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Jaroslav Tůma Tomáš Jamník Gustav Mahler and Prague
czech music quarterly 1 | 2 0 0 7 Jaroslav Tůma Tomáš Jamník Gustav Mahler and Prague Dear Readers, As you have certainly already noticed, Czech Music Quarterly has been graphically reworked for 2007. We thought that the existing design needed freshening up, and I hope the new appearance of the magazine will give you the same pleasure that it has given us. The smaller format and more attractive paper should make for more comfortable reading. This issue of the magazine also comes with a free CD, containing pieces by six contemporary Czech composers, which means that Czech Music Quarterly is now a magazine not just to be read but to be “listened to” as well. The Chamber Music compilation is the fi rst in a series. You can read more about the whole project in the preface to the CD itself and so I here I shall just draw you attention to the article by Miroslav Pudlák, which is related to the CD and highlights some aspects of the contemporary Czech scene in composing. I would also like to remind you that you can order older numbers of Czech Music Quarterly – if we have any of the ones you want, we shall be glad to post them to you. You can fi nd a list of the contents of all preceding numbers at www.czech-music.net, and there is plenty of choice! And please feel free to contact us any time if you have a question or a comment – just write to the e-mail address [email protected]. -
Derek Sayer ANDRÉ BRETON and the MAGIC CAPITAL: an AGONY in SIX FITS 1 After Decades in Which the Czechoslovak Surrealist Group
Derek Sayer ANDRÉ BRETON AND THE MAGIC CAPITAL: AN AGONY IN SIX FITS 1 After decades in which the Czechoslovak Surrealist Group all but vanished from the art-historical record on both sides of the erstwhile Iron Curtain, interwar Prague’s standing as the “second city of surrealism” is in serious danger of becoming a truth universally acknowledged.1 Vítězslav Nezval denied that “Zvěrokruh” (Zodiac), which appeared at the end of 1930, was a surrealist magazine, but its contents, which included his translation of André Breton’s “Second Manifesto of Surrealism” (1929), suggested otherwise.2 Two years later the painters Jindřich Štyrský and Toyen (Marie Čermínová), the sculptor Vincenc Makovský, and several other Czech artists showed their work alongside Hans/Jean Arp, Salvador Dalí, Giorgio De Chirico, Max Ernst, Paul Klee, Joan Miró, Wolfgang Paalen, and Yves Tanguy (not to men- tion a selection of anonymous “Negro sculptures”) in the “Poesie 1932” exhibition at the Mánes Gallery.3 Three times the size of “Newer Super-Realism” at the Wads- worth Atheneum the previous November – the first surrealist exhibition on Ameri- 1 Not one Czech artist was included, for example, in MoMA’s blockbuster 1968 exhibition “Dada, Surrealism, and Their Heritage” or discussed in William S. Rubin’s accompanying monograph “Dada and Surrealist Art” (New York 1968). – Recent western works that seek to correct this picture include Tippner, Anja: Die permanente Avantgarde? Surrealismus in Prag. Köln 2009; Spieler, Reinhard/Auer, Barbara (eds.): Gegen jede Vernunft: Surrealismus Paris-Prague. Ludwigshafen 2010; Anaut, Alberto (ed.): Praha, Paris, Barcelona: moderni- dad fotográfica de 1918 a 1948/Photographic Modernity from 1918 to 1948. -
BOHUSLAV MARTINŮ JAROSLAV MIHULE / 2008 František Martinů, Colored Drawing from a Scrapbook
A POCKET GUIDE TO THE LIFE AND WORK OF BOHUSLAV MARTINŮ JAROSLAV MIHULE / 2008 František Martinů, colored drawing from a scrapbook 1 FROM POLIČKA TO PRAGUE 1890 — 1922 2 On The Polička Tower 1.1 Bohuslav came into the world in a tiny room on the gallery of the church tower where his father, Ferdinand Martinů, apart from being a shoemaker, also carried out a unique job as the tower- keeper, bell-ringer and watchman. Polička - St. James´ Church and the Bastion “On December 8th, the crow brought us a male, a boy, and on Dec. 14th 1.2 A Loving Family he was baptized as It was the mother who energetically took charge of the whole family. She was Bohuslav Jan.” the paragon of order and discipline: strict, pious – a Roman Catholic, naturally, as (The composer’s father were most inhabitants of this hilly region. made this entry in the Of course, she loved all of her children. With Ferdinand Martinů she had fi ve; and family chronicle.) the youngest and probably the most coddled was Bohuslav, born to the accom- paniment of the festive ringing of all the bells, as the town celebrated on that day the holiday of the Immaculate Conception of the Virgin Mary. To be born high above the ground, almost within the reach of the sky, seemed in itself to promise an exceptional life ahead. Also his brother František and his sister Marie had their own special talents. František graduated from art school and made use of his artistic skills above all 3 as a restorer and conservator of church art objects in his homeland as well as abroad. -
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Eastern European Modernism: Works on Paper at the Columbia University Libraries and The Cornell University Library Compiled by Robert H. Davis Columbia University Libraries and Cornell University Library With a Foreword by Steven Mansbach University of Maryland, College Park With an Introduction by Irina Denischenko Georgetown University New York 2021 Cover Illustration: No. 266. Dvacáté století co dalo lidstvu. Výsledky práce lidstva XX. Věku. (Praha, 1931-1934). Part 5: Prokroky průmyslu. Photomontage wrappers by Vojtěch Tittelbach. To John and Katya, for their love and ever-patient indulgence of their quirky old Dad. Foreword ©Steven A. Mansbach Compiler’s Introduction ©Robert H. Davis Introduction ©Irina Denischenko Checklist ©Robert H. Davis Published in Academic Commons, January 2021 Photography credits: Avery Classics Library: p. vi (no. 900), p. xxxvi (no. 1031). Columbia University Libraries, Preservation Reformatting: Cover (No. 266), p.xiii (no. 430), p. xiv (no. 299, 711), p. xvi (no. 1020), p. xxvi (no. 1047), p. xxvii (no. 1060), p. xxix (no. 679), p. xxxiv (no. 605), p. xxxvi (no. 118), p. xxxix (nos. 600, 616). Cornell Division of Rare Books & Manuscripts: p. xv (no. 1069), p. xxvii (no. 718), p. xxxii (no. 619), p. xxxvii (nos. 803, 721), p. xl (nos. 210, 221), p. xli (no. 203). Compiler: p. vi (nos. 1009, 975), p. x, p. xiii (nos. 573, 773, 829, 985), p. xiv (nos. 103, 392, 470, 911), p. xv (nos. 1021, 1087), p. xvi (nos. 960, 964), p. xix (no. 615), p. xx (no. 733), p. xxviii (no. 108, 1060). F.A. Bernett Rare Books: p. xii (nos. 5, 28, 82), p. -
J^ MUSEUM of MODERN ART
A t j^ MUSEUM OF MODERN ART IJ WEST 53rd STREET HEW YORK TELEPHONE: CIRCLE 5-8900 CABLES: MODERNART, NEW-YORK May 5, 1943 HNEWMEYER, PUBLICITY DIRECTOR SARA TO Art Editors City Editors Dear Sirs: You are invited to come or send a representative to Press Preview of three small exhibitions: WAR CARICATURES by Hoffmeister and Peel FIVE PANELS by Stanley Spencer FAVORITES IN i/iODERN ART an exhibition in the Young People*s Gallery Tuesday, May 11 2 to 6 P.M. at the Museum of Modern Art 11 West 53 Street The exhibitions will open to the public Wednesday, May 12. For further information please telephone me at Circle 5-8900 Sincerely yours, Sarah Newmeyer / Publicity Director ,fl Tl42giOMgPSEUM OF MODERN ART wEST 53RD STREET, NEW YORK ^ PPHONE: CIRCLE 5-8900 'ELEP FOR IMMEDIATE RELEASE jffJSEui; OF MODERN ART OPENS EXHIBITION OF WAR CARICATURES BY CZECHOSLOVAKIAN ARTISTS Dr. Eduard Benes, President of Czechoslovakia, will attend an exhibition of war caricatures by two of the most celebrated political cartoonists of his country, opening at the Museum of Modern Art, 11 West 53 Street, Wednesday, May 12. The exact date of his visit to the exhibition is not settled but it will be shortly after his arrival in the United States to see President Roosevelt. The war caricatures, by Adolf Hoffmeister and A. T. Peel, are being shown at the Museum for the first time anywhere. About forty in number, they constitute a savagely brilliant attack on the Axis partners, principally the Nazis, impaling them on barbs of ridicule. The exhibition will re main on view through July 11 and will then be sent on a tour of other museums and art galleries by the Museum* s Circulating Exhibitions De partment. -
Czech and Slovak Literature in English
Czech and Slovak Literature in English A Bibliography Second Edition Czech and Slovak Literature in English A Bibliography Second Edition By George J. Kovtun European Division Library of Congress Washington 1988 Library of Congress Cataloging-in-Publication Data Kovtun, George J. Czech and Slovak literature in English. Includes indexes. Supt. of Docs, no.: LC 1.12/2:C99 1. Czech literature—Translations into English— Bibliography. 2. Slovak literature—Translations into English—Bibliography. 3. English literature—Translations from Czech—Bibliography. 4. English literature— Translations from Slovak—Bibliography. I, Library of Congress. European Division. II. Title. Z2138.L5K68 1988 [PG5145.E1] 016.8918'6 87-17004 ISBN 0-8444-0578-7 Cover: English readers, as depicted in Karel Capek's Letters from England, translated by Paul Selver. (DA630.C18 1925) For sale by the Superintendent of Documents, U.S. Government Printing Office, Washington, D.C. 20402 Contents Page Preface to Second Edition v Preface to First Edition vii A. Anthologies (Prose and Poetry) 1 B. Anthologies (Folklore) 11 C. General History and Criticism 15 D. Czech Authors 43 E. Slovak Authors 125 Indexes Czech Authors 141 Slovak Authors 144 Authors and Editors of Anthologies and Other Works 145 Translators 149 Preface to the Second Edition This new edition of Czech and Slovak Literature in English is a revised, expanded, and updated version of the first edition, published in 1984, which is now out of print and which this new volume thus supersedes. Selected works produced over the four-year period 1983-1986 were added to the previous biblio graphic record and several errors and omissions were corrected. -
UNESCO. General Conference
Optical Character Recognition (OCR) document. WARNING! Spelling errors might subsist. In order to access to the original document in image form, click on "Original" button on 1st page. UNITED NATIONS EDUCIATIONAL, SCIENTIFIC AND CULTURAL ORGANIZATION RECORDS OF THE GENERAL CONFERENCE Eleventh Session Paris, 1960 RESOLUTIONS UNESCO Optical Character Recognition (OCR) document. WARNING! Spelling errors might subsist. In order to access to the original document in image form, click on "Original" button on 1st page. Published in 1961 by the United Nations Educational, Scientific and Cultural Organization, Place de Fontenoy, Paris-Te Printed by Firmin-Didot et Cie Unesco 1961 Printed in France CPG.6l.VI.11 A Optical Character Recognition (OCR) document. WARNING! Spelling errors might subsist. In order to access to the original document in image form, click on "Original" button on 1st page. CONTENTS A. RESOLUTIONS I. ORGANIZATION OF THE SESSION, ADMISSION OF NEW MEMBER STATES AND OF ASSOCIATE MEMBERS, ELECTIONS TO THE EXECUTIVE BOARD AND TRIBUTE TO MR. JEAN THOMAS 0.1 Credentials 9 0.2 Right to vote of Bolivia, Honduras and Paraguay : : : : : : : 0.3 Adoption of the agenda and organization of the work of the session . 10 0.4 General Committee of the Conference 12 0.5 Admission of new Member States . : : : : : : : : : 13 0.6 Admission of Associate Members 14 0.7 Admission as observers of representatives of’ international non-governmental organizations. 0.8 Election of twelve members of the Executive Board : : : : : : 14 0.9 Tribute to Mr. Jean Thomas . 15 II. PROGRAMME AND BUDGET FOR 1961-62 1. Education . 16 1.0 Office of the Director . -
May 30, 1968 Report on Statements by Ukrainian Journalists in the CSSR
Digital Archive digitalarchive.wilsoncenter.org International History Declassified May 30, 1968 Report on Statements by Ukrainian Journalists in the CSSR Citation: “Report on Statements by Ukrainian Journalists in the CSSR,” May 30, 1968, History and Public Policy Program Digital Archive, TsDAHOU, F. 1, Op. 25, Spr. 28, Ll. 128-134. http://digitalarchive.wilsoncenter.org/document/113086 Summary: P. Shelest reports to the CPSU CC about the observations of Ukrainian journalists inside Czechoslovakia during the developing 1968 crisis. Original Language: Russian Contents: English Translation C P S U C C In connection with preparations for the Days of UkrSSR Culture in the CSSR in May, a group of journalists from the Ukrainian SSR visited Czechoslovakia. They stopped in Prague, Bratislava, Brno, Ostrava, Hradec Králové, Banská Bystrica, and Košice, where they met and spoke with party activists, members of the press, television and radio employees, and the creative intelligentsia. The content of these discussions sheds light on the current situation, which is the backdrop for events now under way in Czechoslovakia. Some of the Czechoslovak comrades, when characterizing the general situation in the country, told our journalists that “Czechoslovakia today is reminiscent of a furiously speeding stagecoach whose horses are pulling it from whatever side they please. The tragedy of the situation is that the stagecoach does not have a driver. That's why no one knows where it will end up.” 192 It was also said that “democratization” now is reminiscent of an uncontrollable rock avalanche that no one is able or brave enough to stop. During a trip around the country, our journalists were repeatedly confronted by evidence that the KSC is occupying a passive, wait-and-see position, and that members of the party often are not even putting up a fight before conceding the political battlefield to people who not only are estranged from socialism, but are even outright enemies. -
La República Checoslovaca 1936 - «España En Nosotros» / Czechoslovakia 1936 - Spain Inside Us
La República Checoslovaca 1936 - «España en nosotros» / Czechoslovakia 1936 - Spain inside us JARMILA DOUBRAVOvá Western Czech University, Prague Abstract La guerra civil en Espaňa inspiró el eco en la cultura y sociedad checoslovaca de esa época. Especialmente los intelectuales de orientación de izquierda reaccionaron a lo que ocurría en España. El izquierdismo mismo tuvo carácter que más tarde aclaró Raymond Aron. Eso fue la vanguardia a la que perteneció por ejemplo el Teatro liberado de Voskovec y Werich, el teatro de E.F.Burian y también numerosos particulares de varias especialidades artísticas y grupos artísticos ( por ejemplo los surrealistas, los miembros del grupo „Devětsil“ y otros.) Mencionemos algunos ejemplos: „Španělskou zemi mám tak rád“- Tengo amor por España de Jiří Voskovec y Jan Werich con la música de Jaroslav Ježek, La Marcha española del compositor y artista teatral E.F.Burian al texto de František Halas, „Španělsko v nás“ - España en nosotros, canción compuesta por Jaroslav Doubrava al texto de Josef Hora, la caricatura de Adolf Hoffmeister creada para la miscelánea sobre el Teatro liberado en el aňo 1937, etc. La guerra civil en España fue el evento. Sus combatientes checos, voluntarios, tuvieron el signo de esta participación en los aňos cincuenta (prisión). En la época de la „dicha“ Primavera de Praga de 1968 ellos que sobrevivieron llegaron a ser representantes del nuevo corriente político (por ejemplo el general Josef Pavel). La participación en la guerra civil de España pasó a ser símbolo de la lucha por la democratización del país. Proceedings of the 10th World Congress of the International Association for Semiotic Studies (IASS/AIS) Universidade da Coruña (España / Spain), 2012. -
Brundibár Study Guide (P
OPERA THEATRE OF SAINT LOUIS PRESENTS Brundibár Music by Hans Krása Libretto by Adolf Hoffmeister Study Guide for Teachers November 2009 Written by Amy and Arnold Stricker, Ed.D with contributions by Diane McCullough Table of Contents About the Opera …………………………………………………………………………… 3 History of Brundibár ……………………………………………………………………… 5 History of Terezin as Theresienstadt……………………………………………………… 6 Ela Weissberger Biography……………………………………………………………….. 8 Can You Hear Me Readers Theater……………………………………………………….. 11 Follow the Milk…………………………………………………………………………… 14 I See What You Are Saying………………………………………………………………. 16 I’m Just a Kid – Character Plus…………………………………………………………… 20 It Takes Just One - Leaders Big and Small……………………………………………….. 22 It Sounds Sort of Familiar………………………………………………………………… 24 The Truth, the Whole Truth, and Nothing but the Truth - Character Plus………………... 25 What Happens Next Is . …………………………………………………………………. 27 The Opera Game………………………………………………………………………….. 31 Orchestra Instruments found in the Opera Brundibár …………………………………….. 33 Opera Jeopardy Game…………………………………………………………………….. 35 Composing the Opera…………………………………………………………………….. 39 Music of Brundibár: What to Listen For………………………………………………….. 44 Vocabulary………………………………………………………………………………... 50 Web Sites…………………………………………………………………………………. 51 Brundibár Fairy Tale…………………………………………………………………….. 53 Brundibár Libretto………………………………………………………………………... 60 Additional Readings……………………………………………………………………… 71 Brundibár 1 OTSL 2009 Brundibár 2 OTSL 2009 Brundibár Overview by Area and Grade Page Com Social Char Theatre Music Gr. Gr. Gr. No. Arts Studies Ed 3-5 6-8 3-8 About the Opera 3 X X History of Brundibár 5 X X X History of Terezin as Theresienstadt 6 X Ela Weissberger Biography 8 X Can You Hear Me Readers Theater 11 X X X Follow the Milk 14 X X I See What You Are Saying 16 X X I’m Just a Kid – Character Plus 20 X X X It Takes Just One - Leaders Big and Small 22 X X X X It Sounds Sort of Familiar 24 X X The Truth, The Whole Truth – Character Plus 25 X What Happens Next Is . -
La República Checoslovaca 1936 - «España En Nosotros» / Czechoslovakia 1936 - Spain Inside Us
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repositorio da Universidade da Coruña La República Checoslovaca 1936 - «España en nosotros» / Czechoslovakia 1936 - Spain inside us JARMILA DOUBRAVOvá Western Czech University, Prague Abstract La guerra civil en Espaňa inspiró el eco en la cultura y sociedad checoslovaca de esa época. Especialmente los intelectuales de orientación de izquierda reaccionaron a lo que ocurría en España. El izquierdismo mismo tuvo carácter que más tarde aclaró Raymond Aron. Eso fue la vanguardia a la que perteneció por ejemplo el Teatro liberado de Voskovec y Werich, el teatro de E.F.Burian y también numerosos particulares de varias especialidades artísticas y grupos artísticos ( por ejemplo los surrealistas, los miembros del grupo „Devětsil“ y otros.) Mencionemos algunos ejemplos: „Španělskou zemi mám tak rád“- Tengo amor por España de Jiří Voskovec y Jan Werich con la música de Jaroslav Ježek, La Marcha española del compositor y artista teatral E.F.Burian al texto de František Halas, „Španělsko v nás“ - España en nosotros, canción compuesta por Jaroslav Doubrava al texto de Josef Hora, la caricatura de Adolf Hoffmeister creada para la miscelánea sobre el Teatro liberado en el aňo 1937, etc. La guerra civil en España fue el evento. Sus combatientes checos, voluntarios, tuvieron el signo de esta participación en los aňos cincuenta (prisión). En la época de la „dicha“ Primavera de Praga de 1968 ellos que sobrevivieron llegaron a ser representantes del nuevo corriente político (por ejemplo el general Josef Pavel). La participación en la guerra civil de España pasó a ser símbolo de la lucha por la democratización del país. -
Maximum Inventiveness Exhibition Catalogue
Maximum imaginativeness an exhibition on modern Czech book design (1900-1950) from the collections of the omas Fisher Rare Book Library, University of Toronto Exhibition and catalogue by Ksenya Kiebuzinski, with the contribution of Tim Klähn thomas fisher rare book library 28 September to 18 December 2015 Catalogue and exhibition by Ksenya Kiebuzinski General editors P.J. Carefoote and Philip Oldfield Exhibition designed and installed by Linda Joy Digital photography by Paul Armstrong Catalogue designed by Stan Bevington Endpapers by Kevin King Catalogue printed by Coach House Press library and archives canada cataloguing in publication omas Fisher Rare Book Library, issuing body, host institution Maximum imaginativeness : an exhibition on modern Czech book design (1900-1950) from the collections of the omas Fisher Rare Book Library, University of Toronto, 28 September to 18 December 2015 / exhibition and catalogue by Ksenya Kiebuzinski, with the contribution of Tim Klähn. Includes bibliographical references and index. isbn 978-0-7727-6116-3 (paperback) 1. omas Fisher Rare Book Library—Exhibitions. 2. Book design—Czechoslovakia—History—20th century—Exhibitions. 3. Avant-garde (Aesthetics)—Czechoslovakia—History—20th century —Exhibitions. I. Kiebuzinski, Ksenya, writer of added commentary, organizer II. Klähn, Tim, writer of added commentary III.Title. z246.t56 2015 686.094371074’713541 c2015-905373-0 Preface One of the great strengths of the Fisher Library collections centres on the broad theme of the book arts, beginning with examples of medieval manu- scripts, ranging through the early efforts of the first generations of printers aer Gutenberg, and continuing on to the great achievements of the Renais- sance printing houses.