David Kane - Cv

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DAVID KANE - CV Current NEW ORIGINAL SERIES SLATE Channel 4 International In development NEW ORIGINAL SERIES Mainstreet Pictures for ITV NEW ADAPTED SERIAL 4 part BBC/ Origin Pictures In Development Television STONEMOUTH (Slate/BBC) 2 x 60 mins Adapted from Iain Banks In post-production SHETLAND (ITVP/BBC) 3 x 2hr series Lead writer MURDER ON THE HOME FRONT (Carnival/ITV) New Series 2 x 60 mins Directed by Geoffrey Sax. FIELD OF BLOOD 2: THE DEAD HOUR (Slate/BBC) Adapted from Denise Mina 2x 60 mins Also Directed FOYLE'S WAR (ITV) 2013 & 2010 SHETLAND (ITVP/BBC) Pilot for crime series adapted from Anne Cleeves Starring Douglas Henshall. INSPECTOR GEORGE GENTLY (ITV/Company Pictures) 2012 FIELD OF BLOOD (BBC/Slate Films) 2011 Adapted from Denis Mina David Morrissey / Peter Capaldi 2x60 Also directed TAGGART (STV/ITV) Executive Producer/showrunner 2010 3 episodes MIDNIGHT MAN (ITV/Carnival) 2008 Original serial Dir. David Drury Starring Jimmy Nesbitt REBUS (ITV/SMG) 2006/7 Starring Ken Stott 4x90 minutes SEA OF SOULS (BBC/Carnival) 2003-7 Series Creator 3x120 original serial Recommissioned for a further 3 series Previous TV Credits RUFFIAN HEARTS (BBC) Written and directed Prod Ian Madden Best Film Celtic Film Festival 96 FINNEY (Zenith/Tyne Tees) 6 Part serial Prod N Stafford Clark Dir David Hayman JUTE CITY (BBC) 3 part serial Prod John Chapman Dir Stuart Orme DREAMBABY (BBC) Written by David Kane Prod David Thompson Dir Angela Pope SHADOW ON THE EARTH (BBC) Prod David Thompson Dir Chris Bernard Jury Award, World TV Festival Best Filmm BANFF National Screenwriters Award Feature Films THE RIVER KING (Myriad/Spice Factory) Adapted from Alice Hoffman's novel Directed by Nick Willing Starring Ed Burns BORN ROMANTIC (Kismet Films/BBC/Harvest) Written and directed THIS YEAR'S LOVE (Kismet Films) Written and directed Theatre DUMBSTRUCK National Tour Tron Theatre, Glasgow Mayfest. Winner LWT Award WinnerWriters Guild Award GRAVE PLOTS Nottingham Playhouse Old Red Lion, London Cafe Royal Theatre, Edinburgh Festival. (Fringe First, Arts Club Award for Literature) Other NEWSNIGHT BBC2 Filmed documentary in Angola on guerilla war. Also broadcast in Denmark, Japan and USA © Copyright The Agency (London) Ltd. .

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Winter Highlights 2004
DRAMA WINTER HIGHLIGHTS 2004 ENGLAND EXPECTS Steven Mackintosh stars in a hard-hitting drama about a man who is drawn back to his far right past as his life spirals out of control. Mackintosh plays Ray, a responsible family man, fiercely protective of his daughter, Nikki. But he is also a control freak and, when things start to go wrong – first at work and then at home – he begins to lose his grip on reality. As his behaviour becomes increasingly erratic and he looks for someone other than himself to blame, he turns towards people from his past – people who are prepared to exploit him for their own ends. England Expects is produced by award-winning programme-maker Ruth Caleb. Her BBC ONE credits include Dominic Savage's Out Of Control, which won the Michael Powell Award for Best British Film at the Edinburgh International Film Festival, and Antonia Bird's Care, which won the Prix Italia for Best Drama. IN DENIAL OF MURDER Stephen Tompkinson plays campaigning local journalist Don Hale in a factually based drama which explores the controversial case of Stephen Downing and the murder in 1973 of Wendy Sewell (played by Caroline Catz) in Bakewell cemetery in the Peak District. Don Hale’s determination to prove Downing’s innocence captured the imagination of the press and public alike. Based on extensive research and written by Neil McKay, In Denial Of Murder tells the moving and tragic story behind the headlines, combining the story of Hale’s campaign with an account of the life of the murder victim.
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Iain Robertson
22 Astwood Mews, London, SW7 4DE CDA +44 (0)20 7937 2749|[email protected] IAIN ROBERTSON HEIGHT: 5’8 HAIR: Black EYES: Hazel VEHICLE LICENCES: Full Driving Licence Iain received a Scottish BAFTA for Gillies Mackinnon’s ‘Small Faces’. He has been nominated for the Ian Charleson Award twice, receiving a commendation for Bill Bryden’s ‘Mysteries’ trilogy, and third prize for Michael Grandage’s ‘The Tempest’. THEATRE LAST FERRY TO DUNOON ‘Johnaboy’ Dir. David Hayman Jr. [Òran Mór] ON THE SIDELINES ‘John’ Dir. Gilles MacKinnon (Òran Mór) VLAD THE IMPALER ‘Aga Carasol/Dragavei/Dan/Painter/Impaled Romanian’ Dir. Faynia Williams (Òran Mór) THE BRIDGE ‘Davy’ Dir. Donna Franceschild (Òran Mór) FRANK’S DEAD ‘Neil’ Dir. Graeme Maley (Òran Mór) SHANG-A-LANG ‘Carl’ Dir. Michael Emans (Rapture Theatre) THE GREAT TRAIN RACE ‘Cammie’ Dir. Rob Jones (Òran Mór and Lemon Tree, Aberdeen) BREAKER ‘Danny’ Dir. Graeme Maley (Sodid Svid Company at Underbelly, Edinburgh Festival) CLASSIC CUTS: THE TAMING OF THE SHREW ‘Petruchio’ Dir. Rosie Kellagher (Òran Mór) TAKIN’ OVER THE ASYLUM ‘Eddie’ Dir. Mark Thompson (Lyceum Edinburgh / Citizens Glasgow) Nominated Best Male Performance, Critics’ Awards for Theatre in Scotland 2012 - 2013 TAKE ME IF YOU NEED ME Dir. Graeme Maley (Òran Mór) ANGELS ‘Nick’ Dir: Graeme Maley (Oran Mor, Glasgow / Traverse, Edinburgh) THE HARD MAN ‘Johnstone/The Bandit’ Dir. Philip Breen (Edinburgh Festival Theatre) MY ROMANTIC HISTORY ‘Tom’ Dir. Lyndsey Turner (Bush Theatre/Sheffield Theatre/Traverse Theatre) LYSISTRATA ‘Cleonice’ Dir. David MacLennan (Òran Mór) CONFESSIONS OF A JUSTIFIED SINNER ‘Gill-Martin’ Dir. Mark Thomson (Royal Lyceum, Edinburgh) HOMECOMING SCOTLAND CELEBRATIONS ‘Robert Burns’ Dir.
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Shauna Macdonald
Shauna Macdonald In 2019 she won an acting award from The Stage Edinburgh for her performance in MOUTHPIECE at the Traverse Theatre. Shauna won a Scottish BAFTA in 2018 for Best Actress for her performance in WHITE CHAMBER. Agents Ruth Young Associate Agent Phoebe Trousdell [email protected] +44 (0)20 3214 0800 Assistant Lauren Morgan [email protected] +44 (0)20 3214 0800 Assistant Alex Campbell [email protected] +44 (0)20 3214 0800 Roles Film Production Character Director Company CONSUMED (Short) Faye Karen Lamond Smashing Pictures SEPARATE WE COME, The Mother Bonnie Wright Bon Bon Lumiere SEPARATE WE GO (Short) SPARE PARTS (Short) Joanna Paul Barrie Royal Conservatoire of Scotland 12 POINT KILL (Short) Sara Ian Mitchell BALANCE, NOT SYMMETRY Catherine Jamie Adams Fintage CAM United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company WHITE CHAMBER Elle Chrysler Paul Raschid Aviary Films STAR WARS Temp Com Center Rian Johnson Space Bear Industries Resistance Pilot UK Ltd NAILS Dana Milgram Dennis Bartok Whispervale DAC MOONDOGS Ruby Philip John Clydebank Films Ltd Soldier Bee Jodie Alex Williams Sky Blue Films THE CORRESPONDENCE Victoria Giuseppe Paco Cinematografica Tornatore SPITBALL Lilly Greer Taylor Blue Shadow Films Ellison HOWL Kate Paul Hyett Silver Bullet Films Ltd SWUNG Hannah Colin Kennedy Sigma Films MADE IN BELFAST Alice Paul Kennedy KGB Screen FILTH Carole Jon Baird Filth Production
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The Man Who Invented Christmas Pk
THE MAN WHO INVENTED CHRISTMAS Directed by Bharat Nalluri Starring Dan Stevens, Christopher Plummer and Jonathan Pryce UK release date | 1st December 2017 Running time | 104 minutes Certificate | PG Press information | Saffeya Shebli | [email protected] | 020 7377 1407 1 OFFICIAL SYNOPSIS The Man Who Invented Christmas tells of the magical journey that led to the creation of Ebenezer Scrooge (Christopher Plummer), Tiny Tim and other classic characters from A Christmas Carol. Directed by Bharat Nalluri (Miss Pettigrew Lives for a Day), the film shows how Charles Dickens (Dan Stevens) mixed real life inspirations with his vivid imagination to conjure up unforgettable characters and a timeless tale, forever changing the holiday season into the celebration we know today. LONG SYNOPSIS The bestselling writer in Victorian London sets out to revive his flagging career and reimagines Yuletide celebrations in The Man Who Invented Christmas, an entertaining and enchanting glimpse into the life and mind of master storyteller Charles Dickens as he creates the quintessential holiday tale, A Christmas Carol. After a string of successful novels, world-renowned writer Dickens (Dan Stevens) has had three flops in a row. With the needs of his burgeoning family and his own extravagance rapidly emptying his pockets, Dickens grows desperate for another bestseller. Tormented by writer’s block and at odds with his publishers, he grasps at an idea for a surefire hit, a Christmas story he hopes will capture the imagination of his fans and solve his financial problems. But with only six weeks to write and publish the book before the holiday, and without the support of his publishers – who question why anyone would ever read a book about Christmas – he will have to work feverishly to meet his deadline.
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INVESTIGATING the STYLE, FORM and GENRE of PERIOD DRAMA in 2010S BRITISH TELEVISION
A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy December 2020 HERITAGE AND POST-HERITAGE: INVESTIGATING THE STYLE, FORM AND GENRE OF PERIOD DRAMA IN 2010s BRITISH TELEVISION WILL STANFORD This image is unavailable. Please consult reference on page ii for further information. ABBISS ii ABSTRACT This project analyses six period drama productions in British television of the 2010s, expanding Claire Monk’s term of ‘post-heritage’ into a critical framework. Its case studies establish a cycle of progressive representations of the past in recent television drama, which operate against the assumptions of ‘heritage’ nostalgia forwarded by earlier scholars. The post-heritage framework consists of five guiding elements: interrogation, subversion, subjectivity, self-consciousness and ambiguity. These inform the analysis of the project’s case studies, while also allowing the existence of post-heritage elements to be recognised in earlier period drama productions. The thesis is split into three distinct parts, which allow the heritage and post-heritage elements of the case studies to be associated with the characteristics and theoretical concepts of television drama. The first chapter of each part evaluates the institutional context of its case study, identifying its impact upon production through textual examples from the programme. The second chapter of each part focuses on close analysis, demonstrating the extent to which post- heritage elements can assist innovation in television drama. Part I focuses on televisual style, identifying the naturalist, realist and modernist aesthetics of television drama. Scholarly sources are used to connect these with periods of British television history.
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Fast Romance
Could three minutes with a complete stranger change your life forever? Fast Romance A film about love, life and speed dating. Press Kit February 2011 ICKLEFLIX PRESENTS “FAST ROMANCE” WILLIAM RUANE - JO FREER - DEREK MUNN - MICHAEL HOWELL LYNNE McKELVEY - LESLEY HART - LAWRENCE CRAWFORD WITH ROBERT BUCHANAN - VINCENT FRIELL & BARBARA RAFFERTY MUSIC COSTUME ART MAKE-UP EDITED BY MOONGLASS.CO.UK DESIGNER SARAH MICHAEL DIRECTOR CRAIG REID BY NATALIE TODMAN BY FIONA CAIRNS & DEREK AIRE DIRECTOR OF EXECUTIVE WRITTEN PHOTOGRAPHY ROSS GERRY PRODUCER CARTER FERGUSON BY JAMES McCREADIE & DEBBIE MAY PRODUCED DIRECTED BY AMANDA VERLAQUE BY CARTER FERGUSON ASSOCIATE PRODUCERS IAIN G FARRELL - ROSS Gerry - ALASDAIR MCDOUGALL www.fastromance.co.uk Ickleflix Ltd Presents Fast Romance William Ruane Gordon “Gordy” Boyd Jo Freer Nadine Catalano Derek Munn Kenny Cairns Lesley Hart Lorna Kerr Lawrence Crawford Andrew “Spence” Spencer Lynne McKelvey Fiona Benton Michael Howell Elliot Hendry With Dave Anderson, Juliet Cadzow, Rab Buchanan, Vincent Friell & Barbara Rafferty Directed by Carter Ferguson Produced by Amanda Verlaque Written by James Mccreadie & Debbie May Cinematography by Ross Gerry Art Directed by Craig Reid Edited by Derek Aire & Fiona Cairns Costumes Designed by Sarah Michael Make-Up Designed by Natalie Todman Composed by Stephen Wright & Nigel Dunn Executive Producer Carter Ferguson Fast Romance 2 Press Kit Synopsis “A story about seven very different people who go looking for love, and end up getting more than they bargained for.” Fast Romance tells the story of seven very different people who attend a speed date and end up getting more than they bargained for. Some want to be there, some need to be there and some would rather be anywhere else but there.
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BBC Scotland Annual Review 2006/2007 4
BBC Scotland Annual Review 2006/2007 4 8 2 6 5 7 1 3 11 12 13 9 10 16 19 17 20 18 15 14 21 BBC Scotland Contents 1 8 15 2 16 36 Glenn Campbell John Beattie Sarah Cruickshank National Trustee’s overview Television New Media (Presenter, Politics) (Presenter, Sport) (Presenter, Dè a-nis?) 2 9 16 4 22 37 Jackie Bird Libby McArthur Paul Riley Audience Council Radio Technology (Presenter, News) (River City’s Gina) (Still Game’s Winston) 3 10 17 14 26 38 Rhona McLeod Claire Knight Greg Hemphill National Controller’s overview News and current affairs Children in Need (Presenter, Sport) (River City’s Iona) (Still Game’s Victor) 30 39 4 11 18 Gaelic Finance Pudsey Deirdre Davis Ford Kiernan (River City’s Eileen) (Still Game’s Jack) 34 40 BBC 5 12 19 BBC Scottish Symphony Getting in touch Richard Gordon Janice Forsyth Jonathan Watson Orchestra Annual 2006/07 Review Scotland (Presenter, Sport) (Presenter, Radio Scotland) (Only An Excuse?, Offside) 6 13 20 Dougie Vipond Robbie Shepherd Sanjeev Kohli (Presenter, Sport) (Presenter, Radio Scotland) (Still Game’s Navid) 7 14 21 Alison Walker Shona Morrison James Mackenzie (Presenter, Sport) (Presenter, Eòrpa) (Raven) 1 National Trustee’s Overview. The past twelve months have seen a radical change in the governance of the BBC, with the Governors disappearing after 80 years and being replaced, under the terms of the new Charter, by a Board of Trustees. I was privileged to be one of three priorities in April and will monitor Broadcasting Council and its successor former Governors to have survived progress in the months ahead.
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Download Lost at Sea Information Sheet Here
Perth Theatre at Horsecross Arts and Morna Young present LOSTatSEA SPRING SEASON 2019 THU 25 APR - FRI 24 MAY By Morna Young Directed by Ian Brown “The untold war o man versus the elements. The tale o the fishermen fightin the ocean. Ye’v stirred the watters, opened the dam. There’ll be a hearty tempest the nicht.” Writer’s Note Morna Young Those we have lost live on through the stories we share. Every story begins with an inciting incident, a moment I hope, in some small way, that this work helps honours when the balance is tipped, an event or turning point that their memory. sets everything into motion. My moment was an accident. A fishing accident on 10th April 1989. For on that day, my Director’s Note - Ian Brown dad – Daniel ‘Donnie’ Young – was lost at sea. His body Lost at Sea is an ambitious play. I admire and love it for was never recovered. that. It has a large cast, it demands movement and sound. My story is not unusual in fishing communities. Men and It has live music and rich language celebrating the Doric boats from all around the coast have been lost, every language of Northeast of Scotland. It plays with theatrical village scarred by these losses. We’re forever bound by form. We move backwards and forwards in time. There the salt in our blood. Writing this play was my opportunity are ghosts. There is a chorus. to pay tribute. I wanted to create a fictional story but to Lost at Sea is about many things.
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Sector Overview
GLASGOW CULTURAL STATISTICS DIGEST A Digest of Cultural Statistics John Myerscough Prepared for Glasgow City Council and Glasgow Life Co-funded by Glasgow Life, Creative Scotland and Glasgow City Council January 2011 1 2 CONTENTS Introduction 4 1. Overview 6 2. Performance 12 3. Visual arts 32 4. Multi-arts, literature, and audio-visual 36 5. Museums 44 6. Historic buildings and heritage 51 7. Libraries and archives 57 8. Festivals, events 60 9. Education, Training and outreach 63 10. Voluntary organisations 71 11. Markets and attendance 74 12. Creative industries 85 13. Tourism 90 14. Resources 96 15. Lists of organisations within cultural sector 107 3 1 INTRODUCTION This Cultural Statistics Digest is intended to provide a quantitative basis for understanding the nature of Glasgow‟s cultural sector and the journey on which it has travelled. It sets a baseline for the sector, which can be used in thinking about its next phase of development. The work was commissioned by Glasgow Life and the Development and Regeneration Services of Glasgow City Council, with additional funding from Scottish Arts Council (now Creative Scotland). The definition of the cultural sector employed in the Digest covers performance (drama, dance, music, halls and theatres), the visual arts, the heritage (museums, historic buildings, libraries and archives), literature and screen culture. These relate broadly to the classifications recommended in the DCMS‟s Evidence Toolkit - DET (2004). Materials on the creative industries and on tourism are also included, but not sport. The Digest adopts an “industrial” definition of the cultural sector. Many people with “cultural occupations” are economically active in other industrial sectors.
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Ray Holman Costume Designer
Ray Holman Costume Designer Listen to Ray Holman's interview on The Fleabag Situation: A Fleabag Fan Podcast on Apple Podcasts. Agents Alice Dunne Assistant +44 (0) 20 3214 0949 Flora Line [email protected] Credits Drama Production Company Notes DOCTOR WHO series 13 BBC Studios Dir: Jamie Magnus Stone , Azhur Saleem 2021 Prod: Nikki Wilson, Pete Levy Exec Prods: Chris Chibnall, Matt Strevens, Nikki Wilson (with Jodie Whittaker, John Bishop and Mandip Gill) THE PACT BBC & Lionsgate Prod: Catrin Lewis Defis 2021 Exec Prods: Elwen Rowlands, Pete McTighe DOCTOR WHO series 12 BBC Dir: Jamie Magnus Stone, Lee Haven Jone, 2020 Nida Manzoor, Emma Sullivan Exec Prod: Chris Chibnall, Matt Strevens Prod: Nikki Wilson, Alex Mercer (with Jodie Whittaker, Bradley Walsh and Mandip Gill) United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes FLEABAG 2 Two Brothers Pictures Dir: Harry Bradbeer 2019 Prod: Sarah Hammond (with Phoebe Waller-Bridge, Olivia Colman and Sian Clifford) 2020 Costume Designer's Guild Award Nomination for Excellence In Contemporary Television 2020 British Academy Cymru Award Nomination: Costume Design DOCTOR WHO series 11 BBC Dir: Jamie Childs, Mark Tonderai, Sally 2018 Aprahamian, Jennifer Perrot, Wayne Yip Prod: Chris Chibnall and Matt Strevens (with Jodie Whittaker and Bradley Walsh) THE SPLIT Sister Pictures/BBC Director: Jess Hobbs 2018 Producer: Lucy Dyke, Jane Featherstone and Abi Morgan. LIAR Two Brothers Directors:
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David Kane - Cv
DAVID KANE - CV Current NEW ORIGINAL SERIES Slate Films for Channel 4 International In development NEW ORIGINAL SERIES Mainstreet Pictures for ITV NEW ADAPTED SERIAL 4 part BBC/ Origin Pictures In Development Television STONEMOUTH (Slate/BBC) 2 x 60 mins Adapted from Iain Banks MURDER ON THE HOME FRONT (Carnival/ITV) New Series 2 x 60 mins Directed by Geoffrey Sax. FIELD OF BLOOD 2: THE DEAD HOUR (Slate/BBC) Adapted from Denise Mina 2x 60 mins Also Directed FOYLE'S WAR (ITV) 2013 & 2010 SHETLAND (ITVP/BBC) Original pilot for crime series adapted from Anne Cleeves Starring Douglas Henshall. INSPECTOR GEORGE GENTLY (ITV/Company Pictures) 2012 FIELD OF BLOOD (BBC/Slate Films) 2011 Adapted from Denis Mina David Morrissey / Peter Capaldi 2x60 Also directed TAGGART (STV/ITV) Executive Producer/showrunner 2010 3 episodes MIDNIGHT MAN (ITV/Carnival) 2008 Original serial Dir. David Drury Starring Jimmy Nesbitt REBUS (ITV/SMG) 2006/7 Starring Ken Stott 4x90 minutes SEA OF SOULS (BBC/Carnival) 2003-7 Series Creator 3x120 original serial Recommissioned for a further 3 series Previous TV Credits RUFFIAN HEARTS (BBC) Written and directed Prod Ian Madden Best Film Celtic Film Festival 96 FINNEY (Zenith/Tyne Tees) 6 Part serial Prod N Stafford Clark Dir David Hayman JUTE CITY (BBC) 3 part serial Prod John Chapman Dir Stuart Orme DREAMBABY (BBC) Written by David Kane Prod David Thompson Dir Angela Pope SHADOW ON THE EARTH (BBC) Prod David Thompson Dir Chris Bernard Jury Award, World TV Festival Best Filmm BANFF National Screenwriters Award Feature Films THE RIVER KING (Myriad/Spice Factory) Adapted from Alice Hoffman's novel Directed by Nick Willing Starring Ed Burns BORN ROMANTIC (Kismet Films/BBC/Harvest) Written and directed THIS YEAR'S LOVE (Kismet Films) Written and directed Theatre DUMBSTRUCK National Tour Tron Theatre, Glasgow Mayfest.
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Freemasons Open Door for Cameras to Banish Myths
Version: 1 Source URL: http://www.thetimes.co.uk/article/5a33a40e-2317-11e8-a25c-0a92182647c9 SCOTLAND Freemasons open door for cameras to banish myths Marc Horne 09 Mar 2018 00:01:00 Scotland’s Freemasons have broken with centuries of tradition and opened their doors to public scrutiny. Long regarded as a secretive society that has closely guarded its clandestine rules and arcane rituals, the masons have allowed cameras into their lodges for the first time. Several famous figures — including King George VI, Robert Burns, Sir Walter Scott and Sir Arthur Conan Doyle — have been members of the Grand Lodge of Scotland but the all-male organisation has always eschewed publicity. Now it has permitted a documentary film crew to enter its buildings and document some of the previously off-limits ceremonies. Robert Cooper, the lodge’s curator and official historian, hopes that the documentary will help to boost the masons’ image and dispel myths and misconceptions. He is frustrated by persistent suggestions that members wield a powerful and sinister influence over public life. “Most of our members are ordinary working guys; bus drivers and taxi drivers, with the odd dentist and mid-ranking professional,” Mr Cooper said. “The idea that we somehow run the country behind closed doors is laughable. If we genuinely were a secret society, you would know very little about us. People love conspiracies and, unfortunately, we fit the bill. “We have never had an opportunity to explain ourselves to wider society. We are keen to improve our public profile and redress the balance. However, we accept that a minority of people will always be against freemasonry whatever we say or do.” The Grand Lodge is also keen to dispel the idea that it has any links to similarly named Protestant-only groups.
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