DOCSLIB.ORG

CONGRESSIONAL RECORD— Extensions Of

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CONGRESSIONAL RECORD— Extensions Of E952 CONGRESSIONAL RECORD — Extensions of Remarks June 11, 2014 the Western New York community and wishing HONORING RABBI AVI AND TOBY PERSONAL EXPLANATION her and her family the best in all of their future WEISS endeavors. HON. PETER WELCH OF VERMONT f HON. ELIOT L. ENGEL IN THE HOUSE OF REPRESENTATIVES OF NEW YORK Wednesday, June 11, 2014 TRANSPORTATION, HOUSING AND URBAN DEVELOPMENT, AND RE- IN THE HOUSE OF REPRESENTATIVES Mr. WELCH. Mr. Speaker, I inadvertently LATED AGENCIES APPROPRIA- voted ‘‘no’’ on rollcall vote No. 277, the Nadler TIONS ACT, 2015 Wednesday, June 11, 2014 Amendment to H.R. 4745. As a strong sup- porter of this amendment, my intent was to Mr. ENGEL. Mr. Speaker, there is a saying vote ‘‘yes.’’ SPEECH OF that ‘‘talent does what it can, while genius f does what it must.’’ The inner strength and HON. TULSI GABBARD spirit which moves Rabbi Avi Weiss and his IN MEMORY OF DON DAVIS AND OF HAWAII wife Toby cannot be contained. The genius of HIS REMARKABLE IMPACT ON their shared vision and commitment to social THE GREATER DETROIT COMMU- IN THE HOUSE OF REPRESENTATIVES justice shines brightly and for all to see. NITY Monday, June 9, 2014 Rabbi Weiss’ work isn’t limited to the con- fines of any city or synagogue, nor has he HON. GARY C. PETERS The House in Committee of the Whole OF MICHIGAN shied away from raising his voice to lift the op- House on the state of the Union had under IN THE HOUSE OF REPRESENTATIVES consideration the bill (H.R. 4745) making ap- pressed. He says that he is an activist be- propriations for the Departments of Trans- cause he has no other choice; it is something Wednesday, June 11, 2014 portation, Housing and Urban Development, he must simply do. Mr. PETERS of Michigan. Mr. Speaker, I and related agencies for the fiscal year end- I believe that my dear friend responds to the rise today in honor of a great citizen of the ing September 30, 2015, and for other pur- State of Michigan, Mr. Don Davis, a pioneer in poses: calling laid out by his faith. Rabbi Weiss is compelled to act in the service of others and music and business. Mr. Davis passed away on Thursday, June 5, 2014, at the age of 75. Ms. GABBARD. Mr. Chair, I rise today in to live by the spirit of tzedakcah. It is reflective strong support of continued funding for the He is survived by his wife, Kiko, and his three in all that he has done and all that he strives Native Hawaiian Housing Block Grant. children. to do. In 1921, Congress enacted the Hawaiian A three-time Grammy winner, Don knew It is why his voice will always be heard in Homes Commission Act (HHCA) to help Na- that he had a passion for music at an early tive Hawaiians who, after the overthrow and support of the oppressed. It is why he partici- age and once told the Detroit News, ‘‘The annexation of the Kingdom of Hawaii, were pated in a hunger strike urging the release of music industry chose me. If there is a gene for largely disenfranchised from their traditional Soviet dissident Natan Sharanskcy. It is why music, I had one.’’ Don began his music career as a session homelands. HHCA sought to provide for the he protested for the right of Soviet Jews to musician in the early sixties for Detroit based rehabilitation of the Native Hawaiian people leave their homeland and seek haven else- Motown Records. He played guitar on their through a homesteading program that would where and it is why he denounced horrendous hits, ‘‘Money (That’s What I Want)’’ by Barrett reconnect them with former Crown Lands. acts of genocide in Darfur. Strong, a song that would later be covered by In 1959, the State of Hawaii adopted the Rabbi Weiss founded Yeshivat Chovevei The Beatles, The Rolling Stones, and The HHCA as a provision of its constitution in ac- Rabbinical School in order to train a new gen- Doors, and ‘‘Bye Bye Baby’’ by Mary Wells, cordance with the Hawaii Statehood Admis- eration of Orthodox rabbis to live with the spirit reaching number 45 on the Billboard Charts. sions Act, Public Law 86–3. This reaffirmed of openness that he himself exemplifies. As a songwriter, Don experienced his first the responsibility that this nation has to its in- Under Rabbi Weiss’ guidance, students learn major hit in 1968 with Johnnie Taylor’s ‘‘Who’s digenous people and forever embedded the how to serve not just the Orthodox community, Making Love,’’ which peaked at number 5 on mission of HHCA in Hawaii’s modern history but also the larger Jewish diaspora. Yeshivat the Billboard Charts. In 1976, he collaborated and society. Chovevei Rabbinical School is a family that with Johnnie Taylor again, producing the song The Native Hawaiian Housing Block Grant continues to grow as each graduate takes ‘‘Disco Lady’’, the first single to be certified provides the financial means to support HHCA their place in the rabbinate. I have watched its platinum by the Recording Industry Associa- and its mission of promoting Native Hawaiian legacy grow and pray for its continued pros- tion of America. well-being through homesteading. This is an perity. Twenty years later, Don would expand be- important step towards reconciliation for the Rabbi Weiss is so well-known, that when- yond his outstanding music career to become historical injustices that underline the social ever I tell people I am from the Bronx they im- the CEO and Chairman of the First Independ- and economic inequality of our Native Hawai- mediately ask if I know Rabbi Weiss. I cannot ence Bank, the only African-American owned ians. be any more pleased to say that not only does bank in Michigan. First Independence Bank, which operates a he live in my District, but he is also my neigh- Safe and affordable housing helps to em- number of Detroit branches, has been named bor and dear friend. power families to be productive members of by Black Enterprise Magazine as one of the society. Housing fulfills physical needs by pro- I would be remiss if I neglected to say that top 15 African-American owned banks in the viding security and shelter from weather and behind every good Rabbi is an equally strong country. In 2012, coming out of the Great Re- climate. It fulfills psychological needs by pro- woman who supports him. Toby Weiss has cession, First Independence Bank was able to viding a sense of personal space and privacy. been both his guiding light and the foundation record the most profitable year in its history It fulfills social needs by providing a gathering that gives him the strength to carry forth his and increase its total assets to $185 million. area and communal space for the family. work. As CEO, Don took his responsibility to his These factors combine to help ensure the community seriously. In his 18 years as CEO, well-being of our future generations, and are Religious leaders embody our hopes, aspi- rations and even our trepidations and fears. Don made it a priority to improve his commu- why continued funding for the Native Hawaiian nity by focusing on its housing needs and pro- Housing Block Grant program is so important. We look to them for guidance—for a path in which to follow—so that we might overcome viding excellent banking services to small Homesteading provided through this pro- business owners and families in Southeast the challenges before us in our own lives. gram helps to ease Hawaii’s high cost of living Michigan. and allows Native Hawaiians to remain con- Rabbi Avi Weiss and his wife Toby are truly Over many years, Don grew First Independ- nected to their traditional homelands. I strong- exemplary individuals and leaders within the ence Bank into a trusted financial institution ly urge funding for the Native Hawaiian Hous- Bronx community. Please join me in cele- with loyal customers. Don believed that First ing Block Grant program, and would like to ex- brating their legacy as Yeshivat Chovevei Independence Bank could provide quality press my support for the Native American Rabbinical School honors them for their serv- services to communities and customers who Housing Assistance and Self Determination ice and enduring commitment to making the were previously overlooked by other banks. Act as well. world a better place to live. He was successful in advancing this mission. VerDate Mar 15 2010 06:19 Jun 12, 2014 Jkt 039060 PO 00000 Frm 00002 Fmt 0626 Sfmt 9920 E:\CR\FM\K11JN8.004 E11JNPT1 jbell on DSK7SPTVN1PROD with REMARKS.
Load more

Recommended publications
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • CONGRESSIONAL RECORD— Extensions of Remarks E952 HON
    E952 CONGRESSIONAL RECORD — Extensions of Remarks June 11, 2014 the Western New York community and wishing HONORING RABBI AVI AND TOBY PERSONAL EXPLANATION her and her family the best in all of their future WEISS endeavors. HON. PETER WELCH OF VERMONT f HON. ELIOT L. ENGEL IN THE HOUSE OF REPRESENTATIVES OF NEW YORK Wednesday, June 11, 2014 TRANSPORTATION, HOUSING AND URBAN DEVELOPMENT, AND RE- IN THE HOUSE OF REPRESENTATIVES Mr. WELCH. Mr. Speaker, I inadvertently LATED AGENCIES APPROPRIA- voted ‘‘no’’ on rollcall vote No. 277, the Nadler TIONS ACT, 2015 Wednesday, June 11, 2014 Amendment to H.R. 4745. As a strong sup- porter of this amendment, my intent was to Mr. ENGEL. Mr. Speaker, there is a saying vote ‘‘yes.’’ SPEECH OF that ‘‘talent does what it can, while genius f does what it must.’’ The inner strength and HON. TULSI GABBARD spirit which moves Rabbi Avi Weiss and his IN MEMORY OF DON DAVIS AND OF HAWAII wife Toby cannot be contained. The genius of HIS REMARKABLE IMPACT ON their shared vision and commitment to social THE GREATER DETROIT COMMU- IN THE HOUSE OF REPRESENTATIVES justice shines brightly and for all to see. NITY Monday, June 9, 2014 Rabbi Weiss’ work isn’t limited to the con- fines of any city or synagogue, nor has he HON. GARY C. PETERS The House in Committee of the Whole OF MICHIGAN shied away from raising his voice to lift the op- House on the state of the Union had under IN THE HOUSE OF REPRESENTATIVES consideration the bill (H.R.
    [Show full text]
  • The Top 7000+ Pop Songs of All-Time 1900-2017
    The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox
    [Show full text]
  • Songs by Artist
    Sound Master Entertianment Songs by Artist smedenver.com Title Title Title .38 Special 2Pac 4 Him Caught Up In You California Love (Original Version) For Future Generations Hold On Loosely Changes 4 Non Blondes If I'd Been The One Dear Mama What's Up Rockin' Onto The Night Thugz Mansion 4 P.M. Second Chance Until The End Of Time Lay Down Your Love Wild Eyed Southern Boys 2Pac & Eminem Sukiyaki 10 Years One Day At A Time 4 Runner Beautiful 2Pac & Notorious B.I.G. Cain's Blood Through The Iris Runnin' Ripples 100 Proof Aged In Soul 3 Doors Down That Was Him (This Is Now) Somebody's Been Sleeping Away From The Sun 4 Seasons 10000 Maniacs Be Like That Rag Doll Because The Night Citizen Soldier 42nd Street Candy Everybody Wants Duck & Run 42nd Street More Than This Here Without You Lullaby Of Broadway These Are Days It's Not My Time We're In The Money Trouble Me Kryptonite 5 Stairsteps 10CC Landing In London Ooh Child Let Me Be Myself I'm Not In Love 50 Cent We Do For Love Let Me Go 21 Questions 112 Loser Disco Inferno Come See Me Road I'm On When I'm Gone In Da Club Dance With Me P.I.M.P. It's Over Now When You're Young 3 Of Hearts Wanksta Only You What Up Gangsta Arizona Rain Peaches & Cream Window Shopper Love Is Enough Right Here For You 50 Cent & Eminem 112 & Ludacris 30 Seconds To Mars Patiently Waiting Kill Hot & Wet 50 Cent & Nate Dogg 112 & Super Cat 311 21 Questions All Mixed Up Na Na Na 50 Cent & Olivia 12 Gauge Amber Beyond The Grey Sky Best Friend Dunkie Butt 5th Dimension 12 Stones Creatures (For A While) Down Aquarius (Let The Sun Shine In) Far Away First Straw AquariusLet The Sun Shine In 1910 Fruitgum Co.
    [Show full text]
  • Five Wins & a Prayer Intexas Page 7
    I I I May 151976 12p S: DISC Five & A inTexas7 Wins Prayer Page r E. Y Manha, ; jiTra _sfer tie one on- competition Page 16 rm Tina=Jove me Page Dread or alive?~Winkles re. rt Page 14 Bitiah,Top 50 Simla B ' ' h/Top 50 Albums 1 1 FERNANDO. Abbe Epic Stanóneuka% Epic 2 2 SAVE YOUR KISSES FOR ME, Brotherhood of Man Pyg 1 GREATEST HITS. Abbe 1 YOU'RE MY EVERYTHING, Lee 3 3 JUNGLE ROCK. Garrett Chrysalis 2 4 BLACK AND BLUE. Rolling Stones Rolling Stones Hank Mizell Charley 2 BARKING UP THE WRONG TREE, Don Woody MCA 4 8 TVC 15, David 3 WINGSINGS AT THE SPEED OF SOUND, Wings Parlophone 6 S -S -S -SINGLE BED, Fox ' GTO Bowie RCA 4 LET'S MAKE A BABY, Billy Paul Island 5 lB Philadelphia 4 2 ROCK FOLLIES. Rock Follies MORE MORE MORE, Andrea True Connection Pye 6 NINE TIMES. The Moments All Platinum e LIVIN' FOR 5 3 GOLD, Instrumental Gold Warwick 6 16 ARMS OF MARY, Sutherland Brothers/Quiver CBS THE WEEKEND, O'Jays Philadelphia INSTRUMENTAL 7 NIGHTRIDER, Electric UghtOcheetra 7 4 Jet 6 6 PRESENCE, Led Zeppelin Swan Song CONVOY GB, Laurie Lingo 6 The Dipsticks State e TROCADERO,Showaddywaddy Bell 9 YOU, 10cc Mercury 8 7 GET UP AND BOOGIE, Silver Convendon Magnet THE WANDERER, Dion Philips 7 10 HOW DARE 10 PARTY TIME, Fatback Band Polydor GREATEST HITS 1971 - 1975, The Eagles Asylum 9 6 SILVER STAR. Four Seasons WamemBros 8 8 THEIR 9 11 NO EARTHLY CONNECTION, Rick Wakeman A&M 10 14 CANT HELP FALLING IN LOVE, StyllsVcs Aveo 5 JUKE BOX JIVE.
    [Show full text]
  • The Man Plague: Disco, the Lucifer Myth, and the Theology of ‘‘It’S Raining Men’’
    The Man Plague: Disco, the Lucifer Myth, and the Theology of ‘‘It’s Raining Men’’ THOMAS AIELLO To determine the nature and function of the Devil, is no contempt- ible province of the European Mythology. Who, or what he is, his origin, his habitation, his destiny, and his power, are subjects which puzzle the most acute Theologians, and on which no orthodox per- son can be induced to give a decisive opinion. He is the weak place of the popular religion—the vulnerable belly of the crocodile.1 (Percy Bysshe Shelley 1819) Tonight for the first time, at just about half past ten—for the first time in history—it’s gonna start raining men. (The Weather Girls 1982) N THE 1970S AND EARLY 1980S, AMERICAN DISCO CLUBS PROVED TO BE the vulnerable belly of the crocodile. New York City was in tur- Imoil at the onset of the 1970s. From 1966 to 1973, the city’s murder rate rose 173 percent. There was a growing bureaucracy and steadily decreasing social services. The city had a three billion dollar budget deficit by 1975. Gang violence and race agitation threatened middle-class whites who often expressed their fear by absconding to the suburbs. But others found a more esoteric form of escape. Disco was a function of ‘‘baroque indulgence’’ in the face of this overwhelming social and economic breakdown (Shapiro 4– 13). Indiscriminate sex, heavy drug use, dancing, and drinking all served as a form of motivated escapism—a sort of protest through studied nonchalance that girded its acolytes against the decay that grew around them.
    [Show full text]
  • ! from Making Love to Sexing: Historical Development of Sexual
    From Making Love to Sexing: Historical Development of Sexual References in Popular Music 1960-2011 Claire Carden Spring 2012 Advisor: Nancy Bell English Department College of Liberal Arts ! TO THE UNIVERSITY HONORS COLLEGE: As thesis advisor for __________________________, I have read this paper and find it satisfactory. ______________________ Thesis Advisor __________________________ Date Precis This study examines changes in sexual references in lyrics by focusing on the number of references and the language used in the sexual reference. The corpus was made up of 1168 sexual references. Each reference was classified into references to sex acts (e.g., oral, anal or vaginal sex, etc.; N= 610), to body parts (i.e., ass, pussy, etc.; N= 127), to terms of reference or address (i.e., baby momma, lover, etc.; N= 220) or to other sexual behaviors (i.e., rape, prostitution, etc.; N= 211). Only one paper that looks directly at change in lyrics over time is Hall et al (2011). Their approach differs from mine in purpose and thus focus. They did not examine the change in type of sexual references over time. My data sample for this paper is the lyrics from the top-ranked songs on the Billboard weekly listing, selecting the top song for the first week of each month from 1960 through 2011 (610 songs). I found that there have been many changes since 1960, both quantitatively and qualitatively. There has been an increase in the number of sexual references since 1960. The vast majority of the sex act references (441 out of 610) were references to vaginal sex; the first non-vaginal reference was a reference to manual stimulation in 1972.
    [Show full text]
  • I Hear a Symphony
    1 I Hear a Symphony BLACK MASCULINITY AND THE DISCO TURN You should see this whole Roxy Music thing. It’s so elegant and cool and -fashionable. —Nile Rodgers to Bernard Edwards, cofounders of -Chic isco snuck up on America like a covert operation. This wasn’t how it had been in the sixties, when shifts in popular music—the arrival of the mop-headed British Invasion bands, Bob Dylan’s galvanizing electric turn, the emergence of Dpsychedelic rock—were unmissable cultural events immediately accorded the status of milestones. The rock “ revolution” of the sixties, like the Vietnam War and the protests it provoked, was the object of intense media coverage. Newsweek, Life, Time, and all the rest pounced on the story with prairie-fire speed. In a blink, whole new publications, including that soon-to-be arbiter of countercultural taste, Rolling Stone, emerged to chronicle the music, personalities, and culture of rock. The major labels may have been bewildered by the scruffiness, long hair, and druggy vibe of groups such as Big Brother and the Holding Company and the Grateful Dead, but they barely paused before racing to sign them up, even when they were little known outside of San Francisco’s hippie enclave, Haight--Ashbury. Six years later, when another musical revolution was taking shape, record companies opened neither their arms nor their coffers, with the result that disco developed slowly and at first largely off the official map. By the time Vince Aletti wrote about what he called “party music” and “discotheque rock,” in a fall 1973 issue of Rolling Stone, gay men had been dancing in discos for three years.
    [Show full text]
  • Harvey Scales
    INSIDE: TO BE YOUNG, FEMALE, BLACK AND FINANCIALLY MARGINALIZED BULK RATE U.S. POSTAGE PAID VOL. XLII Number 30 Feb. 13, 2019 www.milwaukeecommunityjournal.com 25 Cents MILWAUKEE, WISCONSIN PERMIT NO. 4668 WISCONSIN’S LARGEST AFRICAN AMERICAN NEWSPAPER Milwaukee soul music singer, songwriter, PULSE HARVEY SCALES PASSES performer and legend Harvey Scales, who Local music legend co-wrote mega Johnny Taylor hit “Disco Lady” COMMUNITYOF THE co-wrote Johnny Taylor’s smash hit, Photos and question “Disco Lady,” died earlier this week in At- by Yvonne Kemp lanta at age 78. With his band “The Seven Sounds,” Scales dominated the local soul band scene for decades dating back to the ‘60s. His group’s energetic signature sound QUESTION OF had audience rocking, rolling, and sweating out of their seats. The group re- THE WEEK: leased several singles that helped it garner a national following. “With the passing A prolific songwriter, Scales wrote songs for such groups as The O’Jays, The Dramatics, The Dells, and many others. His greatest success and obvious of Harvey Scales, claim to fame was with Taylor and “Disco Lady.” we asked four indi- Milwaukee Ald. Khalif Rainey expressed sadness at learning of Scales pass- ing, calling him Milwaukee’s own legendary soul singer and musician. viduals who knew “I’ve heard from a few people who remember Harvey working at the Amer- him what was their ican Motors plant way back when, and how he was – in many ways – just a normal Milwaukee guy,” Rainey said in a press statement. most memorable “In Milwaukee, before he broke onto the national scene as a songwriter, he moment with the was known as ‘Twistin’ Harvey,’ and in 1961, he and longtime friend, the late Albert Vance, formed the group Harvey Scales and The Seven Sounds, and re- legendary musi- leased several singles that garnered significant attention because of their sound cian/songwriter” and superior dance-friendliness.
    [Show full text]
  • Top 10 Songs of 1970 Top 10 Songs of 1971 Top 10 Songs of 1972 Top
    Top 10 Songs of 1970 1. Bridge Over Troubled Water - Simon And Garfunkel 2. American Woman - The Guess Who 3. Get Ready - Rare Earth 4. Band Of Gold - Freda Payne 5. Raindrops Keep Fallin' On My Head - B.J. Thomas 6. ABC - The Jackson 5 7. Let It Be - The Beatles 8. (They Long To Be) Close To You - Carpenters 9. Mama Told Me Not To Come - Three Dog Night 10. War - Edwin Starr Top 10 Songs of 1971 1. Joy To The World - Three Dog Night 2. It's Too Late - Carole King 3. How Do You Mend A Broken Heart - Bee Gees 4. Indian Reservation - The Raiders 5. One Bad Apple - The Osmonds 6. Go Away Little Girl - Donny Osmond 7. Just My Imagination (Running Away With Me) - The Temptations 8. Take Me Home, Country Roads - John Denver 9. Maggie May - Rod Stewart 10. Knock Three Times - Dawn Top 10 Songs of 1972 1. American Pie - Don McLean 2. Alone Again (Naturally) - Gilbert O'Sullivan 3. Without You - Nilsson 4. Brand New Key - Melanie 5. I Gotcha - Joe Tex 6. Daddy Don't You Walk So Fast - Wayne Newton 7. Let's Stay Together - Al Green 8. The First Time Ever I Saw You Face - Roberta Flack 9. Brandy (You're A Fine Girl) - Looking Glass 10. Lean On Me - Bill Withers Top 10 Songs of 1973 1. Tie A Yellow Ribbon Round The Old Oak Tree - Dawn 2. Bad, Bad Leroy Brown - Jim Croce 3. Crocodile Rock - Elton John 4. My Love - Paul McCartney And Wings 5.
    [Show full text]
  • The Soul Stirrers
    ROCK AND ROLL HALL OF FAME The Soul Stirrers By Dan J\[ooger H a d THE SOUL STIRRERS done nothing more than launch the career o f Harris’s replacement, brought in by S.R Crain, was a Chicago teen- Sam Cooke, they would have more than earned their place in rock fe? roll ager named Sam Cooke, who had been singing w ith the Highway history. But for nearly half a century the Soul Stirrers set the pace for Q C ’s, a sort o f farm-team group sponsored by Stirrers baritone R.B. both gospel and pop vocal groups w ith their blend o f full, mellow harmo­ Robinson. The Cooke-led Soul Stirrers first recorded for Specialty in nies and sexy, crooning leads delivered by a magnificent succession o f March 1951, and among the sides they put down were “Jesus Gave singers. Cooke’s replacement, Johnnie Taylor, went on to Top Ten pop M e W ater” and “Peace in the Valley.” Elvis Presley must surely have and Rfe?B success, and the group’s original lead singer, R.H . Harris, been listening: he sang “Peace in the Valley” on Sun Records’ legend­ “simply created the entire gospel quartet tradition,” as Tony Heilbut ary M illion Dollar Quartet session, reprised the song on his third Ed w r o te in The Gospel Sound. Sullivan appearance and recorded it for R C A in 1957 in an arrange­ The Soul Stirrers’ career spans four decades. It began on a small Texas ment close to the original.
    [Show full text]
  • Amici Curiae 212 Songwriters, Composers, Musicians, and Producers in Support of Appellants
    Case: 15-56880, 08/30/2016, ID: 10106466, DktEntry: 22, Page 1 of 28 CA No. 15-56880 Nos. 16-55089 and 16-55626 (Consolidated) United States Court of Appeals for the Ninth Circuit ___________________________________________ PHARRELL WILLIAMS, ET AL., Plaintiffs-Appellants v. FRANKIE CHRISTIAN GAYE, ET AL., Defendants-Appellees. ___________________________________________ Appeal from the United States District Court for the Central District of California Hon. John A. Kronstadt, District Judge Case No. CV-13-06004-JAK (AGRx) _____________________ BRIEF OF AMICI CURIAE 212 SONGWRITERS, COMPOSERS, MUSICIANS, AND PRODUCERS IN SUPPORT OF APPELLANTS _____________________ Edwin F. McPherson McPHERSON RANE LLP 1801 Century Park East 24th Floor Los Angeles, California 90067-2326 (310) 553-8833 [email protected] Attorneys for Amici Curiae Case: 15-56880, 08/30/2016, ID: 10106466, DktEntry: 22, Page 2 of 28 This Brief Is Filed On Behalf Of The Following Songwriters, Composers, Musicians, And Producers (Affiliations Are Listed For Identification Purposes Only): Harvey Mason Jr. Manny Marroquin Patrick Stump (Fall Out Boy) Phillip Bailey Klaus Derendorf Verdine White Patrick Monahan Ralph Johnson Jimmy Douglass (Train) (Earth, Wind & Fire) Katharine McPhee Tim James Hans Zimmer Stephen Bishop Jake Sinclair Belinda Carlisle Charlotte Caffey Chip Taylor Adam Anders Jane Wiedlin Gina Schock L. Russell Brown Brett James (The Go-Go’s) John Oates Lindy Robbins R. Kelly (Hall & Oates) Jonas Jeberg Mike Shinoda Maynard James Chester Bennington Keenan Sam Martin Brad Delson Danny Carey Rob Bourdon Justin Chancellor Peter Wade Keusch Joe Hahn (Tool) Dave Farrell Tor Hermansen (Linkin Park) Matt Serletic Mikkel Eriksen (Stargate prod. team) Jason Mraz Dean Serletic Toby Gad Jennifer Hudson Kim Wilson (The Fabulous Allan P.
    [Show full text]