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Godzilla Music and Soundtracks
Godzilla music and soundtracks Alternate 1954-1975 01 - Akira Ifukube - Main Title (Godzilla; 1954) 02 - Akira Ifukube - Godzilla Comes Ashore (Godzilla; 1954) 03 - Akira Ifukube - End Title (Godzilla; 1954) 04 - Masaru Sato - Main Title (Godzilla Raids Again; 1955) 05 - Masaru Sato - End Title (Godzilla Raids Again; 1955) 06 - Akira Ifukube - Godzilla Rebirth (King Kong vs Godzilla; 1962) 07 - Akira Ifukube - Fumiko Delivery Plan (King Kong vs Godzilla; 1962) 08 - Akira Ifukube - King Kong Transportation Plan (King Kong vs Godzilla; 1962) 09 - Akira Ifukube - King Kong vs Godzilla (King Kong vs Godzilla; 1962) 10 - Akira Ifukube - Sacred Fountain (Mothra vs Godzilla; 1964) 11 - Akira Ifukube - Godzilla and Nagoya (Mothra vs Godzilla; 1964) 12 - Akira Ifukube - Mothra's Departure (Mothra vs Godzilla; 1964) 13 - Akira Ifukube - Kurobe Valley (Ghidorah, the Three-Headed Monster; 1964) 14 - Akira Ifukube - Birth of King Ghidorah (Ghidorah, the Three-Headed Monster; 1964) 15 - Akira Ifukube - Three Great Monsters Assembled (Ghidorah, the Three-Headed Monster; 1964) 16 - Akira Ifukube - Marsh Washigasawa and Lake Miyojin (Invasion of the Astro-Monsters; 1965) 17 - Akira Ifukube - Godzilla on the Lakebed (Invasion of the Astro-Monsters; 1965) 18 - Akira Ifukube - Saucer Appearance (Invasion of the Astro-Monsters; 1965) 19 - Akira Ifukube - Great Monster War March (Invasion of the Astro-Monsters; 1965) 20 - Masaru Sato - Yacht and Storm with Monster (Ebirah, Horror of the Deep; 1966) 21 - Masaru Sato - Flight (Ebirah, Horror of the Deep; 1966) -
You're Listening to Imaginary Worlds, a Show About How We Create Them
1 You’re listening to Imaginary Worlds, a show about how we create them and why we suspend our disbelief. I’m Eric Molinsky. When I was a kid, I used to watch something called the Creature Double Feature on Channel 56 every weekend afternoon. They were black and white monster movies from the ‘50s. The funny thing is, I didn’t really like them, but there was nothing else to watch in those days. The ones that used to freak me out the most were the movies about giant insects like “Them.” CLIP: THEM Usually on this show, I delve into genres that mean a lot to me. But I’m equally fascinated by the stuff that other people obsessed over. It adds another layer of mystery for me – like what is the cult following about? And in this case, I’m not talking about giant insects or the 50-foot woman or King Kong. There’s only one monster that matters. CLIP: GODZILLA DS: It was on Ch. 9, which is a local station in NY tri-state area, and my brother had been watching it, as with all things because I looked up to him, I started watching it, and it was like a real living dinosaur, which I also loved because I was 4 by the way who could shoot fire, I’m 43 and my feelings are still strong about this, who shot fire and destroy cities it was the best thing of all time. That’s my friend Dave Serchuck, who’s a journalist in Louisville. -
Macro Wrap-Up: a Monetary Policy Mechagodzilla
Macro Wrap-Up: A Monetary Policy Mechagodzilla August 3, 2018 Japan hasn’t played a large role in market moves this year. It’s been an afterthought in discussions about trade, with Europe, China and the U.S. getting most of the attention. Back in the 1980s and 1990s, even minor financial news stories from Japan could have major repercussions for currency, fixed income and equity markets, but now it seems Godzilla could attack Tokyo and global bond markets wouldn’t move a bp. That was until two weeks ago, when rumors of a Bank of Japan (BOJ) move began to spread. 1By Tuesday, trading desks in New York and London were left scrambling to find accurate translations of a BOJ press conference, and Japan suddenly seemed like the most relevant market in the world. Since the BOJ instituted its Yield Curve Control (YCC) policy in 2016, ten-year JGB yields have been in a very narrow range around 0 bps. The reason the BOJ moved from traditional quantitative easing to yield targeting was simply that its balance sheet had expanded so much that it seemed like it might run out of bonds to buy. 2YCC has solved that problem and kept ten-year rates pegged near zero, but it has also left volatility so low that some tactical investors have reduced their exposures to JGBs. Volumes in the market have declined.3 However, this complacency about Japan, on the part of international investors, may make global markets even more vulnerable to future moves in JGBs. Some strategists have suggested the low yields in Japan (and perhaps Germany) have dragged down global yields via the substitution effect. -
Bamcinématek Presents Ghosts and Monsters: Postwar Japanese Horror, Oct 26—Nov 1 Highlighting 10 Tales of Rampaging Beasts and Supernatural Terror
BAMcinématek presents Ghosts and Monsters: Postwar Japanese Horror, Oct 26—Nov 1 Highlighting 10 tales of rampaging beasts and supernatural terror September 21, 2018/Brooklyn, NY—From Friday, October 26 through Thursday, November 1 BAMcinématek presents Ghosts and Monsters: Postwar Japanese Horror, a series of 10 films showcasing two strands of Japanese horror films that developed after World War II: kaiju monster movies and beautifully stylized ghost stories from Japanese folklore. The series includes three classic kaiju films by director Ishirô Honda, beginning with the granddaddy of all nuclear warfare anxiety films, the original Godzilla (1954—Oct 26). The kaiju creature features continue with Mothra (1961—Oct 27), a psychedelic tale of a gigantic prehistoric and long dormant moth larvae that is inadvertently awakened by island explorers seeking to exploit the irradiated island’s resources and native population. Destroy All Monsters (1968—Nov 1) is the all-star edition of kaiju films, bringing together Godzilla, Rodan, Mothra, and King Ghidorah, as the giants stomp across the globe ending with an epic battle at Mt. Fuji. Also featured in Ghosts and Monsters is Hajime Satô’s Goke, Body Snatcher from Hell (1968—Oct 27), an apocalyptic blend of sci-fi grotesquerie and Vietnam-era social commentary in which one disaster after another befalls the film’s characters. First, they survive a plane crash only to then be attacked by blob-like alien creatures that leave the survivors thirsty for blood. In Nobuo Nakagawa’s Jigoku (1960—Oct 28) a man is sent to the bowels of hell after fleeing the scene of a hit-and-run that kills a yakuza. -
00:00:00 Dan Host on This Episode of the Flop House We Discuss—Godzilla: King of the Monsters!
00:00:00 Dan Host On this episode of The Flop House we discuss—Godzilla: King of the Monsters! [Audience applauds, cheers.] 00:00:07 Stuart Host Cars!!! 00:00:11 Music Music Light, up-tempo, electric guitar with synth instruments. 00:00:37 Dan Host Hey, everyone, and welcome to The Flop House. I’m Dan McCoy. 00:00:40 Stuart Host I’m Stuart Wellington! 00:00:42 Elliott Host And I’m Elliott Kalan. And we’re in Boston again. [Audience cheers, applauds.] 00:00:46 Crosstalk Crosstalk Elliott and Stuart: Oh, boy! 00:00:50 Elliott Host And Dan? When we’re in Boston, what do we like to do on this podcast? 00:00:53 Dan Host [Laughs.] Well, we like to do the same thing as we normally do, but we wear— 00:00:58 Elliott Host “Try to take over the world.” Pinky and the Brain. Wonderful, yes. [Audience laughs.] 00:01:02 Dan Host We talk about— 00:01:03 Stuart Host Wait—was that set in Boston? 00:01:05 Elliott Host Yeah. It was originally called Pinky and the Brain’s Boston Adventure. [Stuart laughs.] And then they were like, “They never leave the cage, really. Or they rarely do. So why are we calling it out as Boston? If we just take Boston out of the title then people can imagine it’s happening in their town.” And then the executives were like, “That would be frightening. If I had super-intelligent mice in my town? But okay! You’re Steven Spielberg We’ll do it!” [Audience laughs.] 00:01:30 Dan Host Um, so— [Laughs.] [Audience laughs.] I’m sorry. -
Rebook: Re-Using Content in Bioconductor Books
Package ‘rebook’ September 21, 2021 Version 1.2.1 Date 2021-08-27 Title Re-using Content in Bioconductor Books Description Provides utilities to re-use content across chapters of a Bioconductor book. This is mostly based on functionality developed while writing the OSCA book, but generalized for potential use in other large books with heavy compute. Also contains some functions to assist book deployment. Imports utils, methods, knitr (>= 1.32), rmarkdown, CodeDepends, dir.expiry, filelock, BiocStyle Suggests testthat, igraph, XML, BiocManager, RCurl, bookdown, rappdirs, yaml, BiocParallel, OSCA.intro, OSCA.workflows License GPL-3 VignetteBuilder knitr biocViews Software, Infrastructure, ReportWriting RoxygenNote 7.1.1 git_url https://git.bioconductor.org/packages/rebook git_branch RELEASE_3_13 git_last_commit fd68600 git_last_commit_date 2021-08-28 Date/Publication 2021-09-21 Author Aaron Lun [aut, cre, cph] Maintainer Aaron Lun <[email protected]> R topics documented: bioc-images . .2 bookCache . .3 buildChapterGraph . .4 chapterPreamble . .5 collapseStart . .6 1 2 bioc-images compileBook . .7 compileChapter . .8 configureBook . .9 createMakefile . 10 createRedirects . 12 deployCustomCSS . 13 extractCached . 14 extractFromPackage . 16 link ............................................. 18 openingDetails . 19 prettySessionInfo . 20 rmd2id . 21 scrapeDependencies . 22 scrapeReferences . 23 setupHTML . 24 updateDependencies . 25 Index 27 bioc-images Get various Bioconductor images Description Helper functions to pull down images to use in the book. These aim to provide a sensible default for Bioconductor-related books. Usage BiocFavicon() BiocSticker(mode = c("static", "animated")) Arguments mode String specifying the type of sticker to show. Value BiocFavicon will return a path to a favicon.ico file. BiocSticker will return a URL or path to a sticker. Author(s) Aaron Lun bookCache 3 Examples BiocFavicon() BiocSticker() bookCache Get the local book cache Description Get the path to the cache directory in which the book will be built. -
1521931399033.Pdf
By Goji-Anon Godzilla. A legend with over 50 years of cinematic history under his belt. His popularity is undeniable around the world - Hell some places ran news stories about Godzilla’s death in Godzilla vs Destroyah. So, it only makes sense that he would break into the world of American comics. The company that produces the greatest number of these comics is IDW comics. They’ve created an expansive universe for Godzilla and other assorted characters. The majority of these comics are just small mini-series telling interesting stories with Godzilla as the principal character; however, there is one series they have that’s connected. Godzilla: Kingdom of Monsters, Godzilla: Ongoing, and Godzilla: Rulers of Earth. This will be the continuity that you start in Jumper. You start just before Godzilla awakens and all Hell breaks loose. You’ll need some help to survive in this world jumper. Have 1000 CP to help you out. Locations (Roll 1D8) Tokyo, Japan The classic start. Japan’s bustling metropolis and the world largest monster magnet. This city isn’t as prone to monster attack as it is in the movies but it is still by far the most active when it comes to kaiju activity. Washington D.C, USA America’s capital city. Strangely enough this place doesn’t get hit to often by Kaiju attacks. At least, it’s not the first target hit. Paris, France The City of Lights. It’s best to be careful around here jumper; the city is soon to come under attack by the kaiju Battra under the order of two psychic, psychopathic twins: Minnette and Mallorie. -
D20: Toho Based Dungeons & Dragons
First Published: 10/09/02 Updated: 06/02/16 This article features rules for a Toho universe based Dungeons & Dragons (D&D) game. It adapts Godzilla, Mothra and characters from other science fiction and fantasy films like the Onmyoji series for the game. The rules are broken into four sections: Janjira: a Toho based setting Gods Monsters Spells and Domains Equipment Gods includes information on the god-kaiju of a Toho universe based campaign. The monsters are the various creatures of a Toho universe based game, including non-divine kaiju and monsters. Also includes rules on playing some of the more benign races. The History of Janjira The new world began with the destruction of the old one. Ten thousand years ago the nations of Janjira, who had long labored to secure their kingdoms against the trials and tribulations of the world, achieved their goal. Their greatest minds had derived wondrous technologies from the very foundations of the world, a melding of machine and magic. Where once children in remote villages grew up hungry and sick, automatons were brought to tend crops and heal their maladies. Houses in the mountains were filled with warmth during the coldest months of the year and the deadliest creatures of the wild were held in check by the awesome might of their arms. The most basic trials that had harried civilization since the beginning of time now assuaged, the people of Janjira set aside their toils and gazed out on their lands in peace. Years passed, and they forgot the struggles of their ancestors and set aside their gods, decreeing that their society had reached what must surely be perfection. -
Godzilla: Tokyo Clash Summary & Reference V1
The Esoteric Order of Gamers orderofgamers.com Dedicated to immersive, thematic tabletop games. Rules summaries, foamcore plans, battle reports, interviews, reviews, videos, tutorials – and lots more. Sign up to the monthly newsletter on the website! Follow the VIDEOS TWEETS EsotericOrderGamers @EOGamers EOG and Don’t miss PHOTOS NEWS a Thing! orderofgamers EOGamers SUPPORT ME SO I CAN MAKE MORE GUIDES LIKE THIS ONE! Since 2004, I’ve been supplying tabletop gamers with hundreds of free high-quality rules summaries! And the Esoteric Order of Gamers features hundreds of entertaining and informative videos about our excellent hobby. It takes time and money to do this work, and just a few $ a month really does help me do much more. Join the official EOG community – and get bonus rewards too! Please sign up and support me! patreon.com/esotericorder Thankyou! Peter (Universal Head) v1 Dec 2020 Game: GODZILLA: TOKYO CLASH Publisher: FUNKO GAMES (2020) Page 1: Rules summary front Page 2: Rules summary back Page 3: Play reference front Page 4: Play reference back Print on card (ensure you are printing at 100% scale) laminate and trim to size. These sheets are intended only for the personal use of existing owners of the game for additional reference. Universal Head makes no claim whatsoever to the rights of the publisher and copyright holder, and does not benefit financially from these player aids. Artwork from the original game is copyrighted by the publisher and used without permission. This PDF may not be re-posted online, sold or used in any way except for personal use. -
By Goji-Anon
By Goji-anon The year is 1999, the turn of the mellennia. One year ago a monster believed to be Godzilla attacked New York City, although Japanese analysts have doubts. These doubts are justified, as the true Godzilla is soon to begin his rampage once again. This Godzilla is not a hero there to save humanity, but, a constant villain and a threat to all that lives on Earth. That is not to say his only opponents are humans, quite the contrary, the Earth is a lightning rod for strange phenomena. Aliens that can absorb information, genetic or otherwise; prehistoric insects that feed off of energy and grow in power from it, a monster made from the amalgam souls of those who died in the bombings of Hiroshima and Nagasaki. Humanity is under siege from all sides and by forces of unimaginable power. However, humanity is not helpless in this fight. Their advances in science have given them a fighting chance against those who would destroy them. This is the world you enter Jumper. You could be the savior of humanity or their doom. To aid in your efforts Jumper you have been given: +1000 CP. The continuity of this era of Godzilla is convoluted with most of the films being direct sequels to the first film. Due to this you may choose whichever continuity-in the Millennium series- that you please. You will always start a week before the events of the film you’ve chosen. Locations Tokyo, Japan You begin where everything started. The epicenter of most of the goings on when in relation to Kaiju. -
Japanese Science Fiction, Fantasy and Horror Films
Japanese Science Fiction, Fantasy and Horror Films A Critical Analysis of 103 Features Released in the United States, 1950-1992 STUART GALBRAITH IV Research Associate R. M. HAYES with a foreword by BILL WARREN •if McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London Contents Acknowledgments xi Preface xiii A Note About the Text xxi "A Wind from the East" by Bill Warren xxiii The Fifties Rashomon (1950) 2 Throne of Blood (1957) 32 Tales of Ugetsu (1953) 4 Attack from Space (1958) 34 Godzilla, King of the Monsters! Evil Brain from Outer Space (1954/1956) 7 (1958) 35 Gigantis the Fire Monster (1955) 14 The H-Man (1958) 37 Half Human: The Story of the Invaders from Space (1958) 39 Abominable Snowman (1955/ Varan the Unbelievable (1958/ 1957) 18 1962) 41 The Mysterious Satellite (1956) 21 Battle in Outer Space (1959) 44 Rodan (1956) 23 The Ghost of Yotsuya (1959) 47 Atomic Rulers (1957) 26 Prince of Space (1959) 49 The Mvsterians (1957) 28 The Three Treasures (1959) 51 The Sixties The Final War (1960) 54 Gorath (1962) 72 The Human Vapor (1960) 55 King Kong vs. Godzilla (1962/ The Secret of the Telegian (1960)1 57 1963) 76 Invasion of the Neptune Men Atragon (1963) 81 (1961) 60 Attack of the Mushroom People The Last War (1961) 63 (1963) 84 The Manster (1961) 66 The Lost World of Sinbad Mothra (1961) 68 (1963) 87 Contents Dagora, the Space Monster War of the Monsters (1966) 138 (1964) 90 King Kong Escapes (1967) 141 Godzilla vs. the Thing (1964) 92 Monster from a Prehistoric Ghidrah: The Three-Headed Planet (1967) 145 -
Cyclopaedia 18 – Kaiju Overview Articles
Cyclopaedia 18 – Kaiju By T.R. Knight (InnRoads Ministries * Article Series) Overview Who are the biggest of the Kaijū derives from the Japanese for "strange big? beast" but in more common vernacular these are giant monster stories. Giant monsters Some debate which are the greatest of the attacking cities (especially Tokyo), the Kaiju. The top quartet are easy to choose military defending the city, giant monsters (Gamera, Godzilla, King Kong, and Mothra). fighting each other, and secret societies or The most commonly discussed and with the aliens betting involved. These were all most screen time include… trademarks of the kaiju genre. • Destroyah Gojira (translated as Godzilla in the US) • Gamera receives credit for being the first ever kaiju • Godzilla film. Released in 1954, it is considered the • King Ghidorah first kaiju film but it is not the first giant • King Kong monster movie. King Kong and The Beast • MechaGodzilla from 20,000 Fathoms were hits in the US and • Mothra Japan, so Gojira was the Japanese cinematic • Rodan response to those popular films. Tomoyuki Tanaka of Toho Studios combined the Following are sources of information Hollywood giant monster concept with the pertaining to Kaiju to assist prospective growing fear of atomic weapons in Japan. game masters, game designers, writers, and The movie was a huge success in Japan, storytellers in knowing where to start their spawning the kaiju movie genre. The movie research. was so popular in Japan it was brought to the US as Godzilla, King of Monsters. Articles In the US, the Create Double Feature matinee and Mystery Science Theater 3000 developed Godzilla: why the Japanese original is no a massive following for these kaiju movies joke from Japan.