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A Study on Lisbeth Salander's Fear of Intimacy in Steig
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI A STUDY ON LISBETH SALANDER’S FEAR OF INTIMACY IN STEIG LARSSON’S THE GIRL WITH THE DRAGON TATTOO A SARJANA PENDIDIKAN RESEARCH PAPER Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Fertunata Monica Darsono Student Number: 111214029 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2018 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ABSTRACT Darsono, Fertunata Monica. (2018). A Study on Lisbeth Salander’s Fear of Intimacy in Stieg Larsson’s The Girl with the Dragon Tattoo. English Language Education Study Program, Department of Language and Arts Education, Faculty of Teachers Training and Education, Yogyakarta: Sanata Dharma University. Intimacy exists in human relationship. It happens between two individuals or more. However, intimacy is feared by some people. In literary works, fear of intimacy can be experienced by the character. This study discusses the fear of intimacy on Lisbeth Salander from a novel entitled The Girl with the Dragon Tattoo, written by Stieg Larsson. Lisbeth Salander, a pale, very skinny young woman who experts in internet hack culture but awkward in common social situation, is involved in a mystery disclosure. Salander traumatic experiences with other people result in her rejection towards relationship and human intimacy. The problem formulation is “How does Salander overcome her fear of intimacy?”. The objective of the study is to describe how Salander overcome her fear of intimacy using MacAdams’ theory. -
Marketing Swedish Crime Fiction in a Transnational Context
Peer Reviewed Title: Uncovering a Cover: Marketing Swedish Crime Fiction in a Transnational Context Journal Issue: Journal of Transnational American Studies, 7(1) Author: Nilsson, Louise, Uppsala University Publication Date: 2016 Permalink: http://escholarship.org/uc/item/6308x270 Author Bio: LOUISE NILSSON holds a PhD in History of Science and Ideas from Uppsala University. Her dissertation examined the breakthrough of modern advertising in early twentieth-century Sweden and its American influences. Besides Nilsson’s historically oriented research, she specializes in crime fiction. She is currently coediting the collection Crime Fiction as World Literature (Bloomsbury, forthcoming) with Theo D’haen and David Damrosch, and she is a member of the Australian network Detective Fiction on the Move (University of Newcastle and Monash University). She is currently working on a research project, “Mediating the North in a Transnational Context: Vernacular and Cosmopolitan Places in Nordic Noir,” within the Stockholm University– based research program “Cosmopolitan and Vernacular Dynamics in World Literatures,” which will run until 2021. Keywords: Transnational, American Studies, Sweden, Crime Fiction Local Identifier: acgcc_jtas_30648 Abstract: [abstract pending] Copyright Information: Copyright 2016 by the article author(s). This work is made available under the terms of the Creative Commons Attribution4.0 license, http://creativecommons.org/licenses/by/4.0/ eScholarship provides open access, scholarly publishing services to the University of California and delivers a dynamic research platform to scholars worldwide. Nilsson: Uncovering a Cover: Marketing Swedish Crime Fiction in a Transnational Context SPECIAL FORUM Uncovering a Cover: Marketing Swedish Crime Fiction in a Transnational Context LOUISE NILSSON Key to the appeal of Scandinavian crime literature is the stoic nature of its detectives and their peculiarly close relationship with death. -
L'édition Au Royaume-Uni
AUTEUR Colette HULOT COORDINATION Clémence THIERRY DÉPARTEMENT ÉTUDES SOMMAIRE INTRODUCTION ....................................................................................................................................... 3 SYNTHÈSE ................................................................................................................................................ 4 I. L’ENVIRONNEMENT DE L'ÉDITION BRITANNIQUE ................................................................................ 7 A. INDICATEURS SOCIO-CULTURELS ................................................................................................ 7 1) L’anglais dans le monde .......................................................................................................... 7 2) L’anglais parlé en Europe ........................................................................................................ 7 3) Habitudes et pratiques de lecture ........................................................................................... 8 B. LE CADRE LÉGISLATIF ................................................................................................................... 9 1) Le Net Book Agreement (1899-1995) et le débat sur le prix du livre ...................................... 9 2) TVA : l’inégalité papier-numérique ........................................................................................ 10 3) Copyright et droit de prêt ..................................................................................................... -
As Seen in the Millennium Trilogy by Stieg Larsson: Coffee As Materiality
Paper from the conference On the Move: ACSIS conference 11–13 June, Norrköping, Sweden 2013, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS). Conference Proceedings published by Linköping University Electronic Press at http://www.ep.liu.se/ecp_home/index.en.aspx?issue=095. © The Author. Coffee and Class for the Swedes – as seen in the Millennium Trilogy by Stieg Larsson: Coffee as materiality Åsa Ljungström Independent researcher In the Millennium Trilogy coffee and class express the paradox of the dream of a classless society denying the divisiveness of class affiliation in Sweden. Coffee is used to create affinity while the consumption of other kinds of food and drink is used to subtly mark social hierarchies. Swedish people like to believe that it is possible for anyone to climb the social ladder; equality is the ideal since the 1960s. Having a coffee works to level the communication between people IRL as well as in the novels. The author uses the coffee as a formula to get the storyline going, introduce new characters or forecast events. Not until the New York Times’ columnist wrote about the pathological coffee consumption did the Swedes notice. The Swedes will have a coffee during a break at work, at home, with a friend, or whenever they open communication. The serving of coffee makes a self-evident statement in any group. Drawing on theory of materiality and presence the presentation aims to analyse coffee running through the human bodies creating chains of communication. Anything is possible with a coffee for Stieg Larsson’s characters coping with the morale of good and evil, black and white. -
Larin Paraske, Finnish Folk Poet
NO. 76 | F AL L 2018 a quarterly publication of the ata’s literary SOURCE division FEATURING NORTHERN LIGHTS LD PROGRAM, ATA 59 CONTEMPORARY SCANDINAVIAN LITERATURE LARIN PARASKE, FINNISH FOLK POET REVIEW: Misha Hoekstra’s translation of the Danish novel Mirror, Shoulder, Signal WORDS, WORDS, WORDS: Our isoisä from Vaasa SOURCE | Fall 2018 1 IN THIS ISSUE FROM THE EDITORS.................................................................3 SUBMISSION GUIDELINES .....................................................4 LETTER FROM THE LD ADMINISTRATOR ..........................5 LD PROGRAM AND SPEAKER BIOS FOR ATA 59................7 READERS’ CORNER.................................................................11 LARIN PARASKE, FINNISH FOLK POET/SINGER by Frances Karttunen..................................................................13 CONTEMPORARY SCANDINAVIAN LITERATURE by Michael Meigs.........................................................................25 REVIEW OF MISHA HOEKSTRA’S TRANSLATION OF MIRROR, SHOULDER, SIGNAL by Dorthe Nors by Michele Aynesworth...............................................................37 WORDS WORDS WORDS COLUMN: Our isoisä from Vaasa..................................................................44 by Patrick Saari BY THE WAY: TOONS by Tony Beckwith........................................................24, 36, 43 CREDITS....................................................................................49 © Copyright 2018 ATA except as noted. SOURCE | Fall 2018 2 From the Editors he Nordic countries -
Translation Rights List
Spring 2020 Quercus Translation Rights List PAGES.indd 1 26/02/2020 17:04 Quercus Translation Rights List - Spring 2020 RIGHTS TEAM Rebecca Folland Rights Director - Hodder & Stoughton, Headline John Murray Press & Quercus FICTION [email protected] +44 (0) 20 3122 6288 General Fiction 6 Crime & Thriller 12 Emma Thawley Literary Fiction 18 Head of Rights - Quercus Deputy Rights Director Fantasy, Science Fiction & Horror 19 +44 (0) 20 3122 7070 [email protected] NON-FICTION Hannah Geranio Senior Rights Executive - Hodder & Stoughton, Popular Science 31 Headline, John Murray Press & Quercus [email protected] Self-development 34 Exploration 42 Nick Ash 47 Rights Assistant - Quercus & Headline General [email protected] Nature 50 RECENT HIGHLIGHTS 52 QUERCUS Quercus is a fast-growing publisher with a uniquely SUBAGENTS international author base and a reputation for creative, Albania, Bulgaria & Macedonia Anthea Agency high-energy bestsellers that surprise and delight the [email protected] market. Brazil Riff Agency [email protected] IMPRINTS China and Taiwan The Grayhawk Agency Quercus Non-Fiction, under Katy Follain, publishes com- [email protected] mercial megasellers including Stories for Boys Who Dare to Be Different and the Famous Five for Grown-Ups series, but Czech Republic & Slovakia Kristin Olson Agency the list is increasingly narrative and international, from The [email protected] Maths of Life and Death to My Friend Anna. Greece OA Literary Agency [email protected] Quercus Fiction, under Cassie Browne, publishes commercial bestsellers include JP Delaney, Beth O’Leary’s Hungary, Croatia, Serbia, Slovenia Katai and Bolza Literary Agency The Flatshare, Elly Griffiths, Philip Kerr and Lisa Wingate, [email protected] (Hungary) with particular strength in crime and thriller. -
The Girl with the Dragon Tattoo Stieg Larsson
The Girl with the Dragon Tattoo Stieg Larsson CONTENTS TITLE PAGE PROLOGUE A FRIDAY IN NOVEMBER THE VANGER FAMILY TREE PART 1 Incentive CHAPTER 1 Friday, December 20 CHAPTER 2 Friday, December 20 CHAPTER 3 Friday, December 20–Saturday, December 21 CHAPTER 4 Monday, December 23–Thursday, December 26 CHAPTER 5 Thursday, December 26 CHAPTER 6 Thursday, December 26 CHAPTER 7 Friday, January 3 PART 2 Consequence Analyses CHAPTER 8 Friday, January 3–Sunday, January 5 CHAPTER 9 Monday, January 6–Wednesday, January 8 CHAPTER 10 Thursday, January 9–Friday, January 31 CHAPTER 11 Saturday, February 1–Tuesday, February 18 CHAPTER 12 Wednesday, February 19 CHAPTER 13 Thursday, February 20–Friday, March 7 CHAPTER 14 Saturday, March 8–Monday, March 17 PART 3 Mergers CHAPTER 15 Friday, May 16–Saturday, May 31 CHAPTER 16 Sunday, June 1–Tuesday, June 10 CHAPTER 17 Wednesday, June 11–Saturday, June 14 CHAPTER 18 Wednesday, June 18 CHAPTER 19 Thursday, June 19–Sunday, June 29 CHAPTER 20 Tuesday, July 1–Wednesday, July 2 CHAPTER 21 Thursday, July 3–Thursday, July 10 CHAPTER 22 Thursday, July 10 CHAPTER 23 Friday, July 11 PART 4 Hostile Takeover CHAPTER 24 Friday, July 11–Saturday, July 12 CHAPTER 25 Saturday, July 12–Monday, July 14 CHAPTER 26 Tuesday, July 15–Thursday, July 17 CHAPTER 27 Saturday, July 26–Monday, July 28 CHAPTER 28 Tuesday, July 29–Friday, October 24 CHAPTER 29 Saturday, November 1–Tuesday, November 25 EPILOGUE: FINAL AUDIT THURSDAY, NOVEMBER 27– TUESDAY, DECEMBER 30 A NOTE ABOUT THE AUTHOR COPYRIGHT PROLOGUE A Friday in November It happened every year, was almost a ritual. -
Marketing Swedish Crime Fiction in a Transnational Context
UC Santa Barbara Journal of Transnational American Studies Title Uncovering a Cover: Marketing Swedish Crime Fiction in a Transnational Context Permalink https://escholarship.org/uc/item/6308x270 Journal Journal of Transnational American Studies, 7(1) Author Nilsson, Louise Publication Date 2016 DOI 10.5070/T871030648 License https://creativecommons.org/licenses/by/4.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California SPECIAL FORUM Uncovering a Cover: Marketing Swedish Crime Fiction in a Transnational Context LOUISE NILSSON Key to the appeal of Scandinavian crime literature is the stoic nature of its detectives and their peculiarly close relationship with death. One conjures up a brooding Bergmanesque figure contemplating the long dark winter. [. .] Another narrative component just as vital is the often bleak Scandinavian landscape which serves to mirror the thoughts of the characters. ——Jeremy Megraw and Billy Rose, “A Cold Night’s Death: The Allure of Scandinavian Crime Fiction”1 The above quote from the New York Public Library’s website serves as a mise-en-place for introducing Scandinavian crime fiction by presenting the idea of the exotic, mysterious North. A headline on the website associates the phrase “A Cold Night’s Death” with the genre often called Nordic noir. A selection of Swedish book covers is on display, featuring hands dripping with blood, snow-covered fields spotted with red, and dark, gloomy forests. A close-up of an ax on one cover implies that there is a gruesome murder weapon. At a glance it is apparent that Scandinavian crime fiction is set in a winter landscape of death that nevertheless has a seductive allure. -
Stieg Larsson: Inclaudicable Activista E Insoslayable Escritor Del Periodismo Alternativo a La Igualdad De Género I
Stieg Larsson: inclaudicable activista e insoslayable escritor Del periodismo alternativo a la igualdad de género I. Introducción La novela policíaca sufrió un cambio profundo con la obra del autor sueco Stieg Larsson, al aportarle una protagonista de las características de Lisbeth Salander. La suya es una escritura innovadora también, ya que introduce temas poco comunes dentro del género como la corrupción y defraudación financiera, el racismo, la xenofobia, la trata de personas y la violencia contra la mujer. La polémica que ha desatado la propuesta del escritor escandinavo merecen un detenido y detallado análisis. Y es que no cualquiera aceptaría sin más un personaje de las características de Lisbeth Salander. Salander es una protagonista difícil y compleja de aceptar, sobre todo, por esa ingeniosa mezcla de ingredientes que le dan un perfil multifacético y extravagante: poseedora de una fuerza inhumana increíble, justiciera vengativa, individualista irremediable, hacker excepcional, bisexual, autista explosiva, entre subversiva y anarquista, de memoria fotográfica envidiable, espalda tatuada, cierto aire gótico, y, finalmente, maltratada y violada. Estas características, pero sobre todo su manera de asumir el maltrato y la violación, la han convertido en una suerte de heroína de millones en el mundo. Pero nada de ello surge de la simple imaginación del autor. El origen de esta genial ficción literaria está, de una parte, en el reciente auge de la novela sueca dentro de un género dominado, principalmente, por la literatura anglosajona; y de la otra, en el contexto histórico y los cambios sociales, culturales e ideológicos que se han producido en la sociedad. Todos estos elementos conforman un entramado que se expresa en su máxima tensión poniendo a prueba los valores e ideales que han caracterizado a Suecia como tercera vía (entre el comunismo y el capitalismo) y como modelo de sociedad del bienestar, algo sobre lo cual volveremos adelante. -
Harvill Secker's Surprising Centenary Liiz Thomson Opiiniion - Publliishiing Wednesday, 30Th September 2009
Harvill Secker's surprising centenary Liiz Thomson Opiiniion - Publliishiing Wednesday, 30th September 2009 From January to December 2010, 'Random House imprint Harvill Secker will be celebrating a centenary of publishing. Harvill Secker has published some of the most iconic and inspiring literary works of the last 100 years, bringing international writing from exceptional writers to the attention of British book buyers.' The quality of the Harvill Secker list is indeed impressive - but Harvill Secker is not 100 years old. In 2010 it will be six. Nor, strictly speaking, is Secker & Warburg, which was born in 1936 as a result of the takeover by Frederic Warburg of Martin Secker, which had gone bust. But those two companies are now forever linked by an ampersand. Harvill Press was founded in 1946, by Manya Harari and Marjorie Villiers, BBC broadcasters who sought to build cultural bridges with Europe after the war. It was for many years part of Collins/HarperCollins, then independent, and was acquired by Random House in 2002 and merged with Secker in 2004, a move that was not without controversy. Be that as it may, next year's events will include a day celebrating international writers at Foyles and a presence at all the major literary festivals. Goodie bags, giveaways, special editions and competitions will run alongside a high-profile media campaign. Harvill Secker's enviable list of writers, including Man Booker winners and Nobel Laureates, is the combined fruit of the rich history of two distinct, and distinguished houses. From Secker comes Thomas Mann, George Orwell, J M Coetzee, Louis de Berni res, G nter Grass and Joseph O'Connor. -
City G U Id E Stockholm for Stieg Larsson Fans
NS TRAVEL A SSON F SSON LAR G E I T S R ILLIONS of people have read the late Stockholm neighbourhoods, you can relate to the Stieg Larsson's novels. His Millennium author and his characters, before visiting other rel- Trilogy comprises The Girl With The evant areas, like Kungsholmen, Vasastan, and Sand- M FO Dragon Tattoo, The Girl Who Played hamn in the archipelago (Mikael Blomkvist's cottage). L M With Fire, and The Girl Who Kicked The But Stockholm is not just about the trilogy. One Hornet’s Nest. Filmgoers have enjoyed the adaptations third of it is water and it's built on 14 islands that are of his books, the latest being the 2011 American ver- connected by 57 bridges. Sweden's capital has 100 art sion of his first, starring Daniel Craig. So, what better galleries and over 100 museums. place to go than stunning Stockholm, where you can And Stockholmers must love their art - most of the go in search of some of the secrets behind Larsson's stations of the 68-mile long metro are decorated with OCKHO T success and the reason fans flock to Sweden's capital. mosaics, sculptures and paintings - making it well CITY GUIDE S In historic, trendy Södermalm (Söder), once a work- worth catching the tube. ing class district, but now one of the most desirable LOUISE CAHILL BEST TOUR GUIDES BEST WAY AT the Stockholm City Museum (www. the go, having new projects and new ideas”. TO GET stadsmuseum.stockholm.se) Ryssgården, Slussen, A poor boy from Northern Sweden, growing AROUND sited in a 17th-century palace, you can learn about up in humble circumstances who became a PURCHASE the the city’s history, before buying a Millennium Map renowned journalist who uncovered political Stockholm Card, (SEK 40/£3.70) to go it alone. -
Us Rights List Autumn 2019
AUTUMN 2019 Qu cus Books US RIGHTS LIST Frankfurt Covers_2019.indd 1 29/08/2019 16:15 Quercus Books QUERCUS US Rights List - Autumn 2019 Quercus is a fast-growing publisher with a uniquely FICTION international author base and a reputation for creative, high-energy bestsellers that surprise and delight the General Fiction 4 market. Crime & Thriller 8 IMPRINTS Literary Fiction 17 Quercus Non-Fiction, under Katy Follain, publishes com- Historical Fiction 23 mercial megasellers including Stories for Boys Who Dare to Be Different and the Famous Five for Grown-Ups series, but the list is increasingly narrative and international, from The Fantasy, Sci Fi & Horror 27 Maths of Life and Death to My Friend Anna. NON-FICTION Quercus Fiction, under Cassie Browne, publishes commercial bestsellers include JP Delaney, Beth O’Leary’s The Flatshare, Elly Griffiths, Philip Kerr and Lisa Wingate, General Non-Fiction 34 with particular strength in crime and thriller. MacLehose Press, under Christopher MacLehose, is the UK’s leading publisher of quality translated fiction and non-fiction, with bestsellers such as David Lagercrantz, RIGHTS TEAM Joel Dicker, Virginie Despentes and Pierre Lemaitre. Riverrun, under Jon Riley, is our literary fiction, crime and Rebecca Folland non-fiction imprint. Peter May and Louise O’Neill are the Rights Director - HHJQ standout stars, with quality crime writers William Shaw and [email protected] Olivia Kiernan, and literary talents Daniel Kehlmann, Polly Clark and Dror Mishani building nicely. +44 (0) 20 3122 6288 Jo Fletcher Books is a small but perfectly formed specialist list publishing the very best in best science fiction, fantasy and horror.