Ultimo Tafe Nsw

Total Page:16

File Type:pdf, Size:1020Kb

Ultimo Tafe Nsw SANDSTONE CARVINGS RECORDING ULTIMO TAFE NSW 1 SANDSTONE CARVINGS RECORDING ULTIMO TAFE NSW CONTENTS PART 1 INTRODUCTION 9 OVERVIEW 11 PART 2 PHOTOGRAPHIC RECORDING 17 PART 3 CONCISE REPORT 227 PART 1 INTRODUCTION & OVERVIEW 6 7 INTRODUCTION BACKGROUND This document presents a photographic record of sandstone carvings which adorn Buildings A, B & C, Ultimo TAFE, Sydney. Close to 100 carvings adorn the facade. Incorporated within the imposts and finials, the carvings largely depict Australian flora and fauna motifs. Funding was provided by the NSW Public Works Minister’s Stonework Program. Included is an inventory which identifies the principle features on each unique carving and an investigation into the history, context and significance of the carvings. Photography was undertaken in 2012-13 from scaffold constructed for façade repairs. No repairs were carried out on the carvings at this time. Recording significant carvings is an important aspect of stone conservation. It provides a record of the current condition of the stone, documentary evidence which can help determine the rate of deterioration when compared with future condition. Photographs record information for future generations, should they choose to re-carve due to loss of all recognisable detail. Recording also provides public access to and appreciation of these skilfully executed and unique carving located high on the façade. ACKNOWLEDGEMENT This report was prepared by the Government Architect’s Office. Joy Singh and Katie Hicks co-ordinated and compiled the report, graphic design by Marietta Buikema and drawings by Milena Crawford. The history, context and significance were researched and written by Margaret Betteridge of MuseCape and Photography by Michael Nicholson. LOCATION Buildings A, B and C are located on the corner of Harris Street and Mary Ann Streets, on land which was once part of the Ultimo House estate, previously owned by former Mayor of Sydney, John Harris. Building A, facing Mary Ann Street, was completed in 1891 as the Sydney Technical College and housed classrooms; Building C, the Technological Museum fronting Harris Street was completed in 1893. Building B, modified in 1911 with the addition of an additional storey and façade details to the original Mary Ann Street building, features a large auditorium and is referred to as Turner Hall. Location of Buildings A, B and C, Sydney Technical College, Ultimo, Sydney 8 9 OVERVIEW by Margaret Betteridge THE ARCHITECTURE OF SYDNEY TECHNICAL COLLEGE The complex of buildings at the corner of Mary Ann and Harris Streets was to include the College, two high schools and the Technological Museum whose fledgling collection had all but been destroyed by the disastrous fire in the Garden Palace, built to house Sydney’s 1879 International Exhibition, in 1882. Laboratories, machine sheds and workshops which were located nearby have long since been demolished. The architect appointed to design the new complex for the College was William Kemp (1831-1898). Born in Newcastle, NSW, Kemp was the son of an English architect/builder who settled at Stroud and brother of Charles Kemp, a successful businessman who for a time was co-owner, with James Fairfax, of the Sydney Morning Herald. In 1849, Kemp was articled to Sydney architect Edmund Blacket, transferring to the Colonial Architect’s Office in 1854 where he worked under William Weaver. When Weaver left government to establish a private practice, Kemp joined him in a partnership. In 1880, when Sir John Robertson, premier of New South Wales, amalgamated all school construction under one departmental head, he appointed Kemp to fill the position. Kemp continued in this position throughout the economic downturn during the 1890s when the Department of Public Instruction’s architectural section was briefly amalgamated in 1894 with the Government Architect’s Branch of the Public Works Department, at which point, Kemp retired. Kemp’s style is significant because it departed from the emulation of Neo-Classical architecture which had thrived under Barnet’s term as government architect. Kemp was not interested in creating a lofty College ‘temple’ where students would come to worship at the feet of knowledge’. Nor was his palette the honey colour of the ‘yellow block’ Sydney sandstone of Barnet’s public buildings, but a new bold palette of polychrome expressed in a variety of fabricated materials. We can see his style in the school buildings erected circa 1890s which display a different style altogether. 10 11 SYDNEY TECHNICAL COLLEGE BUILDINGS A, B and C CARVINGS Report prepared by MUSEcape Pty Ltd August 2012 SYDNEY TECHNICAL COLLEGE BUILDINGS A, B and C CARVINGS Report prepared by MUSEcape Pty Ltd August 2012 Figures 8, 9: Inside, classrooms and studios provided students with airy, well-lit and ventilated space for study Figure 5: Architectural elevation of the Mary Ann Street façade of Sydney Technical College Source NSW Public Building B Works Archives SYDNEY TECHNICAL COLLEGE BUILDINGS A, B and C CARVINGS Report prepared by MUSEcape Pty Ltd August 2012 The extension which created Turner Hall (Building B) was completed in 1911, twenty years after the College was built. Named to honour former superintendent of technical education J W Turner, the design of the building has been attributed to James Nangle (1868-1941) 4 who was then lecturer in charge of architecture at the College. However the plans for the proposed alterations and additions dated 1910 are signed by W L Vernon and an assistant architect and may reflect administrative changes. The design added an extra storey to accommodate a large auditorium, and a new facade to the original Mary Ann Street building on the Harris Street side of the main building. It used Sydney Technical College under construction, circa 1891, completed in 1891. R M Wells who supervised the building of Sydney Technical College complementary architectural language and finishesInside, classroomsincluding and studios polychrome brickwork, rusticated and the Technological Museum subsequently became provided students with airy, well-lit SYDNEY TECHNICAL COLLEGE BUILDINGS A, B and C CARVINGS ReNSWport Government prepared Architect by inMUSE 1927. cape Pty Ltd August 2012 stone, terracotta tiled spandrels and carved frieze and decorations ventilated space for study. of Australian flora and fauna. Figures 6, 7: Sydney Technical College under construction, circa 1891, completed in 1891. R M Wells who Figures 8, 9: Inside, classrooms and studios provided students with airy, well-lit and ventilated space for study supervised the building of Sydney Technical College and the Technological Museum subsequently became BUILDING A BUILDING B Government Architect in 1927 Building B The main College building, fronting Mary Ann Street was designed The extension which created Turner Hall (Building B) was in Federation Romanesque style expressed in a parapeted gable, completed in 1911, twenty years after the College was built. The extension which created Turner Hall (Building B) was completed in 1911, twenty years after the semi-circular openings and the use of grouped double semicircular Named to honour former superintendent of technical education College was built. Named to honour former superintendent of technical education J W Turner, the arched recessed panels between expressed pilasters. The J W Turner, the design of the building has been attributed to 4 rectangular three-storey building is symmetrical with a slate- designJames of Nangle the building(1868-1941) has1 who been was then attributed lecturer in chargeto James of Nangle (1868-1941) who was then lecturer in hipped and gabled roof. It is further distinguished by a colonnaded chargearchitecture of architecture at the College. atHowever the College.the plans for However the proposed the plans for the proposed alterations and additions entrance portico with polished trachyte columns supporting datedalterations 1910 and are additions signed dated by 1910W L areVernon signed byand W Lan Vernon assistant architect and may reflect administrative rusticated sandstone arches containing carved representations and an assistant architect and may reflect administrative changes. changes. The design added an extra storey to accommodate a large auditorium, and a new facade of mostly Australian fauna, and small finials either side of the The design added an extra storey to accommodate a large central gable. A distinctive feature is use of polychrome brickwork, to theauditorium, original and Marya new facade Ann toStreet the original building Mary Ann on Street the Harris Street side of the main building. It used decorative terracotta tile panels and sandstone impost carvings 6 complementarybuilding on the Harris architectural Street side of the language main building. and It usedfinishes including polychrome brickwork, rusticated of largely Australian flora and fauna. The main College building is stone,complementary terracotta architectural tiled spandrels language and and finishes carved including frieze decorations of Australian flora and fauna. flanked on either side by two smaller Queen Anne style buildings polychrome brickwork, rusticated stone, terracotta tiled spandrels with painted glass windows in the stairwells, themed to represent and carved impost decorations of predominantly Australian flora the arts and trades, completed in 1891. Originally intended as and fauna. separate high schools for girls and boys, one opened for boys in 1892, the girls preferring not to leave their Elizabeth Street site for
Recommended publications
  • Sydney Harbour a Systematic Review of the Science 2014
    Sydney Harbour A systematic review of the science 2014 Sydney Institute of Marine Science Technical Report The Sydney Harbour Research Program © Sydney Institute of Marine Science, 2014 This publication is copyright. You may download, display, print and reproduce this material provided that the wording is reproduced exactly, the source is acknowledged, and the copyright, update address and disclaimer notice are retained. Disclaimer The authors of this report are members of the Sydney Harbour Research Program at the Sydney Institute of Marine Science and represent various universities, research institutions and government agencies. The views presented in this report do not necessarily reflect the views of The Sydney Institute of Marine Science or the authors other affiliated institutions listed below. This report is a review of other literature written by third parties. Neither the Sydney Institute of Marine Science or the affiliated institutions take responsibility for the accuracy, currency, reliability, and correctness of any information included in this report provided in third party sources. Recommended Citation Hedge L.H., Johnston E.L., Ayoung S.T., Birch G.F., Booth D.J., Creese R.G., Doblin M.A., Figueira W.F., Gribben P.E., Hutchings P.A., Mayer Pinto M, Marzinelli E.M., Pritchard T.R., Roughan M., Steinberg P.D., 2013, Sydney Harbour: A systematic review of the science, Sydney Institute of Marine Science, Sydney, Australia. National Library of Australia Cataloging-in-Publication entry ISBN: 978-0-646-91493-0 Publisher: The Sydney Institute of Marine Science, Sydney, New South Wales, Australia Available on the internet from www.sims.org.au For further information please contact: SIMS, Building 19, Chowder Bay Road, Mosman NSW 2088 Australia T: +61 2 9435 4600 F: +61 2 9969 8664 www.sims.org.au ABN 84117222063 Cover Photo | Mike Banert North Head The light was changing every minute.
    [Show full text]
  • Some Unpublished Correspondence of the Rev. W.B. Clarke D.F
    Journal & Proceedings of the Royal Society of New South Wales, Vol. 141, p. 1–31, 2008 ISSN 0035-9173/08/02001–31 $4.00/1 Some Unpublished Correspondence of the Rev. W.B. Clarke d.f. branagan and t.g. vallance Abstract: Four previously unpublished letters, with memoranda of Rev. W.B. Clarke to W.S. Macleay, written between 1842 and 1845 clarify the ideas of both about the mode of formation of coal and the age of the stratigraphical succession in the Sydney Basin. Clarke makes the first mention of his discovery of the Lake Macquarie fossil forest, the first identification of the zeolite stilbite in New South Wales and gives details of his study of the volcanic rocks of the Upper Hunter Valley. Keywords: Clarke, Macleay, coal formation, Sydney Basin, stilbite INTRODUCTION essentially self-contained, although, of course, almost no letter can stand alone, but depends When Dr Thomas G. Vallance died in 1993 a on the correspondents. Each letter has some considerable amount of his historical jottings importance in dealing with aspects of Clarke’s and memorabilia on the history of Australian geological work, as will be noted. science, and particularly geology, was passed The first and longest letter, which is ac- on to me (David Branagan) through his wife, companied by a long series of memoranda and Hilary Vallance. For various reasons, only now a labelled sketch fits between two letters from have I been able to delve, even tentatively, into MacLeay (28 June & 4 July 1842) to Clarke. this treasure house. The present note con- Both these MacLeay letters have been repro- cerns four letters of the Reverend W.B.
    [Show full text]
  • Fossil Footprints Found in Sydney Suburb Are from the Earliest Swimming Tetrapods in Australia 13 May 2020, by Phil Bell
    Fossil footprints found in Sydney suburb are from the earliest swimming tetrapods in Australia 13 May 2020, by Phil Bell Australian Museum in Sydney, where they were displayed for a short period in the 1950s, but were later moved into the research collections. The trackway measures 4.2 meters long and consists of at least 35 foot and handprints. Only two fingers from each hand and foot made their impressions in the sandy bottom, making the precise identity of the animal difficult to establish. Researchers at the University of New England determined that it was likely a temnospondyl (an extinct group of salamander-like amphibians) Credit: Journal of Paleontology (2020). DOI: between 0.8 and 1.35 m long, the bones of which 10.1017/jpa.2020.22 are reasonably well-known from rocks in the Sydney region. Despite this, animal fossils are extremely rare in Sydney sandstone. Fossil footprints discovered nearly 80 years ago in The tracks are also significant because they are the a sandstone quarry at Berowra have been oldest record of a swimming tetrapod—that is, all identified as the traces of a four-legged animal animals with four legs, including humans—from swimming in a river nearly a quarter of a billion Australia. "The foot and hand prints, along with the years ago. gaps between the sequence of traces, were unlike anything I had seen before. This led me to believe The footprints were identified by Roy Minden the animal was swimming in water," said Farman, Farman, a former masters student at the University who led the study.
    [Show full text]
  • Artist Biographies
    Parko Techni 2018 Artist Biographies Khaled Sabsabi Born in 1965, Tripoli, Lebanon and currently lives and works in Sydney, Australia. Education, Master of Arts, Time Based Art major at COFA, University of New South Wales, Sydney, Australia. Khaled Sabsabi’s process involves working across art mediums, geographical borders and cultures to create immersive and engaging art experiences. He see’s art as an effective tool to communicate with people, through a familiar language. Sabsabi makes work that questions; rationales and complexities of nationhood, identity and change. His practice speaks to audiences in ways that enlighten our understanding of universal dynamics which is more complex and ultimately more unknowable than our own selves. Khaled was awarded the Helen Lempriere Travelling Art Scholarship in 2010, 60th Blake Prize in 2011, MCG Basil Sellers fellowship in 2014, the Fishers Ghost Prize in 2014 and the Western Sydney ARTS NSW Fellowship 2015. He is represented by Milani Gallery, Brisbane and has 14 works in private, national and international collections. He has also participated in the 3rd Kochi Biennale, 1st Yinchuan Biennale, 5th Marrakech Biennale, 18th Biennale of Sydney, 9th Shanghai Biennale and Sharjah Biennial 11. Lumiforms Lumiforms make interactive light and sound installations. Working in the public sphere, we aim to create tactile and engaging experiences for all audiences. Our services include interactive lighting and sound design, custom fabrication and installation, 3D design and prototyping, interactive visualisation, concept development and consultation. We work closely with architects, engineers, industrial designers and creative programmers to produce works for VIVID Sydney, Sydney Opera House, Parliament House, The Power House Museum, UNSW The Galleries and Glow Festival, as well as other events and exhibitions both locally and internationally.
    [Show full text]
  • STONE MASONRY in SOUTH AUSTRALIA I DEPARTMENT of ENVIRONMENT and NATURAL RESOUCES Published By
    RITAG HE E CP ONSERVATION RACTICE NOTES TECHNICAL NOTE 3.6 STONE MASONRY IN SOUTH AUSTRALIA i DEPARTMENT OF ENVIRONMENT AND NATURAL RESOUCES Published by DEPARTMENT OF ENVIRONMENT AND NATURAL RESOURCES October 1993 ©October Department 1993 of Environment and Natural Resources and David Young © Department of Environment and NovemberNatural Resources; 2007 and David Young Published online without revision DepartmentSeptember 2008 for Environment and Heritage Published online without revision ISSNDepartment 1035-5138 for Environment and Heritage Prepared by State Heritage Branch DesignISSN 1035-5138 by Technical Services Branch TPreparedext and byphotographs State Heritage by BranchDavid Young Design by Technical Services Branch TextDEH andInformation photographs Line by(08) David 8204 Young 1910 Website: www.environment.sa.gov.au DEHEmail: Information [email protected] Line (08) 8204 1910 u Website www.environment.sa.gov.au Email [email protected] Disclaimer WhileCover reasonablephoto: Carved efforts panel have in been Sydney made sandstone. to ensure the contents of this publication are factually correct, Former Marine and Harbours Building, 1884, the Department for Environment and Heritage makes no representations and accepts no responsibility for Victoria Square. the accuracy or completeness of the contents, and shall not be liable for any loss or damage that may be occasioned directly or indirectly through the use of or reliance on the contents of this publication. Printed on recycled paper Cover photo: Carved
    [Show full text]
  • The Building Stones of St. John'8 Cathedral. Brisbane
    THE BUILDING STONES OF ST. JOHN'8 CATHEDRAL. BRISBANE. By HENRY C. RICHARDS, M.Sc., Lectur. er in Geology, University of Queer;sland. ]lead before the Royal Society of Queensland, August 26th, 1911. INTRODUCTION. HA YING witnessed the growth of this building which is likely to be a prominent feature for a long time in Brisbane, and being somewhat acquainted with the stones used in its construction, the recording of available information would seem to the author to serve a useful purpose. In the choice of the building stone, its actual mode of weathering in a structure is of first importance, but failing this, the practice of carrying out mechanical and laboratory tests approximating as far as possible the actual conditions is resorted to. While these latter tests are extremely useful, that, under normal conditions, is the real one. Unfortunately, records of the stones used in old buildings are generally unobtainable, thus, much of the information to be obtained from a study of the weather­ ing of the stones in old structures is thereby lost ; hence the importance of accurately recording the available information and current opinions as to the stones at the earliest opportunity. STONES . USED IN THE BUILDING. These have been gathered from three Australian States, although the bulk of the material is of local origin, and both igneous and sedimentary rocks have been used. Five different stones, of which the following is a list, are contained m the structure :- Tuff Locality Brisbane. Sandstone Helidon, Queensland Sandstone Sydney. Granite Harcourt, Victoria. Basalt Footscray, Victoria. ' 200 BUILDING STONES OF ST.
    [Show full text]
  • New South Wales from 1810 to 1821
    Attraction information Sydney..................................................................................................................................................................................2 Sydney - St. Mary’s Cathedral ..............................................................................................................................................3 Sydney - Mrs Macquarie’s Chair ..........................................................................................................................................4 Sydney - Hyde Park ..............................................................................................................................................................5 Sydney - Darling Harbour .....................................................................................................................................................7 Sydney - Opera House .........................................................................................................................................................8 Sydney - Botanic Gardens ................................................................................................................................................. 10 Sydney - Sydney Harbour Bridge ...................................................................................................................................... 11 Sydney - The Rocks ..........................................................................................................................................................
    [Show full text]
  • Urban Design in Central Sydney 1945–2002: Laissez-Faire and Discretionary Traditions in the Accidental City John Punter
    Progress in Planning 63 (2005) 11–160 www.elsevier.com/locate/pplann Urban design in central Sydney 1945–2002: Laissez-Faire and discretionary traditions in the accidental city John Punter School of City and Regional Planning, Cardiff University, Cardiff CF10 3WA, UK Abstract This paper explores the laissez faire and discretionary traditions adopted for development control in Central Sydney over the last half century. It focuses upon the design dimension of control, and the transition from a largely design agnostic system up until 1988, to the serious pursuit of design excellence by 2000. Six eras of design/development control are identified, consistent with particular market conditions of boom and bust, and with particular political regimes at State and City levels. The constant tensions between State Government and City Council, and the interventions of state advisory committees and development agencies, Tribunals and Courts are explored as the pursuit of design quality moved from being a perceived barrier to economic growth to a pre-requisite for global competitiveness in the pursuit of international investment and tourism. These tensions have given rise to the description of Central Sydney as ‘the Accidental City’. By contrast, the objective of current policy is to consistently achieve ‘the well-mannered and iconic’ in architecture and urban design. Beginning with the regulation of building height by the State in 1912, the Council’s development approval powers have been severely curtailed by State committees and development agencies, by two suspensions of the Council, and more recently (1989) by the establishment of a joint State- Council committee to assess major development applications.
    [Show full text]
  • Bringelly Shale
    AUSTRALIAN MUSEUM SCIENTIFIC PUBLICATIONS Lovering, J. F., 1954. The stratigraphy of the Wianamatta Group Triassic System, Sydney Basin. Records of the Australian Museum 23(4): 169–210, plate xii. [25 June 1954]. doi:10.3853/j.0067-1975.23.1954.631 ISSN 0067-1975 Published by the Australian Museum, Sydney naturenature cultureculture discover discover AustralianAustralian Museum Museum science science is is freely freely accessible accessible online online at at www.australianmuseum.net.au/publications/www.australianmuseum.net.au/publications/ 66 CollegeCollege Street,Street, SydneySydney NSWNSW 2010,2010, AustraliaAustralia THE STRATIGRAPHY OF THE WIANAMATTA GROUP TRIASSIC SYSTEM, SYDNEY BASIN BY J. F. LOVERING, M.Sc. Assistant Curator of Minerals and Rocks, The Australian Museum, Sydney. (Plate xii, ten text-figures; eight maps.) Introduction. Methods of Mapping. Stratigraphy. A. General Definition. B. Liverpool Sub-group: (i) Ashfield Shale: (ii) Minchinbury Sandstone: (iii) Bringelly Shale. C. Camden Sub-group : (i) Potts Hill Sandstone; (ii) Annan Shale; (iii) Razorback Sandstone; (iv) Picton Formation; (v) PrndhQe Shale. Sedimentary Petrology and Petrography of the Sandstone 'Formations. The Sedimentary Environment and Sedimentary Tectonics. Post-Depositional Tectonics. SYNOPSIS. The Wianamatta Group has been divided into two Sub-groups-The Liverpool Sub-group (lower. approximately 400 feet thick, predominantly shale lithology) and the Camden Sub-group (upper, approximately 350 feet thick, sandstone lit.hology prominent with shale). The Uverpool Sub-group includes three formations (Ashfield Shale, Minchinbury Sandstone, Bringelly Shale). The Camden Sub-group includes five formations (Potts Hill Sandstone, Annan Shale, Razorback Sandstone, Picton Formation, Prudhoe Shale). The sedimentary petrology of the graywacke-type .sandstones and the relation of the lithology to the sedimentary environment and tectonics is discussed.
    [Show full text]
  • Façade Cleaning of Sydney's Former General Post Office Kick-Starts Brand Conversion to the Fullerton Hotel Sydney
    Media release Façade cleaning of Sydney’s former General Post Office kick-starts brand conversion to The Fullerton Hotel Sydney Remediation project part of broader programme to connect locals with historic landmark SYDNEY, Australia—16 April 2019: In the lead up to the launch of The Fullerton Hotel Sydney in the former Sydney General Post Office (GPO)—the vision for which is to become the city’s luxury heritage hotel in the heart of the CBD—remediation and maintenance work on the façade of the historic landmark has commenced. Built on a grand scale and at huge expense, Australia’s first GPO building dominated the Sydney streetscape and skyline for decades. Constructed in two stages, beginning in 1866 and designed under the guidance of colonial architect James Barnet, the GPO was regarded as a building which would come to symbolise Sydney in the same way the Houses of Parliament in Westminster represent London and the Eiffel Tower, Paris. With its intricate stone work and carvings causing a public outcry when it was first launched, the GPO remained Sydney’s most well-known landmark since 1874 until the Sydney Harbour Bridge was erected in 1932. With extensive experience preserving historic buildings in The Fullerton Heritage precinct in Singapore, the Hotel’s future operator The Fullerton Hotels and Resorts is committed to the conservation of the Sydney GPO building for future generations. Cleaning its iconic façade is the first step of a broader remediation programme. “As custodians of heritage, we believe it’s imperative that significant historical buildings such as the GPO retain their heritage features.
    [Show full text]
  • Façade Cleaning of Sydney's Former General Post Office Kick-Starts Brand Conversion to the Fullerton Hotel Sydney
    Media release Façade cleaning of Sydney’s former General Post Office kick-starts brand conversion to The Fullerton Hotel Sydney Remediation project part of broader programme to connect locals with historic landmark SYDNEY, Australia—16 April 2019: In the lead up to the launch of The Fullerton Hotel Sydney in the former Sydney General Post Office (GPO)—the vision for which is to become the city’s luxury heritage hotel in the heart of the CBD—remediation and maintenance work on the façade of the historic landmark has commenced. Built on a grand scale and at huge expense, Australia’s first GPO building dominated the Sydney streetscape and skyline for decades. Constructed in two stages, beginning in 1866 and designed under the guidance of colonial architect James Barnet, the GPO was regarded as a building which would come to symbolise Sydney in the same way the Houses of Parliament in Westminster represent London and the Eiffel Tower, Paris. With its intricate stone work and carvings causing a public outcry when it was first launched, the GPO remained Sydney’s most well-known landmark since 1874 until the Sydney Harbour Bridge was erected in 1932. With extensive experience preserving historic buildings in The Fullerton Heritage precinct in Singapore, the Hotel’s future operator The Fullerton Hotels and Resorts is committed to the conservation of the Sydney GPO building for future generations. Cleaning its iconic façade is the first step of a broader remediation programme. “As custodians of heritage, we believe it’s imperative that significant historical buildings such as the GPO retain their heritage features.
    [Show full text]
  • 23-24.Pdf (300.7Kb)
    ARCHITECTURE Lest We Forget George Tibbits Gary Deirmendjian (ed.) SYDNEY SANDSTONE Craftsman House, $88hb, 141pp, 1 877004 09 X Peter Reynolds, Lesley Muir and Joy Hughes JOHN HORBURY HUNT: RADICAL ARCHITECT 1838–1904 Historic Houses Trust of NSW, $54.95pb, 166pp, 0 949753 97 1 HE CAMERA HAS BEEN with architecture since the first shot. It simulates the Eye of God, enabling us to Tsee what we might otherwise miss. In the folklore of the architectural profession, God is in even the most infinitesimal detail. This places a fearful responsibility on the architect and builder. The camera, with its powerful lens, zooms in on a building. It is impossible to imagine that anyone looking at the cover of Sydney Sandstone might think of damaging such a small but imaginative detail of fine craftsmanship. And so the camera, with quiet hubris and artistic delight, wins us even before the book is opened on its ‘act of pure indulgence … offered in the name of those who appreciate our sandstone works, who preach their value and who endeavour to protect them for generations to come’. In a different but equally compelling way, the camera is the eye through which we are able to appreciate the great Sydney-based architect John Horbury Hunt (1838–1904), in whose memory both an exhibition (at the Museum of Sydney, August to December 2002) and this fine book pay homage. Though some of his buildings still stand, one, captured with fuzzy figures and unmade grounds, Booloominbah of the 1880s, now the administrative offices of the University of New England at Armidale, is like a becalmed architectural ghost glimpsed in the mist of time past.
    [Show full text]