Financial Statement 2019
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British Ballet Charity Gala
BRITISH BALLET CHARITY GALA HELD AT ROYAL ALBERT HALL on Thursday Evening, June 3rd, 2021 with the ROYAL BALLET SINFONIA The Orchestra of Birmingham Royal Ballet Principal Conductor: Mr. Paul Murphy, Leader: Mr. Robert Gibbs hosted by DAME DARCEY BUSSELL and MR. ORE ODUBA SCOTTISH BALLET NEW ADVENTURES DEXTERA SPITFIRE Choreography: Sophie Laplane Choreography: Matthew Bourne Music: Wolfgang Amadeus Mozart – Gran Partita and Eine kleine Nachtmusik Music: Excerpts from Don Quixote and La Bayadère by Léon Minkus; Dancers: Javier Andreu, Thomas Edwards, Grace Horler, Evan Loudon, Sophie and The Seasons, Op. 67 by Alexander Glazunov Martin, Rimbaud Patron, Claire Souet, Kayla-Maree Tarantolo, Aarón Venegas, Dancers: Harrison Dowzell, Paris Fitzpatrick, Glenn Graham, Andrew Anna Williams Monaghan, Dominic North, Danny Reubens Community Dance Company (CDC): Scottish Ballet Youth Exchange – CDC: Dance United Yorkshire – Artistic Director: Helen Linsell Director of Engagement: Catherine Cassidy ENGLISH NATIONAL BALLET BALLET BLACK SENSELESS KINDNESS Choreography: Yuri Possokhov THEN OR NOW Music: Piano Trio No. 1, Op. 8 by Dmitri Shostakovich, by kind permission Choreography: Will Tuckett of Boosey and Hawkes. Recorded by musicians from English National Music: Daniel Pioro and Heinrich Ignaz Franz von Biber – Passacaglia for solo Ballet Philharmonic, conducted by Gavin Sutherland. violin, featuring the voices of Natasha Gordon, Hafsah Bashir and Michael Dancers: Emma Hawes, Francesco Gabriele Frola, Alison McWhinney, Schae!er, and the poetry of -
Prospectus 2 About Us Rambert School, Is Recognised Internationally As One of the Small Group of First-Level Professional Dance Schools of the World
Director: Ross McKim MA PhD NBS (IDP) Patrons: Lady Anya Sainsbury CBE Robert Cohan CBE Prospectus 2 About Us Rambert School, is recognised internationally as one of the small group of first-level professional dance schools of the world. In order to remain so, and to support its students (given the demands they must confront), Rambert School provides a contained, bordered and protected environment through which an unusual and intense level of energy and professionalism is created, respected, treasured and sustained. “Rambert School is a place of education and training in Ballet, Contemporary Dance and Choreography. It seeks to cause or allow each student to achieve his or her unique potential personally and professionally. It encourages learning, reflection, research and creative discovery. Through these processes, as they relate to performance dance, all those at the school are provided with the opportunity to develop their vision, awareness, knowledge and insight into the world and the self. They may thus advance in terms of their art form and their lives.” Principal and Artistic Director Dr Ross McKim MA PhD NBS (IDP) Conservatoire for Dance and Drama Clifton Lodge, St Margaret’s Drive, Twickenham TW1 1QN Telephone: 020 8892 9960 Fax: 020 8892 8090 Mail: [email protected] www.rambertschool.org.uk 3 History Marie Rambert began teaching in London in 1919. In her autobiography she wrote, “In 1920 I collected the various pupils I had into a class and began teaching professionally.” This was the beginning of Rambert School which, in these early days, was based at Notting Hill Gate. Out of it grew Rambert Dance Company. -
Northern Ballet School Welcome Pack 2021/22 (PDF)
Northern Ballet School Manchester Welcome Pack ———— Join the movement Year 2021/22 ——— northernballetschool.co.uk Welcome to your Northern Ballet School Introduction from the College Principal of ICTheatre and Northern Ballet School ------ Congratulations on accepting your place to study at the Norther Ballet School. As the country emerges from the impact of the Covid 19 pandemic, whilst the green shoots of a changing industry are beginning to take hold, we are so excited to welcome you to our college. Our faculty of practitioners, artists and teachers are all incredibly motivated to share their diverse, first-hand professional expertise with you - as you begin your journey. Your first few days and weeks will see you step Ready yourself to open your mind, to embrace the outside your comfort zone, meet new, like-minded new and the unfamiliar. Prepare to stretch yourself people, and encourage you to embrace your both physically and mentally. Be open to new things, new Northern Ballet School family and all of the new ways of thinking, working, and performing. Learn opportunities that lie ahead. You will soon find to say ‘yes’ with the understanding that you will yourself surrounded by genuinely creative people discover and explore new enrichments, friendships bursting with ideas and potential. and industry connections that will provide you with all you need to enhance your ability to start a Manchester is such an exciting and energetic city, fulfilling career in the creative industries. and I would incite you to explore all the subtleties, scenes, and scenarios it offers up to its effervescent Lao Tzu, a Chinese philosopher, once said ‘every student population. -
Box Office 0113 220 8008 Book Online at Theatreleeds.Com
Box Office 0113 220 8008 Book Online at theatreleeds.com Mariposa Following an incredible Leeds debut in 2018, don’t miss the return of DeNada Dance Theatre with Mariposa, a transgender tragedy inspired by Puccini’s Madame Butterfly. Under the neon lights of a distant Caribbean port, a local rent boy and a foreign sailor fall ominously in love in choreographer Carlos Pons Guerra’s inventive reimagining. Experience this operatic dance drama set in post-revolution Cuba, with characters engulfed in a tropical storm of repressed desires. Mariposa is a passionate exploration of what we are ready to sacrifice in order to be loved DeNada Dance Theatre Dance DeNada and accepted. This brand new production is performed to original music by Luis Miguel Tuesday 12 October Cobo. Performance 7.30pm Age guidance: 12+ due to scenes and content of a Tickets £19 U26 MB sexual nature. Mutation Space A world première and part of Light Night Leeds 2021, Mutation Space is an immersive dance and visual experience exploring the human impact on our environment and health. Using live-motion sensor technology, UK dance artists Fubunation interact with large-scale projections by visual arts pioneer William Latham, their body movements driving the shape and colour of the projected images around them. With three performances per evening, you won’t want to miss making Mutation Space part of your Light Night experience this year. Leeds Dance Partnership Dance Leeds Thursday 14 & Friday 15 October Performances 6pm, 7pm & 9pm FREE event - no booking required Northern Ballet Northern Ballet Pinocchio Tuesday 26 – Saturday 30 October In a faraway land, a hard-working and lonely carpenter wishes for his puppet Tuesday 07 – Saturday 11 December Pinocchio to come to life. -
Northern Ballet's Dracula to Be Aired on BBC Four on Sunday 31 May At
Thursday 21 May 2020 For immediate release Northern Ballet’s Dracula to be aired on BBC Four on Sunday 31 May at 10pm David Nixon OBE’s Dracula will be shown on BBC Four on Sunday 31 May and BBC iPlayer throughout June as part of their popular Pay As You Feel Digital Season. After sell-out live performances and an international livestream last October, this adaptation of Bram Stoker’s classic will make its television debut at 10pm. northernballet.com/pay-as-you-feel Click here to download images When theatres closed in March Northern Ballet, along with the rest of the theatre industry, was severely impacted and had to cut their spring tour after just one performance. In response, the Company pledged to keep bringing world-class ballet to their audiences through a new Pay As You Feel Digital Season. To date the season has been watched by over 200,000 people and attracted donations of over £20,000. The Company is set to face a loss of over £1M in box office income due to COVID-19 which may impact their ability to pay their workforce, many of whom are freelancers, as well as their ability to present new ballets. Whilst theatres remain dark, the Company aims to continue making their performances available online and on TV, encouraging audiences to donate when they watch, if they are able. Those who wish to support the Company can donate at northernballet.com/pay-as-you-feel Dracula was recorded at Leeds Playhouse on Halloween 2019 and streamed live to over 10,000 viewers in cinemas across Europe. -
Emerging Dancer Tuesday 22 September 2020, 7.30Pm Live-Streamed Performance Digital Tickets: £5
English National Ballet Emerging Dancer Tuesday 22 September 2020, 7.30pm Live-streamed performance Digital Tickets: £5 www.ballet.org.uk/emerging On Tuesday 22 September 2020, English National Ballet’s Emerging Dancer competition will be broadcast live from the Production Studio at the Company’s East London home for the first time. The annual event, now in its 11th year, celebrates the bright future of ballet and the excellence of the Company’s young talent. This year’s event will be live streamed and available to watch online for just £5. Selected by their peers, six of the company's most promising dancers will take part in this year’s competition and have been paired up to perform a classical pas de deux and contemporary piece before a panel of esteemed judges. The winners of the Emerging Dancer and People’s Choice awards will be chosen on the night. The performances will be accompanied by live music performed by members of the English National Ballet Philharmonic. This year will see Ivana Bueno and William Yamada perform a pas de deux from Talisman, Emily Suzuki and Victor Prigent perform a pas de deux from Satanella and Carolyne Galvao and Angel Maidana perform a piece from Diana and Acteon. The contemporary section will see the couples perform three brand-new original works, created especially for the event. Ballet Black dancer and choreographer Mthuthuzeli November has created a piece for Ivana and William, ENB First Artist and Associate Choreographer Stina Quagebeur is creating for Emily and Victor and ENB Lead Principal Jeffrey Cirio is choreographing for Carolyne and Angel. -
Lewis Segal Collection of Dance and Theater Materials, 1902-2011; Bulk, 1970-2009
http://oac.cdlib.org/findaid/ark:/13030/c8c24wzf No online items Lewis Segal Collection of Dance and Theater Materials, 1902-2011; Bulk, 1970-2009 Preliminary processing by Andrea Wang; fully processed by Mike D'Errico in 2012 in the Center for Primary Research and Training (CFPRT), with assistance from Jillian Cuellar; machine-readable finding aid created by Caroline Cubé. The processing of this collection was generously supported by Arcadia funds. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2012 The Regents of the University of California. All rights reserved. Lewis Segal Collection of Dance 1890 1 and Theater Materials, 1902-2011; Bulk, 1970-2009 Descriptive Summary Title: Lewis Segal Collection of Dance and Theater Materials Date (inclusive): 1902-2011; Bulk, 1970-2009 Collection number: 1890 Collector: Segal, Lewis Extent: 24 record cartons (24 linear ft.) Abstract: Lewis Segal is a performing arts critic who has written on various topics related to the performing arts, from ballet to contemporary dance and musicals. He began working as a freelance writer in the 1960s for a number of publications, including the Los Angeles Times, Performing Arts magazine, the Los Angeles Free Press, Ballet News, and High Performance magazine. He joined the staff of the Los Angeles Times in 1976. From 1996 to 2008 he held the full-time position of chief dance critic, writing full features and reviews on dance companies and performing arts organizations from around the world. -
Dance Europe - December 2018 3
The Royal Ballet - Marianela Nuñez in Makarova's La Bayadère. © Emma Kauldhar by courtesy of the ROH Contents People Features 10 Yuri Fateyev 49 Talkback #metoo EMMA KAULDHAR meets the director of AMANDA JENNINGS considers the the Mariinsky Ballet implications raised by the revolutionary movement on the dance world 44 Laurel Dalley Smith and Lorenzo Pagano Balanchine: The City LUCY VAN CLEEF catches up with two 54 Center Years Europeans dancing with the Martha Graham TRINA MANNINO welcomes visitors to company in New York New York and considers their interpretations of key Balanchine ballets 72 Derek Deane AMANDA JENNINGS in conversation with Petipa's Architecture the director of the Shanghai Ballet 58 MIKE DIXON examines the intrinsic Premieres hallmarks of Marius Petipa's choreography La Bayadère in Berlin 70 Choreographic Academy 16 GERARD DAVIS talks with Ted Brandsen and LUCY VAN CLEEF savours Alexei Ratmansky's Ernst Meisner about a project to develop new reconstruction in Berlin new choreographers 28 Winterreise JESSICA TEAGUE considers Christian Spuck's 76 Bayerisches Junior Ballett new work for Ballett Zürich and three creations München for Zurich's Junior Ballet ALISON KENT talks with Ivan Liška about the work of the Heinz Bösl Foundation 6 ENTRE NOUS 80 YAGP in Paris Front cover: Staatsballett Berlin - EMMA KAULDHAR reports on this year's Polina Semionova in 84 AUDITIONS AND JOBS Alexei Ratmansky's La Bayadère. first European semi-final © Emma Kauldhar 99 WHAT’S ON 106 PEOPLE PAGE >>> Dance Europe - December 2018 3 DANCE EUROPE -
Cinderella Resource Pack
CINDERELLA A BALLET BY DAVID NIXON OBE RESOURCE PACK Introduction This resource pack gives KS2 and KS3 teachers and pupils an insight into Northern Ballet’s Cinderella. It can be used as a preparatory resource before seeing the production, follow up work after seeing the production or as an introduction to Northern Ballet or ballet in general. Contents • The History of Cinderella • • Characters • • Story • • About Northern Ballet’s Cinderella • • Costumes • • Sets • • Music • • Creative Team • • Terminology • • Gallery • Click on the links on each page to Terminology is highlighted and can find out more (external websites). be found at the back of this pack. This resource pack was created in autumn 2019. Photos Bill Cooper, Riku Ito, Emma Kauldhar and Dolly Williams. Cinderella is a universal story which has been re-written and retold in many different countries and cultures around the world. The oldest account of the story is from China, dating back to the 9th century AD. The well-known classic fairy tale was written by Charles Perrault and published in France as Cendrillon in 1697. Cendrillon told the story of a virtuous girl, whose mother dies, resulting in her being treated inhumanely by her family. In the end she is rescued by magical love from her mother beyond the grave. Task: How many elements of the Cinderella story do you know? A Stepmother and two Stepsisters A ball which Cinderella is not allowed to attend A visit by a Fairy Godmother The History of Receiving glass slippers Being home by midnight Losing a glass slipper Cinderella A Prince searching for the girl that fits the slipper There are numerous films, books, ballets and pantomimes which tell the story of Cinderella, all with their own interpretation. -
1 Tutors for Making Connections: a Symposium for Dance Teachers Dr
Tutors for Making Connections: A Symposium for Dance Teachers Dr Cathy Schofield BA, MSc, PhD Introduction to Psychology for Dancers and Psychological Wellbeing for Dancers Cathy has been a lecturer in sport and exercise psychology for over twenty years. She has been dancing for forty-five years, in styles including ballet, tap and salsa, as well as enjoying dancing in social contexts; specifically funk, jazz and northern soul. Catherine Yoshimura In Search of 'Plumb'— Living Consciously in our Bodies Both In and Out of the Studio Catherine Yoshimura trained with Ellis-DuBoulay and the Ruth Page Foundation. She danced professionally with Chicago Ballet, Ballet International in London, Milwaukee Ballet, BalletMet, and Les Grands Ballets Canadiens. She had the privilege to dance a wide range of classical roles as well as the works of Hans van Manen, George Balanchine, James Kudelka, and David Nixon. Catherine refined her teaching skills by studying with Yoko Ichino from whom she gained a unique understanding of the classical technique relative to individual students’ needs. She became a full time teacher at the BalletMet Dance Academy and prepared Academy students to perform in both company and student productions. Catherine is a certified Ashtanga Teacher at the 500-hour level, and has studied with Thomas Myers’ Anatomy Trains. She participated in the Paris Opera Ballet School’s first Teacher Seminar. In 2018, she presented the dance components of a Teacher Training Seminar in New Delhi that promoted gender equity utilising cricket motifs and dance - an initiative of the British Council, RAD and Marylebone Cricket Club. Dennie Wilson BA (Hons), MA, AdvDip Coach Developing and Engaging with Creativity through Choreographic Practice and The Principles, Practice and Practicalities of Coaching Dance and the Dancer Originally a professional dancer and then creator, Dennie has worked all over the world with artists using a range of mediums including film, stop motion animation and algorithmic choreography, to create unique installation and theatre pieces. -
Program Booklet
Amy Seiwert’s Imagery Presents: SKETCH 3: Expectations world premiere ballets by Marc Brew Val Caniparoli Amy Seiwert July 25–28, 2013 ODC Theater 3153 17th Street San Francisco, CA 94110 All logo and bubble photography by David DeSilva in collaboration with Bubble Master Sterling Johnson Dear Patron: Thank you so much for choosing to come to Amy Seiwert’s Imagery’s SKETCH 3. By doing so, you have supported Live Arts which, in and of itself, is important. But more than that, you have chosen to participate in a unique program. Each year, Amy identi"es a theme and invites stunning choreographers that she thinks have a pertinent message to create dances for Bay Area audiences — dances and choreographers that we wouldn’t, otherwise, be exposed to. Last year, she brought in female choreographers to present their individual message, commenting on the lack of female choreographers in the ballet "eld. This year, she has chosen to focus on process, shifting the focus from who makes the ballets, to how ballets are being made, as a theme. To accomplish this she invited a marvelous local choreographer familiar to Bay Area audiences through San Francisco Ballet, Val Caniparoli, as well as a renowned Australian choreographer, Marc Brew. And, we can thrill to a new o#ering by Amy herself. Michael Smuin once introduced Amy’s choreography by saying: “Amy has more originality in 25 seconds of work than most choreographers have in their entire work.” The SKETCH series is becoming a staple of mid-summer dance in San Francisco... but it won’t be able to continue without your generous support. -
Cinderella January 23, 2020
CINDERELLA JANUARY 23, 2020 STUDENT MATINEE STORY GUIDE WELCOME TO THE SAN FRANCISCO BALLET We are delighted to share the joy of dance and the expressive power of ballet with you and your students. San Francisco Ballet Student Matinee performances are a wonderful way to expose children to the transformative power of creativity through the performing arts. We invite you to explore the magical world of Christopher Wheeldon’s Cinderella©. This Student Matinee Story Guide includes resources to prepare children for the performance, including links to videos about Cinderella©. We encourage you to use the SF Ballet Student Matinee Education Guide before and after the performance to explore movement and dance, learn about ballet, and discover what happens behind the scenes of a ballet production. Symbols are used throughout this Guide to direct you to key concepts. indicates an activity or discussion question indicates a key concept about dance or the artistic process indicates a key concept about music for ballet indicates a look behind the scenes We hope the SF Ballet Student Matinee Education Guide, combined with the performance of Cinderella©, sparks conversation and reflection, inspires creative expression, and fosters an appreciation and understanding of dance as an art form. For additional information on San Francisco Ballet, plus pre-performance worksheets, post-performance writing activities, and materials for guided discussions about the performance and about the artistic process, please refer to our Student Matinee Performance Guide.