Hong Kong Cinema Under “One Country, Two Systems”
Hong Kong Cinema under “One Country, Two Systems”: Production, Reception and Policy Hongjin (Hilary) He M.A. (University of Western Sydney) This thesis is presented for the degree of Doctor of Philosophy, The University of Western Sydney, School of Communication Arts & Center for Cultural Research, 2011. ACKNOWLEDGMENTS This research project would not have been possible without the support of the three- year (2008-2011) University of Western Sydney International Postgraduate Research Scholarship and five-month (Sept. 2009 – Jan. 2010) Resident Graduate Scholarship provided by the David C. Lam Institute for East-West Studies (LEWI), Hong Kong Baptist University. Special thanks also to the Centre for Cultural Research (CCR), UWS and the Advanced Cultural Studies Institute of Sweden (ACSIS), for sponsoring my trip to the Media & Popular Culture PhD course at the Department of Cultural Studies (Tema Q), Linköping University, Sweden in April-May, 2010. I benefited from a series of workshops and seminars conducted by professors and researchers at the Centre for Cultural Research and conversations with them. Therefore, I would like to express my gratitude to Professor Kay Anderson, Professor Ien Ang, Professor Tony Bennett, Professor Bob Hodge, Professor Meagan Morris, Associate Professor Brett Neilson, Associate Professor Greg Noble, Dr Megan Watkins and Dr Tim Winter. My sincere thanks to co-supervisor Professor Peter Hutchings for my first year and Professor Emilie Yeh Yueh-yu at HKBU for her advice during my residency there. Deepest gratitude is also due to my succeeding co-supervisor Professor David Rowe who was abundantly helpful and offered invaluable assistance and guidance with my writing.
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