Chinese Film Industry Visit to Uk 2015
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Development of the Global Film Industry The global film industry has witnessed significant transformations in the past few years. Regions outside the USA have begun to prosper while non-traditional produc- tion companies such as Netflix have assumed a larger market share and online movies adapted from literature have continued to gain in popularity. How have these trends shaped the global film industry? This book answers this question by analyzing an increasingly globalized business through a global lens. Development of the Global Film Industry examines the recent history and current state of the business in all parts of the world. While many existing studies focus on the internal workings of the industry, such as production, distribution and screening, this study takes a “big picture” view, encompassing the transnational integration of the cultural and entertainment industry as a whole, and pays more attention to the coordinated develop- ment of the film industry in the light of influence from literature, television, animation, games and other sectors. This volume is a critical reference for students, scholars and the public to help them understand the major trends facing the global film industry in today’s world. Qiao Li is Associate Professor at Taylor’s University, Selangor, Malaysia, and Visiting Professor at the Université Paris 1 Panthéon- Sorbonne. He has a PhD in Film Studies from the University of Gloucestershire, UK, with expertise in Chinese- language cinema. He is a PhD supervisor, a film festival jury member, and an enthusiast of digital filmmaking with award- winning short films. He is the editor ofMigration and Memory: Arts and Cinemas of the Chinese Diaspora (Maison des Sciences et de l’Homme du Pacifique, 2019). -
“Mission: Impossible – Rogue Nation” Movie
Alibaba Pictures to Invest in Paramount Pictures’ “Mission: Impossible – Rogue Nation” Movie Beijing, China, ---- 24 June 2015 - Alibaba Pictures Group Limited (SEHK code: 1060; "Alibaba Pictures"; the "Company") announced today that it has signed an agreement with Paramount Pictures Corporation (“Paramount Pictures”), under which Alibaba Pictures will invest in its first Hollywood blockbuster Mission: Impossible – Rogue Nation, and become an official partner for the promotion of the movie in China. Alibaba Pictures and Paramount Pictures will collaborate in the areas of online ticketing, merchandising and promotion of the movie. The investment in Mission: Impossible – Rogue Nation is the start of Alibaba Pictures’ international journey as the Company continues to explore collaborative opportunities with more movie studios overseas. Alibaba Pictures has established a presence in Los Angeles to pursue investment and other forms of collaboration in Hollywood, the hub for the global film industry. The cooperation with Paramount Pictures is a strong alliance that has deep synergies for both parties. It also reflects Alibaba Pictures’ commitment to developing and distributing high-quality content to moviegoers. By integrating Alibaba Group’s big data technology, understanding of the Chinese consumers and overarching e-commerce ecosystem, Alibaba Pictures looks to tailor high-impact, integrated promotional campaigns for Mission: Impossible - Rogue Nation, to effectively engage China’s hundreds of millions of moviegoers. Alibaba Group’s Taobao Movie, an application that allows online ticketing and advance seat selection, will be one of the major ticketing platforms for Mission: Impossible - Rogue Nation. Taobao Movie also interlinks with Alibaba Group’s mobile shopping app Mobile Taobao with significant user bases, and a related third-party online payment platform Alipay, which provides consumers with various access to Taobao Movie to buy tickets. -
1 Cycle Cinéma Chinois De L'écrit À L'écran 6Ème Saison
Institut Confucius de l'université Paris Diderot en collaboration avec le Centre de documentation sur le cinéma chinois de Paris Cycle cinéma chinois De l’écrit à l’écran 6ème saison Programme de l’année 2015-2016 Présentation Cette 6ème édition du cycle ‘De l’écrit à l’écran’ est placée sous le signe de la transmission du patrimoine culturel, thème du film de Wu Tianming en ouverture du programme : c’est également l’une des préoccupations qui anime ce cycle. La première partie du programme est consacrée, justement, à des grands films méconnus du patrimoine cinématographique chinois, en commençant par deux classiques rares des années 1950 et 1960 : - un film de 1956 qui revisite le grand roman de Ba Jin qu’est « Famille » ; - et un film de 1962 consacré à Li Shuangshuang, modeste mais enthousiaste héroïne du Grand Bond en avant. Toujours dans les années 1960, le programme met ensuite en valeur deux aspects de l’œuvre d’un cinéaste aussi brillant que prolifique dont on parle peu aujourd’hui, mais qui a exercé une énorme influence sur les réalisateurs chinois, de son temps et ultérieurs : Li Han-hsiang, dans la transcription usuelle de son nom. Le premier des deux films est en outre l’une des meilleures adaptations à cette heure d’un conte du Liaozhai, ce qui permettra d’aborder l’œuvre de Pu Songling. L’actualité nous fournira par ailleurs l’occasion de rendre hommage à l’une des grandes actrices du cinéma chinois des années 1950 et 1960 : Li Lihua. Un prix lui sera en effet décerné en novembre au festival du Golden Horse pour l’ensemble de sa carrière, et le CDCC, qui a des copies uniques de certains de ses films, est heureux de se joindre à cet hommage avec l’un de ses meilleurs rôles, dans un film qui est de surcroît l’une des nombreuses adaptations de la célèbre histoire de l’Orphelin des Zhao. -
Hong Kong 20 Ans / 20 Films Rétrospective 20 Septembre - 11 Octobre
HONG KONG 20 ANS / 20 FILMS RÉTROSPECTIVE 20 SEPTEMBRE - 11 OCTOBRE À L’OCCASION DU 20e ANNIVERSAIRE DE LA RÉTROCESSION DE HONG KONG À LA CHINE CO-PRÉSENTÉ AVEC CREATE HONG KONG 36Infernal affairs CREATIVE VISIONS : HONG KONG CINEMA, 1997 – 2017 20 ANS DE CINÉMA À HONG KONG Avec la Cinémathèque, nous avons conçu une programmation destinée à célé- brer deux décennies de cinéma hongkongais. La période a connu un rétablis- sement économique et la consécration de plusieurs cinéastes dont la carrière est née durant les années 1990, sans compter la naissance d’une nouvelle génération d’auteurs. PERSISTANCE DE LA NOUVELLE VAGUE Notre sélection rend hommage à la créativité persistante des cinéastes de Hong Kong et au mariage improbable de deux tendances complémentaires : l’ambitieuse Nouvelle Vague artistique et le film d’action des années 1980. Bien qu’elle soit exclue de notre sélection, il est utile d’insister sur le fait que la production chinoise 20 ANS / FILMS KONG, HONG de cinéastes et de vedettes originaires de Hong Kong, tels que Jackie Chan, Donnie Yen, Stephen Chow et Tsui Hark, continue à caracoler en tête du box-office chinois. Les deux films Journey to the West avec Stephen Chow (le deuxième réalisé par Tsui Hark) et La Sirène (avec Stephen Chow également) ont connu un immense succès en République Populaire. Ils n’auraient pas été possibles sans l’œuvre antérieure de leurs auteurs, sans la souplesse formelle qui caractérise le cinéma de Hong Kong. L’histoire et l’avenir de l’industrie hongkongaise se lit clairement dans la carrière d’un pionnier de la Nouvelle Vague, Tsui Hark, qui a rodé son savoir-faire en matière d’effets spéciaux d’arts martiaux dans ses premières productions télévisuelles et cinématographiques à Hong Kong durant les années 70 et 80. -
1 Skydance Media and Alibaba Pictures Join Forces To
SKYDANCE MEDIA AND ALIBABA PICTURES JOIN FORCES TO FINANCE AND PRODUCE FLYING TIGERS FEATURE FILM Oscar-Nominated Writer Randall Wallace to Script _____________________________________________________________________________ Santa Monica, CA and Beijing, China – April 6, 2016 – Skydance, a diversified media company that creates elevated, event-level entertainment for global audiences, and Alibaba Pictures, Alibaba Group’s entertainment affiliate, today announced that they will join forces to finance and produce a Flying Tigers feature film for global release. It has been designated by Skydance Media and Alibaba Pictures as a high-priority development project. The screenplay will be written by Oscar-nominated writer Randall Wallace (Braveheart) and the film will be produced by David Ellison and Dana Goldberg of Skydance together with a team from Alibaba Pictures. The Flying Tigers – formally known as the 1st American Volunteer Group of the Chinese Air Force – was a group of volunteer pilots from the U.S. Air Force, Navy and Marine Corps. Led by Captain Claire Lee Chennault, the group fought alongside the Chinese during World War II. The Flying Tigers project will tell the story of the unique brotherhood formed by these intrepid soldiers. “This production partnership with Alibaba Pictures on Flying Tigers marks an important next step in our strategy to expand the reach of the Skydance brand on a global basis,” said David Ellison, Chief Executive Officer of Skydance Media. “We could not be more excited to work with the incomparable Randall Wallace to bring to life the extraordinary, untold story of the great commitment and sacrifices made by this courageous group of pilots.” “Flying Tigers carries with it a rich legacy and a movie about this subject matter has been highly anticipated for a very long time,” added Zhang Wei, President of Alibaba Pictures. -
Warriors As the Feminised Other
Warriors as the Feminised Other The study of male heroes in Chinese action cinema from 2000 to 2009 A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Chinese Studies at the University of Canterbury by Yunxiang Chen University of Canterbury 2011 i Abstract ―Flowery boys‖ (花样少年) – when this phrase is applied to attractive young men it is now often considered as a compliment. This research sets out to study the feminisation phenomena in the representation of warriors in Chinese language films from Hong Kong, Taiwan and Mainland China made in the first decade of the new millennium (2000-2009), as these three regions are now often packaged together as a pan-unity of the Chinese cultural realm. The foci of this study are on the investigations of the warriors as the feminised Other from two aspects: their bodies as spectacles and the manifestation of feminine characteristics in the male warriors. This study aims to detect what lies underneath the beautiful masquerade of the warriors as the Other through comprehensive analyses of the representations of feminised warriors and comparison with their female counterparts. It aims to test the hypothesis that gender identities are inventory categories transformed by and with changing historical context. Simultaneously, it is a project to study how Chinese traditional values and postmodern metrosexual culture interacted to formulate Chinese contemporary masculinity. It is also a project to search for a cultural nationalism presented in these films with the examination of gender politics hidden in these feminisation phenomena. With Laura Mulvey‘s theory of the gaze as a starting point, this research reconsiders the power relationship between the viewing subject and the spectacle to study the possibility of multiple gaze as well as the power of spectacle. -
Distribution Agreement in Presenting This
Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature: _____________________________ ______________ Tianyi Yao Date Crime and History Intersect: Films of Murder in Contemporary Chinese Wenyi Cinema By Tianyi Yao Master of Arts Film and Media Studies _________________________________________ Matthew Bernstein Advisor _________________________________________ Tanine Allison Committee Member _________________________________________ Timothy Holland Committee Member _________________________________________ Michele Schreiber Committee Member Accepted: _________________________________________ Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies ___________________ Date Crime and History Intersect: Films of Murder in Contemporary Chinese Wenyi Cinema By Tianyi Yao B.A., Trinity College, 2015 Advisor: Matthew Bernstein, M.F.A., Ph.D. An abstract of -
CHINA LITERATURE LIMITED 閱文集團 (Incorporated in the Cayman Islands with Limited Liability) (Stock Code: 772)
THIS CIRCULAR IS IMPORTANT AND REQUIRES YOUR IMMEDIATE ATTENTION If you are in any doubt about this circular or as to the action to be taken, you should consult your stockbroker, bank manager, solicitor, professional accountant or other professional adviser. If you have sold or transferred all your shares in China Literature Limited, you should at once hand this circular to the purchaser or transferee or to the bank, stockbroker or other agent through whom the sale was effected for transmission to the purchaser or transferee. Hong Kong Exchanges and Clearing Limited and The Stock Exchange of Hong Kong Limited take no responsibility for the contents of this circular, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this circular. This circular appears for information purposes only and does not constitute an invitation or offer to acquire, purchase or subscribe for the securities. CHINA LITERATURE LIMITED 閱文集團 (Incorporated in the Cayman Islands with limited liability) (Stock Code: 772) (1) MAJOR AND CONNECTED TRANSACTION (2) CONSIDERATION ISSUE UNDER SPECIFIC MANDATE (3) CONTINUING CONNECTED TRANSACTIONS AND NOTICE OF EXTRAORDINARY GENERAL MEETING Exclusive Financial Adviser to the Company Independent Financial Adviser to the Independent Board Committee and the Independent Shareholders SOMERLEY CAPITAL LIMITED A notice convening the Extraordinary General Meeting of China Literature Limited to be held at Salon 1-4, Level 3, JW Marriott Hotel Hong Kong, Pacific Place, 88 Queensway, Hong Kong on Friday, October 19, 2018 at 9:30 a.m. -
Red Diamond Published by TRADOC G-2 Operational INSIDE THIS ISSUE Environment & Threat Analysis Directorate, Fort Leavenworth, KS
Operational Environment & Threat Analysis Volume 10, Issue 3 July - September 2019 Focus on CHINA Bits in the Wire: Advancing Threats in China’s the Cyber Domain Maritime Militia Also: Worldwide Equipment Guide (WEG) Showcase and Updates APPROVED FOR PUBLIC RELEASE; DISTRIBUTION IS UNLIMITED OEE Red Diamond published by TRADOC G-2 Operational INSIDE THIS ISSUE Environment & Threat Analysis Directorate, Fort Leavenworth, KS Competition in 2035: Training for Multi-Domain Topic Inquiries: Operations in Competition with China .................... 3 Angela Williams (DAC), Branch Chief, Training & Support Jennifer Dunn (DAC), Branch Chief, Analysis & Production China’s Belt and Road Initiative and Its Infamous Debt: More of a Threat than a Trap ................................... 8 OE&TA Staff: Penny Mellies (DAC) Director, OE&TA [email protected] 913-684-7920 China’s Maritime Militia ........................................ 11 MAJ Megan Williams MP LO [email protected] WO2 Rob Whalley UK LO Bits in the Wire: Advancing Threats [email protected] 913-684-7994 in the Cyber Domain ........................................... 20 SGT Rodney Knox AU LO [email protected] 913-684-7928 The Combined Arms Battalion and Combined Arms Laura Deatrick (CTR) Editor Brigade: The New Backbone of the Chinese Army .. 27 [email protected] 913-684-7925 Keith French (CTR) Geospatial Analyst [email protected] 913-684-7953 INTERVIEW Interview: Dennis J. Blasko, LTC, USA (Ret) ............ 42 Angela Williams (DAC) Branch Chief, T&S [email protected] 913-684-7929 Film Review: Operation Red Sea ........................... 47 John Dalbey (CTR) Military Analyst [email protected] 913-684-7939 Jerry England (DAC) Intelligence Specialist [email protected] 913-684-7934 WEG Showcase .................................................. -
Market Research 2020
THE ITALIAN TRADE COMMISSION HONG KONG MARKET RESEARCH FILM 2020 SEPTEMBER F O S B A C K G R O U N D E Hong Kong Current Market Overview L 2 T S T A T I S T I C B A Hong Kong Box Office & Market Trend T 4 N S T A T I S T I C 5 Audio & Visual Equipment Industry E L O C A L F I L M I N D U S T R Y T 7 Loca Industry and Distribution G L O B A L D I S T R I B U T I O N N 8 International Investment and Recognition T E L E V I S I O N I N D U S T R Y O 10 Local TV Industry T R A D E S H O W C 1 1 Hong Kong FILMART A S S O C I A T I O N S 12 Hong Kong Trade Associations (Film Sector) R E F E R E N C E 13 Source and Reference BACKGROUND: V O L U M E 3 , I S S U E 3 HONG KONG CURRENT MARKET OVERVIEW Business Shock Under COVID-19 CINEMA CLOSED DUE TO CORONAVIRUS PANDEMIC Under the tightened social distancing policies announced by the HKSAR government to fight against the coronavirus, cinemas were previously closed twice from March 27 to May 5 and July 15 to August 27 Hong Kong box office receipts plunged by more than 70% in the first six months of 2020 as audiences stayed away and cinemas shut down amid the coronavirus pandemic. -
Filmart 2014 №1
DAILY MARCH 24, FILMART 2014 №1 THR.COM/FILMART China_3D_cover_Day1.indd 1 3/21/14 3:18 PM ASIAN PREMIERE INTERNATIONAL MARKET PREMIERE Mon, 24th Mar. Mon,/ 16:00 24th /Mar. AMC / 16:00 Pacific / AMC 4 Pacific/ By Invitation4 / Market (BY INVITATION ONLY) Tue, 25th Mar. / 10:00 / AMC Pacific 1 / By Invitation Tue, 25th Mar. / 10:00 / AMC Pacific 1 / Market (BY INVITATION ONLY) Fortissimo Films HKIFF + HK Filmart Booth: 1E - B09 To set up a meeting with us, please e-mail to [email protected] HK 2014_THR_another me.indd 1 2014/3/19 �� 8:32 Fortissimo FP_Day1.indd 1 3/19/14 11:18 AM MARCH 24, 2014 THR.COM/FILMART FILMART №1 HONG KONG TODAY TOMORROW WEATHER AND HIGH 73° F 71° F TEMPS 23° C 22° C IP MAN 3 Chinese Movie Boom Boosts Filmart KICKS INTO An increased presence from the Mainland sparks optimism among dealmakers hoping to HIGH GEAR grab a larger slice of the world’s fastest-growing film marketBy Clifford Coonan and Karen Chu By Karen Chu ong Kong Filmart is already Asia’s largest wait and see. It’s a curtain raiser for Cannes and egasus Motion Pictures film market in terms of exhibitor numbers, advance showcase for upcoming projects, and it is will begin filming Ip H but coming shortly before Cannes, it is increasingly well attended.” P Man 3 in early 2015. an annual challenge to convince buyers to open But the growing allure of Chinese-language With a budget of $30 mil- their wallets in Asia, rather than wait for the bigger movies makes Filmart ever more important to lion, the finale of the trilogy, European platform. -
Anthony Wong
26 April/4 May 2019 – Udine – Teatro Nuovo and Cinema Centrale FAR EAST FILM FESTIVAL 21 rd Programme for Friday the 3 of May ANTHONY WONG The Hong Kong superstar returns to the Far East Film Festival after 20 years! Back in Udine to collect his Golden Mulberry Award for Outstanding Achievement and present the wonderful Still Human. Press release for the 2nd of May 2019 For immediate release UDINE – Friday the 3rd of May. Penultimate day of the 21st Far East Film Festival. After Jeon Do-yeon and Yao Chen, it's time to turn the festival's spotlights on another superstar: Anthony Wong! He's played the lead in masterpieces like Johnnie To's The Mission. He's starred in unforgettable cult movies like Andrew Lau and Alan Mak's Infernal Affairs. He's been a hit man, a cop, a romantic hero and a serial killer. He's played every role in every genre, from crime and comedy to fantasy and splatter. His filmography is practically infinite, and it's no exaggeration to say that he is the face of the last thirty years of Hong Kong cinema... Already a guest at the very first edition of the FEFF in 1999, when he presented Beast Cops by Gordon Chan and Dante Lam, Anthony now returns to Udine exactly twenty years later to collect his Golden Mulberry Award for Outstanding Achievement (taking his place in the Udine hall of fame alongside other giants of Asian cinema including Jackie Chan, Joe Hisaishi, Feng Xiaogang, Johnnie To and Brigitte Lin).