James Brown Revolution of the Mind (Recorded Live at the Apollo Vol

Total Page：16

File Type：pdf, Size：1020Kb

James Brown Revolution Of The Mind (Recorded Live At The Apollo Vol. III) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Revolution Of The Mind (Recorded Live At The Apollo Vol. III) Country: US Released: 1971 Style: Rhythm & Blues, Soul, Funk MP3 version RAR size: 1807 mb FLAC version RAR size: 1433 mb WMA version RAR size: 1755 mb Rating: 4.7 Votes: 603 Other Formats: MP1 TTA WMA VOC VOX VQF VOC Tracklist Hide Credits It's A New Day So Let A Man Come In And Do The Popcorn A1 2:38 Written-By – James Brown Bewildered A2 7:55 Written-By – Whitcup*, Powell* Sex Machine A3 5:08 Written-By – B. Byrd*, J. Brown*, R. Lenhoff* Escape-Ism B1 3:05 Written-By – D. Matthews*, J. Brown* Make It Funky B2 12:53 Written-By – C. Bobbit*, J. Brown* Try Me C1 2:45 Written-By – J. Brown* Fast Medley: (I Can't Stand It, Mother Popcorn, I Got The Feelin') C2 1:30 Written-By – J. Brown* Give It Up Or Turnit A Loose C3 1:58 Written-By – C. Bobbit* Call Me Super Bad C4 4:37 Written-By – J. Brown* Get Up, Get Into It, Get Involved Pt. 1 C5 3:23 Written-By – B. Byrd*, J. Brown*, R. Lenhoff* Get Up, Get Into It, Get Involved Pt. 2 D1 4:55 Written-By – B. Byrd*, J. Brown*, R.o Lenhoff* Soul Power D2 1:47 Written-By – J. Brown* Hot Pants (She Got To Use What She Got To Get What She Wants) D3 8:36 Written-By – F. Wesley*, J. Brown* Credits Producer, Arranged By – James Brown Other versions Category Artist Title (Format) Label Category Country Year Revolution Of The Mind James (Recorded Live At The PD-3003 Polydor PD-3003 US 1971 Brown Apollo Vol. III) (2xLP, Album, Gat) Revolution Of The Mind PD 3003, James (Recorded Live At The Polydor, PD 3003, US 1971 9459 009 Brown Apollo Vol. III) (2xLP, Polydor 9459 009 Album, Promo, Gat) James Revolution Of The Mind 2675 032 Polydor 2675 032 Canada 1971 Brown (2xLP, Album, gat) Revolution Of The Mind James (Recorded Live At The PD 3003 Polydor PD 3003 US Unknown Brown Apollo Vol. III) (2xLP, Album, RE, Gat) James Revolution Of The Mind 2675 035 Polydor 2675 035 Germany 1971 Brown (2xLP, Album) Related Music albums to Revolution Of The Mind (Recorded Live At The Apollo Vol. III) by James Brown James Brown - James Brown Soul Classics James Brown - Once Upon A Time James Brown - James Brown - It's A New Day - Let A Man Come In James Brown - This is James Brown! James Brown - Mother Popcorn (Part 1) / Get Up, Get Into It, Get Involved (Part 1) James Brown - James Brown Live At The Apollo James Brown - I Don't Want Nobody To Give Me Nothing (Open Up The Door) PT1 / I Don't Want Nobody To Give Me Nothing (Open Up The Door) PT2 / Mother Popcorn PT1 / Mother Popcorn PT2 James Brown - 5 Classic Albums James Brown - Sex Machine.

Copy Link

Recommended publications

Hype Funk Score Avg. Hype Funk Score Funk Score Avg Funk Score Combined Funk 1 Flashlight
Barely Somewhat Extra Hella Response Hype Funk Avg. Hype Avg Funk Combined # answer options No Funky Funky Funky Funky Funky Da Bomb Count Score Funk Score Funk Score Score Funk 1 Flashlight - Parliament 0 0 0 2 0 5 14 21 108.00 5.14 136.00 6.48 11.62 Give Up The Funk (Tear the Roof Off the 2 Sucker) - Parliament 0 0 0 0 2 6 12 20 102.00 5.10 130.00 6.50 11.60 3 One Nation Under A Groove - Funcakelic 0 1 0 0 2 2 13 18 92.00 5.11 115.00 6.39 11.50 4 Atomic Dog - George Clinton 0 0 0 1 4 5 15 25 124.00 4.96 159.00 6.36 11.32 More Bounce To The Ounce - Zapp & 5 Roger 0 0 0 2 0 5 9 16 78.00 4.88 101.00 6.31 11.19 6 (Not Just) Knee Deep - Funkadelic 0 0 0 0 5 6 12 23 111.00 4.83 145.00 6.30 11.13 7 Mothership Connection - Parliament 0 0 0 0 3 6 8 17 81.00 4.76 107.00 6.29 11.06 8 Payback - James Brown 0 0 1 1 4 0 10 16 75.00 4.69 97.00 6.06 10.75 Get the Funk Out Ma Face - The Brothers 9 Johnson 0 0 0 1 4 4 8 17 78.00 4.59 104.00 6.12 10.71 10 Slide - Slave 0 0 0 1 1 6 5 13 59.00 4.54 80.00 6.15 10.69 11 Super Freak - Rick James 0 0 1 3 1 3 8 16 70.00 4.38 94.00 5.88 10.25 12 Pass the Peas - Fred Wesley and the JBs 0 0 1 1 2 2 5 11 47.00 4.27 64.00 5.82 10.09 13 The Jam - Graham Central Station 0 0 1 2 0 3 5 11 47.00 4.27 64.00 5.82 10.09 14 Jamaica Funk - Tom Browne 0 0 1 2 2 4 6 15 63.00 4.20 87.00 5.80 10.00 15 Fire - Ohio Players 0 0 0 2 7 3 7 19 79.00 4.16 110.00 5.79 9.95 16 Maggot Brain - Funkadelic 0 0 1 1 3 3 5 13 54.00 4.15 75.00 5.77 9.92 17 Dr.
[Show full text]
Traditional Funk: an Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio
University of Dayton eCommons Honors Theses University Honors Program 4-26-2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Caleb G. Vanden Eynden University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/uhp_theses eCommons Citation Vanden Eynden, Caleb G., "Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio" (2020). Honors Theses. 289. https://ecommons.udayton.edu/uhp_theses/289 This Honors Thesis is brought to you for free and open access by the University Honors Program at eCommons. It has been accepted for inclusion in Honors Theses by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Abstract Recognized nationally as the funk capital of the world, Dayton, Ohio takes credit for birthing important funk groups (i.e. Ohio Players, Zapp, Heatwave, and Lakeside) during the 1970s and 80s. Through a combination of ethnographic and archival research, this paper offers a pedagogical approach to Dayton funk, rooted in the styles and works of the city’s funk legacy. Drawing from fieldwork with Dayton funk musicians completed over the summer of 2019 and pedagogical theories of including black music in the school curriculum, this paper presents a pedagogical model for funk instruction that introduces the ingredients of funk (instrumentation, form, groove, and vocals) in order to enable secondary school music programs to create their own funk rooted in local history.
[Show full text]
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO.
[Show full text]
The Funky Diaspora
The Funky Diaspora: The Diffusion of Soul and Funk Music across The Caribbean and Latin America Thomas Fawcett XXVII Annual ILLASA Student Conference Feb. 1-3, 2007 Introduction In 1972, a British band made up of nine West Indian immigrants recorded a funk song infused with Caribbean percussion called “The Message.” The band was Cymande, whose members were born in Jamaica, Guyana, and St. Vincent before moving to England between 1958 and 1970.1 In 1973, a year after Cymande recorded “The Message,” the song was reworked by a Panamanian funk band called Los Fabulosos Festivales. The Festivales titled their fuzzed-out, guitar-heavy version “El Mensaje.” A year later the song was covered again, this time slowed down to a crawl and set to a reggae beat and performed by Jamaican singer Tinga Stewart. This example places soul and funk music in a global context and shows that songs were remade, reworked and reinvented across the African diaspora. It also raises issues of migration, language and the power of music to connect distinct communities of the African diaspora. Soul and funk music of the 1960s and 1970s is widely seen as belonging strictly in a U.S. context. This paper will argue that soul and funk music was actually a transnational and multilingual phenomenon that disseminated across Latin America, the Caribbean and beyond. Soul and funk was copied and reinvented in a wide array of Latin American and Caribbean countries including Brazil, Panama, Jamaica, Belize, Peru and the Bahamas. This paper will focus on the music of the U.S., Brazil, Panama and Jamaica while highlighting the political consciousness of soul and funk music.
[Show full text]
50S 60S 70S.Txt 10Cc - I'm NOT in LOVE 10Cc - the THINGS WE DO for LOVE
50s 60s 70s.txt 10cc - I'M NOT IN LOVE 10cc - THE THINGS WE DO FOR LOVE A TASTE OF HONEY - OOGIE OOGIE OOGIE ABBA - DANCING QUEEN ABBA - FERNANDO ABBA - I DO I DO I DO I DO I DO ABBA - KNOWING ME KNOWING YOU ABBA - MAMMA MIA ABBA - SOS ABBA - TAKE A CHANCE ON ME ABBA - THE NAME OF THE GAME ABBA - WATERLOU AC/DC - HIGHWAY TO HELL AC/DC - YOU SHOOK ME ALL NIGHT LONG ACE - HOW LONG ADRESSI BROTHERS - WE'VE GOT TO GET IT ON AGAIN AEROSMITH - BACK IN THE SADDLE AEROSMITH - COME TOGETHER AEROSMITH - DREAM ON AEROSMITH - LAST CHILD AEROSMITH - SWEET EMOTION AEROSMITH - WALK THIS WAY ALAN PARSONS PROJECT - DAMNED IF I DO ALAN PARSONS PROJECT - DOCTOR TAR AND PROFESSOR FETHER ALAN PARSONS PROJECT - I WOULDNT WANT TO BE LIKE YOU ALBERT, MORRIS - FEELINGS ALIVE N KICKIN - TIGHTER TIGHTER ALLMAN BROTHERS - JESSICA ALLMAN BROTHERS - MELISSA ALLMAN BROTHERS - MIDNIGHT RIDER ALLMAN BROTHERS - RAMBLIN MAN ALLMAN BROTHERS - REVIVAL ALLMAN BROTHERS - SOUTHBOUND ALLMAN BROTHERS - WHIPPING POST ALLMAN, GREG - MIDNIGHT RIDER ALPERT, HERB - RISE AMAZING RHYTHM ACES - THIRD RATE ROMANCE AMBROSIA - BIGGEST PART OF ME AMBROSIA - HOLDING ON TO YESTERDAY AMBROSIA - HOW MUCH I FEEL AMBROSIA - YOU'RE THE ONLY WOMAN AMERICA - DAISY JANE AMERICA - HORSE WITH NO NAME AMERICA - I NEED YOU AMERICA - LONELY PEOPLE AMERICA - SISTER GOLDEN HAIR AMERICA - TIN MAN Page 1 50s 60s 70s.txt AMERICA - VENTURA HIGHWAY ANDERSON, LYNN - ROSE GARDEN ANDREA TRUE CONNECTION - MORE MORE MORE ANKA, PAUL - HAVING MY BABY APOLLO 100 - JOY ARGENT - HOLD YOUR HEAD UP ATLANTA RHYTHM SECTION - DO IT OR DIE ATLANTA RHYTHM SECTION - IMAGINARY LOVER ATLANTA RHYTHM SECTION - SO IN TO YOU AVALON, FRANKIE - VENUS AVERAGE WHITE BD - CUT THE CAKE AVERAGE WHITE BD - PICK UP THE PIECES B.T.
[Show full text]
Singles 1970 to 1983
AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD.
[Show full text]
Breath 2015 Feb 143 曲、11.4 時間、1.27 GB
1 / 5 ページ breath_2015_feb 143 曲、11.4 時間、1.27 GB 名前時間アルバムアーティスト 1 I Asked 3:35 Perfect Animal [Bonus Tracks] Becca Stevens Band 2 Imperfect Animals 5:08 Perfect Animal [Bonus Tracks] Becca Stevens Band 3 Thinking Bout You 4:06 Perfect Animal [Bonus Tracks] Becca Stevens Band 4 Be Still 5:05 Perfect Animal [Bonus Tracks] Becca Stevens Band 5 105 4:37 Perfect Animal [Bonus Tracks] Becca Stevens Band 6 Tillery 5:37 Perfect Animal [Bonus Tracks] Becca Stevens Band 7 You Make Me Wanna 5:08 Perfect Animal [Bonus Tracks] Becca Stevens Band 8 Reminder 5:02 Perfect Animal [Bonus Tracks] Becca Stevens Band 9 Higher Love 5:21 Perfect Animal [Bonus Tracks] Becca Stevens Band 10 JAC 5:15 Perfect Animal [Bonus Tracks] Becca Stevens Band 11 I Asked(acoustic demo version) 2:50 Perfect Animal [Bonus Tracks] Becca Stevens Band 12 I'm A Fool To Want You 4:51 Shadows In The Night Bob Dylan 13 The Night We Called It A Day 3:24 Shadows In The Night Bob Dylan 14 Stay With Me 2:57 Shadows In The Night Bob Dylan 15 Autumn Leaves 3:02 Shadows In The Night Bob Dylan 16 Why Try To Change Me Now 3:38 Shadows In The Night Bob Dylan 17 Some Enchanted Evening 3:28 Shadows In The Night Bob Dylan 18 Full Moon And Empty Arms 3:27 Shadows In The Night Bob Dylan 19 Where Are You? 3:38 Shadows In The Night Bob Dylan 20 What'll I Do 3:21 Shadows In The Night Bob Dylan 21 That Lucky Old Sun 3:37 Shadows In The Night Bob Dylan 22 Feel Like Making Love 5:04 Restoration: Best Of Bob Jame… Bob James 23 Nautilus 5:05 Restoration: Best Of Bob Jame… Bob James 24 Farandole (L'Arlesienne
[Show full text]
Smash Hits Volume 8
1 ia^C^—... i ,<M March22-April419. 50 albums 25p to be won ,t|Vf. ^A Heart Thin Lizz akeYour *i ' 1 AND -< ' ... ! I Skids m 3' & Sira PLUS -f IN Chic J*SNAVY Rob Wake 9in Tom *o om yoor d,m. AND Bee Gee; in colon — ^~ ~ T* r u. Imperial Wizard By David Essex on Mercury Records Free the people don't make 'em wait Pity the people don't make a mistake Let go your press JJjen undo your press gangs Hold up your headTMgh make one honest stand Chorus , "^ 'Cos you know what they want And you're here for the grace of God. You send your generals to the front Any uprising will succumb to your guns. You took free speech from the people that spoke Hungary* is hungry and the people are broke Impjnlf fwizard salt mine king What ffntl of state of mind must your state be in Chorus mice Too many people don't feel like they're free Your high ideals look the lowest to me' Open your window let the sun shine on in There's more to living than killing, killing, killing . Chorus repeat to fade Words and music by David Essex. Reproduced by kind permission Imperial Songs. 2 SMASH HITS 4Way frefL '.fW tfo»L yOU e |5 a eoY ^ AP ri lViess 9 n s&s?*^2 BUZ*' Oeov^ pa9eS ^s d** » t Nee MK'\9] 0/2\ >aQeS 2 - '&$" '<< ' > C ? crt\99 sit,'- < Ceovo CW\C ao?StteW IX \ i V O ; iStffe V«S doSF ,s*> to" a* rr>a eet ,viet ^»fC S St* ^<?^s^^&tt#ess oeV EjtiW ntec i;^ffi#8Sis ,??&: ^%;^'s-'"?iS&" Use P^^ SMASH HITS 3 FRANKIE MILLER ^FALLING IN LOVE** Latest Album Available Now CHR1220 IncludesThe Singles 'GOODTO SEE YOU' D4RJN' and WHEN I'M AWAYFROMTCXJ also available on cassette **0.
[Show full text]
2007/02/03 I'm a Rattlesnakin' Daddy / Blind Boy Fuller East Coast
2007/02/03 I'm A Rattlesnakin' Daddy / Blind Boy Fuller East Coast Piedmont Style The Sun Didn't Shine / Golden Gate Quartet Swing Down, Chariot Mean Mistreater Blues / Tampa Red The Bluebird Recordings 1934-1936 One O' Clock Jump / Count Basie An Anthology of Big Band Swing (1930-1955) Choo Choo Ch' Boogie / Louis Jordan The Anthology 1938-1953 Caldonia / Louis Jordan The Anthology 1938-1953 Hound Dog / Willie Mae "Big Mama" Thornton There's a Riot Goin' On! - The Rock 'n' Roll Classics of Leiber & Stoller Bewildered / Amos Milburn One Scotch, One Bourbon, One Beer (box set) So Long / Charles Brown Charles Brown with Johnny Moore's Three Blazers Good Rocking Tonight / Wynonie Harris Good Rocking Tonight His Eye Is On The Sparrow / Mahalia Jackson The Essential Mahalia Jackson Sixty Minute Man / Billy Ward & The Dominoes Sixty Minute Man Crying In The Chapel / Orioles The Doo Wop Box: 101 Vocal Group Gems From The Golden Age of Rock 'N' Roll The Glory of Love / Five Keys The Doo Wop Box: 101 Vocal Group Gems From The Golden Age of Rock 'N' Roll One Mint Julep / The Clovers The Very Best of The Clovers Shake, Rattle & Roll / Big Joe Turner The Very Best of Big Joe Turner Work With Me Annie / Hank Ballard & The Midnighters Let 'em Roll Little Richard's Boogie / Little Richard The Best of Duke-Peacock Blues Tutti Frutti / Little Richard Here's Little Richard I'll Sail My Ship Alone / Moon Mullican All-Time Greatest Hits Harlem Nocturne / Earl Bostic Bill Doggett / Earl Bostic- Trading Licks Honky Tonk / Bill Doggett Bill Doggett / Earl Bostic-
[Show full text]
The Philadelphia Dance Company Performances by Rosita Adamo
The Philadelphia Dance Company Performances by Rosita Adamo, Janine Beckles, Elyse Browning, William E. Burden, Joe Gonzalez, Victor Lewis Jr, Roxanne Lyst, Adryan Moorefield, Courtney Robinson, Jah’meek D. Williams Joan Myers Brown – Founder, Executive/Artistic Director This presentation is supported by the Arts Midwest Touring Fund, a This program is partially program of Arts Midwest that is funded by the National Endowment supported by a grant from the for the Arts,with additional contributions from the Illinois Arts Council Illinois Arts Council Agency. Agency, the Crane Group, and General Mills Foundation. (Program Subject to Change) PHILADANCO! Board of Directors LATCHED Colette deChalus Lee, CCTE - Danielle Pierre - Beverly A. Harper - Spencer Wertheimer, Esq Choreographer: Christopher L. Huggins Joan Myers Brown - Kelly Finch - Susan B. Glazer - Deborah G. Levin Barbara Katz-Chobert Music: SOHN Jacqueline M. Roberts, Esq. - Kristi Purnell Lighting Design: Clifton Taylor Costumes: Christopher Huggins/Motions Rosita Adamo, Janine Beckles, Joe Gonzalez, Company Staff Victor Lewis Jr, Adryan Moorefield, Courtney Robinson A pas de six, danced in the brilliant essence of Christopher Huggins amazing choreographic Joan Myers Brown DFA, DHL Founder, Executive/Artistic Director style, “Latched” is about latching on to another body, soul and spirit. Though a fight to Kim Y. Bears-Bailey Associate Artistic Director pull away, it is irresistible in finding new ways to latch on to each other even when trying Marlisa J. Brown-Swint Artistic Administrative Assistant to detach. Kate Glickman & Ingrid Broadnax Development Consultants This ballet made possible by a generous support from the Karen Pressley Administrative Assistant/Insurance Coordinator Pennsylvania Council on the Arts, the Lomax Foundation and Anonymous.
[Show full text]
Karaoke Queen Song List 1 J. Holiday Bed (195-04) It's Yours (214-13)
Karaoke Queen Song List 1 J. Holiday Bed (195-04) It's Yours (214-13) Suffocate (191-16) J.C. Chasez Until Yesterday (79-1) Jaci Velasquez You're My God (SBT) Jack Johnson You And Your Hear (249 - 07) Jackie Wilson Hey There Lonley Girl (92-15 EZC) I Get The Sweetest Feeling (104-4 SUNF) Lonely Teardrops (169-07) Your Love Keeps Lifting Me Higher (92-14 EZC) Jackson 5 ABC (32-09 SM) I Want You Back (45-11 MT) Never Can Say Goodbye (47-8) Who' Loving You (Kver) Jackson Browne Doctor My Eyes (SBT) Rock Me On The Water (SBT) Jaheim Ain't Leaving Without You Backtight (Kver) My Place - Come on Over (Kver) Never (190-12) Put That Woman First (Kver) James Blunt I'll Be Your Man (291 - 02) James Brown Bewildered (59-11 LS) Cold Sweat (59-10 LS) Get On The Good Foot (Part1) (189-02) Get Up (I Feel Like A Sex Machine) (189-12) Get Up Offa That Thing (59-5 LS) Give It Up Or Turn It Loose (189-09) Hot Pants (59-7 LS) I Got The Feeling (59-4 LS) I Got You (I Feel Good) (189-01)*** It's A Man's Man's World (60-4CK)*** Licking Stick (59-13 LS) Livin' In America (59-14 LS)*** Mother Popcorn (59-12 LS) My Thang (189-08) Out Of Sight (189-03) Papa's Got A Brand New Pig Bag (92-8 EZC)*** Please Please Please (60-11CK)*** Prisoner Of Love (59-6 LS) Say It Loud - I'm Black And I'm Proud (59-9 LS) Sex Machine (59-2 LS) Super Bad (59-3 LS) Karaoke Queen Song List 2 James Ingram I Don't Have The Hear (251 - 11) Just Once (145-06) One Hundred Ways (9-3 MM) Somewhere Out There (251 - 09) James Taylor Carolina In My Mind (SBT) Country Road (264-18) Don't Let Me
[Show full text]
Biography of James Brown from the Chapter Essay by Ricky Vincent
Biography of James Brown From the Chapter Essay by Ricky Vincent The most important force in the change in black music from blues based to rhythm-based music was James Brown. Brown’s 50-plus year career began in 1952 and lasted until his passing on Christmas Day 2006. Brown was known as “Soul Brother Number One” by fans who appreciated his intensely passionate delivery, his professionalism, and his close community connections. Born in a one-room shack in rural South Carolina, James Brown was raised by his aunts in Augusta, Georgia, who ran a brothel. There Brown learned first hand the nuances and necessities of the hustle, and Brown was soon on the streets of Augusta engaging in odd jobs, and eventually petty crimes and juvenile offenses. At the age of 16 Brown was caught stealing a coat from a car, and was given an eight year sentence. Upon his release in 1952 after only 3 years Brown stayed with the family of local singer Bobby Byrd, and joined Byrd’s group the Gospel Starlighters. Shortly after seeing the popularity of secular performance in the region, the group renamed itself the Famous Flames and performed a repertoire of rhythm and blues hits. Brown developed an appealing raw style that was popular throughout the South at the time. His first recording is now legendary, as the urgently begging ballad “Please, Please, Please” has been a part of his show for 50 years. The James Brown tour became the most celebrated R&B show on the circuit, with a show stopping performance, crisp, clean band and a number of stage antics, giveaways, raffles, and visits from local celebrities.
[Show full text]