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Miss Hill: Making Dance Matter Is Both Gorgeous and Powerful, Crackling with Energy
FIRST RUN FEATURES PRESENTS “Miss Hill: Making Dance Matter is both gorgeous and powerful, crackling with energy. You need not be a scholar of dance to be completely enthralled!” - Ernest Hardy, The Village Voice “Illuminating...distills the essence of a time when American dance, like never before, sought to comment on society rather than escape from it.” - Siobhan Burke, The New York Times “Bound to enthrall dance aficionados with its copious amounts of wonderful archival footage. Serves as a marvelous primer on the rise of modern dance as an an important art form in America. Miss Hill herself would no doubt have been pleased.” - Frank Scheck, The Hollywood Reporter “An aesthetic treat, juxtaposing abundant archival footage of such luminaries as Martha Graham, José Límon and Antony Tudor with striking footage of contemporary dancers.” Miss Hill: Making Dance Matter reveals the little known story of Martha Hill, a - lisa Jo sagolla, film Journal international visionary who fought against great odds to make contemporary and modern dance a legitimate art form in America. In a career spanning most of the 20th “Gorgeous and evocative! century, Hill became a behind the scenes leader in the dance world and the The blending of archival footage and voice over founding director of Juilliard’s Dance Division. Stylistically weaving together over 90 years of archival footage, the film is a celebration of dance and an is quite seamless and beautifully done.” examination of the passion required to keep it alive. -Joshua Brunsting, criterion cast DVD BONUS MATERIALS INCLUDE SRP: $27.95 Catalog #: FRF 916561D • ArchivAl DAnce PerformAnce footAge 80 minutes, color, 2014 • AdditionAl interviews • Biographies PRE-BOOK: MAY 26 • STREET DATE: JUNE 23 TO ORDER CALL 1-800-229-8575 OR CONTACT YOUR DISTRIBUTOR Email: [email protected]. -
Alliance for Canadian New Music Projects Presents
Alliance for Canadian New Music Projects presents Festival: November 23 - 25, 2018 Rooms 1-29, 2-28 & Studio 27, University of Alberta, Fine Arts Building Saturday, November 24, 2018 25th Anniversary Commission Classes, 6 - 8 pm Young Composers Program Final Concert, 8 pm Studio 27, University of Alberta, Fine Arts Building Gala Concert: Friday, November 30, 7:00 pm Muttart Hall, Alberta College, 10050 MacDonald Drive 3 4 ALLIANCE FOR CANADIAN Dear Contemporary Showcase Edmonton, NEW MUSIC PROJECTS Congratulations on your 25th Anniversary! This is a major milestone and you are celebrating it in a creative and memorable way. Edmonton has always been a vital Showcase centre, proudly and effectively promoting the teaching, performance and composition of Canadian Music. Throughout the years, we have marvelled at your expansion of musical activities including the establishment of your Young Composers Program and commissioning of works by Albertan composers. Performers from your centre have received many National Awards for their inspired performances which serves as a testament to the lasting impact of your presence. Thanks to the dedicated committee members, through this quarter century, contemporary Canadian music is thriving in Edmonton. We look forward to celebrating many more milestones with you in the years to come! Jill Kelman President ACNMP October 5, 2018 To: Edmonton Contemporary Showcase Congratulations on the 25th Anniversary of Edmonton Contemporary Showcase, a remarkable achievement in presenting this important mechanism for -
Winter-Spring 2006 Newsletter
Salem High School Alumni Association Winter-Spring 2006 Vol. 22, No.1 Martha Hill ’18 Influenced American Dance The Juilliard School’s centennial celebration highlights the enormous influence of dancer and educator Martha Hill, a 1918 Salem High School gradu- ate. Hill was the first director of Juilliard’s Dance Division, which she led for 34 years. “She was so important in so many aspects of dance,” said Janet Soares, who was the head of Barnard College’s dance department until her recent retire- ment. Soares was a student of Hill’s at Juilliard in the 1950s and later served as her assistant. Soares used the personal papers Hill bequeathed her, interviews, and other research for a biography that is currently circulating among publishers. Hill was extremely influential in the merger of modern dance and ballet, and Courtesy of Juilliard School Archives in the development of choreography as Martha Hill was often surrounded by students who became famous. In this group from 1959-60 (left an American art form, according to to right) are Donald McKayle, who choreographed Broadway shows and films; William Louther, who Soares and Elizabeth McPherson, a danced on Broadway and in modern dance companies; Hill; Mabel Robinson, dancer and producer; doctoral student at New York University. for stage and film; Dudley Williams, longtime lead dancer with Alvin Aily American Dance Theater; and “Her idea was to train dancers who Pina Bausch, a ballet choreographer who is now considered “the queen of German dance theater.” could do anything, who could move of American art.” was conceived from what I had discov- from style to style,” McPherson said. -
Taiwanese Eyes on the Modern: Cold War Dance Diplomacy And
Taiwanese Eyes on the Modern: Cold War Dance Diplomacy and American Modern Dances in Taiwan, 1950–1980 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Tsung-Hsin Lee, M.A. Graduate Program in Dance Studies The Ohio State University 2020 Dissertation Committee Hannah Kosstrin, Advisor Harmony Bench Danielle Fosler-Lussier Morgan Liu Copyrighted by Tsung-Hsin Lee 2020 2 Abstract This dissertation “Taiwanese Eyes on the Modern: Cold War Dance Diplomacy and American Modern Dances in Taiwan, 1950–1980” examines the transnational history of American modern dance between the United States and Taiwan during the Cold War era. From the 1950s to the 1980s, the Carmen De Lavallade-Alvin Ailey, José Limón, Paul Taylor, Martha Graham, and Alwin Nikolais dance companies toured to Taiwan under the auspices of the U.S. State Department. At the same time, Chinese American choreographers Al Chungliang Huang and Yen Lu Wong also visited Taiwan, teaching and presenting American modern dance. These visits served as diplomatic gestures between the members of the so-called Free World led by the U.S. Taiwanese audiences perceived American dance modernity through mixed interpretations under the Cold War rhetoric of freedom that the U.S. sold and disseminated through dance diplomacy. I explore the heterogeneous shaping forces from multiple engaging individuals and institutions that assemble this diplomatic history of dance, resulting in outcomes influencing dance histories of the U.S. and Taiwan for different ends. I argue that Taiwanese audiences interpreted American dance modernity as a means of embodiment to advocate for freedom and social change. -
Download the Transcript
CF VDC interview David Shimotakahara/Groundworks 1 VDC Interview Transcript David Shimotakahara GroundWorks Dance Theater Executive Artistic Director 6.18.18 Total Time: 2:14:09 (usable footage ends at 2:05) Cleveland State University Middough Building 1901 E. 13th Street Room 255 Cleveland, OH Key: CF: Candace Feck DS: David Shimotakahara MDB: Megan Davis Bushway (VDC film team) JD: Jane D’Angelo: (Ohio Dance Director) CF: I’m Candace Feck, and I’m talking with David Shimotakahara at Cleveland State University in Cleveland, OH on June 18, 2018. From film footage: CF: Congratulations on your nomination, and thank you for giving us this time when you’re so busy. DS: Thank you! It’s an honor. CF: Having reviewed the nomination materials and other sources, I am eager to know much more. I know that you were born in Iowa City, were raised mostly in Montreal, and then moved to New York City in 1977. Is that correct? DS: Yes, I moved to New York City during the summer of Son of Sam! CF: Ahhh…that’s right! An auspicious beginning! DS: Yes! And there was a black-out, too. I had a wild summer — but I guess I liked it (laughing), because I never returned to Montreal after that, and it was just fortunate that I had an American birth certificate. I didn’t even know I was entitled to stay in the States. I often tell this story of writing to the American consulate, and I had gotten all these letters of reference because I thought I was applying for American citizenship (he laughs, remembering), because I had decided I wanted to stay in New York, and about three weeks later I got a very curt, typewritten form letter, basically saying, you know “You already are a citizen, dummy!” Not quite in those words, but (laughing) you know, it was like “What are you doing?” 2 CF: Oh my! Such a contrast to the present moment of immigration policy. -
Dance Theatre of Harlem
François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin -
Certificate Program Student Handbook
CERTIFICATE PROGRAM STUDENT HANDBOOK 2016-2017 Artistic Director, Igal Perry Director of Development, Yarden Ronen Certificate Program Coordinator, Nikki Holck Certificate Program Assistant Coordinator, Cleo Sykes Peridance Capezio Center 126 East 13th Street New York, NY 10003, USA 212.505.0886 www.peridance.com Peridance Capezio Center ___________________________________________________________________________________________ Table of Contents History of Peridance Capezio Center 3 Statement of Purpose 3 General Information 4 Size and Scope 4 Tracks 5 Program Components and Coursework 6 Sample Class Schedule 8 Faculty 9 Administrative Contacts 23 Board of Trustees 24 Peridance Capezio Center Facilities 24 Library Facilities 24 Housing 25 Tuition and Fees 25 Financial Aid 25 Withdrawal, Refund, and Transfer Policies 26 Attendance Policy 27 Sign In and Sign Out ____________________________________________________________________29 Space Rental Procedure and Policy _______________________________________________________ 29 Rules of Conduct 30 Dress Code 31 Tactile Cueing 31 Injury Policy 32 Admission Information 32 Orientation 32 Evaluation Policy 33 Failing Grades 33 Grading Policy 34 Retention Policy 35 Credit Policy 35 Graduation Requirements 35 Certificates Granted and Requirements 36 Visa Options and Employment 36 Academic Calendar 37 Grievance, Probation, and Appeals Procedures 38 Self-Evaluative Process 38 Other Services 39 Contracted Education Services 39 Certificate Program 2 Peridance Capezio Center ___________________________________________________________________________________________ -
Boston Symphony Orchestra Concert Programs, Season 93, 1973-1974, Trip
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Contemporary Techniques 1
Contemporary Techniques 1 Week Three Martha Graham - training and influences Aim You will be able to describe Martha Graham’s early upbringing and background. You will be familiar with her training and influences. You will be able to describe what influenced the development of her technique and inspired her choreographies. Denishawn Ruth St. Denis, born Ruth Dennis Jan. 20, 1877, Ted Shawn, born Edwin Myers Shawn October 21, Newark, N.J., U.S.—died July 21, 1968 Los 1891, Kansas City, Missouri, U.S.—died January 9, Angeles, California 1972, Orlando, Florida Studied Ballet, Delsarte, social dance and skirt dancing A former divinity student, Shawn was introduced to dance as therapy after an illness. Soon after 1904 – St Denis allegedly saw an image of Isis on beginning his dance career, he met and married a ciggarette packet which sparked her interest in Ruth St. Denis Egyptian and Indian mythology and imagery. The Denishawn organisation systematically Like Loie Fuller and Isadora Duncan before her, promoted nonballetic dance movement. The she toured Europe 1906-1909 and while there school offered classes in Oriental, Spanish, and gained popularity and acclaim primitive dance; the fundamentals of ballet; their own innovative techniques; and, later, the In 1914 St. Denis married Ted Shawn, her dance modern-dance techniques that had been partner, and the next year they founded the developed in Europe by Rudolf Laban and Émile Denishawn school and company in Los Angeles. Jaques-Dalcroze. Branches of the school were established in New York City and other American cities. Denishawn Among St Denis’ choreographic innovations were “music visualization”—a concept that called for movement equivalents to the timbres, dynamics, and structural shapes of music in addition to its rhythmic base—and a related choreographic form that she called “synchoric orchestra”—a technique, comparable to the eurythmics of Émile Jaques-Dalcroze, that assigned one dancer to interpret the rhythms of each instrument of the orchestra. -
Martha Graham: Modern Dance Innovator by Eva Milner
Part 5: Independent Practice Lesson 1 Read the biography about a famous dancer. Then answer the questions that follow. Martha Graham: Modern Dance Innovator by Eva Milner 1 In the world of dance, Martha Graham is a giant. A true innovator, it was she who led the way into the brave new world of modern dance, leaving behind the constraints of classical ballet. Through her work as a dancer, choreographer, and teacher, Martha has inspired both audiences and generations of dance students. Her institute, the Martha Graham Dance Company, has produced some of the finest dancers in the world today. 2 Martha Graham was born in 1894 in a small town near Pittsburgh, Pennsylvania. Her father was a doctor who specialized in nervous disorders. He was interested in how illnesses and disorders could be revealed through the way a patient’s body moved. Martha also believed in the body’s ability to express what is inside. She would channel this belief through dance, not medicine, however. 3 Martha was an athletic child, but it wasn’t until after seeing the ballet dancer Ruth St. Denis in her teens that she became interested in dance. Martha was so inspired by the performance that she enrolled at an arts college where she studied theater and dance. After graduating in 1916, she joined the Denishawn School, a dance company founded by Ruth St. Denis and Ted Shawn to teach both American dance and world dance. 4 Though Martha began her eight years at Denishawn as a student, it wasn’t long before she became a teacher and one of the school’s best-known performers. -
ADF-Timeline.Pdf
Timeline 1934 • ADF, then known as the Bennington School of Dance, is founded at Bennington College in Bennington, Vermont. The first six-week session attracts 103 students (68 of whom were dance teachers) from 26 states, the District of Columbia, Canada and Spain. Their ages range from 15 to 49. • Martha Hill and Mary Josephine Shelly are Co-Directors. Martha Graham, Doris Humphrey, Charles Weidman, and Hanya Holm, also known as "The Big Four,” are recruited to be faculty. They each teach for a week in succession. 1935 • Martha Graham premieres Panorama with Alexander Calder mobiles (his first dance collaboration). • Doris Humphrey premieres New Dance. • The "Big Four" overlap teaching during the six weeks. 1936 • Betty Ford (Elizabeth Bloomer) is a student. • Humphrey completes her New Dance Trilogy with premiere of With My Red Fires; Weidman creates Quest. • World debut of Lincoln Kirstein's Ballet Caravan. Kirstein delivers lectures on classical ballet. 1937 • Anna Sokolow, José Limón, and Esther Junger are the first Bennington Fellows. • Premieres of Holm's Trend, Limón's Danza de la Muerte, Sokolow's Facade-Esposizione Italiana. • Alwin Nikolais is a student. • Graham premieres two solos. 1938 • Premieres are Graham's American Document, Holm's Dance of Work and Play and Dance Sonata, Humphrey's Passacaglia in C Minor, and Weidman's Opus 51. • Anna Halprin and Alwin Nikolais are students. 1939 • Bennington School of Dance spends summer at Mills College in Oakland, CA. • Merce Cunningham is a student. • Limón premieres 5-part solo, Danza Mexicanas. • John Cage gives concert of percussion music. 1940 • School of Dance returns to Bennington and is incorporated under The School of the Arts to foster relationships with the other arts. -
Martha Graham Collection
Martha Graham Collection Processed by the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2007 Contact information: http://hdl.loc.gov/loc.music/perform.contact Catalog Record: http://lccn.loc.gov/2010561026 Finding aid encoded by Library of Congress Music Division, 2010 Finding aid URL: http://hdl.loc.gov/loc.music/eadmus.mu010008 Latest revision: 2012 July Collection Summary Title: Martha Graham Collection Span Dates: 1896-2003 Bulk Dates: (bulk 1926-1991) Call No.: ML31.G727 Creator: Graham, Martha Extent: 350,100 items ; 398 containers ; 590 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: Martha Graham was an American modern dancer, choreographer, teacher and company director. The Martha Graham Collection is comprised of materials that document her career and trace the history of the development of her company, Martha Graham Dance Company, which became the Martha Graham Center of Contemporary Dance, and school, Martha Graham School, later to be called the Martha Graham School of Contemporary Dance. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Barber, Samuel, 1910-1981. Copland, Aaron, 1900-1990. Dello Joio, Norman, 1913-2008. El-Dabh, Halim, 1921- Emmons, Beverly. Graham, Martha--Archives. Graham, Martha--Correspondence. Graham, Martha--Photographs. Graham, Martha. Graham, Martha. Hindemith, Paul, 1895-1963. Horst, Louis. Hovhaness, Alan, 1911-2000. Karan, Donna, 1948- Lester, Eugene.