THIS PRESENTATION CONTAINS INFORMATION WHICH HAS BEEN PROVIDED BY A NUMBER OF SOURCES, INCLUDING CERTAIN MEMBERS OF RIVER ROCK FILMS (“RIVER ROCK”). THE INFORMATION CONTAINED HEREIN HAS NOT BEEN INDEPENDENTLY VERIFIED AND NO REPRESENTATION OR WARRANTY, EXPRESS OR IMPLIED, IS MADE BY RIVER ROCK OR HOLLYWOOD FINANCIAL, LLC (“HOLLYWOOD”) AS TO THE ACCURACY OR COMPLETENESS OF SUCH INFORMATION OR ANY OTHER INFORMATION TO BE MADE AVAILABLE TO ANY PROSPECTIVE INVESTOR. IN ADDITION, THE RESULTS OF CERTAIN FINANCIAL MODELS ARE CONTAINED HEREIN. FORWARD LOOKING DATA, SUCH AS THE RESULTS OF THE FINANCIAL MODELS, ARE INHERENTLY UNCERTAIN, AND NO REPRESENTATION OR WARRANTY, EXPRESS OR IMPLIED, IS MADE BY RIVER ROCK WITH RESPECT TO SUCH MODELS OR THE ASSUMPTIONS, HYPOTHETICAL RESULTS, ESTIMATES, HYPOTHETICAL PERFORMANCE ANALYSIS OR OTHER FINANCIAL INFORMATION CONTAINED IN SUCH MODELS. ACTUAL RESULTS MAY VARY MATERIALLY FROM THE HYPOTHETICAL RESULTS CONTAINED HEREIN. ASSUMPTIONS INVOLVE SIGNIFICANT ELEMENTS OF SUBJECTIVE JUDGMENTS AND ANALYSES AND CHANGES THERETO AND/OR CONSIDERATION OF DIFFERENT OR ADDITIONAL FACTORS COULD HAVE A MATERIAL IMPACT ON THE RESULTS INDICATED. EACH RECIPIENT HEREOF MUST MAKE ITS OWN EVALUATION OF SUCH FINANCIAL MODELS (INCLUDING THE ASSUMPTIONS ON WHICH THEY ARE BASED). RIVER ROCK DOES NOT ASSUME ANY RESPONSIBILITY FOR THE ACCURACY OR VALIDITY OF SUCH FINANCIAL MODELS OR THE ASSUMPTIONS, HYPOTHETICAL RESULTS, ESTIMATES, HYPOTHETICAL PERFORMANCE ANALYSIS OR ANY OTHER FINANCIAL INFORMATION CONTAINED IN SUCH MODELS. NOTHING CONTAINED HEREIN SHALL CONSTITUTE ANY REPRESENTATION OR WARRANTY AS TO FUTURE PERFORMANCE. RIVER ROCK DOES NOT EXPECT TO UPDATE OR OTHERWISE REVISE THE INFORMATION CONTAINED HEREIN. BY ACCEPTING THIS INVESTOR PRESENTATION, THE RECIPIENT AGREES THAT RIVER ROCK SHALL ASSUME NO LIABILITY FOR ANY INFORMATION CONTAINED HEREIN OR ANY OTHER INFORMATION TO BE MADE AVAILABLE TO THE RECIPIENT BY OR ON BEHALF OF RIVER ROCK IN THE COURSE OF THE RECIPIENT’S EVALUATION OF AN INVESTMENT IN THE TRANSACTION.
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THE INFORMATION CONTAINED HEREIN IS CONFIDENTIAL AND MAY NOT BE DIVULGED TO ANY PERSON OR ENTITY OR REPRODUCED, DISSEMINATED OR DISCLOSED IN WHOLE OR IN PART. SHOULD THE RECIPIENT DECLINE TO INVEST IN THE TRANSACTION, IT SHALL RETURN THIS INVESTOR PRESENTATION AND ANY OTHER MATERIALS SUPPLIED BY RIVER ROCK AS SOON AS POSSIBLE AND, IN ANY OTHER EVENT, UPON REQUEST, DESTROY ALL COPIES AND EXTRACTS, AND DELETE ALL COMPUTER FILES.
2 2
I. Executive Summary 5
II. Executive Team 12
III. The Opportunity / Industry Summary 22
IV. Development 31
V. Films & Productions 36
VI. Additional Projects 50
4 4 River Rock Films (“River Rock”) is a newly created media company started by seasoned professionals to exploit current favorable conditions in entertainment and thereby generate outsized returns
Our business plan is based on several key factors:
. Filmed entertainment is capital intensive but production capital remains scarce due to current economic conditions . Studios are concentrating their limited capital on high risk / high reward franchise films but need to continue distributing high quality, third-party films to fill-out their release schedules . Top projects from established producers and directors get crowded out from the studio system; backlog of high quality films are now available for production by River Rock . Entry point is attractive for investors given the lack of available capital: talent costs are lower, distribution economics are more favorable, films are increasingly more global in reach, and the digital opportunity is substantial . Applying a systematic, diversified, and conservative approach to investing in River Rock projects can generate significant returns
River Rock is raising $100 million to create, produce and distribute a portfolio of films over 5 years:
. River Rock has internally developed and can acquire top projects to produce by partnering with top level talent agents, and established producers, directors . We can leverage our relationships for distribution of River Rock productions . We plan to preserve and diversify capital through co-financing and/or pre-selling foreign rights . A film portfolio can generate cash flow into perpetuity . The plan is highly scalable as a business model
By combining management’s experience in producing film and entertainment properties, our relationship with top industry participants, and access to top projects, River Rock is positioned to prosper in this new industry paradigm
5 5 INVESTOR INVESTOR INVESTOR
REPORTS FUNDS PROFITS TO TO
RIVER ROCK FILMS
FILM DEVELOPMENT AND PRODUCTION DISTRIBUTION AND NEW MEDIA
• Develops IP and Scripts • Distribution of River Rock Productions • Acquires IP/Scripts/Rights • Music Videos, Gaming, • Produces film & television content • Online content & Soundtracks
PARTNERS AND DEAL FLOW DISTRIBUTION PARTNERS
ICM$ UTA$ WME$ CAA$ LG/FOX/SONY$ OPEN$ROAD$ NETFLIX$ iTUNES$
A B C D A B C D
6 6 Secures Investors
Determines investment policy and strategy
Approves acquisitions, dispositions, and financings
Manages investor relations, communications and financial reporting
Develops Film and TV productions
Produces Film, TV and New Media Content
Distributes River Rock Productions
7 7 • River Rock Films seeks total capital commitments of $100 million.
• Two Types of investments
– Class I: $250,000 Unit - Debt Based Convertible Note – 2 Year Commitment with no profit participation
– Class II: $500,000 Unit - Debt Based Convertible Note – 5 Year Commitment with profit participation
• River Rock Films will focus on the following activities:
– Invest in Development, Production, Distribution and Technology used by and for Entertainment Properties to include Feature Film and TV. We intend to finance, produce, market and distribute a slate of independent film(s) (the “Films”) in innovative methods that takes advantage of leading edge developments in film production, financing, and distribution.
– Strategically diversify allocating not more than 20% of the total capital in production or distribution costs to any single investment.
– Employ purchase options, completion bonds, tax credits, deferrals and leverage budgets to reduce risk to invested capital.
8 8 Capital The Company is targeting $100 million in capital Commitments: commitments.
Commitment 2 or 5 years following final closing Period:
Terms: 8% per annum interest paid at close of commitment period
Extensions: 3 One-year extension upon approval of management
Investment California Limited Partnership Structure:
Distributions: Class I: 100% to Investors until a 8% compounded annual preferred return.
Class II: 100% to Investors until a return of total capital commitment to each investment; then 50% to Investors & 50% to the Company.
Distributions are reinvested during commitment period. After the commitment period, profits are distributed as they are realized and paid quarterly.
9 9 River Rock Films has a deep pipeline of first-class studio-quality projects for production, which are developed in house or sourced from its top-level relationships with the following agencies / managers:
Talent and Literary Agencies / Managers and Entertainment Law Firms
10 10
Son of director Jack Bunch, Paul grew up in the entertainment industry under the tutelage of a well-respected man who touted, above all else, creative freedom. This has had a lasting effect on Paul and has driven him to write and direct unique film projects that represent his own brand of comedy.
Paul has worked in the industry for fifteen years. He studied acting under Howard Fine, finishing in his Master Class. Paul was a member of the Groundlings for 3 years writing and performing in the Sunday Company. He has written many screenplays and has directed several films. As Executive Producer, he just completed a feature with Bradley Cooper, Dax Sheppard and Kristen Bell. (Hit and Run) and is finishing a project with Paul Bunch Terrence Howard and Anita Briem (Pranksters). President He has worked with Producers such as Andre Panay (The Wedding Crashers), Mark Canton (300, Fame) and Julio Caro (The Cell, El Cantante).
This summer he will direct his new comedy feature, “7 Days as a Kingpin” with producers Nate Tuck and Kim Waltrip (Hit and Run). Best known for his unique brand of comedy, he has been described as somewhere between Mel Brooks and Mike Myers.
Paul Bunch on IMDb: Paul Bunch – IMDb
12 12 Mr. Sackman was the President of Lionsgate Films for six years and successfully led the company, originally from Canadian, into the crucial and highly competitive U.S. market. He is the first person to have successfully done so in the industry. Jeff structured and negotiated rarely available output arrangements with Universal Studios, Home Box Office and Bravo, created and grew three profitable video companies, and executive produced nearly fifty films.
He also served as President and Chief Executive Officer for ThinkFilm Corp. (a production and distribution company) from 2001 until 2008. His name has become Jeff Sachman synonymous with major breakout Executive Producer independent films. He has served as a Producer and Executive Producer for many films, including such hits as American Psycho, Buffalo 66, Murderball and the very controversial independent film, YPF.
In 2012, he released four new films; Split Decision starring Brendon Fraser, Compulsion starring Heather Graham and Carrie-Ann Moss, The Black Marks starring Kurt Russell and Matt Dilllon, and Penthouse North starring Michael Keaton.
13 13 Siang Liu has been a highly successful businessman for many decades. He currently acts as the Chairman of both RiverRock Films and iMax Capital. He is also a board member of Meraq and Beijing Investment Group. In addition to these positions, Mr. Liu is a partner of Shanghai Zheru Financial -- a Fund Manager for the Corporate Bond in China.
Mr. Liu studied Computer Science and earned an MBA from Western Washington University in the United States. In addition, he dedicated many Siang Liu years in studying the Chinese bamboo Chairman flute at National Cheng Kung University in Taiwan.
14 14 As a principal owner of a law firm whose practice is in the field of transactional and litigation business law, Mr. Bojic brings a wealth of resources to RiverRock Films. His ten years of experience as a fund manager brings PBP invaluable financial relationships and access to capital.
Over the years, Paul Bojic has forged relationships with high profile clients and Hollywood insiders. Legal representation of clientèle includes Coldwell Banker, Century 21 Real Estate, Dyson & Dyson Real Estate, RE/ MAX Real Estate and Matchstick Films.
As a film Producer of numerous films, independent productions and music videos, Mr. Paul Bojic Bojic not only lends business experience but CEO also brings a true understanding of production management and successful project completion.
As a producing partner of Producer, Ryan Adams (Paramount), he adds one of the most prolific post production teams in Hollywood to the list of resources at the disposal of RiverRock Films. He also manages numerous musical acts including Red Alert, Fontaine LaRock and Revelation and is legal counsel to Eduardo Sanchez of the Grammy Award winning, Banda Machos.
Paul Bojic on IMDb: Paul Bojic - IMDb
15 15 Starting in the film business as a private equity investor, R. Scott Reid began learning the business in 2005. A natural fit, he graduated into producing content, starting in 2007 with – When a Man Falls in the Forrest staring Sharon Stone, Dylan Baker, and Timothy Hutton. The film earned an official selection into the 2007 Berlin Film Festival. It competed in the prestigious 'Competition Division' with films such as 300,The Good German, and Flags of our Fathers.
R. Scott Reid has been credited as Producer, or Executive Producer, on 10 Scott Reid films including: Battle in Seattle– which VP of Productions was the opening night film of the Toronto Film Festival, Numb – official selection of the Tribeca film Festival, Cover – which secured the official endorsement of the NAACP in 2008
R. Scott Reid on IMDb: R. Scott Reid - IMDb
16 16 Dr. M. Running Bear Bunch has toured as a composer and conductor on three continents and in eleven nations, holding three major degrees in Music (B.A., M.F.A., Ph.D., all with honors / awards) and two minor degrees in Ethnic Studies and Applied Sciences. Dr. Bunch was born in Hollywood to his father, Jack Bunch, a world-renowned Jazz Choreographer, Soap Writer, and Director since the early '50s.
Running Bear's accomplishments as a composer and a conductor range from massive orchestral works for full orchestra Running Bear Bunch and symphony chorus to small VP of Project Development performance-art pieces for cabaret, a great number of which include opera or dance, and performances for numerous dignitaries and heads-of-state. Dr. Bunch has combined his creative interests, and applies his musical craft to film projects for RiverRock Films.
M. Running Bear Bunch on IMDb: M. Running Bear Bunch - IMDb
17 17 Gordon Liang currently holds the position of Managing Director of Asia Operations for four companies: RiverRock Films, iMax Capital, Meracq, Inc., and Beijing Investment Group.
In his duties as President and Managing Director of these various companies, Mr. Liang has directly worked in the fields of International Mergers and Acquisitions, large-scale government projects in Asia. Specifically, he has worked in financing government projects, such as: high speed rail, infrastructure, city expansion, and green energy technologies. Gordon Liang Managing Director – Gordon received his degree from Asia Operations Soochow University in Taiwan.
18 18 Creativity is not only a key component to Roby's professional career, it is also a fundamental element of his personality. The drive to engage in intriguing and innovative conversations has led to Roby's proficiency with a wide variety of mediums: from conceptual artworks to web-based technology.
In his role as Managing Director of Web & Media, Roby produces websites, print graphics, videos and visual effects -- in addition to advising on matters relating to technology, media, and marketing.
Roby Holland Outside of his professional endeavors, Managing Director – Roby balances his interest in technology Web & Media with his deep appreciation of nature and can often be found surfing the beaches of Southern California or working on a number of tech projects.
19 19 Recognized for a diverse career in media and technology, Harry brings over 20 years experience in building innovative products, and online services, and digital consumer experiences across all platforms.
As senior technical director for 7th Level, Harry delivered entertainment products and games for Disney, Sony, MTV, Monty Python, Microsoft and many others.
Harry Gold Managing Director – Emerging Technology
20 20 Justin Coloma was raised in Lima, Peru, and moved to California in 1992. He received a Bachelor of Arts in Film Studies from The University of California, Berkeley, in 1998. He is best known for directing and editing music videos, including "Superchrist" and "G.L.O.W." for Smashing Pumpkins and "Dig" for Linda Strawberry. "Superchrist" debuted on MyspaceTV on February 27, 2008 and currently has over 500,000 views. The video was included in Rolling Stone Magazine's HotList and features Billy Corgan, Jimmy Chamberlin, Sasha Grey, and Sky Saxon from the Seeds. Justin Coloma Managing Director – He has also directed videos for Eagles of Webisodes Death Metal, The Higher, Jupiter Blue, and Uncertain.
He was the principal editor of If All Goes Wrong, produced by Coming Home Studios, which chronicles the Smashing Pumpkins' 12 show residency at the Fillmore in San Francisco in July and August 2007.
21 21
. The Market is Growing: 1.45 billion tickets sold in the U.S. 2010 $9.49 billion Box office revenue - up 5.5% $26 billion box office world wide (about half studio) DVD players in households up 400% in last five years TV revenue along for films was $12 billion in 2010 Great diversification investment: Correlation of Movie revenues with S&P 500 is decreasing Correlation of Movie Revenues with world population is increasing
. Great Time for Independent Films: Studio shift has left a hole in the market place Formula based only Focused on Box Office audience dominated by 12 to 29 yr old male
No studio overhead Average studio film budget exceeds $100 million Average less than $7 million for independent
23 23 1500.00%
Movie Revenues: $100B 1300.00%
1100.00%
900.00% S&P 500: 242 Movie Revenues: $7.5B 700.00%
500.00%
300.00%
S&P 500: 1,418 100.00%
Movies S&P 500 Source for S&P500: Yahoo! Finance
The correlation of Movie Revenues Movie Revenue Movie Revenues with World Growth from all with S&P 500 sources with the Population growth of the S&P Last 20 Years 85% 96% …and it is 500 index is increasing with decreasing over respect to time….. Last 15 Years 75% 98% World Last 10 Years 21% 99% Population
24 24 . Film entertainment is a global business that generates ~$50 billion in annual revenues
. Recession resistant industry with flat industry revenue growth rates (-1% CAGR over last 5 years); future growth from growing international penetration and expansion of digital distribution
. Capital intensive industry with over $14 billion spent annually on production for wide-release films
. Long-lived assets with multiple windows for exploitation
Relatively strong visibility on cash flow after the theatrical release Theatrical only generates 25% of a film's revenues over the first 10 years ("first cycle") Home entertainment and television distribution are much larger windows (in aggregate 3x theatrical revenue) New distribution technologies reinvigorate library values as technologies are adapted and exploited
. Studios are in constant search for long-term financing partners as public corporate parents narrowly focus on quarterly earnings
Steady history of financing with partners and distributing third party films Previous forays were either tax-driven or designed to get debt off-balance sheet without true equity sharing
. Entertainment going through a transition period that is favorable to investors today
Production capital is scarce Talent costs are trending down Tax incentives remain substantial Digital and international opportunities are significant
source: SNL Kagan; Industry revenue reflects theatrical, home entertainment, and cable/television revenue worldwide 25 25 COMMON COMMENTARY STATEMENT
Box Office Box office revenue has been growing modestly, driven by international markets and Performance higher ticket prices in the US Declining Annual US attendance has been consistently between 1.3-1.5 billion since 1997, driven by quality of films released (attendance up 6% to 1.4 billion for YE 2012 after being down 4.7% for YE 2011)
Filmed entertainment remains one of the most affordable form of family entertainment
Studios recognize very little revenue from the most populated countries (Russia, Brazil, China). This is beginning to change and will likely be a major driver for future revenue
Investor Returns Box office receipts are highly reported, but a film generates 3x more revenue from Dependent on Box home entertainment, VoD, cable, television, and merchandising, in aggregate Office Box office performance is strongly correlated to the subsequent window performance; therefore, future cash flow is relatively predictable
Internet, Netflix, Any complementary exploitation enhances the value of a film asset Hulu will hurt film profitability Studios are not in the business of giving away their content. Online platforms have the ability to expand reach; not likely to replace mass consumption platforms (home video and cable/television). The demise of established platforms are grossly exaggerated
Production costs By and large, production costs have reduced over the last few years due to the the are too high economic recession (established studio franchise films, however, remain very high)
Actors are generally earning less upfront with compensation more back-ended based on film performance (first dollar participation deals are now rare)
Tax benefits and foreign pre-sales represent a substantially opportunity to reduce production costs
Investors cannot Not the case; by diversifying investments across a portfolio of films, focus on earn a healthy minimize investment costs (including using tax credits), and backing reliable producers, return investors can earn an attractive return Misstatement is more reflective of the pre-crisis model of slate financing structures where studios offloaded risk onto investors
26 26 MAIN DISTRIBUTION WINDOWS ARE THEATRICAL, HOME VIDEO, PAY AND FREE TELEVISION
THEATRICAL HOME VIDEO / PPV / VOD • Gross box office receipts ere shared - studio and • Distribution in the home video market occurs via a theater owners Domestically, distributor’s % of box rental and sell-through office receipts is 45% - 55% • Rental: • International theatrical release occurs up to 6 - Sales to retailers at a wholesale price or based on months after domestic theatrical release revenue sharing • Over the last 5 years, international box office has - Number of video units shipped to retailers is exceeded domestic receipts highly correlated to domestic box office • Internationally, distributor’s % of box office receipts performance is 40% - 50% - Generally 45% margins for kiosk and online rentals PAY AND FREE TELEVISION • Sell-through: • Television licensing sequence: - Studios have strong relationships with replicators and big box retailers globally - Pay television (HBO, Showtime and Pay-Per-View) - International horne video distribution is similar - Network broadcast TV (NBC, CBS, ABC, Fox) except for some additional costs (e.g., distribution, - Local broadcast (“syndication”) or basic cable dubbing and reformatting) • License fees for pay television and broadcast are - Approx. 100MM domestic households are “DVD based on the domestic theatrical performance capable,” (adjusted for households with more than one player) - Roughly 60% margins for standard DVD and 40% Window Compression: Time between theatrical and margins for blu-ray DVD DVD window has compressed, creating greater cash inflows • PPV/VOD is available at the launch of the home video Window and produce 70% margins
27 27 WHILE WATERFALL MECHANICS ARE FAIRLY STANDARD, ORLDWIDE ECEIPTS W R VARIATION AT EACH LEVEL CAN AFFECT THE THROUGH ALL INDOWS W PROFITABILITY OF A FILM
DISTRIBUTION FEES LESS DISTRIBUTION FEES Cost studios charge to distribute a film worldwide using their infrastructure Fees historically range from 10-15% of revenue
PRINT & ADVERTISING (“P&A”) Print and Advertising expenses historically are funded LESS P&A EXPENSES by the distributor given the studio’s economies of scale RiverRock may have a minor investment in P&A to be involved in marketing strategy and to lower the distribution fee (“Lastin, First-out capital”)
OTHER EXPENSES Residuals are royalties paid to Actor guilds LESS OTHER EXPENSES Top talent can receive backend compensation (typically (E,G. RESIDUALS AND in lieu of higher upfront fees) based on the performance PARTICIPATIONS) of a film; first dollar gross participations no longer market Other costs include home entertainment variable expenses which are tied to home video sales; benefit from distributor’s economies of scale
REMAINING CASH FLOW Investors share of the cash flow is based on its share of CASH FLOW AVAILABLE the production costs FOR DISTRIBUTION Cash can be reinvested into new film projects, used to pay back any debt, and/or distributed back to investors In a co-financing, the production company receives its pro rata share of cash flow
28 28 A film ideally breaks even during its theatrical release, but the long tail enables recoupment of costs over its life cycle
After incurring production costs and P&A, the average film breaks even at the end of the theatrical window (or beginning of home entertainment) roughly 9-12 months after its initial release After the theatrical window, films have relatively strong cash flow visibility through the home entertainment and cable/TV windows (later contractually tied to box office); RiverRock can borrow against this future cash to expand production capital
Our plan focuses on reducing upfront costs to bring in the break-even point and therefore generate positive cash flow earlier
29 29 RiverRock Films believes that:
. NO other industry has the upside potential vs. the cost of production. . Studios shift has left a hole in the market place for independent films and created a disconnect, independents films now make up close to half the productions.
. Revenue optimization can be achieved by licensing intellectual property across different media (Theatrical, DVD, cable, broadcast, pay per view, sound track, merchandise and games, and ring tones)
. Every country and every type of media represents a separate opportunity for each revenue stream. . The market has been flooded with Capital (Lots of distributors with lots of money for productions.) It is a producers market currently. . Use of unbiased quantitative analysis with rigorous historical back should be employed in the decision making process to allow the possibility of stand- alone investment grade for ABS deals backed by independent film revenues: Predictive modeling (Is movie “X” worth producing? At what cost?) Funding optimization (What “Pre-Sell offers should we accept?) Portfolio Management (Which genres to develop? When do we release them?) Advertisment optimization (What P&A budget is best to reach [70%, 80%,90%] of my target audience?) . Performance metrics compatible with rating agencies risk metrics should be employed in the analysis of film future flows.
30 30
River Rock Films are intended to have broad commercial appeal, wide domestic and international distribution and satisfy the following criteria: – Filmed primarily in the English language – Filmed primarily in color – MPAA rating no more restrictive than “R” – Minimum running time (including main and end titles) of 80 minutes
River Rock's evaluation of film projects is based primarily on a film’s financial value in foreign and domestic markets
River Rock’s experienced team of film production and finance professionals selects films based upon its established proprietary analytical methodology which is designed to avoid films which have excessive potential to perform poorly
River Rock’s dedicated production department does a complete review of each film’s creative elements as well as evaluating the commerciality of the project
All River Rock Films will have production teams and/or other major creative elements (i.e., producer, lead actor, etc.) with substantial track records of making successful films
River Rock has strong business and legal affairs and production services teams that set-up all talent deals and production related services and oversee the physical production for each film
32 32 Each potential project will go through a detailed green-light process to determine if the film is commercial, which distribution strategy will be pursued, and if return hurdles are achievable.
Not every film fits the same distribution strategy, operating flexibility is key
Each film must have at least domestic distribution attached to the project before any production capital is allocated.
33 33 Film Film Film Production Sourcing Acquisition Exploitation
Due Diligence Deal Structure Development Domestic Phase Feasibility Pro Forma Foreign Analysis Analysis Pre-Production DVD Initial Meeting Negotiations Principal with Principals with Principals Photography VOD/Cable
Initial Meeting Financing Daily Production Ancillary Director/Writer Audits Revenue Investment Comparable Committee Wrap Audit Theatrical Projects Investment Post Production Film Sales Decision Oversight Analysis (Foreign and Domestic) Approval Product Placement Researching & Sourcing
Film genre analysis & approval
34 34 . We select film projects based on economic value – not creative opinion . We take a very business oriented – institutional approach to financing films. . Films to be produced must meet a number of stringent requirements: Budgets under 20 million Distribution strategy Worldwide appeal Star power Low projected volatility of revenues Opportunity for foreign rights arbitrage Use of Film Tax Credit Section 181 Optimized P&A Other factors
. We pool investor funds for investment in multiple film productions
. Diversify Risk by using a slate approach – like a mutual fund We do take into account genre correlation
. After we select a film for production – we monitor and communicate
. We believe in Transparency and accountability to our investors In an industry that has traditionally been closed to the outside private investor
. Investor's Only Perks: Attendance to Film Festivals Movie premiers and after parties Set and meet and greet the stars
35 35
GENRE: ACTION / COMEDY
STATUS: IN PRODUCTION
SYNOPSIS: A action/comedy starring Joel David Moore, Eric Balfour, and Adrien Brody.
Moore plays a well-meaning, career- driven insurance executive bent on climbing the corporate ladder until he is faced with the ultimate test of his sales skills.
In a radical attempt to save his brother's life, his fiancé, and his career… he and his insurance team must unload half a million dollars of cocaine in just seven insane days
37 37 GENRE: ACTION / DRAMA
STATUS: IN DEVELOPMENT
SYNOPSIS: Known as the "Father of Chinese Popular Music”, Li Jinhui (1891-1967) was an extraordinary composer and songwriter who spent his life breaking down barriers and fighting for creative freedom.
Li boldly moved away from the previously established and “acceptable” musical forms. While he was appreciated widely by the masses, his new music was banned by the Chinese Aristocrats.
The son of a prominent musical family, Li was destined to become one of China’s greatest composers…until one night in Shanghai changed everything.
When two men from opposite sides of the earth are brought together by their love of music, East meets West in an epic adventure that changes the world of music forever. Based on the true stories of Chinese composer Li JinHui and American Jazz musician Buck Clayton. 38 38 GENRE: ACTION / ADVENTURE
STATUS: IN DEVELOPMENT
SYNOPSIS: In a massive crater on the edge of the Russian Black Forest, there is a hidden civilization known as the Mycop. Since the mid-50's and throughout the cold war, their existence has been kept a secret... until now.
When word spreads that the most powerful weapon on earth is hidden somewhere in the Mycop, governments, mercenaries, and secret cabals, all enter the race to capture and own "ALEX3627".
When the most powerful weapon on Earth is hidden somewhere inside you… ignorance is bliss.
39 39 GENRE: ACTION / DRAMA
STATUS: IN DEVELOPMENT
SYNOPSIS: A chilling high-seas adventure based on the incredible true story of Ching Shih, a young female prostitute who would rise to become history’s most successful pirate.
Commanding over 1,500 ships and 20,000 pirates, she plundered ruthlessly, gained incredible riches, and brought the Chinese navy to its knees.
40 40 GENRE: COMEDY
STATUS: IN DEVELOPMENT
SYNOPSIS: MILES LESTER and ANDY RAGONE are two young men from L.A. who, like bachelor lions chased out of their pride, live in the shadows. Both are struggling to find their way in a city where everyone else is a genius.
The two guys meet when they are both at a low-point and agree to help each other. They will move in together, start their own little pride, and spend the summer helping one another find girl friends, get good jobs and most of all, discover that one talent or gift that makes them special.
Miles and Andy swear to love and support each other forever. But is there anything that can come between these two loyal bachelor lions?
Yes, there is. And she just moved into their building.
41 41 GENRE: SCI-FI / ACTION
STATUS: IN DEVELOPMENT
SYNOPSIS: Fantasy Island meets I, Robot in this high-tech thriller.
For those who choose to visit the brothel of the future, where every man and woman's fantasy can now be fulfilled, there is no guilt and no remorse.
Some believe it’s not “cheating” if it’s not human. It’s all fine and a personal choice for many until... it all goes very wrong.
42 42 GENRE: ACTION / COMEDY
STATUS: IN PRODUCTION
SYNOPSIS: A rookie cop from L.A. gets stranded south of the border and must "walk a mile in another man's zapatas".
Unusual circumstances force him to rely on a local Mexican Banda (Banda Machos) to get him across the border... the hard way.
43 43 GENRE: DRAMA / COMEDY
STATUS: IN PRODUCTION
SYNOPSIS: A light-hearted version of what might have happened to the Apostles a few days after the crucifixion.
With Jesus gone, they are now forced to come to terms with what just happened.
While being hunted by the Romans, they struggle with doubts, confusion and their own humanity, as they come together one final time to choose who will become the 12th Apostle.
44 44 GENRE: SUSPENSE / THRILLER
STATUS: IN PRODUCTION
SYNOPSIS: Buried deep in the heart of every human, is the potential to kill.
What’s your turning point? Most of us will never know. For JOEL HARMON, an outdoorsman and a life-long pacifist, the question will be answered on a mountain.
Joel loses a friend while climbing and returns to area to find him. Joel learns his friend's disappearance was no accident and soon realizes he is in a struggle for his own survival.
Joel is being hunted and nothing he says or does can change this equation. He must fight, or die.
45 45 GENRE: HORROR
STATUS: IN PRODUCTION
SYNOPSIS: In a remote all-girls college, the new girl doesn't fit in too easily.
Quickly making enemies with the wrong people, she unleashes the dark power behind her legacy of witchcraft, an ancient familiar spirit attached to her since birth.
46 46 GENRE: COMEDY
STATUS: IN PRODUCTION
SYNOPSIS: Terrence Howard and Taye Diggs team up in this upbeat comedy about two college buddies who reunite and attempt to pull of the greatest prank of all time.
Co-starring the beautiful Anita Bream and Dean Parskovoupolis.
47 47 GENRE: ACTION/DRAMA
STATUS: IN PRODUCTION
SYNOPSIS: The story begins at a prize-fight between our happy-go lucky hero Lenny and his boisterous nemesis, reigning champion, Tyrique "The Terminator" Jones. Lenny, the underdog, almost pulls off the incredible upset until he does the unimaginable and knocks himself out. Lenny loses his confidence and retires from the sport and decides to use his degree in education to teach young minds as a School Bus Driver. It’s here that Lenny meets a glum little kid named Robbie who becomes the target of relentless harassment by his school’s resident bully. Seeing a bit of himself in Robbie, Lenny takes him under his wing and teaches Robbie boxing techniques. Schoolboy is a comical character driven family film that teaches the value of true friendship and sends a strong message that the epidemic of bullying can only be stopped through education and the building of strong character. Large diversified ensemble cast of well-known actors, boxers, and celebrities. 48 48 GENRE: COMEDY
STATUS: IN PRODUCTION
SYNOPSIS: In 1988 two rookie cops are involved in a terrible auto accident and both fall into a deep coma. Amazingly, they come out of it on the same day.
DERRICK BARNES and KURT RHODES, both believe it's still the 80's. Due to their condition, they are assigned to an agricultural detail and become known as the "Bad Fruit Cops".
Obsessed with the case they were working on just prior to the accident, they track down their old nemesis. He is more powerful now than ever.
How do two recovering officers bring down a powerful criminal? ...They go bananas. 49 49
Dead Wrong, action / comedy A Designer from New York suspects her fiancé is a spy.
Sound and Light, sci-fi action / adventure A student at Cal-Tech performing experiments on Alaska's Northern Slope opens a wormhole to a fourth-dimension. He discovers a battle is brewing between the sound gods and the light gods for dominance of our world.
Crevices, sci-fi action / adventure A young man with special needs makes a scientific breakthrough. He and his loyal friend embark on a quest to prove him right.
How Does This End?, action / drama In a world where every detail of your life is tracked by a shadowy government, starting a new life and hiding your past is next to impossible.
The Sacramento Show, sci-fi action / adventure A world class puppeteer struggles to perfect an act that everyone has told him will never work. One night in Sacramento, everything comes together and his life is changed forever.
Depreciating Bob, sci-fi action / adventure A brave young CPA exposes the seedy underbelly of senior's bingo.
51 51 Hollywood Professional School, comedy / drama In the 1950's HPS was the highest accredited school in the nation. When four friends: a musician, a writer, an actor, and a dancer, audition to get in today, they find a much different story.
Hangar Deck, action / drama Life on board an aircraft carrier is crazy enough when fighting a war and living at sea. But when 20,000 teenagers get turned loose, Friday nights on the hangar deck get out of control.
Bachelor Lions, comedy When a young man is left at the alter, the friend who set him up with the bride agrees to find him a proper replacement.
Topcat Sports, comedy A sketch-comedy show featuring world-class athletes and a faux sports news update.
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