DOCSLIB.ORG

Love and Madness a Story Too True by Herbert Croft

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Love and Madness a Story Too True by Herbert Croft Love and Madness A Story Too True By Herbert Croft First Published 1780 Published by the Ex-classics Project, 2020 http://www.exclassics.com Public Domain Herbert Croft Frontispiece James Hackman and Martha Ray -2- Love and Madness CONTENTS Bibliographic and Editorial Note. ................................................................................. 5 Title Page Of the London Edition .................................................................................. 6 Title Page Of the Dublin Edition ................................................................................... 7 Preface And Epigraph. ................................................................................................... 8 MEMOIRS OF MISS RAY. From the Dublin Edition ................................................. 9 LETTER I. From Mr. H. to Miss R. 4 Dec. 1775 ........................................................ 12 LETTER II. The Same to the Same. 6 Dec. 1775 ........................................................ 13 LETTER III. Miss R. to Mr. H. 7 Dec. 1775 ............................................................... 14 LETTER IV. Mr. H to Miss R. 7 Dec. 1775 ................................................................ 15 LETTER V. The Same to the Same. 8 Dec. 1775 ........................................................ 17 LETTER VI. Miss R. to Mr. H. 10 Dec. 1775 ............................................................. 18 LETTER VII. Mr. H. to Miss R. 13 Dec. 1775 ............................................................ 20 LETTER VIII. The Same to the Same. 24 Dec. 1775 .................................................. 21 LETTER IX. Miss R. to Mr. H. 25 Dec. 1775 ............................................................. 22 LETTER X. Mr H. to Miss R. 28 Dec. 1775 ............................................................... 23 LETTER XI. The Same to the Same. 1 Jan. 1776 ....................................................... 24 LETTER XII. The Same to the Same. 8 Feb. 1776 ...................................................... 25 LETTER XIII. The Same to the Same. 16 Feb. 1776 .................................................. 26 LETTER XIV. The Same to the Same. 22 Feb. 1776 .................................................. 28 LETTER XV. Miss R. to Mr. H. 23 Feb. 1776 ............................................................ 31 LETTER XVI. The Same to the Same. 24 Feb. 1776 .................................................. 32 LETTER XVII. Mr. H. to Miss R. 26 Feb 1776 .......................................................... 33 LETTER XVIII. Miss R. to Mr. H. 21 Feb. 1776 ........................................................ 34 LETTER XIX. Mr. H. to Miss R. 1 March, 1776 ........................................................ 35 LETTER XX. The Same to the Same. 17 Mar. 1776 ................................................... 36 LETTER XXI. The Same to the Same. 17 Mar. 1776 ................................................. 37 LETTER XXII. Miss R. to Mr. H. 17 Mar. 1776 ........................................................ 38 LETTER XXIII. Mr. H. to Miss R. 17 Mar. 1776 ....................................................... 40 LETTER XXIV. Miss R. to Mr. H. 19 Mar. 1776 ....................................................... 41 LETTER XXV. Mr. H. to Miss R. 26 Mar. 1776 ........................................................ 42 LETTER XXVI. The Same to the Same. 8 Apr. 1776 ................................................. 43 LETTER XXVII. The Same to the Same. 20 Apr. 1776 .............................................. 44 LETTER XXVIII. The Same to the Same. 3 May, 1776 .............................................. 47 LETTER XXIX. The Same to the Same, 29 May 1776. .............................................. 49 LETTER XXX. The Same to the Same. 18 Jun. 1776 ................................................. 50 LETTER XXXI. Miss R. to Mr. H. 25 June 1776 ....................................................... 53 LETTER XXXII. Mr. H. to Miss R. 1 July 1776 ......................................................... 54 LETTER XXXIII. Miss R. to Mr. H. 20 Aug 1776 ...................................................... 55 LETTER XXXIV. Mr. H. to Miss R. 10 Sep 1776 ..................................................... 56 LETTER XXXV. The Same to the Same. 15 Sep 1776 ............................................... 57 LETTER XXXVI. The Same to the Same. 18 Sep. 1776 ............................................. 59 LETTER XXXVII. The Same to the Same. 26 Jan 1777 ............................................ 63 LETTER XXXVIII. The Same to the Same. 6 Feb 1777 ............................................. 65 LETTER XXXIX. The Same to the Same. 27 March 1777 ......................................... 67 LETTER XL. The Same to the Same. 20 Apr 1777 ..................................................... 69 LETTER XLI. The Same to the Same. 4 May 1777 ..................................................... 70 LETTER XLII. Miss R.'s maid to Mr. H. 4 May 1777 ................................................ 71 LETTER XLIII. To the Same. 4 May 1777 ................................................................. 72 LETTER XLIV. Mr. H. to Miss R. 27 Jun 1777 ......................................................... 73 -3- Herbert Croft LETTER XLV. The Same to the Same. 7 Jul 1777 ..................................................... 76 LETTER XLVI. The Same to the Same. 20 Sep 1777 ................................................. 77 LETTER XLVII. The Same to the Same. 5 Feb 1778 ................................................. 79 LETTER XLVIII. The Same to the Same. 2 Mar 1778 ............................................... 80 LETTER XLIX. The Same to the Same. 5 Sep 1778 ................................................... 82 LETTER L. The Same to the Same. 28 Jan 1779 ........................................................ 83 LETTER LI. An Essay on Thomas Chatterton ............................................................ 84 LETTER LII. The Same to the Same. 20 Feb. 1779 .................................................. 131 LETTER LIII. The Same to the Same. 24 Feb. 1779 ................................................. 134 LETTER LIV. The Same to the Same. 1 Mar 1779 ................................................... 139 LETTER LV. Mr. H. to Charles — Esq. 20 mar 1779 .............................................. 140 LETTER LVI. The Same to the Same. 6 Apr 1779 .................................................... 141 LETTER LVII. Mr. H. to Mr. B—. 7 Apr, 1779 ........................................................ 143 LETTER LVIII. Mr. H. to Charles B— Esq. 8 Apr, 1779 ......................................... 144 LETTER LIX. The Same to the Same. 9 Apr 1779 .................................................... 145 LETTER LX. The Same to the Same. 14 Apr, 1779 .................................................. 146 LETTER LXI. From Lord S— to Mr. H. in Newgate. 17 Apr 1770 .......................... 147 LETTER LXII. Mr. H. to Lord S—. 17 Apr 1779 ..................................................... 148 LETTER LXIII. Mr. H. to Charles B—, Esq. 17-18 Apr 1779 ................................. 149 LETTER LXIV. The Same to the Same. 19 Apr 1779 ............................................... 157 LETTER LXV. From Charles — Esq. to General —. 20 Aug 1779 ......................... 158 CONCLUDING EPIGRAPH. From "Night Thoughts" by Edward Young ............... 160 POSTSCRIPT To The Fifth Edition .......................................................................... 161 NOTES ....................................................................................................................... 165 -4- Love and Madness Bibliographic and Editorial Note. Love and Madness, a Story too True was frist published in London in 1780 and went through several editions. It was also pirated by a Dublin publisher, English copyright law (such as it was) not applying in Ireland. This Ex-Classics edition has been compiled from the fifth London edition, in which it was admitted to be a work of fiction. The introductory Memoirs of Miss Ray, and the excerpt from The Politial Duenna by Israel Pottinger, are taken from the Dublin edition. -5- Herbert Croft Title Page Of the London Edition A NEW EDITION CORRECTED ———————————————————————— LOVE AND MADNESS, A Story Too True IN A SERIES OF LETTERS, ONE OF WHICH CONTAINS THE ORIGINAL ACCOUNT OF CHATTERTON. ———————————————————————— GOVERNOR.-"Who did the bloody deed?" OROONOKO.-"The deed was mine. Bloody I know it is; and I expect Your laws should tell me so. Thus, self-condemn'd, I do resign myself into your hands, The hands of justice." Oroonoko. V. 3. ———————————————————————— HARTWELL-"If this be not Love, it is Madness; and, then, it is pardonable." Old Bachelor. III. 10. ================================================= LONDON: PRINTED FOR G. KEARSLEY, No. 46, FLEET-STREET MDCCLXXXVI. -6- Love and Madness Title Page Of the Dublin Edition LOVE AND MADNESS; A STORY TOO TRUE IN A SERIES OF LETTERS, BETWEEN Parties whose names would perhaps be mentioned were they less known or less lamented. ———————————————————————— GOVERNOR.-"Who did the bloody deed?" OROONOKO.-"The deed was mine. Bloody I know it is; and I expect Your laws should tell me so. Thus, self-condemn'd, I do resign myself into your hands, The hands of justice." OR. 5. 3. HARTWELL-"If this be not Love, it is Madness; and, then, it is pardonable." OLD BAT. ================================================= DUBLIN:
Load more

Recommended publications
  • AMES, IA (Late)
    AMES, IA (Late) COMPETITION RESULTS BravO! High Point O!ward (Awarded to the highest scoring group routine of the weekend) "The Unnoticed" Centerville & Chariton DXP Standing O!vation O!ward "Work" Fusion Dance "Invasion" Centerville & Chariton DXP "Rising Sun" Fusion Dance "Kickz" Centerville & Chariton DXP Outstanding Performance O!ward "Sweet, Sugar, Candyman" Sherri and Julie's Dance and Gymnastics "Do They See Jesus In Me" Fusion Dance "Steampunk" The Dance Konnection "What Lies Beneath" Main Street Dance Studio O!verture Level Entertainment O!ward "Grease" Maryville Dance Academy "Slumber Party GIrls" Main Street Dance Studio "Survivor" Maryville Dance Academy "Donatella" Maryville Dance Academy Encore! Level Entertainent O!ward "Nitty Gritty" Main Street Dance Studio "Gettin' In The Zone" Fusion Dance "I Got Bills" Sherri and Julie's Dance and Gymnastics "Pick Up The FIddle" Dance Explosion BravO! Level Entertainment O!ward "Work" Fusion Dance "Three Little Pigs" Centerville & Chariton DXP "Bette Davis Eyes" The Dance Konnection "Blow" Cherie's Dance Studio InAside Scholarship Grey Magill "Belief" Fusion Dance Aubrey Jones "Can't Help Falling In Love" Maryville Dance Academy Caty Wiederholt "My Heart Will Go On" Maryville Dance Academy Mary Drummer "Landfill" The Dance Konnection Excellence in Showmanship Liberty Ashworth "Everybody Wants To Be A Cat" Main Street Dance Studio Bailey Miller "Hit Me With a Hot Note" Vicky's Dance Academy Rachel Schiebel "I Want To Be a Cowboy's Sweetheart" The Dance Konnection Cora Christoffer "Le
    [Show full text]
  • Grosvenor Prints CATALOGUE for the ABA FAIR 2008
    Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN Tel: 020 7836 1979 Fax: 020 7379 6695 E-mail: [email protected] www.grosvenorprints.com Dealers in Antique Prints & Books CATALOGUE FOR THE ABA FAIR 2008 Arts 1 – 5 Books & Ephemera 6 – 119 Decorative 120 – 155 Dogs 156 – 161 Historical, Social & Political 162 – 166 London 167 – 209 Modern Etchings 210 – 226 Natural History 227 – 233 Naval & Military 234 – 269 Portraits 270 – 448 Satire 449 – 602 Science, Trades & Industry 603 – 640 Sports & Pastimes 641 – 660 Foreign Topography 661 – 814 UK Topography 805 - 846 Registered in England No. 1305630 Registered Office: 2, Castle Business Village, Station Road, Hampton, Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Rayment. C.E. Ellis. E&OE VAT No. 217 6907 49 GROSVENOR PRINTS Catalogue of new stock released in conjunction with the ABA Fair 2008. In shop from noon 3rd June, 2008 and at Olympia opening 5th June. Established by Nigel Talbot in 1976, we have built up the United Kingdom’s largest stock of prints from the 17th to early 20th centuries. Well known for our topographical views, portraits, sporting and decorative subjects, we pride ourselves on being able to cater for almost every taste, no matter how obscure. We hope you enjoy this catalogue put together for this years’ Antiquarian Book Fair. Our largest ever catalogue contains over 800 items, many rare, interesting and unique images. We have also been lucky to purchase a very large stock of theatrical prints from the Estate of Alec Clunes, a well known actor, dealer and collector from the 1950’s and 60’s.
    [Show full text]
  • Book Files/0763670618.Chp.2.Pdf
    Into the Grey CelIne KIernan INTOGREY_70610_HI_US.indd 3 4/22/14 1:26 PM 1. nan Burns the House Down e were watching telly the night Nan burnt the house W down. It was March 1974, and I was fifteen years of age. I thought I lost everything in that fire, but what did I know about loss? Nothing, that’s what. I would learn soon enough. I think the fire changed us — me and Dom. Though I didn’t feel much different at first, I think something inside of us opened up, or woke up. I think, all at once, we began to understand how easily things are broken and taken and lost. It was like walking through a door: on one side was the warm, cosy sitting room of our childhood; on the other, a burnt-out shell of ash and char. I think that’s how the goblin-boy was able to see us. Though he’d been there for every summer of our child- hood — mine and Dom’s — we’d only been stupid boys until then. Stupid, happy, ignorant boys. And what in hell would he have had in common with two stupid boys? But after the fire we were different. We were maybe a little bit like him. And so he saw us, at last, and he thought he’d found a home. * * * INTOGREY_70610_HI_US.indd 1 4/22/14 1:26 PM The night of the fire, Ma had brought chips home and we were eating them from the bags, our feet on the coffee table, our eyes glued to the TV.
    [Show full text]
  • The Boomerang Theology of Andrew Marvell
    The Boomerang Theology NIGEL SMITH of Andrew Marvell Résumé : La poésie lyrique d’Andrew Marvell a suscité quelques discussions bien connues de la poétique protestante, puritaine et contre-réformatrice. Tou- tefois la religion joue un autre rôle, presqu’entièrement inexploré, dans sa poésie. On a remarqué jusqu’à quel point ses œuvres en prose des années 1670, dans lesquelles il exprime ses opinions sur la tolérancereligieuse, la liberté civile et l’absolutisme, incorporent des vers et des expressions remaniés de sa poésie, parmi d’autres références poétiques. Cet article considère la poésie de Marvell, autant en soi qu’en son remaniement, comme le chantier où a été forgée la largeur d’esprit manifestée dans sa prose. hirty years ago, the last time a large body of Marvell editions were Tpublished, the poet and politician’s public life and professed belief presented a number of seemingly unsolvable difficulties that were at least helpful in explaining the ambiguities and ironies for which his most famous poems were celebrated.1 A Parliamentarian and Puritan; a friend of Milton, but someone who apparently expressed sympathy for King Charles I, and so, perhaps, a covert royalist. A friend of the nonconformists, during the Restoration, and a stout defender of liberty of conscience, but despite his attack on the bishops, someone who was prepared to defend them in certain circumstances. A vehement spokesman against popery, and its concomitant, arbitrary government, but someone prepared occasionally to defend Catho- lics. We have come a long
    [Show full text]
  • Sarah Mclachlan Rarities, B-Sides, and Other Stuff Volume 2 Mp3, Flac, Wma
    Sarah McLachlan Rarities, B-Sides, And Other Stuff Volume 2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Rarities, B-Sides, And Other Stuff Volume 2 Country: Japan Released: 2008 Style: Pop Rock, Downtempo MP3 version RAR size: 1514 mb FLAC version RAR size: 1310 mb WMA version RAR size: 1195 mb Rating: 4.8 Votes: 343 Other Formats: VOX AAC WAV DTS DXD MMF MIDI Tracklist Hide Credits Ordinary Miracle Arranged By [Strings] – Randy KerberBass – Simon Smith Drums – Matt ChamberlainEngineer – Scott CampbellGuitar – Dave Stewart*Mixed By – Bill MalinaPiano – Sarah McLachlanProgrammed 1 –Sarah McLachlan 3:04 By – Ned DouglasRecorded By [Orchestra] – Robert FernandezRecorded By [Piano And Vocals] – Chris Potter Trumpet – Stewart ColeWritten-By, Guitar, Keyboards, Producer – Glen BallardWritten-By, Producer – David A. Stewart Blackbird Acoustic Guitar – Sean AshbyBass Drum, Mixed By, Engineer – Chris 2 –Sarah McLachlan 2:21 Potter Keyboards, Producer, Mixed By – Pierre MarchandVocals, Piano [Toy] – Ashwin SoodWritten-By – Lennon-McCartney Time After Time –Sarah McLachlan Bass Guitar – Mark EganDrums – Sammy MerendinoGuitar – Jamie 3 With Cyndi West Oram*Organ – Rob HymanProducer – Rick Chertoff, William 4:19 Lauper WittmanWritten-By – Robert Hyman*Written-By, Vocals, Producer – Cyndi Lauper River 4 –Sarah McLachlan Piano – Sarah McLachlanRecorded By, Mixed By – Chris Potter 4:03 Written-By – Joni Mitchell When She Loved Me Piano, Producer – Sarah McLachlanRecorded By [Vocals And Piano] – 5 –Sarah McLachlan 3:05 Greg ReelyWritten-By, Arranged By, Orchestrated By, Producer – Randy Newman Don't Let Go Drums, Percussion – Ashwin SoodEngineer – Joel Richard, Kevin –Sarah McLachlan Churko, Kevin GlobermanEngineer, Recorded By [Vocals And Drums] – 6 4:05 With Bryan Adams Chris Potter Piano [Acoustic] – Sarah McLachlanProducer – BA*Written-By – Gretchen Peters, R.J.
    [Show full text]
  • Perceptions of the Murderess in London and Paris, 1674-1789
    Perceptions of the Murderess in London and Paris, 1674-1789 Anna Clare Jenkin A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of History August, 2015 Thesis Summary This project is a comparative study of print about women accused of murder in eighteenth-century London and Paris. While gender played an important role in determining how such women were perceived, in that female killers stimulated forms of social introspection that male murderers did not, this thesis demonstrates that a wider variety of factors affected the kinds of women who stimulated concern among the London and Parisian populace. Most importantly, only eleven women accused of murder stimulated high levels of print reaction in the period, implying that aspects beyond their gender were behind such reactions. Through focus on the print material and judicial records of these eleven high-profile murderesses, including ballads, pamphlets, images, novels, legal tracts and printed correspondence, this thesis will expose a number of contemporary concerns present in eighteenth-century London and Paris. In both cities, perceptions of the crime of female- perpetrated murder reflected emerging concerns about the impact of urbanisation on social structures and women’s roles, alongside shifting European-wide ideas of gender difference. Murderous women’s occupations as midwives, servants, aristocrats and household managers were used to explore broader concerns about emerging sites of female independence. Discussion of cases that involved adultery, male sociability and court intrigue were used to reveal the perceived corrupting effects of urban society.
    [Show full text]
  • Transcript of Oral History Interview with Steve Glasper
    Oral history interviews of the Vietnam Era Oral History Project Copyright Notice: © 2019 Minnesota Historical Society Researchers are liable for any infringement. For more information, visit www.mnhs.org/copyright. Version 3 August 20, 2018 Steve Glasper Narrator Douglas Bekke Interviewer April 9, 2018 Fridley, Minnesota Steven Glasper -SG Douglas Bekke -DG DB: Minnesota Historical Society Vietnam Oral History Project interview with Steve Glasper in his home in Fridley, Minnesota on 9 April 2018. Mr. Glasper can you please say and spell your name? SG: Yes my name is Steve Glasper. S-T-E-V-E G-L-A-S-P as in people-E-R DB: And your birth date? SG: 10-31-49 DB: And your place of birth? SG: St. Joseph, Missouri. DB: What do you know about your ancestry? SG: Well, being African-American, sometimes it’s a little difficult, gets a little hazy when you start thinking about how far back you go. I can go back—fortunately for me we’ve had a pretty good, family make up and we’ve always kept in touch with. I can go back as far as my great- great-grandparents at least having some knowledge, and my great-great-grandmother I actually knew Mildred Webster because she was still alive. She died, she was 106 when she passed. DB: That’s pretty amazing. SG: Yeah. We had the opportunity to actually learn some things from her even though I was a small child, but my father is from St. Joseph, Missouri, my mother is from St. Joseph, Missouri.
    [Show full text]
  • A Short History of Hereford
    A S H O RT H I STO RY OF H EREFORD . W I LLI AM COLLI NS , A utho of Mode n H e e fo d The An lican Chu che s r r r r , g r " f H e e fo d The Ma o s o H e e o d o f f &c . r r , y r r r , H E R E FOR D J AKE MAN AND CA RV E R . D E D I CATE D to the Memory of the su pporters of the principle of l - se f government throughout the centuries of the past ; and , in particular , to the Memory of the late Alderman Charles P al ll Anthony , J . and his Municip Co eagues and successors , wh o by their marvellous achievements and noble devotion have laid the foundations of OD O M ERN HEREF RD , upon which the happiness and prosperity of the citizens is now being built . ~ 157569 3 I NTROD UCTI ON . The City of the Wye is a very ancient place ; and the centre of a district of which our knowledge dates back t o the days of J ulius Caesar ; or about fifty years before the birth of Jesus Christ . It was known to the old Britons as erf aw d d Ca y , which means the town of the beechwood ; 6 6 and in the year 7 , the date of the foundation of the bishop k n ric, the name was changed to Hereford , by which it is now to this day .
    [Show full text]
  • Contest and Judging Handbook
    CONTEST AND JUDGING HANDBOOK Published by the Society Contest and Judging Committee Barbershop Harmony Society 110 7th Avenue North Nashville, Tennessee 37203-3704 Current revisions to this document are online at www.barbershop.org June 2020 (With Current Contest Rules) Ed. Note: This is a complex document with a lot of content. Please help with the challenging job of managing it by advising of any typos, incorrect references, broken hyperlinks, or suggestions for improvement. Send a note to [email protected] with page number and suggestion. Thank you! Approved by the Society Contest and Judging Committee. Published: 25 June 2020 Contest Rules, Chapter 3, contains all rules approved/authorized by the Society Board of Directors, CEO, and SCJC through 25 June 2020. TABLE OF CONTENTS (Click on chapter title or page number for direct link.) Table of Contents (06/25/20) ............................................................................................. 1-1 Definition of the Barbershop Style (8/19/18) ................................................................... 2-1 Contest Rules (6/25/20) ...................................................................................................... 3-1 The Judging System (10/25/19) ......................................................................................... 4-1 Music Category Description (2/11/20) .............................................................................. 5-1 Performance Category Description (1/19/20) .................................................................
    [Show full text]
  • Austin Winners
    AUSTIN WINNERS TOP 10 JUNIOR PETITE INTERMEDIATE SOLOS Place Routine Title Studio Name # of Dancers 10TH FOREVER YOUNG The Studio Academy of Ballet ALEJANDRA PEREZ 9TH EL ANILLO Infusion Dance MELANIE HAMLOR 8TH GETTING GOOD AT BEING BAD Dance By Carly NICOLE WAGONER 7TH GIRL IN THE MIRROR Beauty N Grace Studio LYNDI HASSELL 6TH SALLY WALKER Beauty N Grace Studio FYNLEE NEVILLS 5TH BORED A&K Dance and Acro ELSIE TURNER 4TH A MILLION DREAMS The Studio Academy of Ballet ROMINA GAYTAN 3RD J’ADORE PARIS DCJ Dance KENNEDY KEMPH 2ND A MILLION DREAMS Standout Dance Center PAISLEY LEDWIG 1ST LIKE ME Dorothy Keck Dancers CHARLOTTE JAHN TOP 3 JUNIOR PETITE COMPETITIVE SOLOS Place Routine Title Studio Name # of Dancers 3RD LONG HAIR DON’T CARE Dorothy Keck Dancers FAITH MUNIZ 2ND SHOW OFF Fredericksburg Dance Company HUNTER HEXT LONDON 1ST CONTROL Dorothy Keck Dancers HACKWORTH TOP JUNIOR PETITE ELITE SOLO Place Routine Title Studio Name # of Dancers 1ST PERSISTENCE West Austin Dance Academy HAYDEN REYNOLDS TOP 10 JUNIOR INTERMEDIATE SOLO Place Routine Title Studio Name # of Dancers 10TH GIRLS NIGHT OUT Fredericksburg Dance Company FISHER MCKINNEY KATELYN 9TH LET IT GO Chrissy Rae’s Dance Academy LIVINGSTON 8TH NIGHTLIGHT Muv Dance & Fitness ALLYSON OCONNELL 7TH PITY PARTY Chrissy Rae’s Dance Academy LUCY NICHOLSON 6TH YOU RAISE ME UP The Studio Academy of Ballet ANDREA LANDEROS 5TH WHEN SHE LOVED ME The Studio Academy of Ballet BRIELLA VASQUEZ 4TH NAILS HAIR HIPS HEELS Expressions Dance and Music SOPHIA MARTINEZ 3RD FERGALICIOUS Expressions Dance
    [Show full text]
  • The Bristol Medico - Chirurgical Journal
    The Bristol Medico - Chirurgical Journal A JOURNAL OF THE MEDICAL SCIENCES FOR THE WEST OF ENGLAND AND SOUTH WALES. PUBLISHED UNDER THE AUSPICES OF THE BRISTOL MEDICO-CHIRURGICAL SOCIETY. EDITOR : J. A. NIXON, C.M.G., M.D., F.R.C.P. WITH WHOM ARE ASSOCIATED E. W. HEY GROVES, D.Sc., M.S., F.R.C.S. A. E. ILES, O.B.E., M.B., B.S., F.R.C.S. A. RENDLE SHORT, M.D., B.S., B.Sc., F.R.C.S. E. WATSON-WILLIAMS, M.C., Ch.M., F.R.C.S., Assistant Editor. EDITORIAL SECRETARY : A. L. FLEMMING, M.B., Ch.B. "Sctte est ncBclre, nfai (6 mc Sctve alius aciret." VOL. LIV. BRISTOL: J. W. ARROWSMITH LTD. London : J. W. Arrowsmith (London) Ltd. Contents of Vol. LIV Page The Evolution of a Casualty Clearing Station on the Western Front. By Richard C. Clarke, O.B.E., M.B., F.R.C.P. .. 1 ^lie Enlarged Prostate from the point of view of Practitioner and Surgeon. By C. Ferrier Walters, F.R.C.S. .. 21 J-lie Therapeutic Value of Altitude. By Bernard Hudson, M.D., M.R.C.P 35 -The Role of the Central Nervous System in Disease : Recent Experi- mental Work in the U.S.S.R. By F. Bodman, M.D. 41 ^he Carey Coombs Memorial Lecture on the Pathology and Surgical Treatment of Cardiac Ischsemia. By Laurence O'Shaughnessy, F.R.C.S 109 S?m.e Reflections on Research in Medicine. By F. J. Poynton, M.D., F.R.C.P 127 Spinal Anaesthesia.
    [Show full text]
  • 515 Bus Service Valid from January 2019
    .travelwest.info www BD11449 DesignedandprintedonsustainablysourcedmaterialbyBristolDesign,CityCouncil–January2019 on 0117 922 2910 922 0117 on CD-ROM or plain text please contact Bristol City Council Council City Bristol contact please text plain or CD-ROM Braille, audio tape, large print, easy English, BSL video, video, BSL English, easy print, large tape, audio Braille, If you would like this information in another language, language, another in information this like would you If Hartcliffe – Imperial Park Imperial – Hartcliffe Whitchurch – Hengrove Park – Park Hengrove – Whitchurch Stockwood – Hengrove – Hengrove – Stockwood Valid from January 2019 January from Valid Bus Service Bus 515 www.travelwest.info/bus other bus services in Bristol is available at: available is Bristol in services bus other Timetable, route and fares information for service 515 and and 515 service for information fares and route Timetable, Produced by Sustainable Transport. Sustainable by Produced www.bristolcommunitytransport.org.uk w: [email protected] e: contract by Bristol Community Transport. Community Bristol by contract 0117 941 3713 941 0117 t: under operated is and Council City Bristol please contact Bristol Community Transport: Community Bristol contact please Service 515 is financially supported by by supported financially is 515 Service enquiries property lost and information fares For 0 37 A SS PA holidays. public [email protected] Y e: B N O ST except Saturday to Monday operates service The A 2910 922 0117 t: G N LO Information
    [Show full text]