Avoiding and Detecting Plagiarism
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Defining and Avoiding Plagiarism: the WPA Statement on Best Practices Council of Writing Program Administrators ( January 2003
Defining and Avoiding Plagiarism: The WPA Statement on Best Practices Council of Writing Program Administrators (http://www.wpacouncil.org), January 2003. Plagiarism has always concerned teachers and administrators, who want students’ work to represent their own efforts and to reflect the outcomes of their learning. However, with the advent of the Internet and easy access to almost limitless written material on every conceivable topic, suspicion of student plagiarism has begun to affect teachers at all levels, at times diverting them from the work of developing students’ writing, reading, and critical thinking abilities. This statement responds to the growing educational concerns about plagiarism in four ways: by defining plagiarism; by suggesting some of the causes of plagiarism; by proposing a set of responsibilities (for students, teachers, and administrators) to address the problem of plagiarism; and by recommending a set of practices for teaching and learning that can significantly reduce the likelihood of plagiarism. The statement is intended to provide helpful suggestions and clarifications so that instructors, administrators, and students can work together more effectively in support of excellence in teaching and learning. What Is Plagiarism? In instructional settings, plagiarism is a multifaceted and ethically complex problem. However, if any definition of plagiarism is to be helpful to administrators, faculty, and students, it needs to be as simple and direct as possible within the context for which it is intended. Definition: In an instructional setting, plagiarism occurs when a writer deliberately uses someone else’s language, ideas, or other original (not common-knowledge) material without acknowledging its source. This definition applies to texts published in print or on-line, to manuscripts, and to the work of other student writers. -
LIT 3003: the Forms of Narrative - Narrating the Ineffable Section 025F
LIT 3003: The Forms of Narrative - Narrating the Ineffable Section 025F Instructor:Cristina Ruiz-Poveda Email:[email protected] Meetings:MTWRF Period 5 (2-3:15pm) at TUR 2350 Office hours:MW 3:15-4 pm, and by appointment at TUR 4415 "Whereof one cannot speak, thereof one must be silent." From Ludwig Wittgenstein’sTractatus The Tao that can be spoken is not the eternal Tao The name that can be named is not the eternal name From Lao Tzu’sTao Те С hing Course description: Storytelling is such an inherent part of human experience that we often overlook how narratives, even those which may be foundational to our world views, are articulated. This course serves as an introduction to narrative forms, as well as a critical exploration of the potentialnarratology of —the theory of narrative—to analyze stories of ineffable experiences. How do narratives convey elusive existential and spiritual concepts? Are there shared formal and procedural traits of such narratives? In this class, we will learn the foundations of narratology, so as critically analyze how different narrative media (literature, visual culture, film, etc.) represent intense but seemingly incommunicable human experiences. These stories will serve as a vehicle to explore the limits of storytelling and to analyze narrative strategies at those limits. Students will also experiment with different forms of narrative through creative activities. Please note: this is not a course in religion or religious art history. This course is a survey of narratology: it offers theoretical tools to analytically understand narrativesabout profound existential concerns and transcendental experiences. Course goals and outcomes:by the end of the semester you should be able to.. -
Happy Halloween? by Arthur Bailey
Happy Halloween? By Arthur Bailey © 2014 Arthur Bailey Ministries arthurbaileyministries.com All Rights Reserved 1 On October 31st we note that most urban and suburban streets will be filled with trick or treaters knocking on doors looking to have their bags loaded up with sugary treats to munch on for the hours and days ahead. I remember the days we used to go out with a goody bag. Man, and I’m telling you, we would come home with that bag stuffed. </p> Studies show that on Halloween, children between the ages of five and fourteen are 4 times more likely to be killed by a car on Halloween than any other day of the year. Now that’s a startling fact and you wouldn’t think that. I mean, people are concerned about razor blades in apples, and poison in candies, and pedophiles, but the truth is that a child is more likely to die from a car accident from running house to house, across the street back and forth, and not paying attention to the actual traffic. </p> Most in society see Halloween as the day of harmless fun for the young and old alike. You are going to be surprised at the information on the power point slides today. The studies showed that more adults celebrate Halloween than children. </p> As believers and followers of Yeshua, what should be our response to Halloween? When we abandon the truth, we make things up. That’s just the bottom line. When we refuse to celebrate what Yehovah commands us to celebrate, we create things to celebrate, and we’ve created a lot of them: Birthdays Mother’s day Father’s day New Year’s Eve All the recognized pagan holidays we get from the government. -
NON- Fiction: FICTION Easy Reader (JJ-ER)
NON- Fiction: Atlas of monsters and ghosts Magrin, Federica Children's book of mythical beasts & magical monsters. Creepy costumes : DIY zombies, ghouls, and more Meinking, Mary Eye-popping jack-o'-lanterns : DIY glares, stares, and more Meinking, Mary Laugh-out-loud Halloween jokes : lift-the-flap Elliott, Rob LEGO Halloween ideas Wood, Selina Make frightful props : DIY eyeballs, organs, and more Meinking, Mary Marisol McDonald and the monster Brown, Monica Monster jokes Spooky haunted houses Maurer, Tracy Spooky haunted house : DIY cobwebs, coffins, and more Meinking, Mary What is the story of Frankenstein? Keenan, Sheila FICTION BOARD Books: Boo, boo, I love you! Magsamen, Sandra Clifford's first Halloween Bridwell, Norman Halloween dogs. Halloween is here! Mitter, Matt Halloween Kitty Yoon, Salina. Here comes Halloween! Church, Caroline Jack and Jill : a Halloween nursery rhyme Yoon, Salina Little Blue Truck's Halloween Schertle, Alice The pout-pout fish Halloween faces Diesen, Deborah Too many monsters! : a Halloween counting book Neubecker, Robert Llama llama trick or treat Dewdney, Anna Spooky Pookie Boynton, Sandra Fly, ghost, fly! Schwartz, Betty Ann Peppa's giant pumpkin Lizzio, Samantha Easy Reader (JJ-ER) A fairy-tale fall Jordan, Apple Arthur's Halloween costume : story and pictures Hoban, Lillian Click, clack, boo! : a tricky treat Cronin, Doreen Dragon's Halloween (Series: Dragon Tales) Pilkey, Dav Happy haunting, Amelia Bedelia Parish, Herman Monster games Lagonegro, Melissa Mercy Watson :Princess in disguise DiCamillo, Kate Sharmat, Marjorie Nate the Great and the Halloween hunt Weinman Scared silly Howe, James Scooby-Doo! and the cupcake caper Sander, Sonia The haunted Halloween party Herman, Gail Turtle and Snake's spooky Halloween Spohn, Kate Picture books (JJ) 5-minute Halloween stories. -
Rethinking Pauline Hopkins
Rethinking Pauline Hopkins: Plagiarism, Appropriation, and African American Cultural Production Downloaded from https://academic.oup.com/alh/article/30/4/e3/5099108 by guest on 29 September 2021 Introduction, pp. e4–e8 By Richard Yarborough The Practice of Plagiarism in a Changing Context pp. e9–e13 By JoAnn Pavletich Black Livingstone: Pauline Hopkins, Of One Blood, and the Archives of Colonialism, pp. e14–e20 By Ira Dworkin Appropriating Tropes of Womanhood and Literary Passing in Pauline Hopkins’s Hagar’s Daughter, pp. e21–e27 By Lauren Dembowitz Introduction Richard Yarborough* Downloaded from https://academic.oup.com/alh/article/30/4/e3/5099108 by guest on 29 September 2021 I recall first encountering Pauline Hopkins in graduate school in the mid-1970s. Conducting research on her work entailed tolerat- ing the eyestrain brought on by microfilm and barely legible photo- copies of the Colored American Magazine. I also vividly remember the appearance of the 1978 reprint edition of her novel Contending Forces (1900) in Southern Illinois University Press’s Lost American Fiction series. I experienced both gratification at the long-overdue attention the novel was garnering and also no little distress upon reading Gwendolyn Brooks’s afterword to the text. While acknowl- edging our “inevitable indebtedness” to Hopkins, Brooks renders this brutal judgment: “Often doth the brainwashed slave revere the modes and idolatries of the master. And Pauline Hopkins consis- tently proves herself a continuing slave, despite little bursts of righ- teous heat, throughout Contending Forces” (409, 404–405). This view of the novel as a limited, compromised achievement reflects the all-too-common lack at the time of a nuanced, informed engage- ment with much post-Reconstruction African American literature broadly and with that produced by African American women in particular. -
Introduction: an Enduring Dilemma
introduction: an enduring dilemma Minds Millions of students will struggle in school today. Just as they do every day. In classrooms in your school, these students will feel discouraged, misunderstood, and alone. Not because ofthey can ’ t learn, but because the way they learn doesn ’ t align with the way they are taught. Thousands of teachers will struggle today. Just as they do every day. In your school and district, these teachers will feel discouraged, inadequate, and alone. Not because they can ’ t teach, but because they have not been able to target their teaching strategies to the varied learning profi les of their students. Too many of our schools are unequipped for the diversity in learn- ing that unfolds in classrooms. District policies are hampered by tra- ditional notions of ability and unvarying approaches to meeting the high standards of curriculum, instruction, and required annual stan- dardized testing. EducatorsKinds often lack the know - how that ’ s emerging from the latest research on the mind, brain, and learning to adequately respond to individual student needs. When students are taught in a way that is incompatible with how they learn, the natural strengths of their minds are neglected. This fail- ure to reach a student ’ s abilities is too often portrayed as a defi ciency of the Allindividual, resulting in low self - esteem, high levels of anxiety, xvii flast.indd Sec4:xvii 1/13/10 11:30:22 AM xviii introduction and disengagement with learning and school. Or we point to the inad- equacy of the teacher and local schools, driving many promising edu- cators from a profession that needs their dedication and commitment at this unprecedented time for education in our nation. -
Arthur's Halloween Music by Michael Malthaner Book & Lyrics by Charles Corritore
Arthur's Halloween (based on the book by Marc Brown) Music by Michael Malthaner Book & Lyrics by Charles Corritore Copyright 2006 MC2 Entertainment 3004 French St. Erie, PA 16504 www.mc2entertainment.com Arthur's Halloween Cast of Characters Speaking Roles Arthur Read Arthur's mom Arthur's dad DW Francine Binky Barnes Buster Baxter Muffy The Brain Mrs. Sweetwater Ms. Yolanda Mr. Ratburn Mrs. Tibble Neighbor Woman Chorus Students/neighborhood children Other teachers Non-speaking roles Baby Kate Puppy Pal* Miss Bryan *NOTE: In original production, Puppy Pal was present whenever Arthur was onstage, reacting and being a loyal friend, with the exception of the scenes in school and in Mrs. Tibble's house. Scene and Musical Number Breakdown ACT ONE Scene 1 - The Kitchen of Arthur's home and various locations/ the night before Halloween THE BEST HALLOWEEN EVER - Arthur, Mom, Dad, DW and All WHY ME? - Arthur Scene 2 - Lakewood Elementary School Gymnasium - Halloween Day T.L.E.H.P.A.A.C.P. (The Lakewood Elementary Halloween Party and Annual Costume Parade) - Students, Teachers IT'S OK TO BE SCARED SOMETIMES - Buster & Arthur Scene 3 - The Kitchen of Arthur's Home - early evening THE RULES OF THE ROAD - Mom, Arthur & DW Scene 4 - A Street in the Neighborhood - two hours later HALLOWEEN IS LIKE CANDY HEAVEN! - Arthur, Francine, Buster, Binky, Muffy, Brain, DW and Trick or Treaters ACT TWO Scene 1 - A Street in the Neighborhood - immediately following THERE'S NO TELLING - Francine, Buster, Binky, Muffy, Brain, Arthur Scene 2 - A hallway in the "witch's" house - immediately follwing Scene 3 - Kitchen of the "witch's" house - immediately following FRIENDS - Mrs. -
Hooray for Health Arthur Curriculum
Reviewed by the American Academy of Pediatrics HHoooorraayy ffoorr HHeeaalltthh!! Open Wide! Head Lice Advice Eat Well. Stay Fit. Dealing with Feelings All About Asthma A Health Curriculum for Children IS PR O V IDE D B Y FUN D ING F O R ARTHUR Dear Educator: Libby’s® Juicy Juice® has been a proud sponsor of the award-winning PBS series ARTHUR® since its debut in 1996. Like ARTHUR, Libby’s Juicy Juice, premium 100% juice, is wholesome and loved by kids. Promoting good health has always been a priority for us and Juicy Juice can be a healthy part of any child’s balanced diet. Because we share the same commitment to helping children develop and maintain healthy lives, we applaud the efforts of PBS in producing quality educational television. Libby’s Juicy Juice hopes this health curriculum will be a valuable resource for teaching children how to eat well and stay healthy. Enjoy! Libby’s Juicy Juice ARTHUR Health Curriculum Contents Eat Well. Stay Fit.. 2 Open Wide! . 7 Dealing with Feelings . 12 Head Lice Advice . 17 All About Asthma . 22 Classroom Reproducibles. 30 Taping ARTHUR™ Shows . 32 ARTHUR Home Videos. 32 ARTHUR on the Web . 32 About This Guide Hooray for Health! is a health curriculum activity guide designed for teachers, after-school providers, and school nurses. It was developed by a team of health experts and early childhood educators. ARTHUR characters introduce five units exploring five distinct early childhood health themes: good nutrition and exercise (Eat Well. Stay Fit.), dental health (Open Wide!), emotions (Dealing with Feelings), head lice (Head Lice Advice), and asthma (All About Asthma). -
Rethinking Mimesis
Rethinking Mimesis Rethinking Mimesis: Concepts and Practices of Literary Representation Edited by Saija Isomaa, Sari Kivistö, Pirjo Lyytikäinen, Sanna Nyqvist, Merja Polvinen and Riikka Rossi Rethinking Mimesis: Concepts and Practices of Literary Representation, Edited by Saija Isomaa, Sari Kivistö, Pirjo Lyytikäinen, Sanna Nyqvist, Merja Polvinen and Riikka Rossi Layout: Jari Käkelä This book first published 2012 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2012 by Saija Isomaa, Sari Kivistö, Pirjo Lyytikäinen, Sanna Nyqvist, Merja Polvinen and Riikka Rossi and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-3901-9, ISBN (13): 978-1-4438-3901-3 Table of ConTenTs Introduction: Rethinking Mimesis The Editors...........................................................................................vii I Concepts of Mimesis Aristotelian Mimesis between Theory and Practice Stephen Halliwell....................................................................................3 Rethinking Aristotle’s poiêtikê technê Humberto Brito.....................................................................................25 Paul Ricœur and -
Kids with Asthma Can! an ACTIVITY BOOKLET for PARENTS and KIDS
Kids with Asthma Can! AN ACTIVITY BOOKLET FOR PARENTS AND KIDS Kids with asthma can be healthy and active, just like me! Look inside for a story, activity, and tips. Funding for this booklet provided by MUSEUMS, LIBRARIES AND PUBLIC BROADCASTERS JOINING FORCES, CREATING VALUE A Corporation for Public Broadcasting and Institute of Museum and Library Services leadership initiative PRESENTED BY Dear Parents and Friends, These days, almost everybody knows a child who has asthma. On the PBS television show ARTHUR, even Arthur knows someone with asthma. It’s his best friend Buster! We are committed to helping Boston families get the asthma care they need. More and more children in Boston these days have asthma. For many reasons, children in cities are at extra risk of asthma problems. The good news is that it can be kept under control. And when that happens, children with asthma can do all the things they like to do. It just takes good asthma management. This means being under a doctor’s care and taking daily medicine to prevent asthma Watch symptoms from starting. Children with asthma can also take ARTHUR ® quick relief medicine when asthma symptoms begin. on PBS KIDS Staying active to build strong lungs is a part of good asthma GO! management. Avoiding dust, tobacco smoke, car fumes, and other things that can start an asthma attack is important too. We hope this booklet can help the children you love stay active with asthma. Sincerely, 2 Buster’s Breathless Adapted from the A RTHUR PBS Series A Read-Aloud uster and Arthur are in the tree house, reading some Story for B dusty old joke books they found in Arthur’s basement. -
Plagiarism: Policy Against Cheating Or Policy for Learning?
Plagiarism: policy against cheating or policy for learning? Brian Martin School of Social Sciences, Media and Communication University of Wollongong, NSW 2522 [email protected] http://www.uow.edu.au/arts/sts/bmartin/ 4 February 2004 Summary Compulsory use of plagiarism-detection software, specifically turnitin.com, is proposed for introduction at the University of Wollongong in 2004. The pros and cons of this are canvassed. There are several types of plagiarism, including plagiarism of ideas, word-for-word plagiarism, plagiarism of sources and plagiarism of authorship. Using plagiarism-detection software can readily pinpoint only word-for-word plagiarism, and only some instances of it. There are four main rationales for using plagiarism-detection software: deterring and detecting cheating; fostering learning of proper acknowledgement practice; building institutional reputation; and treating students fairly. None of these provides a strong case for compulsory use of the software. There are some serious negative effects of compulsory checking, especially reduced trust. Plagiarism-detection software potentially can play a valuable contribution if it is used voluntarily by students, on a case-by-case basis by teachers and as part of a wider process of learning proper acknowledgement practice. Introduction The University Education Committee of the University of Wollongong is proposing to require use of plagiarism-detection service turnitin.com on a compulsory basis for honours, masters and PhD theses from 2004 and for selected undergraduate classes from 2005.1 A number of staff are quite concerned about the implications. In this paper I cover a range of issues and arguments concerning plagiarism in a university context. -
Winter 2017 Calendar of Events
winter 2017 Calendar of events Agamemnon by Aeschylus Adapted by Simon Scardifield DIRECTED BY SONNY DAS January 27–February 5 Josephine Louis Theater In this issue The Miraculous Journey of Edward Tulane by Kate DiCamillo 2 Leaders out of the gate Adapted by Dwayne Hartford 4 The Chicago connection Presented by Imagine U DIRECTED BY RIVES COLLINS 8 Innovation’s next generation February 3–12 16 Waa-Mu’s reimagined direction Hal and Martha Hyer Wallis Theater 23 Our community Urinetown: The Musical Music and lyrics by Mark Hollmann 26 Faculty focus Book and lyrics by Greg Kotis 30 Alumni achievements DIRECTED BY SCOTT WEINSTEIN February 10–26 34 In memory Ethel M. Barber Theater 36 Communicating gratitude Danceworks 2017: Current Rhythms ARTISTIC DIRECTION BY JOEL VALENTÍN-MARTÍNEZ February 24–March 5 Josephine Louis Theater Fuente Ovejuna by Lope de Vega DIRECTED BY SUSAN E. BOWEN April 21–30 Ethel M. Barber Theater Waa-Mu 2017: Beyond Belief DIRECTED BY DAVID H. BELL April 28–May 7 Cahn Auditorium Stick Fly by Lydia Diamond DIRECTED BY ILESA DUNCAN May 12–21 Josephine Louis Theater Stage on Screen: National Theatre Live’s In September some 100 alumni from one of the most esteemed, winningest teams in Encore Series Josephine Louis Theater University history returned to campus for an auspicious celebration. Former and current members of the Northwestern Debate Society gathered for a weekend of events surround- No Man’s Land ing the inaugural Debate Hall of Achievement induction ceremony—and to fete the NDS’s February 28 unprecedented 15 National Debate Tournament wins, the most recent of which was in Saint Joan 2015.