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Icons, Culture and Collective Identity of Postwar Hong Kong
Intercultural Communication Studies XXII: 1 (2013) R. MAK & C. CHAN Icons, Culture and Collective Identity of Postwar Hong Kong Ricardo K. S. MAK & Catherine S. CHAN Hong Kong Baptist University, Hong Kong S.A.R., China Abstract: Icons, which take the form of images, artifacts, landmarks, or fictional figures, represent mounds of meaning stuck in the collective unconsciousness of different communities. Icons are shortcuts to values, identity or feelings that their users collectively share and treasure. Through the concrete identification and analysis of icons of post-war Hong Kong, this paper attempts to highlight not only Hong Kong people’s changing collective needs and mental or material hunger, but also their continuous search for identity. Keywords: Icons, Hong Kong, Hong Kong Chinese, 1997, values, identity, lifestyle, business, popular culture, fusion, hybridity, colonialism, economic takeoff, consumerism, show business 1. Introduction: Telling Hong Kong’s Story through Icons It seems easy to tell the story of post-war Hong Kong. If merely delineating the sky-high synopsis of the city, the ups and downs, high highs and low lows are at once evidently remarkable: a collective struggle for survival in the post-war years, tremendous social instability in the 1960s, industrial take-off in the 1970s, a growth in economic confidence and cultural arrogance in the 1980s and a rich cultural upheaval in search of locality before the handover. The early 21st century might as well sum up the development of Hong Kong, whose history is long yet surprisingly short- propelled by capitalism, gnawing away at globalization and living off its elastic schizophrenia. -
Bullet in the Head
JOHN WOO’S Bullet in the Head Tony Williams Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © Tony Williams 2009 ISBN 978-962-209-968-5 All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Condor Production Ltd., Hong Kong, China Contents Series Preface ix Acknowledgements xiii 1 The Apocalyptic Moment of Bullet in the Head 1 2 Bullet in the Head 23 3 Aftermath 99 Appendix 109 Notes 113 Credits 127 Filmography 129 1 The Apocalyptic Moment of Bullet in the Head Like many Hong Kong films of the 1980s and 90s, John Woo’s Bullet in the Head contains grim forebodings then held by the former colony concerning its return to Mainland China in 1997. Despite the break from Maoism following the fall of the Gang of Four and Deng Xiaoping’s movement towards capitalist modernization, the brutal events of Tiananmen Square caused great concern for a territory facing many changes in the near future. Even before these disturbing events Hong Kong’s imminent return to a motherland with a different dialect and social customs evoked insecurity on the part of a population still remembering the violent events of the Cultural Revolution as well as the Maoist- inspired riots that affected the colony in 1967. -
Bad Blood, Good Movie? Laurie Kelley and Paul Clement a Viewer’S Guide: New Documentary About Hemophilia HIV History
PEN 11-10 CL_PEN 11/16/10 6:27 AM Page 1 Parent Empowerment Newsletter LA Kelley Communications, Inc. inside 3 As I See It: The Hemophilia Archive 4 Inhibitor Insights: Inhibitor Products 5 Transitions: Living Abroad with Peace of Mind 6 Richard’s Review: Hemophilia and AIDS in Film Bad Blood, Good Movie? Laurie Kelley and Paul Clement A Viewer’s Guide: New Documentary about Hemophilia HIV History A new film about hemophilia during the HIV crisis of the 1980s has energized our community. Bad Blood documents events that caused the mass contamination of factor products. Community advocates cheer the movie’s release and hope it will bring more attention to the hemophilia community—for funds, for continued blood safety, and for preserving memories of our fallen heroes. But will Bad Blood needlessly raise fears about plasma- derived products? Most Americans with hemophilia use recombinant products, and most don’t fully understand the difference between product safety and purity. Many of us aren’t aware of the complex production of products, or the fact that all US products are now considered safe. Use of plasma-derived products is on the rise as a treatment for inhibitors—and parents are worried. Now, along comes a film that taps into a parent’s deepest fear: what am I injecting into my child? Will this new documentary reinforce that fear, preventing parents from making good product choices? Flashback It was November 2008, the opening event of National Hemophilia Foundation’s annual meeting in Denver. The audience of hemophilia families and hemophilia chapter representatives filed into a large, festive room decorated with red and blue balloons. -
Warriors As the Feminised Other
Warriors as the Feminised Other The study of male heroes in Chinese action cinema from 2000 to 2009 A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Chinese Studies at the University of Canterbury by Yunxiang Chen University of Canterbury 2011 i Abstract ―Flowery boys‖ (花样少年) – when this phrase is applied to attractive young men it is now often considered as a compliment. This research sets out to study the feminisation phenomena in the representation of warriors in Chinese language films from Hong Kong, Taiwan and Mainland China made in the first decade of the new millennium (2000-2009), as these three regions are now often packaged together as a pan-unity of the Chinese cultural realm. The foci of this study are on the investigations of the warriors as the feminised Other from two aspects: their bodies as spectacles and the manifestation of feminine characteristics in the male warriors. This study aims to detect what lies underneath the beautiful masquerade of the warriors as the Other through comprehensive analyses of the representations of feminised warriors and comparison with their female counterparts. It aims to test the hypothesis that gender identities are inventory categories transformed by and with changing historical context. Simultaneously, it is a project to study how Chinese traditional values and postmodern metrosexual culture interacted to formulate Chinese contemporary masculinity. It is also a project to search for a cultural nationalism presented in these films with the examination of gender politics hidden in these feminisation phenomena. With Laura Mulvey‘s theory of the gaze as a starting point, this research reconsiders the power relationship between the viewing subject and the spectacle to study the possibility of multiple gaze as well as the power of spectacle. -
EXPOSED Living with Scandal, Rumour, and Gossip
EXPOSED Living with scandal, rumour, and gossip L /� MIA-MARIE HAMMARLIN EXPOSED Living with scandal, rumour, and gossip Exposed Living with scandal, rumour, and gossip MIA-MARIE HAMMARLIN Lund University Press Copyright © Mia-Marie Hammarlin 2019 The right of Mia-Marie Hammarlin to be identified as the author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. Lund University Press The Joint Faculties of Humanities and Theology P.O. Box 117 SE-221 00 LUND Sweden http://lunduniversitypress.lu.se Lund University Press books are published in collaboration with Manchester University Press. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library An earlier version of this book appeared in Swedish, published by Hammarlin Bokförlag in 2015 as I stormens öga ISBN 978-91-9793-812-9 ISBN 978-91-983768-3-8 hardback ISBN 978-91-983768-4-5 open access First published 2019 An electronic version of this book is also available under a Creative Commons (CC-BY-NC-ND) licence, thanks to the support of Lund University, which permits non-commercial use, distribution and reproduction provided the author(s) and Manchester University Press are fully cited and no modifications or adaptations are made. Details of the licence can be viewed at https://creativecommons.org/ licenses/by-nc-nd/4.0/ The publisher has no responsibility for the persistence or accuracy of URLs for any external or third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. -
Donnie Yen's Kung Fu Persona in Hypermedia
Studies in Media and Communication Vol. 4, No. 2; December 2016 ISSN 2325-8071 E-ISSN 2325-808X Published by Redfame Publishing URL: http://smc.redfame.com Remediating the Star Body: Donnie Yen’s Kung Fu Persona in Hypermedia Dorothy Wai-sim Lau1 113/F, Hong Kong Baptist University Shek Mun Campus, 8 On Muk Street, Shek Mun, Shatin, Hong Kong Correspondence: Dorothy Wai-sim Lau, 13/F, Hong Kong Baptist University Shek Mun Campus, 8 On Muk Street, Shek Mun, Shatin, Hong Kong. Received: September 18, 2016 Accepted: October 7, 2016 Online Published: October 24, 2016 doi:10.11114/smc.v4i2.1943 URL: http://dx.doi.org/10.11114/smc.v4i2.1943 Abstract Latest decades have witnessed the proliferation of digital media in Hong Kong action-based genre films, elevating the graphical display of screen action to new levels. While digital effects are tools to assist the action performance of non-kung fu actors, Dragon Tiger Gate (2006), a comic-turned movie, becomes a case-in-point that it applies digitality to Yen, a celebrated kung fu star who is famed by his genuine martial dexterity. In the framework of remediation, this essay will explore how the digital media intervene of the star construction of Donnie Yen. As Dragon Tiger Gate reveals, technological effects work to refashion and repurpose Yen’s persona by combining digital effects and the kung fu body. While the narrative of pain and injury reveals the attempt of visual immediacy, the hybridized bodily representation evokes awareness more to the act of representing kung fu than to the kung fu itself. -
Några Av Sveriges Kanaler I Litteraturen : Svensk Och Internationellt
Några av Sveriges kanaler i litteraturen - Svenskt och internationellt (Bibliografi) (Del 1 av 5) Av Christina Brage The publishers will keep this document on-line on the Internet (or its possible replacement network in the future) for a period of 25 years from the date of publication barring exceptional circumstances as described separately. The on-line availability of the document implies a permanent permission for anyone to read, to print out single copies and to use it unchanged for any non-commercial research and educational purpose. Subsequent transfers of copyright cannot revoke this permission. All other uses of the document are conditional on the consent of the copyright owner. The publication also includes production of a number of copies on paper archived in Swedish university libraries and by the copyrightholder/s. The publisher has taken technical and administrative measures to assure that the on-line version will be permanently accessible and unchanged at least until the expiration of the publication period. For additional information about the Linköping University Electronic Press and its procedures for publication and for assurance of document integrity, please refer to its WWW home page: http://www.ep.liu.se Göta Kanal. Forskning från Linköpings universitet; 14 (Del 1 av 5) Linköping University Electronic Press Linköping, Sweden, 2001 ISBN 91-7219-936-9 (print) www.ep.liu.se/ea/gotakanal/2001/014/ (WWW) Printed by: UniTryck, Linköping Ó Christina Brage Några av Sveriges kanaler i litteraturen. Svenskt och internationellt I denna skrift behandlas Göta- och Trollhätte kanal, två kanaler som genom historien följt varandra och som har många beröringspunkter. -
I Want to Be More Hong Kong Than a Hongkonger”: Language Ideologies and the Portrayal of Mainland Chinese in Hong Kong Film During the Transition
Volume 6 Issue 1 2020 “I Want to be More Hong Kong Than a Hongkonger”: Language Ideologies and the Portrayal of Mainland Chinese in Hong Kong Film During the Transition Charlene Peishan Chan [email protected] ISSN: 2057-1720 doi: 10.2218/ls.v6i1.2020.4398 This paper is available at: http://journals.ed.ac.uk/lifespansstyles Hosted by The University of Edinburgh Journal Hosting Service: http://journals.ed.ac.uk/ “I Want to be More Hong Kong Than a Hongkonger”: Language Ideologies and the Portrayal of Mainland Chinese in Hong Kong Film During the Transition Charlene Peishan Chan The years leading up to the political handover of Hong Kong to Mainland China surfaced issues regarding national identification and intergroup relations. These issues manifested in Hong Kong films of the time in the form of film characters’ language ideologies. An analysis of six films reveals three themes: (1) the assumption of mutual intelligibility between Cantonese and Putonghua, (2) the importance of English towards one’s Hong Kong identity, and (3) the expectation that Mainland immigrants use Cantonese as their primary language of communication in Hong Kong. The recurrence of these findings indicates their prevalence amongst native Hongkongers, even in a post-handover context. 1 Introduction The handover of Hong Kong to the People’s Republic of China (PRC) in 1997 marked the end of 155 years of British colonial rule. Within this socio-political landscape came questions of identification and intergroup relations, both amongst native Hongkongers and Mainland Chinese (Tong et al. 1999, Brewer 1999). These manifest in the attitudes and ideologies that native Hongkongers have towards the three most widely used languages in Hong Kong: Cantonese, English, and Putonghua (a standard variety of Mandarin promoted in Mainland China by the Government). -
As the Political and Cultural Heart of Taiwan, Taipei Is a Modern
As the political and cultural heart of Taiwan, Taipei is a modern, bustling city eager to show the world its mettle. Here high-tech and history go hand in hand as Taipei treads a fi ne line between its obligations to Beijing and its fervent hopes for independent inclusion in international organizations. For worldwide travelers, it's a haven of peace and natural beauty. 72TAIWAN WWW.DIPLOMATICCONNECTIONS.COM TOURISM MEETS POLITICS, TECHNOLOGY AND CULTURE IN TAIPEI BY MONICA FRIM We drove into the city as night thinned into a gossamer dawn. Slowly the sky turned TAIWAN orange, then bronze, as the sun kindled the clouds and etched a purple outline of the mountains surrounding the Taipei Basin. The highway curved and dipped among hills that grew progressively greener with the onset of dayspring. As the mountains receded, the jagged rooftops of concrete highrises emerged, scattered like stones on a greensward. In the distance Taipei Tower pierced the sky then Tapei 101 looms over the colorful roofs of the city. suddenly loomed close as lines on a ledger as we entered the city. We scooted along the leafy boulevard e arrived in Taipei in the dark of early that harbored our hotel just as the sun burst fully through morning, which seemed the perfect time the clouds. It ignited the city with subtropical brightness W to ease into a country that is still feeling its and initiated a daily pattern that, during the week of way into the limelight. Although the island of Taiwan is our visit, consisted of sundrenched mornings followed ancient, with evidence of human life going back at least by leaden afternoons. -
The Contested Memory
Contested Memories of the Past: Teaching the History of Taiwan in American Classroom Lei Duan, Ph.D. Lieberthal-Rogel Center for Chinese Studies University of Michigan July in subtropical Taiwan, a large island off the southeast coast of mainland China was always hot and muggy. In the summer of 2015, the island was also permeated with an atmosphere of confrontation and conflict. On the evening of July 23, dozens of Taiwanese students pitched ladders against a side wall of the Ministry of Education (MOE) in Taipei and broken into the compound. After a brief occupation of the minister’s office, 33 young activists were arrested. The students’ storming of the Ministry kicked the long protest from April into high gear. Their ire was provoked by the Ministry’s plan to introduce a series of “minor” adjustments to history textbooks, which, claimed by young activists, embodied a Sino-centric view and devalued Taiwan’s national identity. One of those arrested, Lin Guan-hua committed suicide through carbon monoxide inhalation one week later, bringing the protest to a climax. In his final Facebook posting, Lin wished the MOE to withdraw the curriculum guidelines. On July 31, the students occupied the courtyard again, displaying pictures of Lin who carried a placard with the slogan, “Education is not a political tool.” The public outrage did not shake the government’s determination to carry out the plan of textbook revisions, though the MOE held direct dialogue with the activists before and after the protest. However, their efforts in guarding Taiwan’s identity had won a moral victory on the island. -
(Dis-)Locating the China Imaginary in Post-1997 Hong Kong Films = Éž
Journal of Modern Literature in Chinese 現代中文文學學報 Volume 10 Issue 1 Vol. 10.1 十卷一期 (Summer 2010) Article 4 7-1-2010 Migrants in a strange city : (dis-)locating the China imaginary in post-1997 Hong Kong films = 陌生城市中的移民 : 後一九九七香港 電影中國想像的位(錯)置 Vivian LEE City University of Hong Kong Follow this and additional works at: https://commons.ln.edu.hk/jmlc Recommended Citation Lee, V. (2010). Migrants in a strange city: (Dis-)locating the China imaginary in post-1997 Hong Kong films = 陌生城市中的移民 : 後一九九七香港電影中國想像的位(錯)置. Journal of Modern Literature in Chinese, 10(1), 67-85. This Article is brought to you for free and open access by the Centre for Humanities Research 人文學科研究中心 at Digital Commons @ Lingnan University. It has been accepted for inclusion in Journal of Modern Literature in Chinese 現代中文文學學報 by an authorized editor of Digital Commons @ Lingnan University. but from minor personal matters, which the author often likens to leftover bits and pieces of fabric. In fact, this understanding of history undermines the treatments of history and humankind by Marx and Engels: “But life involves, before everything else, eating and drinking, a habitation, clothing, and many other things. The first historical act is thus the production of the means to satisfy these needs, the production of material life itself. And indeed this is a historical act, a fundamental condition of all history, which today, as thousands of years ago, must daily and hourly be fulfilled merely in order to sustain human life.”72 Whereas Marxist materialism is foremost interested in life as a collective historical trend in which the individual is considered a mere means of production, Wang is more concerned about life as a private practice against the massive political forces of history. -
Destination Hong Kong: Negotiating Locality in Hong Kong Novels 1945-1966 Xianmin Shen University of South Carolina - Columbia
University of South Carolina Scholar Commons Theses and Dissertations 2015 Destination Hong Kong: Negotiating Locality in Hong Kong Novels 1945-1966 Xianmin Shen University of South Carolina - Columbia Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Comparative Literature Commons Recommended Citation Shen, X.(2015). Destination Hong Kong: Negotiating Locality in Hong Kong Novels 1945-1966. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3190 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. DESTINATION HONG KONG: NEGOTIATING LOCALITY IN HONG KONG NOVELS 1945-1966 by Xianmin Shen Bachelor of Arts Tsinghua University, 2007 Master of Philosophy of Arts Hong Kong Baptist University, 2010 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in Comparative Literature College of Arts and Sciences University of South Carolina 2015 Accepted by: Jie Guo, Major Professor Michael Gibbs Hill, Committee Member Krista Van Fleit Hang, Committee Member Katherine Adams, Committee Member Lacy Ford, Vice Provost and Dean of Graduate Studies © Copyright by Xianmin Shen, 2015 All Rights Reserved. ii ACKNOWLEDGEMENTS Several institutes and individuals have provided financial, physical, and academic supports that contributed to the completion of this dissertation. First the Department of Literatures, Languages, and Cultures at the University of South Carolina have supported this study by providing graduate assistantship. The Carroll T. and Edward B. Cantey, Jr. Bicentennial Fellowship in Liberal Arts and the Ceny Fellowship have also provided financial support for my research in Hong Kong in July 2013.