{PDF EPUB} the Mountains of Majipoor by Robert Silverberg the Mountains of Majipoor
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Read Ebook {PDF EPUB} The Mountains of Majipoor by Robert Silverberg The Mountains of Majipoor. For young Prince Harpirias, the journey into the frozen tundra beyond Majipoor might well be a death sentence. But it's also the only way out of a petty bureaucrat's job in a provincial city. His mission is to rescue a lost party of paleontologists searching for the fossils of a fabled species of land-dwelling dragons. Setting out with a small band of soldiers and a wily Shapeshifter, who acts as both guide and interpreter, Harpirias will endure blinding blizzards, slashing ice storms, physical privation, and the attack of strange beasts. But the worst is yet to come. For when they finally reach their destination, they come face-to-face with a shockingly barbaric culture ruled by a dangerous chieftain. One mistake, one minor violation of a custom or a taboo, and the prince and his companions will face instant death—or endless captivity. Comments: The fourth book written in the Majipoor series. It's set 500 years after the time of Valentine. A young man of noble blood is sent on a difficult mission to the far north reaches of Majipoor to negotiate with a previously unknown primitive tribe. It's full of the Big Planet wonder of this great setting: strange peoples, cultures, and beasts, all colorfully and lovingly portrayed. Quite enjoyable, though it seems too short, lacking the epic scope of the Valentine books. That's not really a criticism, more an observation. No disappointments here. Other resources: Page generated 15 June 2021 21:53:50. Acknowledgements: Robert Silverberg for cause, support, and cooperation; Ken Seamon for graphics; Rodney Walters for books and info; Alvaro Zinos-Amaro for comments and content; and all the fellow fans who have sent encouragement, information, and translations. Welcome to Majipoor. For young Prince Harpirias, the journey into the frozen tundra beyond Majipoor might well be a death sentence. But it's also the only way out of a petty bureaucrat's job in a provincial city. His mission is to rescue a lost party of paleontologists searching for the fossils of a fabled species of land-dwelling dragons. Setting out with a small band of soldiers and a wily Shapeshifter, who acts as both guide and interpreter, Harpirias will endure blinding blizzards, slashing ice storms, physical privation, and the attack of strange beasts. But the worst is yet to come. For when they finally reach their destination, they come face-to-face with a shockingly barbaric culture ruled by a dangerous chieftain. One mistake, one minor violation of a custom or a taboo, and the prince and his companions will face instant death—or endless captivity. Comments. The fourth book written in the Majipoor series. It's set 500 years after the time of Valentine. A young man of noble blood is sent on a difficult mission to the far north reaches of Majipoor to negotiate with a previously unknown primitive tribe. It's full of the Big Planet wonder of this great setting: strange peoples, cultures, and beasts, all colorfully and lovingly portrayed. Quite enjoyable, though it seems too short, lacking the epic scope of the Valentine books. That's not really a criticism, more an observation. No disappointments here. Other resources. Acknowledgements: Robert Silverberg for cause, support, and cooperation; Ken Seamon for graphics; Rodney Walters for books and info; Alvaro Zinos-Amaro for comments and content; and all the fellow fans who have sent encouragement, information, and translations. Welcome to Majipoor. Robert Silverberg was born in New York City on 15 January 1935 to Michael and Helen Silverberg, an only child. He tends to keep his personal life to himself, but he has made allusions to being a lonely and bitter child who found a sort of release in science fiction and fantasy. In 1949 he started a science fiction fanzine called Spaceship and made his first professional sale to Science Fiction Adventures , a non-fiction piece called Fanmag, in the December 1953 issue. His first professional fiction publication was Gorgon Planet in the February 1954 issue of the British magazine Nebula Science Fiction . His first novel, Revolt on Alpha C , was published in 1955. In 1956 he graduated from Columbia University, having majored in Comparative Literature, and married Barbara Brown, an electronics engineer specializing in radar and optics (according to a dust-jacket bio). His literary background would surface eventually in his writing, but for a time, he seems to have kept the straight separate from the science fiction he wrote, as it was pure adventure stuff with little that would indicate interests beyond the typical science fiction of the day. The Word Mill: Security Kills Artistry. After those initial sales, he started publishing short stories in the pulp SF magazines, turning them out at a tremendous rate and earning a Hugo award for his promise (the youngest person ever to do so). In the summer of 1955, while still pursuing his education, Silverberg had moved into an apartment in New York that would profoundly change his life. Randall Garrett, an established science fiction writer, lived next door; Harlan Ellison, another promising young novice, also lived in the building. Garrett introduced Silverberg to many of the prominent editors of the day, and the two collaborated on many projects, often using the name Robert Randall. Three of the stories they wrote together, The Chosen People , The Promised Land , and False Prophet , became the 1957 novel The Shrouded Planet . Other stories and novels followed. In addition to the collaborations,Silverberg was writing so much on his own, and selling so much of it, that he was obliged to publish under a number of pseudonyms to avoid oversaturating the market. Thus were born David Osborne, Ivar Jorgenson, and Calvin M. Knox, among others (see pseudonym page). He had the ability to write on demand for his editors, so if asked, he could produce a story with a given theme and a given length in a day or so. He seems to have been motivated in part by a fear of what he saw other writers reduced to: possessing talent but unable to support themselves decently with writing. Between 1957 and 1959, he published (using various names) more than 220 short works and eleven novels, most of which have never been reprinted. He also wrote a large number of other genre stories, including mysteries, westerns, and erotica. As a writer myself, I find this mind-boggling. No wonder he eventually burned out. During this time, he has admitted that he became his own worst enemy, so addicted to the sale that he didn't utilize his own best abilities. Writing became a job to him. He produced what he thought the market wanted, produced it quickly and well enough to sell, but no better. It seems as if he lived as the extension of the lonely boy with the escapist fantasies, not knowing how to integrate the literate adult into his professional life. The Plot Thickens: The Many Faces of Robert Silverberg. In 1959, Robert Silverberg announced that he was retiring from science fiction. In spite of this retirement, books and stories continued to appear, mostly anthologies of collected stories written during the earlier days and expansions of previous short works into novels. His writing in the early sixties was mostly outside the field of science fiction. He wrote many nonfiction books, starting with Treasures Beneath the Sea in 1960. Then, with Lost Cities and Vanished Civilizations in 1962, Silverberg moved into the lucrative (as he called it) area of hardcover non-fiction for younger readers. Between 1960 and 1972, he published approximately 70 nonfiction books, mostly in his preferred fields of pre-history, archaeology, and exploration. Also during this time he wrote a large number of soft-core pornography novels under the name Don Elliot or Eliot. Frederik Pohl, then editor of Galaxy , is credited with drawing Silverberg back into science fiction by convincing him that a new, more literate kind of story would sell. Silverberg's new stories showed a much greater depth of characterization and emotion than his earlier work. The plots deepened, the characters started to come to life. He started taking his examples not just from the most successful SF writers of the day, but from the best writers in all fields, from classical Greeks to modern masters, finally integrating that other side of his personality into his work. Things got less predictable. By the end of the sixties, Silverberg almost exclusively indulged the darker side of his personality, telling stories of loneliness and isolation. Freed from the practical necessity of a heroic, happy ending (due to changes in taste in editors and readers), Silverberg's stories took on a darker tone, often ending on a down note or with ambiguity. Along with these heavier themes came a quest for transcendence which surfaced in many stories in many ways. If human life is filled with inevitable misery, there must be an alternative somewhere. The major works of this period are Nightwings , Dying Inside , Tower of Glass , Thorns , Downward to the Earth , The Book of Skulls ,and Shadrach in the Furnace . Among the excellent shorter works are Sundance , Born with the Dead , Caliban ,and In Entropy's Jaws . Virtually everything dated from about 1969 to 1974 is of high quality. It is this period which produced the main concentration of awards. By 1973, he was once again starting to suffer from what we would now call burn-out , though of a different sort than in 1959. That other time, he was frustrated by the low standards prevalent in the field; now he was feeling drained by the intensity of effort required to produce the kind of writing he demanded of himself.