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Inhaltsverzeichnis 0 Inhaltsverzeichnis 0 Roland März•' Heartfield und die Dokumente Anmerkungen 7. Weltkrieg und Revolution Der Haß auf den Krieg Anmerkungen «Neue Jugend» und Malik-Verlag 1. John Heartfield: Der Haß auf den Krieg. 1961 2. Jan Tschichold: Heartfield und die moderne Typographie. 1928 3. Wieland Herzfelde: Wie ein Verlag entstand. 1936 4. George Grosz: «Neue Jugend» und moderne Typographie! 1955 5. Franz Jung: Heartfield und die «Neue Jugend». 196 Anfang der Fotomontage Anmerkungen Der Streit um die Erfindung der Fotomontage 6. John Heartfield: Anfang der Fotomontage. 1967 7. George Grosz: Über die Erfindung der Fotomontage. 1928 8. George Grosz: Aus einem Brief an Franz Roh. 1929 9. Raoul Hausmann: Brief an Konrad Farner. 1961 10. Raoul Hausmann: Fotomontage. 1972 Dadaismus Anmerkungen Berlin Dada 11. John Heartfield: Dadaismus. 60er Jahre 12. Harry Graf Kessler: Tagebucheintragung. 1919 13. Udo Rukser: Dada. 1919 14. Raoul Hausmann: Der Geist im Handumdrehen oder eine Dadalogie. 1920 http://d-nb.info/810701065 15- Anonym: Unser John. 1920 . • 37 16. Kurt Wolff: Über den «Dadaco».i969 38 17. Berliner Ausstellungen. 1920 40 18. Wieland Herzfelde: Zur Einführung in die Erste Internationale Dada-Messe. 1920 40 19. Raoul Hausmann: Was die Kunstkritik nach Ansicht .. des Dadasophen zur Dada-Ausstellung sagen wird. 1920 42 20. Wieland Herzfelde: Betrachtung einiger Bilder der Dada-Messe. 1920 '43 21. Adolf Behne: Dada. 1920 44 22. G. G. L. [Gertrud Alexander]: Dada. 1920 45 23. Kurt Tucholsky: Dada. 1920 47 Rückblick auf den Dadaismus 48 24. Francis D. Klingender: Diskussion mit Heartfield über Dadaismus und Surrealismus. 1944 48 25. Richard Huelsenbeck: Berlin Dada. 1957 64 26. Erwin Piscator: Über den Dadaismus. 1959 64 27. Erwin Piscator: Notiz zu Franz Jung und John Heartfield. 50er Jahre 66 28. Adolf Hoffmeister: Dadamonteur John Heartfield. 1965 66 29. Oskar Maria Graf: Kostümball der «Novembergruppe» in den Kaisersälen am Zoo. 1966 71 30. Wieland Herzfelde: George Grosz, John Heartfield, Erwin Piscator, Dada und die Folgen - oder Die Macht der Freundschaft. 1971 72 31. Hans Richter: Dada-Monteur. 1973 . 100 «Kunstlump»-Debatte 102 32. John Heartfield/George Grosz: Der Kunstlump. 1920 104 33. Gertrud Alexander: Herrn John Heartfield und George Grosz. 1920 112 34. Julian Gumperz: Kunst, Vandalismus und Proletariat. Eine Antwort an G. G. L. 1920 115 35. Gertrud Alexander: Kunst, Vandalismus und Proletariat. Erwiderung. 1920 118 36. August Thalheimer: Das Proletariat und die Kunst. Politische Bemerkungen. 1920 123 37. Die Redaktion des «Ararat» zur «Kunstlump»-Debatte. 1920 124 6 38. Oskar Kokoschka: Rückblick auf «Die Kunsthure Kokoschka». 1971 124 39. Franz Wilhelm Seiwert: Das Loch in Rubens' Schinken. 1920 125 Anmerkungen 127 II. Die zwanziger Jahre, 129 Proletariat - KPD - Revolutionäre Kunst " 129 1. John Heartfield: Partei und Künstler. 1931 131 2. Arbeitsprogramm der «Roten Gruppe». 1924 131 3. Hans Borchardt: Der Dichter gehört vor Gericht. Glosse zum Prozeß gegen Kanehl und Heartfield. 1924 133 4. Gerhart Pohl: Politische Kunst. 1925 135 5. Otto Steinicke: Proletarisches Kampftheater. 1925 137 6. Erwin Piscator: Zum Bühnenbild der historischen Revue «Trotz alledem!». 1929 138 7. Max Engel: Agitprop-Ausstellung «Trotz alledem!» ' zum Parteitag der KPD. 1925 140 8. Adolf Behne: Kunstausstellung Wedding. 1926 140 9. John Heartfield: Grün oder - Rot? 1926 142 10. Adolf Behne: An den Verein kommunistischer Kunstmaler. 1926 144 11. Edwin Gehrig-Targis: Gründungsversammlung der Arbeitsgemeinschaft kommunistischer. Künstler. 30. 1. 1928. i960 147 12. John Heartfield: Neuestes SPD-Ministerlied. 1928 147 13. John Heartfield: Erster Mai. 1929 149 14. Max Gebhard: Der Blutmai 1929. 1977 150 15. Gertrud Heartfield: Aktennotiz über das KPD-Wahlplakat «5 Finger hat die Hand». 1968 151 16. Bruno Hess: Wie die Montage «Schlag zu, Prolet!» entstand. 1977 152 17. Erich Rinka: Heartfield und die Arbeiter­ fotografen. 1977 169 Anmerkungen 170 Ausstellungen 171 18. Proletarische Kunstausstellung im «Ulap». 1926 171 19. Revolutionäre Gebrauchsgrafik und Theater­ dekoration. 1928 ' 173 20. F. C. Weiskopf: Benütze Foto als Waffe! 1929 174 7 21. Gustav Stotz: Ankündigung der Internationalen Werkbund-Ausstellung «Film und Foto». 1929 174 22. Wilhelm Lötz: «Film und Foto». 1929 174 23. Walter Riezler: «Form», Foto und Film. 1929 175 24. Der «Arbeiter-Fotograf» zur Werkbund- Ausstellung «Film und Foto». 1929 176 25. Der BRBKD zur Fotomontage-Ausstellung im Kunstgewerbemuseum Berlin. 1931 177 26. Durus: Photomontage und Buchgraphik. Zur 3. Aus­ stellung des Bundes revolutionärer Künstler. 1932 178 Fotografie - Arbeiter-lllustrierte-Zeitung - Fotomontage 179 27. John Heartfield: Zur Wirkung der Fotomontage. 1961 181 28. Mitteilung an die AIZ-Leser. 1930 183 29. Leserzuschrift an die AIZ. 1930 18} 30. Anonym: Bilderkritik. Fotomontage. 1930 184 31. Bertolt Brecht: Über die «Arbeiter-lllustrierte- Zeitung». 1931 184 32. John Heartfield: Fotografie und Politik. 1930 185 33. Von. der Polizei beschlagnahmt! 1932 185 34. Adolf Behne: John Heartfield (Künstler des Proletariats, Nr. ,16). 1931 185 35. Walter Benjamin: Neue Sachlichkeit und "Photographie. 1934 187 36. .Wolf Reiss: Als ich mit John Heartfield zusammenarbeitete. 1934 188 37. Mieczyslaw Berman: Mein Studium der Foto­ montagen Heartfields. 1973 191 38. Bernd Kuhnert: Die Tonwerte bei Heartfield- Montagen. 1976 192 39. Marina Schneede-Sczesny/Uwe M. Schneede: Zur Technik und Kunstform der Fotomontage bei Heartfield. 1969 195 40. Richard Hiepe: Die Entwicklung der politischen Fotomontage bei Heartfield. 1969 197 Anmerkungen 200 Theaterarbeit 201 Anmerkungen 202 «Proletarisches Theater» Berlin, igzo 203 41. Erwin Piscator: Über «Rußlands Tag» von Lajos Barta. 1929 203 42. Erwin Piscator: Über Karl August Wittfogels ' , «Krüppel». 1929 203 Reinhardt-Bühnen Berlin, 1920-1^23 205 43. Fritz Engel: «Cäsar und Cleopatra» von George Bernard Shaw im Deutschen Theater Berlin. 1920 205 44. Franz Servaes: «Cäsar und Cleopatra» von George Bernard Shaw' im Deutschen Theater Berlin. 1920 206 45. Emil Faktor: «Der König der dunklen Kammer» von Rabindranath Tagore in den Kammerspielen. 1921 2o6 46. Fritz Engel: «Der König der dunklen Kammer» v von Rabindranath Tagore in den Kammerspielen. 1921 206 47. Oskar Fischel: Bühnenbild zu Georg Büchners «Wozzeck». (1921) 1923 207 48. Siegfried Jacobsohn: «Wozzeck» von Georg Büchner. 1921 • 207 49. Hermann Kienzl: «Die Maschinenstürmer» von Ernst Toller. 1922 208 50. Max Osborn: «Die Maschinenstürmer» von Ernst Toller. 1922 208 51. Hugo Fetting: Heartfield an den Reinhardt- Bühnen. 1977 208 Anmerkungen 220 Piscator-Bühne Berlin. 1928-1911 220 52. Franz Jung: Zur Studio-Aufführung seines Stückes «Heimweh» an der Piscator-Bühne. 1929 220 53. Herbert Jhering: Theater als Organisation und ' Weckruf («Heimweh»). 1928 220 54. John Heartfield: Die Dekorationen sprechen. 1931 221 55. Herbert Jhering: «Tai Yang erwacht» von Friedrich Wolf. 1931 222 56. Alfred Kerr: «Tai Yang erwacht» von Friedrich Wolf. 1931 223 57. Durus: «Tai Yang erwacht». China 1927-1930 in der Piscator-Bühne. 1931 223 58. Bernhard Diebold: «Tai Yang erwacht» von Friedrich Wolf. 1931 - 224 59. Bertolt Brecht: Aus dem «Kleinen Organon für das Theater». 1948 224 60. Bertolt Brecht: Über Bühnenbau und Musik des epischen Theaters. 1964 ,225 9 61. Janos Reismann: Heartfields Mitarbeit am «Kaufmann von Berlin» von Walter Mehring. 1972 225 Buchausstattung 227 62. H. K. Frenzel: John Heartfield und seine photographisch-graphischen Arbeiten; 1927 229 63. Hans Reimann: Heartfield und der Buchumschlag. 1927 231 64. Jan Tschichold: Heartfield und der Buchumschlag. 1928 233 65. Fritz Hansen: Die Familienphotographie auf dem Buchdeckel. 1930 233 66. Kurt Tucholsky: Auf dem Nachttisch. 1930-1932 235 67. Kurt Tucholsky: Das Buchhändler-Börsenblatt. 1929 236 68. Axel Eggebrecht: Deutschland, Deutschland über alles (Buchrezension). 1929 238 69.. Paul Fechter: Kunstbetrieb und Judenfrage. 1930 240 70. Jakob Wassermann: Aus einem Brief an Rudolf Pechel. 1931 241 71. Kurt Tucholsky: Brief an Jakob Wassermann. 1931 241 72. Paul Fechter: Aus einem Brief an Jakob Wasser­ mann. 1931 • 242 73. Max Naumann: Der Kernpunkt der Judenfrage. i93i 243 74. Kürt Tucholsky: Brief an Walter Hasenclever. 1933' 244 75. Jänos Reismann: Heartfield und der Buchumschlag. 1972 244 76. Mieczyslaw Berman: Heartfields Buchumschläge. 1973 245 77. Hans Holm: Heartfield und der Neue Deutsche Verlag. 1977 247 Anmerkungen " 248 Sowjetunion-Reise. 1931-/932 248 78." John Heartfield: Aus einem Vortrag im Polygraphischen Institut Moskau. 1931 274 79. «Ihre Meinung über Heartfield, Genosse Kisch?» 1931 275 H 80. A. Alf: Masken des Feindes. Weg eines proletarischen Künstlers. 1931 277 81. Alexej Fedorow-Dawydow: Kämpferische Kunst. John Heartfield, ein proletarischer Künstler. 1932 277 82. John Heartfield: Zu einem künftigen Krieg gegen die Sowjetunion. 1932 284 83. John Heartfield: Heimkehr. 1932 284 äio 84. Asja Lacis: Heartfield und Piscator. 1971 285 85. Janos Reismann: Begegnung in Moskau. 1972 285 86. Gespräch mit Maks Alpert und Kinelowski. 197} 286 Anmerkungen 289 Heartfield und Tretjakow 289 87. Sergej Tretjakow: John Heartfield montiert ... 1936 291 88. Janos Reismann: John Heartfield. 1937 316 89. I. Dukor: Heartfield. 1937 319 90. B. Etingin: John Heartfield - große Kunst großer Meister. 1937 320- 91. John Heartfield: Brief an Olga Tretjakowa. 1962 321 Anmerkungen 323 III. Exil 324 Prag. 1933-1934 . 324 1. John Heartfield: Auf der Flucht vor den Faschisten.
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