Columbia Records Exec VP/ Co-Head A&R Imran Majid
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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
Amy Sara Carroll
AMY SARA CARROLL Department of American Culture and Department of English Language and Literature, The University of Michigan, 505 South State Street, 3700 Haven Hall, Ann Arbor Michigan 48109-1045 [email protected] EDUCATION • Duke University Ph.D. Literature (2004) Certificates in Latin American and Caribbean Studies and Women’s Studies Dissertation: “The Allegorical Performative: Mexican and U.S. Transnational Tactics for Representing and Reinventing the ‘New World Border’” (Directors Fredric Jameson and Antonio Viego; committee members Alberto Moreiras, Janice Radway, and Irene Silverblatt) M.A. Literature (2000) • Cornell University M.F.A. English, Creative Writing (Poetry) (1995) Thesis: “Secession” (Directors Archie Ammons and Kenneth McClane) • University of Chicago M.A. Anthropology (1993) Masters Paper: “Anita Hill and Clarence Thomas: Contemporary Intersections of Race, Sexuality, and Gender” (Directors Jean Comaroff and Terence Turner) • Princeton University A.B. Anthropology and Creative Writing (Poetry), magna cum laude (1990) Senior Thesis: "Cartography: Merging Anthropology and Poetry" (Directors Jorge Klor de Alva and James Richardson) Junior Paper: "Legacies and Transformations of the Myth of Quetzalcoatl" (Director John Kelly) • Richard King High School, Corpus Christi, Texas Valedictorian (from a class of 500) (1986) ADDITIONAL TRAINING • Centro Nacional de las Artes (Mexico City), Summer 2000 Curso Avanzado de Performance • Colegio de México (Mexico City), Summer 1999 Programa Interdisciplinario de Estudios de la -
“The Chargesare Bulls%&T”
HEN BObbY SHMURDA, THE “Tough times charismatic star of the surprise don’t last forever,” says Shmurda, 2014 hit “Hot N—a,” emerged who performed at from the back of a New York Brooklyn’s Barclays Center on Oct. 30, County Supreme Court room in January, 2014. “God makes his wthe 20-year-old looked sad and serious. toughest battles for his Shmurda sat very still at the defense table, strongest soldiers.” showing none of the viral persona that was responsible for 102 million YouTube views, a $2 million record deal and the interna- tional “Shmoney Dance” craze. Today he was just another young man before the judge, one of 13 reputed members of the East Flatbush, Brooklyn, alleged gang GS9 (“God’s Sons”) to have his case called. “When I see the judge and the DA, I just see a bunch of people trying to take my life away for being blessed,” says Shmurda, who talked with Billboard from the Manhattan Detention Complex, where he has been held since December. “When I look at them, it looks like a bunch of haters.” Four months ago, Shmurda was racing around a Midtown soundstage, sunglasses and gold chains glinting, as he performed “Hot Boy” (the “Hot N—a” radio edit) on The Tonight Show Starring Jimmy Fallon. With him were lifelong GS9 friends, beaming, and two female dancers in “Shmoney Team” &T” crop tops. The same month, “Hot Boy” reached the top 10 on the Billboard Hot 100. “THE CHARGES ARE BULLS% “Everything felt like the best moment of my life,” Shmurda says. -
April 5, 2021
APRIL 5, 2021 APRIL 5, 2021 Tab le o f Contents 4 #1 Songs THIS week 5 powers 7 action / recurrents 9 hotzone / developiong 10 pro-file 12 video streaming 13 Top 40 callout 14 Hot ac callout 15 future tracks 16 INTELESCOPE 17 intelevision 18 methodology 19 the back page Songs this week #1 BY MMI COMPOSITE CATEGORIES 4.5.21 ai r p lay OLIVIA RODRIGO “drivers license” retenTion THE WEEKND “Save Your Tears” callout OLIVIA RODRIGO “drivers license” audio DRAKE “What’s Next” VIDEO CARDI B “Up” SALES BRUNO MARS/A. PAAK/SILK SONIC “Leave The Door Open” COMPOSITE OLIVIA RODRIGO “drivers license” Your weekly REsource for music research MondayMorningIntel.com CLICK HERE to E-MAIL Monday Morning Intel with your thoughts, suggestions, or ideas. mmi-powers 4.5.21 Weighted Airplay, Retention Scores, Streaming Scores, and Sales Scores this week combined and equally weighted deviser Powers Rankers. TW RK TW RK TW RK TW RK TW RK TW RK TW COMP AIRPLAY RETENTION CALLOUT AUDIO VIDEO SALES RANK ARTIST TITLE LABEL 1 10 2 10 10 8 1 OLIVIA RODRIGO drivers license Geffen/Interscope 7 1 15 12 13 10 2 THE WEEKND Save Your Tears XO/Republic 23 x 21 1 6 2 3 JUSTIN BIEBER Peaches f/Daniel Caesar/Giveon Def Jam 10 2 3 16 23 18 4 24KGOLDN Mood f/Iann Dior RECORDS/Columbia 15 x 35 5 4 3 5 BRUNO MARS/A .PAAK/SILK SONIC Leave The Door Open Aftermath Ent./Atlantic 2 9 8 34 20 13 6 BILLIE EILISH Therefore I Am Darkroom/Interscope 6 6 10 31 25 11 7 TATE MCRAE You Broke Me First RCA 4 7 7 21 17 37 8 ARIANA GRANDE 34+35 Republic 21 16 11 20 15 7 9 SAWEETIE Best Friend f/Doja -
AP1 Companies Affiliates
AP1 COMPANIES & AFFILIATES 100% RECORDS BIG MUSIC CONNOISSEUR 130701 LTD INTERNATIONAL COLLECTIONS 3 BEAT LABEL BLAIRHILL MEDIA LTD (FIRST NIGHT RECORDS) MANAGEMENT LTD BLIX STREET RECORDS COOKING VINYL LTD A&G PRODUCTIONS LTD (TOON COOL RECORDS) LTD BLUEPRINT RECORDING CR2 RECORDS ABSOLUTE MARKETING CORP CREATION RECORDS INTERNATIONAL LTD BOROUGH MUSIC LTD CREOLE RECORDS ABSOLUTE MARKETING BRAVOUR LTD CUMBANCHA LTD & DISTRIBUTION LTD BREAKBEAT KAOS CURB RECORDS LTD ACE RECORDS LTD BROWNSWOOD D RECORDS LTD (BEAT GOES PUBLIC, BIG RECORDINGS DE ANGELIS RECORDS BEAT, BLUE HORIZON, BUZZIN FLY RECORDS LTD BLUESVILLE, BOPLICITY, CARLTON VIDEO DEAGOSTINI CHISWICK, CONTEMPARY, DEATH IN VEGAS FANTASY, GALAXY, CEEDEE MAIL T/A GLOBESTYLE, JAZZLAND, ANGEL AIR RECS DECLAN COLGAN KENT, MILESTONE, NEW JAZZ, CENTURY MEDIA MUSIC ORIGINAL BLUES, BLUES (PONEGYRIC, DGM) CLASSICS, PABLO, PRESTIGE, CHAMPION RECORDS DEEPER SUBSTANCE (CHEEKY MUSIC, BADBOY, RIVERSIDE, SOUTHBOUND, RECORDS LTD SPECIALTY, STAX) MADHOUSE ) ADA GLOBAL LTD CHANDOS RECORDS DEFECTED RECORDS LTD ADVENTURE RECORDS LTD (2 FOR 1 BEAR ESSENTIALS, (ITH, FLUENTIAL) AIM LTD T/A INDEPENDENTS BRASS, CHACONNE, DELPHIAN RECORDS LTD DAY RECORDINGS COLLECT, FLYBACK, DELTA LEISURE GROPU PLC AIR MUSIC AND MEDIA HISTORIC, SACD) DEMON MUSIC GROUP AIR RECORDINGS LTD CHANNEL FOUR LTD ALBERT PRODUCTIONS TELEVISON (IMP RECORDS) ALL AROUND THE CHAPTER ONE DEUX-ELLES WORLD PRODUCTIONS RECORDS LTD DHARMA RECORDS LTD LTD CHEMIKAL- DISTINCTIVE RECORDS AMG LTD UNDERGROUND LTD (BETTER THE DEVIL) RECORDS DISKY COMMUNICATIONS -
The Dave Brubeck Quartet Featuring Paul Desmond – Brubeck Time
The Dave Brubeck Quartet Featuring Paul Desmond - Brubeck Time - Columbia Records/Speakers Corner - Audiophile Audition 27.08.18, 0937 HOME ∠ JAZZ CD REVIEWS ∠ SITE SEARCH " Search the site The Dave Brubeck Quartet Click on the category Featuring Paul Desmond – below to see that genre of Brubeck Time – Columbia reviews. Records/Speakers Corner SACD & Other Hi- Res Reviews by Audiophile Audition / August 18, 2018 / Jazz CD Reviews,, Audio News SACD & Other Hi-Res Reviews Classical CD Reviews The Dave Brubeck Quartet Classical Reissue Reviews Featuring Paul Desmond – DVD & Blu-ray Brubeck Time – Columbia Video Reviews JazzJazz CDCD ReviewsReviews Records CL622 Pop/Rock/World (1954)/Speakers Corner (2018) 180-gram CD Reviews Special Features mono vinyl, 40:00 ****1/2: Component Reviews (Dave Brubeck – piano; Paul Desmond – alto saxophone; Bob Bates – double bass; Joe Dodge (drums) Editorial Reader Feedback Dave Brubeck’s legacy as a pianist and composer is unique. Having Best of the Year studied classical and jazz composition at the University Of The Pacific https://www.audaud.com/brubeck-time-paul-desmond-columbia-records-speakers-corner/ Seite 1 von 6 The Dave Brubeck Quartet Featuring Paul Desmond - Brubeck Time - Columbia Records/Speakers Corner - Audiophile Audition 27.08.18, 0937 and Mills College, he approached his vision as a musician with complexity. In 1959, he integrated asymmetric meter into the album Take Five. With a unique time signature (5/4), the title song became a standard bearer for jazz crossover. Other compositions like “Blue Rondo A La Turk” (written in 9/8) are further examples of the unconventional use of time signatures. -
Khalid Releases “Otw” Feat. Ty Dolla $Ign & 6Lack Today—Click Here to Listen Khalid Nominated for Five 2018 Billboard
KHALID RELEASES “OTW” FEAT. TY DOLLA $IGN & 6LACK TODAY—CLICK HERE TO LISTEN KHALID NOMINATED FOR FIVE 2018 BILLBOARD MUSIC AWARDS (Los Angeles, CA)—Today, Multi-platinum global superstar Khalid releases a brand-new track entitled “OTW” featuring Ty Dolla $ign and 6lack. The song is available now at all digital retail providers via Right Hand Music Group/RCA Records. Click HERE to listen. This past Tuesday, Khalid appeared on the Today Show (Click HERE) to announce the 2018 Billboard Music Award nominations for which he has been nominated for five awards including Top New Artist, Top R&B Artist, Top R&B Male Artist, Top R&B Album for American Teen, and Top R&B Song for “Young Dumb & Broke.” Khalid’s most recent release “Love Lies” with Keep Cool/RCA Records’ Normani is off to an explosive start having debuted at #43 on the Billboard Hot 100 and it has already received over 200 million streams worldwide since its release on February 14th. The track, which was just certified GOLD by the RIAA, is garnering critical acclaim with MTV calling it “a match made in musical heaven” and The FADER calling it a “slow-burning R&B ballad”. Since its release, the track has racked up over 150 million streams on Spotify alone, and the song’s official video has over 30 million views on YouTube. “Love Lies” also broke the Top 5 on the streaming platform’s US (#2) and Global (#3) Viral Charts. Additionally, Khalid he will be hitting the road again on “The Roxy Tour”, which will be making a number of stops in major cities including Los Angeles, Atlanta, and Philadelphia. -
Top 100 Canciones + Streaming
TOP 100 CANCIONES + STREAMING (Las ventas totales corresponden a los datos enviados por colaboradores habituales de venta física y por los siguientes operadores: Amazon, Google Play Music, i-Tunes, Google Play, Movistar,7Digital, Apple Music, Deezer, Spotify, Groove Music y Napster) SEMANA 30: del 21.07.2017 al 27.07.2017 Sem. Sem. Pos. Sem. Cert. Actual Ant. Max. Lista Artista Título Sello Promus. 1 ● 1 1 4 J BALVIN / WILLY WILLIAM MI GENTE UNIVERSAL * 2 ● 2 1 28 LUIS FONSI / DADDY YANKEE DESPACITO UNIVERSAL 10** 3 ● 3 2 14 MALUMA FELICES LOS 4 SONY MUSIC 3** 4 ● 4 3 25 DANNY OCEAN ME REHÚSO WARNER MUSIC GROUP 3** 5 ▲ 6 6 9 MANUEL TURIZO UNA LADY COMO TÚ SONY MUSIC * 6 ▼ 5 5 9 C. TANGANA MALA MUJER SONY MUSIC ** 7 ● 7 6 16 CNCO HEY DJ (POP VERSION) SONY MUSIC ** 8 ● 8 2 29 ED SHEERAN SHAPE OF YOU WARNER MUSIC GROUP 6** 9 ▲ 10 10 18 WISIN / OZUNA ESCÁPATE CONMIGO SONY MUSIC ** 10 ▼ 9 5 16 SHAKIRA ME ENAMORÉ SONY MUSIC 2** 11 ▲ 13 13 8 J BALVIN / JOWELL & RANDY BONITA UNIVERSAL * 12 ▼ 11 7 17 CHRIS JEDAY / J BALVIN / OZUNA / ARCANGELAHORA DICE UNIVERSAL ** 13 ▼ 12 2 22 ENRIQUE IGLESIAS / DESCEMER BUENOSUBEME / ZION LA & RADIOLENNOX SONY MUSIC 4** 14 ● 14 14 12 DASOUL / NACHO KUNG FU UNIVERSAL / ROSTER ** 15 ▲ 20 20 7 DEMARCO FLAMENCO / MAKI LA ISLA DEL AMOR WARNER MUSIC GROUP * 16 ● 16 14 13 CHARLIE PUTH ATTENTION WARNER MUSIC GROUP ** 17 ● 17 6 20 PITBULL / J BALVIN / CAMILA CABELLOHEY MA (SPANISH VERSION) WARNER MUSIC GROUP 2** 18 ▼ 15 13 7 DAVID GUETTA / JUSTIN BIEBER 2U WARNER MUSIC/UNIVERSAL * 19 ▼ 18 9 19 JASON DERULO / NICKI MINAJ -
Rock Nacional” and Revolutionary Politics: the Making of a Youth Culture of Contestation in Argentina, 1966–1976
“Rock Nacional” and Revolutionary Politics: The Making of a Youth Culture of Contestation in Argentina, 1966–1976 Valeria Manzano The Americas, Volume 70, Number 3, January 2014, pp. 393-427 (Article) Published by The Academy of American Franciscan History DOI: 10.1353/tam.2014.0030 For additional information about this article http://muse.jhu.edu/journals/tam/summary/v070/70.3.manzano.html Access provided by Chicago Library (10 Feb 2014 08:01 GMT) T HE A MERICAS 70:3/January 2014/393–427 COPYRIGHT BY THE ACADEMY OF AMERICAN FRANCISCAN HISTORY “ROCK NACIONAL” AND REVOLUTIONARY POLITICS: The Making of a Youth Culture of Contestation in Argentina, 1966–1976 n March 30, 1973, three weeks after Héctor Cámpora won the first presidential elections in which candidates on a Peronist ticket could Orun since 1955, rock producer Jorge Álvarez, himself a sympathizer of left-wing Peronism, carried out a peculiar celebration. Convinced that Cám- pora’s triumph had been propelled by young people’s zeal—as expressed in their increasing affiliation with the Juventud Peronista (Peronist Youth, or JP), an organization linked to the Montoneros—he convened a rock festival, at which the most prominent bands and singers of what journalists had begun to dub rock nacional went onstage. Among them were La Pesada del Rock- ’n’Roll, the duo Sui Géneris, and Luis Alberto Spinetta with Pescado Rabioso. In spite of the rain, 20,000 people attended the “Festival of Liberation,” mostly “muchachos from every working- and middle-class corner of Buenos Aires,” as one journalist depicted them, also noting that while the JP tried to raise chants from the audience, the “boys” acted as if they were “untouched by the political overtones of the festival.”1 Rather atypical, this event was nonetheless significant. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
Nielsen Music 2017 Year End Music Report Canada
NIELSEN MUSIC 20I7 YEAR-END MUSIC REPORT CANADA 1 INTRODUCTION The music industry in Canada has never been stronger, with record consumption, growing live music attendance and a new class of emerging artists. Nielsen Music has also had an amazing, transformative year. Technological advancements and new partnerships have allowed us to provide robust, comprehensive data in more accessible, customizable and useful ways in 2017. Over the past year, we received a record number of requests for Nielsen Music research and insight reports. Welcome to the Nielsen Music Year-End Report, which examines the trends that shaped the Paul Shaver Canadian music industry in 2017 with definitive consumption figures and charts. Vice President/ Head of Nielsen Music Canada Overall consumption of albums, songs and On-Demand Audio streaming grew 13.6% year-over- year. On-Demand Audio streaming offset decreases in track and album sales and, on December 3, for the first time in history, it surpassed the 900 million per week mark. Ed Sheeran led all artists in Canada with overall consumption and had the top-selling album of the year. Six Canadians had No. 1 albums on the Billboard Canadian Albums chart in 2017, including The Weeknd’s Starboy, Drake’s More Life, Arcade Fire’s Everything Now, Shania Twain’s Now, Pierre Lapointe’s La Science Du Coeur and Gord Downie’s Introduce Yerself. The passing of Gord Downie captured the nation’s attention. In the week following his death, The Tragically Hip’s overall consumption increased by 1,000% over the previous week. Also, six of the group’s albums re-entered the Billboard Canadian Albums chart. -
Music and Spiritual Feminism: Religious Concepts and Aesthetics
Music and spiritual feminism: Religious concepts and aesthe� cs in recent musical proposals by women ar� sts. MERCEDES LISKA PhD in Social Sciences at University of Buenos Aires. Researcher at CONICET (National Council of Scientifi c and Technical Research). Also works at Gino Germani´s Institute (UBA) and teaches at the Communication Sciences Volume 38 Graduation Program at UBA, and at the Manuel de Falla Conservatory as well. issue 1 / 2019 Email: [email protected] ORCID: https://orcid.org/0000-0001-9692-6446 Contracampo e-ISSN 2238-2577 Niterói (RJ), 38 (1) abr/2019-jul/2019 Contracampo – Brazilian Journal of Communication is a quarterly publication of the Graduate Programme in Communication Studies (PPGCOM) at Fluminense Federal University (UFF). It aims to contribute to critical refl ection within the fi eld of Media Studies, being a space for dissemination of research and scientifi c thought. TO REFERENCE THIS ARTICLE, PLEASE USE THE FOLLOWING CITATION: Liska, M. (2019). Music and spiritual feminism. Religious concepts and aesthetics in recent musical proposals by women artists. Contracampo – Brazilian Journal of Communication, 38 (1). Submitted on: 03/11/2019 / Accepted on: 04/23/2019 DOI – http://dx.doi.org/10.22409/contracampo.v38i1.28214 Abstract The spiritual feminism appears in the proposal of diverse women artists of Latin American popular music created recently. References linked to personal and social growth and well-being, to energy balance and the ancestral feminine powers, that are manifested in the poetic and thematic language of songs, in the visual, audiovisual and performative composition of the recitals. A set of multi religious representations present in diff erent musical aesthetics contribute to visualize female powers silenced by the patriarchal system.