DOCSLIB.ORG

Rulebook En.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rulebook En.Pdf Contents............................................2 Equipment......................................12 Game Summary.................................3 Enemy Behavior (A.I)........................13 Preparation........................................3 Components....................................15 Victory and Defeat.............................3 Heroes.............................................19 Difficulty and Duration........................4 Bosses....................................21 Game Sequence................................5 Elites..................................22 Solve the Encounter...........................6 Characteristics..........................23 Maintenance Phase..........................11 • 8 x Hero Cards • 5 x Boss Cards • 8 x Elite Cards • 53 x Monster Cards • 8 x Hero Round Cards • 68 x Loot Cards • 6 x Epic Loot Cards • 6 x Threat Cards • 8 x Hero Skills Cards • 33 x Boss and Elite Skills Cards • 4 x Character Sheets • 2 x Combat Dice • 1 x Numbered Dice • 76 x Tokens • 212 x Markers • 2 x Dungeon Book • 1 x Rulebook 2 MiniQuest Adventures is a dungeon crawler game for 1 to 4 players in book format in the purest 16-bit video game style. Each game will generate a random dungeon that players must clear in the hopes of reaching and defeating the final Boss. The Heroes will receive rewards, such as weapons or equipment, at the end of each dungeon that they clear. These rewards will help them to defeat the enemies they encounter, and increase their chances of survival against the dungeon bosses. 1. Players choose a Character Sheet color and the Hero that corresponds to the chosen color. 2. Each Hero’s Initial Set (p. 19) is separated from the Loot Cards and the remaining Loot Cards are shuffled to form the Loot deck. 3. Boss, Elite, Monster, Threat, and Epic Loot Cards are shuffled separately and into different decks. 4. The Dungeon Book is placed in the middle of the table. 5. The rounds that the game will have are decided according to the desired difficulty. 6. The youngest player starts with the Leader Token. 7. In the case that there are fewer than four players, each player must assume the control of several Heroes at once. To win the game, players must clear all of the dungeons successfully, and are defeated when they all die on the same level, or if they’ve all received too many Death Markers to continue. A player is completely eliminated after having zero Life points left while having already accumulated three Death Markers, or after obtaining a fourth Death Marker. 3 Before starting, players must decide which game mode to use to complete the game. Each game mode consists of one or more rounds. A round consists of five levels and the last one will always consist of a confrontation with a Boss or Elite, depending on the round they are in. Each room is identified by a color and its symbol. I II III IV To make the game more random, each level has six versions. In each round or game the level may be different. The Numerical Dice will be cast on each level and, depending on the number that comes out, the page corresponding to the version is to be opened. Example: If the players must generate the third level and the result of the dice is a two they will open page III-2. Each time players complete a round, the difficulty level will be increased by un- covering a new Threat Card and applying its new characteristics to all Enemies. Game Modes Quick Adventure Difficult Adventure Highly recommended for the first few A challenge for demanding players. games. Five Rounds - Four Threat Cards. One Round - No Threat Cards. Four Elites and One Final Boss. One Final Boss. Unlock Hero Skills at the end of the Heroes play with active skills from the third round. first level. Nightmare Adventure Adventure Not recommended if you don’t like to For a fun afternoon. suffer. Three Rounds - Two Threat Cards. Seven Rounds - Six Threat Cards. Two Elites and One Final Boss. Five Elites and Two Bosses. “First Unlock Hero Skills at the end of the Boss” on the fifth round, “Second first round. Boss” on the seventh round, the rest of the rounds have Elites. Unlock Hero Skills at the end of the third round. 4 1. Set up. 2. Resolve the encounter in initiative order. 3. Maintenance phase. - SET UP 1. The player with the Leader Token rolls the Numerical Dice and opens the version corresponding to the level that has to be resolved. 2. One Monster Card is uncovered for each marked tile in order, from left to right and top to bottom. 3. In the case of a tile with the Elite symbol, an Elite or Boss Card must be uncovered (depending on the round). 4. Place the Enemy Tokens corresponding to the cards that have come out on the marked tiles, in the same order. The Monster Tokens are numbered to easily identify each enemy in the case that they are the same. 5. The corresponding Life, Defense, and Power Markers are placed on top of both the Hero and the Enemy Cards. 6. Set up the Initiative Queue. Initiative Queue The Hero Turn Cards are placed next to the Monsters in a row in the following order: The first card that is placed in the queue will be the Turn Card of the player who has the Leader Token at that moment. The next will be the first Monster Card that was initially uncovered, i.e., the monster placed in the top left marked tile. The next card will be the one of the player who is next to the one with the Leader Token (clockwise). The process will be repeated between players and Monsters until all the uncovered cards and the Hero Turn Cards are finished. 5 Before starting the match, players may exchange objects from the Bag with Equipment or with each other. If they do not have space, they must discard the remaining cards. The Encounter takes turns according to the Initiative Queue from left to right. On their turn, each character can perform 1 move and 1 attack or 2 moves. The order does not matter and it is not necessary to do both. Before carrying out the attack, the Hero may choose to use a Skill. Range Levels are marked by squares that are used to determine range of movement, reach, and vision between characters. The range is calculated in horizontal or vertical cells, never diagonally. Squares 1. White: common squares. The characters can move freely through these. Players cannot pass through a square occupied by another character. 2. Red: impassable squares. Characters cannot move or have vision through these squares. 3. Yellow: difficult terrain squares. Characters can move through these squares, but each square passed through costs two movement. Characters cannot stop on a yellow square. 4. Green: initial square. When a Hero enters a level, he will start his turn from the green square. No character can stop on this square. Heroes can attack from the starting square and move out of it before the end of their turn. 6 Line of Sight To determine whether a character has line of si- ght, draw a straight line from one of the four corners of the attacker’s square to one of the corners of the target’s square. This must be done without the line touching a corner or going through a red square, or a square occupied by another character. Movement Characters can move horizontally or vertically up to the maximum indicated by their movement, ne- ver diagonally. Heroes may move a second time if they do not attack or have not risen from a knockdown in that same turn. Players with one or more Heavy Equipment Cards may not move twice in a single turn. Attack The attacker’s target must be within their range of movement in order to be attacked. In addition, to assault from a distance, the characters must have vision of their target. The target cannot be attacked through allies even if the Weapon or Spell range allows it. An attack is considered hand-to-hand when carried out with a Range 1 or Range 2 Weapon. An attack is considered to be at a distance when carried out with a Weapon or Spell with a maximum Range of 3 or more. To attack, the attacker rolls two Combat Dice and chooses one. Characters that attack hand-to-hand will cause damage when they get a Strike or Critical Hit result. Characters attacking from a distance cause damage when they get a Shot or Critical Hit result. 7 Spells are considered distance attacks that consume Power. In the case of a beneficial Spell like “Barrier”, an ally or oneself can be chosen as the target, and they are automatically successful. On some occasions there may be a chain of strikes between the attacker and the target. In this case, the chain is broken when one of the two is defeated or the result of the dice does not allow it to be cast again. Example: It is the turn of the player who controls Ralen and they approach an intact Skeleton three squares away. As Ralen can move five squares they place themselves on the square adjacent to the Monster, ending their movement there; they then decide to attack and roll the two Combat Dice, obtaining a Strike result and a Critical Impact result. The player chooses the Critical Hit Dice and applies their weapon damage. Next, they roll a Combat Dice to represent the Critical Impact and get a Shot result. As the weapon they are equipped with is the “Great Sword”, they take advantage of the Accuracy characteristic and roll the Combat Dice again, obtaining the Counterattack result. The player is obliged to accept the new result regardless of the previous one, so the Skele- ton makes a Counterattack by rolling a Combat Dice.
Load more

Recommended publications
  • View the Manual
    White Pearl Game Mechanics Manual & Full Credits Game Manual & Credits © Harry Gill White Pearl Game Mechanics Manual & Full Credits Use This manual will explain all the main mechanics of the game. For the complete official guide, which contains a story and boss walkthrough (including much more, such as the inclusion of the game’s entire database); please install the Chronicle Edition DLC. Important Terminology Action Button – Refers to the button used to interact with objects and NPCs, as well as confirm selections. Used by pressing Enter/X/Square. Cancel Button – Refers to the button used to cancel selections and sometimes access menus. Used by pressing ESC/B/Circle © Harry Gill White Pearl Game Mechanics Manual & Full Credits Developer Comments It’s been a long time since White Pearl’s launch, after which I have been working tirelessly to update the game, bug fix it, add additional content, while developing my second game Fabrication – which is set to release at the end of 2020. White Pearl is my first ever game project, and admittedly over-ambitious, wouldn’t you agree? While I think the reviews do a good enough job of explains the positives and negatives of the game, sometimes I look back on the game and think “I wish I did this!”. But game development is very difficult. You must work in a certain amount of time and restrictions to get anything done, which is why this game exists in the first place. If I kept asking myself questions and trying to change things here and there, this game would have never been released.
    [Show full text]
  • Game Manual Introduction
    GAME MANUAL INTRODUCTION CREATE YOUR CHARACTER ATTRIBUTES SKILLS TRAITS PERSONALITY, HEREDITARY POINTS AND BACKGROUND OPTIONAL MODES LEVEL UP DECK OF DOOM EXPLORING THE WORLD MOVEMENTS MENU AND COMMANDS SAVE AND LOAD YOUR GAME COLLECT FOOD, WATER AND REST WHEN YOU CAN RESOURCES WEAPONS AND ARMOURS SPECIAL ITEMS MIX AND CRAFT CAMPING AND RESTING HUNTING PITS, TRAPS AND SECRETS THE SHELTER EVENTS AND SPECIAL OBJECTS ENEMIES COMBAT COMMANDS AND INTERFACE IN BATTLE STAMINA, EQUIPMENT AND ROUND ORDER CARNAGE ENEMIES SPECIAL ATTACKS MAGIC HOW TO CAST A SPELL EMPOWER A SPELL MAGIC MAP 2 RUNES SUMMON A CREATURE BASIC SPELLBOOK HINTS AND TIPS CREDITS 3 INTRODUCTION In the last few centuries the world population has rapidly fallen. No one knows how many human beings currently live on Earth, but it is assumed that they are less than 100,000. The end of the human race isn't coming because of nuclear wars, pandemics or natural disasters… ...but because Hell has come to Earth. At the end of the 20th century, thousands of demons began to invade our world. The Earth quickly became their hunting ground and the human civilization is now almost completely erased. Few humans survived. You are one of them. 4 CREATE YOUR CHARACTER You can freely create your character choosing how to distribute Stat Points and Skill Points, selecting his Personality and his Background. If you prefer, you can choose an Archetype to automatically set Attributes and Skills; or, you can randomly generate a character and obtain +3 Stat Points. ATTRIBUTES Attributes are the basic stats of your character: ● STRENGTH +5% Melee DMG, +50 Max STAMINA, +35 Max Carry per point.
    [Show full text]
  • Warhammer: Diskwars Rules
    INTRODUCTION WHAT IS DISKWARS? Welcome to the Old World. It is a place riven by war and the lure Warhammer: Diskwars is an exciting, fast-paced battle game which is of power. The forces of Destruction seek to overthrow all civilised easy to learn but difficult to master. Players command armies of heroes nations in fire and blood. At their forefront are the insidious servants and units from the Warhammer world that are represented by disks. of Chaos, howling out of the far North, and the brutish Orc hordes During the game, players activate disks to move and attack, wreaking that lurk in the fringes of every kingdom, pillaging at their whim. The destruction across the battlefield. forces of Order make a tenuous common cause to defend the works of In Warhammer: Diskwars, players do not use a ruler to measure unit civilisation. They are championed by the extensive armies and powerful and hero movement. Instead, players move disks by flipping them end artillery of the Empire, and the fading realms of the High Elves, who over end. If a disk flips in such a way that it covers up another disk, the wield ancient magics. In every corner of the Old World armies march disk on top pins the disk below it. Pinning is a key part of the game: relentlessly toward battle, led by powerful heroes who fight for the disks that overlap each other fight at the end of each round. A player preservation of their homelands, for the glory of dark gods, or simply achieves victory by destroying all opposing armies or by fulfilling his for the sake of spreading strife.
    [Show full text]
  • Mutants & Masterminds Frequently Asked Questions
    MUTANTS & MASTERMINDS FREQUENTLY ASKED QUESTIONS Updated December 4, 2006 Since the release of Mutants & Masterminds Second Edition, fans have posed many questions about the game and its rules. This FAQ file address the most frequently asked of these questions to provide clarifications and additional information for M&M players and Gamemasters. New questions are listed in color for ease of reference. GENERAL QUESTIONS Are NPC heroes created like villains (determining their power level based on their traits) or like PC heroes (limited by the campaign’s power level)? The former: all NPCs in a Mutants & Masterminds game have their power level determined by what traits they have. The campaign’s power level limit is to keep the player characters on relatively even footing and to use as a benchmark to measure against the PL of NPCs. Gamemaster-created characters can have whatever power level or power point total the GM wishes (including a point total less than their power level would suggest). What happened to the Costumed Adventurer archetype’s feats? They were accidentally left out of the layout of the first printing of the core rulebook. See the Mutants & Masterminds Errata file for them. Some archetypes have “Impervious Toughness,” where is this power found? See the Protection power on page 96, in particular the description of the Impervious extra. It can specifically be applied to the Toughness save as well, which is the case with those archetypes. Why do some archetypes have attack, defense, damage, or Toughness bonuses greater than power level 10? I thought those things were limited to no more than the power level? As specified under Hero Archetypes (fourth paragraph, second sentence): “Several of the archetypes use the Attack/Defense trade-off rule (page 24) to adjust their maximum attack, defense, damage, and Toughness save bonuses, as determined by their power level.” ABILITIES What happens to your Reflex saving throws when you are flat-footed or stunned? Nothing.
    [Show full text]
  • Downloaded Directly to the Computer and Some Are Even F2P [Free to Play]) and Begin My Entry in the Virtual World
    FANTASTIC REALITIES: SOLID AND VIRTUAL RESONANCE IN MMORPGS by ZEK CYPRESS VALKYRIE B.A., University of Colorado at Colorado Springs, 2004 M.A., University of Colorado at Colorado Springs, 2005 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Sociology 2011 This thesis entitled: Fantastic Realities: Solid and Virtual Resonance in MMORPGs Written by Zek Cypress Valkyrie has been approved for the Department of Sociology ____________________________________________ Joanne Belknap, Ph.D. Chair, Dissertation Committee ____________________________________________ Jane Menken, Ph.D. Member, Dissertation Committee ________________________________________________ Heather Albanesi, Ph.D. Member, Dissertation Committee _________________________________________________ Matthew C. Brown, Ph.D. Member, Dissertation Committee ____________________________________________ Scott Bruce, Ph.D. Member, Dissertation Committee _________________________________________________ Stefanie Mollborn, Ph.D. Member, Dissertation Committee Date: __________ The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. HRC Protocol # 1007.4 Valkyrie, Zek Cypress (Ph.D., Sociology) Fantastic Realities: Solid and Virtual Resonance in MMORPGs Thesis directed by Professor Joanne Belknap This dissertation is a qualitative study that examines how game worlds and positive game experiences are neither equally accessible nor equally enjoyable to many who wish to participate in them. Newer research on games argues that those who master them are fulfilled socially, are highly productive, are motivated, and are invigorated by participation in grand narratives. Using a mixed methods approach, I drew on seventy in-depth interviews with gamers coupled with observational data from my membership role in several virtual worlds.
    [Show full text]
  • An Antitrust Analysis of Esports
    Tiebreaker: An Antitrust Analysis of Esports MAX MIROFF* Electronic sports (esports) offers a novel case study in how antitrust analysis should approach multi-sided markets that rely on the ability of numerous entities to access intellectual property (IP). A game publisher’s IP in its game allows for permissible monopolization, but also creates opportunities for anticompetitive IP misuse. Tournament organizers, teams, players, broadcasters, spectators, and advertisers all need access to publishers’ IP to participate in esports markets. As publishers vertically integrate into the downstream market for esports content in their games, they rationally seek to minimize competitive pressure from other entities in the market. A publisher can do this by using its IP monopoly in its game to dominate the downstream esports market in its game by, for example, refusing to license broadcast rights to independent tournament organizers. This Note argues that in order to promote consumer welfare through market competition, antitrust law should restrict game publishers from using IP rights in their games to monopolize the downstream esports market for those games. Because multi-sided markets which rely on access to IP and blur the lines between producer, intermediary, and consumer are likely to grow, the stakes for effective antitrust analysis in these markets will only continue to climb. Part I introduces the esports industry and overviews how antitrust law can be used to shape more competitive markets for the benefit of esports consumers. Part II provides an economic analysis of esports in order to define antitrust-relevant esports markets in which enforcement could be appropriate. Part III outlines the structure of a tying claim against publishers that use their IP monopoly over their games to acquire or maintain a monopoly over esports content produced with their games.
    [Show full text]
  • Random Numbers and Gaming Sinjin Baglin San Jose State University, [email protected]
    CORE Metadata, citation and similar papers at core.ac.uk Provided by SJSU ScholarWorks San Jose State University SJSU ScholarWorks ART 108: Introduction to Games Studies Art and Art History & Design Departments Fall 12-2017 Random Numbers and Gaming Sinjin Baglin San Jose State University, [email protected] Follow this and additional works at: http://scholarworks.sjsu.edu/art108 Part of the Computer Sciences Commons, and the Game Design Commons Recommended Citation Sinjin Baglin. "Random Numbers and Gaming" ART 108: Introduction to Games Studies (2017). This Final Class Paper is brought to you for free and open access by the Art and Art History & Design Departments at SJSU ScholarWorks. It has been accepted for inclusion in ART 108: Introduction to Games Studies by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. Baglin 1 Sinjin Baglin James Morgan Introduction to Game Studies 25 November 2017 Random Numbers and Gaming How can a game that’s focused on shooting someone else before they shoot you be complex? Well in Counter Strike: Global Offensive there is a lot underneath the simple idea of shooting a weapon that goes on. For one the model must be drawn and have an accurate line between the model and crosshair drawn on the center of the screen. The gun must have animation when its shot. The user interface must update the number of bullets spent as well as displaying the map, player health, and player kill feed. Then after all that the bullets must come out, but how? The guns in Counter Strike: Global Offensive have something very distinguishable, a set pattern of how the bullets come out, a spray pattern.
    [Show full text]
  • Identity Creation and World-Building Through Discourse in Video Game Narratives
    Syracuse University SURFACE Dissertations - ALL SURFACE 7-1-2016 Identity Creation and World-Building Through Discourse in Video Game Narratives Barbara Jedruszczak Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Arts and Humanities Commons Recommended Citation Jedruszczak, Barbara, "Identity Creation and World-Building Through Discourse in Video Game Narratives" (2016). Dissertations - ALL. 500. https://surface.syr.edu/etd/500 This Thesis is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. ABSTRACT An exploration of how characters develop identity through language use in a video game’s narrative, specifically in video games that do not allow for players to make narrative-altering choices. The concept of literacies is used to create a critical framework through which to view video games themselves as a literacy, as well as to view them as a discourse. This thesis analyzes how dialogue is used to develop and showcase gender, sexuality, personality, moral identity in characters in and out of the player’s control, as well as how dialogue builds the narrative world in which these characters exist. This thesis includes two case studies, on the Borderlands video game series and the Halo video game series, approaching each series from a perspective that showcases how its unique world and characters are created through language. Each series has a specific facet to its narrative that is examined in depth; in the Borderlands series, the importance of storytelling to world-building and moral identity, and in the Halo series, the significance of speech itself as an act.
    [Show full text]
  • TFT-PC-Manual-UK.Pdf
    Important Health Warning About Playing Video Games Photosensitive Seizures A very small percentage of people may experience a seizure when exposed to certain visual images, including flashing lights or patterns that may appear in video games. Even people who have no history of seizures or epilepsy may have an undiagnosed condition that can cause these “photosensitive epileptic seizures” while watching video games. These seizures may have a variety of symptoms, including lightheadedness, altered vision, eye or face twitching, jerking or shaking of arms or legs, disorientation, confusion, or momentary loss of awareness. Seizures may also cause loss of consciousness or convulsions that can lead to injury from falling down or striking nearby objects. Immediately stop playing and consult a doctor if you experience any of these symptoms. Parents should watch for or ask their children about the above symptoms— children and teenagers are more likely than adults to experience these seizures. The risk of photosensitive epileptic seizures may be reduced by taking the following precautions: Sit farther from the screen; use a smaller screen; play in a well-lit room; and do not play when you are drowsy or fatigued. If you or any of your relatives have a history of seizures or epilepsy, consult a doctor before playing. PEGI ratings and guidance applicable within PEGI markets only. What is the PEGI System? The PEGI age-rating system protects minors from games unsuitable for their particular age group. PLEASE NOTE it is not a guide to gaming difficulty. Comprising two parts, PEGI allows parents and those purchasing games for children to make an informed choice appropriate to the age of the intended player.
    [Show full text]
  • Manuel Child of Light PC Template En
    WARNING: READ BEFORE PLAYING A very small percentage of individuals may experience epileptic seizures when exposed to certain light patterns or flashing lights. Exposure to certain patterns or backgrounds on a computer screen, or while playing video games, may induce an epileptic seizure in these individuals. Certain conditions may induce previously undetected epileptic symptoms even in persons who have no history of prior seizures or epilepsy. If you, or anyone in your family, have an epileptic condition, consult your physician prior to playing. If you experience any of the following symptoms while playing a video or computer game -- dizziness, altered vision, eye or muscle twitches, loss of awareness, disorientation, any involuntary movement, or convulsions - IMMEDIATELY discontinue use and consult your physician before resuming play. Introduction Child, tuck yourself in bed, Let me tell a story, Of Lemuria, a kingdom past, And a girl born for glory. Lost from our world came she, Treachery gave close chase, She raised her sword and flew, For she feared not the race. Three long lost lights to save, A mad queen to defeat, The journey would transform her, Her destiny to meet. The path home tragic and faint. Beware the night, Child of Light. Main Characters Aurora The daughter of a duchess and duke from 1895 Austria, Aurora is intelligent and mischievous. Since her mother’s untimely death she has grown up sheltered by her father. Igniculus Igniculus the firefly came into being when Aurora entered Lemuria, so everything is new to him. He was sent to find Aurora by the Lady of the Forest.
    [Show full text]
  • Esports Discussion
    ESPORTS DISCUSSION A discussion paper into the Esports market & FaZe Clan August 2019 $1.1b MARKET ANALYSIS 2019 total Esports revenues +26.7% year on year $456.7m +34.3% $251.3m +41.8% $189.2m +14.8% $103.7m $95.2m +22.4% -3.05% Sponsorship Media Rights Advertising Merchandise & Gamer Publisher Tickets Fees Excluding revenues from betting, fantasy league, and similar cash-payout concepts, as well as revenues generated within games. New investment coming in from outside the sport is being matched from within. Similar to the 1. POPULAR VICTORIES INCREASED INCREASED “Money-maker” effect that was seen in 2003 in POPULARITY REVENUE 2. LARGE PRIZEPOOLS the world of poker, where poker saw the first- place prize more than quadruple over three years markedly increasing its popularity, Esports (in particular Fortnite) are attempting to do Figure 1: ‘Money-maker’ pathway the same. Figure 2: Fortnite World Cup RECENT ESPORTS INVESTMENTS IS BOOMING Companies and fans investing titles due to strong financial backing, capital investment has gone into ▪ Fortnite managed to raise money into sport, competitions and Manchester City and Paris Saint Esports teams since 2013. Teams over $100m for its star players is nothing new. With Germain are examples of changing are currently competing to establish competition prize pool for expanding social media, media the status-quo as a result of strong themselves as the ‘Dallas Cowboys’ three years 2018-2021. rights and global reach, the number financial backing and interestingly or the ‘New York Yankees’ of of leagues turning over $1b in these two teams are two of the Esports to effectively guarantee ▪ Total prize pool of $113m revenue is ever increasing.
    [Show full text]
  • LW Player Handouts B&W.Indd
    This appendix contains all of the Legacy’s Wake Player Handouts required to play Legacy’s Wake. You can also find downloadable printer-friendly versions of these handouts at www.mithrilpunk.com. AppendixIn this appendix, you’ll findE: handouts Legacy’s for the following Wake encounters Player or scenes: Handouts Season• Pinned 1Note and Map Season• Cutscene 3 Character Cards Encounter 1.1 - Waking Up Cut Scene - Staff Meeting • Cutscene Character Cards • Fable’s End Handout Cut Scene - Last Ride of the Legacy Encounter 2.2a - The Prince’s Armory • Cutscene Character Cards Encounter• Flier at the2.3 Crow’s - Good Nest Ol’ Fashioned Bar Cut Scene - The Fall of Fenrot Fight • Assassin Lair Action Card • Necromancer Lair Action Card • Cutscene Character Cards Encounter 4.1 - Unexpected Allies Cut• SceneMalevolent - Fireside Flames Handout • Assault on Fenrot Army Quick Reference Cards • Zombie Game Statistics Encounter 4.5 - Assault on Fenrot Cut Scene - Dead and Meat • Cutscene Character Cards • Cutscene Character Cards Season 4 Season• Cutscene 2 Combat Statistics Cut Scene - Work was Murder Today Cut Scene - To the Docks! • Elder Tetrataun Game Statistics • New Legacy Handout Encounters 4.1 and 4.1 Karstan’s Inquiry, or Freedom of a Kind • Latal’s Journal Side• Skol Quests Queen Game Statistics Encounter 3.1 - Loss of Compassion Cut Scene - Avatar of Order • Tetrataun Game Statistics Cut Scene - Long Since Fallen Legacy’s Wake Player Handouts Encounter 1.1 - Waking Up Do not hesitate. Grab the Ledger. Go out the window. Swing. Head fore to the warehouse under the garden. Await pickup and return to Crow’s Nest.
    [Show full text]