Environments & Design University of Tasmania [email protected], [email protected] ‘Haus Hansi' was home to Dr Rudolf Steiner (1861-1925) in the incredibly productive final decade of his life. He lived in this quaint and comfortable house, known as ‘Haus Hansi’, from 1914 to 1924. The house is set high with good ‘street appeal’ (Image 1). It exudes the graciousness of a bygone era (Image 2). Image 1: Haus Hansi, street view (photo: J Paull). Steiner’s decade of residence at Haus Hansi witnessed the transformation of the mostly bare hill overlooking Dornach into Anthroposophy headquarters. The Goetheanum, the Glass House (Glashaus), the Furnace (Heizhaus), the Electrical Transformer (Transformatorenhaus) and numerous other of Steiner’s innovative and distinctive organic architectural creations were built in this decade. -
Newsletter from the Section for the Arts of Eurythmy, Speech and Music
Newsletter from the Section for the Arts of Eurythmy, Speech and Music Easter 2004 1 TABLE OF CONTENTS Stage Forum Marie-Steiner-Schule (Heinz Frankfurt) . 42 The Genius of Rudolf Steiner’s Speech Exercises The Summer Festival and Masterclasses in The Hague, (Patricia Smith) . 44 July 2003 (Ernst Reepmaker) . 2 “To further oral and aesthetic communication” “You have to go too far, to know how far you can go.” (Christian Moos) . 44 Video: Between Times – a record of Eurythmy today Short report on the Conference for Therapeutic (Leonore Welzin) . 3 Speech Practice (Ute Basfeld) . 45 Schattenbruder (Andrea Heidekorn) . 4 The inspiring conversation Premiere in the Goetheanum: “Mimages— (Krützkamp/Langhans/Ptok) . 46 a Symphony in Movement” (Leonore Welzin) . 5 Puppet Players Conference, Jan. 2003 at the “Mimages” – how much experimental art is necessary? Goetheanum (J. Clark / I. Willwerth) . 46 (Werner Barfod) . 5 Curtain up! The “new” Puppet Theatre Felicia Melaine McDonald interviewed by Leonore Welzin . 6 at the Goetheanum . 48 Is it possible by naming to distinguish the various expressions of movement today? (Silvia Hammacher) . 8 Orbituaries Articles Gotthard Köhler (Christian Ginat) . 48 Isabelle Dekker (Peter van Breda) . 49 Eurythmy and the Dance (Thomas Göbel) . 9 Renate Munk (Michael Leber) . 50 The hygienic side of eurythmy (Rosemaria Bock) . 11 Christine Pfeiffer (Michael Leber) . 51 Eurythmy the other way round (Maren Stott) . 13 Eurythmy as a post-christian art and eurythmy therapy within anthroposophical “remedies” Announcements (Christine Junghans) . 14 Art, Culture and Health (Göran Krantz) . 15 - Eurythmy Conference Out of the physical into the etheric (eurythmy – speech) “Wahrhaft – Wesenhaft – Wirksam” . 52 (Richard Rutishauser) . -
Metamorphosis of the Architectural Space of Goetheanum
applied sciences Article Metamorphosis of the Architectural Space of Goetheanum Romana Kiuntsli 1, Andriy Stepanyuk 2, Iryna Besaha 3 and Justyna Sobczak-Pi ˛astka 4,* 1 Department of Design of Architectural Environment, Lviv National Agrarian University, Zhovkva District, 80381 Dubliany, Lviv Oblast, Ukraine; [email protected] 2 Department of Architecture and Rural Settlements’ Planning, Lviv National Agrarian University, Zhovkva District, 80381 Dubliany, Lviv Oblast, Ukraine; [email protected] 3 Faculty of Training for Police Prevention Subdivisions, Lviv State University of Internal Affairs, 79007 Lviv, Lviv Oblast, Ukraina; [email protected] 4 Faculty of Civil and Environmental Engineering and Architecture, UTP University of Science and Technology, 85-796 Bydgoszcz, Poland * Correspondence: [email protected] Received: 30 May 2020; Accepted: 30 June 2020; Published: 8 July 2020 Abstract: In the beginning of the XX century, political, economic, and demographic revolutions contributed to the emergence of extraordinary people. In architecture, they were Frank Lloyd Wright, Antonio Gaudí, Frank Owen Gary, Le Corbusier, Hugo Hering, Alvar Aalto, Hans Sharun, Walter Burley Griffin, and Marion Mahony Griffin. Each of them was given a lot of attention in the media resources and their creativity was researched in different fields of knowledge. However, Rudolf Steiner’s work remains controversial to this day. Although many of the architects mentioned above enthusiastically commented on Steiner’s architectural works, there was always ambiguity in the perception of this mystic architect. Such a careful attitude to the work of the architect is due primarily to his worldview, his extraordinary approach to art and architecture in particular, because it is in architecture that Steiner was able to implement the basic tenets of anthroposophy, which he founded.