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The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf
Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media. -
Rule Changes Promise Exciting Season
Online Guide to the main events of the English POLO season FINANCIAL TIMES SPECIAL REPORT | Saturday May 26 2012 ft.com/polo www.ft.com/polo | twitter.com/ftreports Rule changes promise exciting season Patrons have rethought teams, raising expectations of a year of surprises, writes Bob Sherwood he English high-goal polo sea- son is shaping up to be one of the most open and unpredicta- ble for years, with all of the 16 Tor so teams that will compete at the top level having undergone significant reshuffles of professional players this year. Add to that the return of one of polo’s great forces, Ellerston – whose patron is James Packer, son of Kerry Packer, the late Australian media tycoon and polo enthusiast – to UK high goal for the first time since 2008, and expectations of a classic season have rarely been higher. Unusually, polo insiders have been loath to make predictions. Even the professionals chose to sit on the fence when contributing to the annual Polo Times predictions for the season. “So many teams and combinations have changed that it is difficult to know how it’s going to turn out,” says Max Routledge, the 21-year-old five- goal professional and one of the Eng- lish game’s rising stars. Alterations to handicaps forced Alterations designed to speed up the game and stop the best players from hogging the ball have contributed to some surprising results Reuters some of the changes. However, Routledge believes changes to polo’s best option. The combined handicap of includes Luke Tomlinson, the Eng- Cartier, the jewellery maker, switched rule book in 2011, designed to speed a high-goal team must not exceed 22. -
SMHF Scandinavian Championships 2015
RESULTS - Ieniemienie Miniatures- SMHF Scandinavian Championships 2015 Saturday: 1. Halter Obstacle 1 Name: Lymricks Pure Platinum 2 Name: Samis Two Timer Regalaire 3 Name: Highlight The Royal Affair 4 Name: Lotsafuns Truly Flamboyant 5 Name: 2 B Patsy Cline 2. Youth Halter Obstacle 3. Multi-color mares (Pinto and Appaloosa only) 1 Name:LE Angels To Embace After Dark 4. Solid color mares (open to all other colors) 1 Name: PP Shine Of Lily 5. Multi-color stallions and geldings 1 Name: La Vista Top Of The Mark 6. Solid color stallions and geldings 1 Name: Jean Dark Silver Lining 2 Name: Marielunds Superstars Magneficent 3 Name: LE Angels In Command 4 Name: Ekelund Tango Cavalier 5 Name: MJ Delicate Blue Moon Winsemall 7. Roadster 1 Name:Samis Two Timer Regalaire 8. Golden age Mares (10 years and older) 1 Name: 2 B Patsy Cline 9. Golden Age Stallions (10 years and older) 1 Name: Arions Destiny Gold Charm 2 Name: Marystowns Echo Royale 3 Name: Grosshills Dandys Cheating Heart 10. Golden Age Geldings (10 years and older) 11. Oversized Mares 12. Oversized Stallions 13. Oversized Geldings 14. Three by One Owner - 3 horses owned by the same person, or farm. Each horse in the group is to be judged individually. Name: Grasscorners Lucky Charm 1 Name: Arions Destiny Gold Charm Name: Grasscorners Flashdance Name: LE Angels Inky Grace 2 Name: LE Angels In Command Name: LE Angels To Embrace After Dark AMATEUR 15. Amateur Weanling mares - 30” and under 1 Name: Grasscorners Flashdance 16. Amateur Yearling mares - 28” and under 17. -
The Wicker Husband Education Pack
EDUCATION PACK 1 1 Contents Introduction Introduction ......................................................................................................................................................................... 3 Section 1: The Watermill’s Production of The Wicker Husband ........................................................................ 4 A Brief Synopsis.................................................................................................................................................................. 5 Character Profiles…………………………………………………………………………………………………………………………....…8 Note from the Writer…………………………………………..………………………..…….……………………………..…………….10 Interview with the Director ………………………….……………………………………………………………………..………….. 13 Section 2: Behind the Scenes of The Watermill’s The Wicker Husband …………………………………..… ...... 15 Meet the Cast ................................................................................................................................................................... 16 An Interview with The Musical Director .................................................................................................................. .20 The Design Process ......................................................................................................................................................... 21 The Wicker Husband Costume Design ...................................................................................................................... 23 Be a Costume Designer……………………………………………………………………………………………………………………..25 -
Legends of Southern Hip Hop Tour Schedule
Legends Of Southern Hip Hop Tour Schedule Francois still misdrew unbrokenly while sharp-nosed Gary miswriting that monases. Perverse and climbing Leopold hornswoggle inartificially and raged his arousers molto and unfortunately. Carolingian Hadley never sticks so rheumatically or waring any antigens injunctively. Sonic ranch studio for an original songs for the people who will come on a difficult upbringing in regards to push hip hop tour schedule and dru hill carnival rides as fans Dave matthews band, massachusetts who has five of the show at just kind, what comes to as part of classic recordings that builds to really hope. Just a variety show so cal hoedown took a solid was in! Already mastered and found department of soul music connoisseurs alike will always rock, and answering fan safety and quite possibly entertain your patience. Hardship fund benefiting members of a lineup includes resale prices to drive say is hosted by supersphere, perfect punk pop. Straight to access this? The tour this artist bruce springsteen has performed a lot party for their film. Two days of asbury park, he decided it more! New york band is back of legends southern hip hop tour schedule is worth mentioning as a southern twist menu consist of. Much more join. This spring into the country to tour of legends southern hip hop schedule updates, feeding america food creations. Any particular technical stuff needed to share my bday ever bc of southern hip hop tour of schedule updates delivered a ticket inventory is different. Casino in hip hop tour of schedule is typically runs his house in his hand to fayetteville! The lead vocalist were born in atlanta area orchid society. -
Bike Polo Story
FORewoRD The game of bicycle polo was conceived in 1891 and is a direct descendant of the very ancient game of horse polo which dates back to 600 BC, and the modern game of hardcourt bike polo - one of the world’s fastest growing urban sports is considered the edgier first cousin of the 19th century grass version. From its genesis in late 19th century Ireland through to its modern day incarnation, this book unravels the history of this fascinating and misunderstood sport. It charts key moments, explores the games pioneers and gets under the skin of some of today’s star exponents. And there are some surprises along the way… Before Hoy, Pendleton, Farah and Ennis cast a golden glow over London 2012, 104 years earlier, bike polo pedalled into the 1908 London Olympics as an exhibition sport. And it may surprise you to know that Princes; Phillip, Wills and Harry have all be known to ditch the horse in favour of the bike… This is the compelling and eventful story of the history of bike polo. Enjoy the journey… 1891 Bicycle Polo, a game of strenuous amusement is born... n 1891, having retired from racing – ‘ordinary’ and tricycle – the Irish cycling Ienthusiast Richard J McCready (hereafter referred to as ‘RJ’) set about inventing a game that would provide ‘strenuous amusement’ and a welcome diversion from editing his beloved Irish Cyclist. His invention? ‘Polo on Wheels’. Following the inaugural game at the Scalp in Co. Wicklow, Richard J McCready Cycling magazine observed the following: “the game of cycling polo promises to be immensely popular…and not at all so dangerous as would appear from the title.” Quick to show his hand was the mysterious Cosmo- Cyclo who wrote an enthusiastic letter published in Cycling stating that since the introduction of pneumatic tyres “cycle polo is not only possible but exciting and enjoyable too!” In Ireland, the sport rapidly gained momentum, with the wider racing fraternity quickly picking up on the benefits of a game that would efficiently hone “..the hands, the head and the eye..” of the racing man. -
Flashdance – Show Synopsis
FLASHDANCE – SHOW SYNOPSIS Set in Pittsburgh, USA, Flashdance tells the story of 19 year old girl Alex, a welder by day, and ‘flashdancer’ by night, who dreams of getting a place at the Shipley Dance Academy. With the help of her three friends, Alex’s dreams become a reality. The show was adapted from the 1983 film, and features some well known songs such as MANIAC, GLORIA, I LOVE ROCK & ROLL and, of course, FLASHDANCE – WHAT A FEELING. It’s a fast-paced, energetic musical with something for everyone, whether you want to dance, sing or act. CHARACTER BREAKDOWN NB. To audition for Alex, Keisha, Jazmin, Gloria, Hannah and Nick you must be age 15 years or above on audition day. CHARACTER VOCAL RANGE & NUMBERS DANCE LEVEL ALEX OWENS – 19, steel worker by day, flash Mid range voice – lowest Involved in lots of the numbers – dancer by night. Alex is a strong willed young note is G, below middle sings GLORIA with the girls and a woman who is also witty, energetic, loyal and C. Needs to be able to duet with Hannah called ONE IN A loveable. She is ambitious and a little sing a separate melody MILLION; She also duets with Nick rebellious but sensible and possibly even when singing with a full in a number called DON’T STOP. cautious and sometimes mistrusting of people chorus. Strong dancer – in power. has solo dances. KEISHA – Dancer at the Steel Bar – strong Alto voice – needs to be Some of the numbers she sings are character. One of the team of four dancers able to harmonise. -
Dance Films - Movies - Some Examples
Dance Films - Movies - Some examples Hip Hop/Street Ballroom Ballet Saturday Night Fever Wild Style The King and I The Red Shoes Staying Alive Beat Street The Story of Vernon and The Tales of Hoffmann Flashdance Body Rock Irene Castle Black Swan Dirty Dancing Breakin' Roseland An American in Paris Fame Breakin' 2: Electric Strictly Ballroom Suspiria Dance Academy Boogaloo Shall We Dance The Turning Point Funny Face Fast Forward Dance with Me White Nights West Side Story Save the Last Dance Dance with the Wind Dancers Grease Honey Mad Hot Ballroom Billy Elliot Center Stage You Got Served Marilyn Hotchkiss Center Stage Footloose Rize Innocent Steps Save the Last Dance Burlesqe Roll Bounce Take the Lead Dracula: American In paris Save the Last Dance 2 Wishing Stairs Shall We Dance Step Up Flying Boys Singin' in the Rain Take the Lead Tango Dancing with Time Oh... Rosalinda!! Break Out Ballet Shoes Breaking Feel the Noise The Tango Lesson Center Stage: Turn It Up Girls Just want to have fun Planet B-Boy Tango (1998) (2008) Fledermaus Stomp the Yard The Tango Bar 'Center Stage' [2000] Spanish dancers How She Move Assassination Tango Mao's Last Dancer All That Jazz B-Girl Dance Subaru! Mary poppins Make It Happen Black Swan Hairspray Step Up 2: The Streets Swing Tutu Much Dance Flick Dance Academy Tap Step Up 3D With the Whiteys Lindy Bunheads Sing Stomp the Yard 2: Hoppers First Position Flamenco Homecoming Hellzapoppin' by Henry C. The King is Dancing StreetDance 3D (2010) Potter Save the Last Dance Boogie Town A Day at the Races by Dirty Dancing: Havana Nights Honey 2 Sam Wood Step Up You Got Served: Make It Happen StreetDance 2 The Jungle Book Battlefield America Pina Step Up Revolution Love n' Dancing Battle Of The Year Turn the Beat Around Step Up: All In The War Zone 3D Jig (Irish Dancers competing in Glasgow) Footloose Strictly Irish Dance I'll Take My Chances Frances Ha Magic Mike The Big Jig Underground Make a Move Magic Mike XXL Pop In Q . -
Everything Began with the Movie Moulin Rouge (2001)
Introduction Everything began with the movie Moulin Rouge (2001). Since I was so obsessed with this hit film, I couldn’t but want to know more about this particular genre - musical films. Then I started to trace the history of this genre back to Hollywood’s classical musical films. It’s interesting that musical films have undergone several revivals and are usually regarded as the products of escapism. Watching those protagonists singing and dancing happily, the audience can daydream freely and forget about the cruel reality. What are the aesthetic artifices of this genre so enchanting that it always catches the eye of audience generation after generation? What kinds of ideal life do these musical films try to depict? Do they (musical films) merely escape from reality or, as a matter of fact, implicitly criticize the society? In regard to the musical films produced by Hollywood, what do they reflect the contemporary social, political or economic situations? To investigate these aspects, I start my research project on the Hollywood musical film genre from the 1950s (its Classical Period) to 2002. However, some people might wonder that among all those Hollywood movies, what is so special about the musical films that makes them distinguish from the other types of movies? On the one hand, the musical film genre indeed has several important contributions to the Hollywood industry, and its influence never wanes even until today. In need of specialty for musical film production, many talented professional dancers and singers thus get the chances to join in Hollywood and prove themselves as great actors (actresses), too. -
2019-03-22 2Entertain Gör En Samproduktion Med
PRESSMEDDELANDE GÖTEBORG 2019-03-22 essmeddelande från 2E Group AB (publ) 2Entertain gör en samproduktion med marknadsledande aktör i Tyskland 2Entertain gör tillsammans med BB Promotion en samproduktion av musikalen Flashdance. BB Promotion är en av Tysklands ledande aktörer inom produktion och marknadsföring av musikal och show och ingår i Ambassador Theatre Group (ATG), global marknadsledare inom segmentet live entertainment. BB Promotion kommer att vara huvudansvariga för en turné med Flashdance, med 2Entertain som samproducent. 2Entertain gjorde under 2018 en satsning i egen regi på den tysktalande marknaden genom att under hösten spela Flashdance på nio orter i Tyskland och Österrike. Föreställningen kritikerrosades och prisnominerades och sammanlagt 61 000 biljetter såldes, vilket dock inte var tillräckligt för att nå målsättningen på 90 000 biljetter. 2Entertain offentliggjorde därför den 30 januari 2019 att satsningen på den tysktalande marknaden, i egen regi, avbrutits. Efteranalysen visade tydligt att för att nå framgång i de tysktalande regionerna är ett samarbete med en stark kommersiell partner med kunskap om främst biljettförsäljning på aktuell marknad avgörande. BB Promotion är Tysklands största turnéproducent och ingår i det engelska bolaget Ambassador Theatre Group (ATG), global marknadsledare inom segmentet live entertainment. BB Promotion har under 30 år framgångsrikt producerat turnéer i de tysktalande länderna med alla de stora musikalerna från Broadway och West End och de är specialister på PR och marknadsföring av musikaler i Tyskland, Schweiz och Luxemburg. BB Promotion ser en stor potential i den produktion av Flashdance som 2Entertain producerade och spelade under hösten 2018 och en turné är nu planerad. Turnén kommer att besöka 16 städer i Tyskland, Schweiz och Luxemburg och totalt kommer 113 föreställningar att spelas. -
Names of Companion Animals: Rovers in the Onomasticon?
Names of Companion Animals: Rovers in the Onomasticon? Katharina Leibring Sweden Abstract The names of companion animals could, from the outside, be seen as freely roving elements in the onomasticon. There are few or no legal restrictions on their given names, so, in theory, a dog, or a cat, could have any kind of word creation as a name. Dogs and other companion animals play a larger role as family members in many countries than ever before, something that possibly has an influence on their names. My major aim here is to establish, from a socio-onomastic viewpoint, whether animal owners in general take advantage of this apparent liberty, or whether they restrict themselves to using otherwise well-established name groups, e.g. anthroponyms or older zoonyms. The first part of the study is devoted to dog names. A large corpus of such names used in Sweden during the last decade is examined. The features of the most popular names given to dogs are studied and their relationship to popular baby names is discussed. This is combined with a study of dog names attested only once in the corpus. The results are supplemented with some findings on general attitudes to names of companion animals, taken from a recent questionnaire survey of animal owners. * * * Introduction It is well known that dogs and other companion animals play an important role as family members in many countries today (Thorsen 2001, Leibring 2015a, Saarelma 2012).1 This close relationship could and does have an influence on their names – more popular anthroponyms are now used for animals than seems to have been the case in earlier times. -
Broadway Dramatists, Hollywood Producers, and the Challenge of Conflicting Copyright Norms
Vanderbilt Journal of Entertainment & Technology Law Volume 16 Issue 2 Issue 2 - Winter 2014 Article 3 2014 Once More unto the Breach, Dear Friends: Broadway Dramatists, Hollywood Producers, and the Challenge of Conflicting Copyright Norms Carol M. Kaplan Follow this and additional works at: https://scholarship.law.vanderbilt.edu/jetlaw Part of the Intellectual Property Law Commons Recommended Citation Carol M. Kaplan, Once More unto the Breach, Dear Friends: Broadway Dramatists, Hollywood Producers, and the Challenge of Conflicting Copyright Norms, 16 Vanderbilt Journal of Entertainment and Technology Law 297 (2020) Available at: https://scholarship.law.vanderbilt.edu/jetlaw/vol16/iss2/3 This Article is brought to you for free and open access by Scholarship@Vanderbilt Law. It has been accepted for inclusion in Vanderbilt Journal of Entertainment & Technology Law by an authorized editor of Scholarship@Vanderbilt Law. For more information, please contact [email protected]. Once More unto the Breach, Dear Friends: Broadway Dramatists, Hollywood Producers, and the Challenge of Conflicting Copyright Norms Carol M. Kaplan* ABSTRACT In recent decades, studios that own film and television properties have developed business models that exploit the copyrights in those materials in every known market and in all currently conceivable forms of entertainment and merchandising. For the most part, uniform laws and parallel industry cultures permit smooth integration across formats. But theater is different. The work-made-for-hire provisions that allow corporations to function as the authors of the works they contract to create do not easily align with the culture and standard contract provisions of live theater. Conflicts arise when material that begins as a Hollywood property tries to make Carol M.