DOCSLIB.ORG

Miscelánea: a Journal of English and American Studies 26 (2002): Pp

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

revista de estudios ingleses y norteamericanos miscelánea vol. 26 Volumen de literatura, 2002 cine y estudios culturales Miscelánea: A Journal of English and American Vol. 26 • 2002 Studies se publica con la ayuda económica del (Volumen de literatura, cine y estudios cultruales) Departamento de Filología Inglesa y Alemana de la facultad de Filosofía y Letras y del Vicerrectorado de Investigación de la Universidad de Zaragoza. Dirección, coordinación, tratamiento de textos y edi- ción electrónica (vol. 26): Publicación semestral (2 vols. al año) del María Dolores Herrero Granado, Directora Departamento de Filología Inglesa y Alemana de la Rosa Lorés Sanz, Subdirectora Universidad de Zaragoza. Published twice a year by Hilaria Loyo Gómez, Subdirectora the Department of English and German Philology, University of Zaragoza, Spain. Editor de estilo Timothy Bozman Las suscripciones deberán dirigirse a / Please address subscriptions to: Auxiliares de redacción M.ª Mar Azcona Montoliu Revista Miscelánea Ana Matamala Adell Servicio de Publicaciones de la Universidad de Zaragoza Diseño gráfico Edificio de Geológicas Isidro Ferrer Ciudad Universitaria 50009 Zaragoza Maquetación Prensas Universitarias de Zaragoza Precio de la suscripción (anual)/ Edificio de Geológicas Subscription price (2 volumes): Ciudad Universitaria 15 euros 50009 Zaragoza (IVA incluido/ VAT included) Imprime: Edición y © : Litocian, S. L. Departamento de Filología Inglesa y Alemana de la Universidad de Zaragoza Selección de textos: ISSN: 1137-6368 Consejo de redacción de Miscelánea Depósito legal: Z-3207-1994 a journal of english and american studies miscelánea 3 Universidad de Zaragoza 2002 Departamento de Filología Inglesa y Alemana Edición electrónica Internet homepage: http://fyl.unizar.es/miscelanea/miscelanea.html 4 miscelánea Directora Consejo de Redacción/ M. Dolores Herrero Granado Editorial Board Enrique Alcaraz Varó, Subdirectoras Universidad de Alicante Rosa Lorés Sanz José Luis Caramés Lage, Hilaria Loyo Gómez Universidad de Oviedo Francisco Collado Rodríguez, Editor de Estilo Universidad de Zaragoza Timothy Bozman Ángeles de la Concha, Universidad N. de Educación a Distancia Chantal Cornut-Gentille D‘Arcy, Universidad de Zaragoza Departamento de Filología Inglesa y Alemana Juan José Coy Ferrer, Facultad de Filosofía y Letras Universidad de Salamanca Universidad de Zaragoza Juan José Cruz Hernández, 50009 Zaragoza • Spain Universidad de La Laguna Tel. 976 761 529 - 976 762 237 - 976 761 518 Fax. 976 761 519 Juan M. de la Cruz Fernández, E-mail: [email protected] Universidad de Málaga [email protected] Carmelo Cunchillos Jaime, [email protected] Universidad de La Rioja Edicion en Red / Online Edition: Celestino Deleyto Alcalá http://fyl.unizar.es/miscelanea/miscelanea.html Universidad de Zaragoza Rocio G. Davis, Ana Hornero Corisco, Universidad de Navarra Universidad de Zaragoza Angela Downing, Carlos Inchaurralde Besga, Universidad Complutense de Madrid Universidad de Zaragoza Angus Easson, Robert W. Lewis, University of Salford University of North Dakota Peter Evans, Pilar Marín, Queen Mary and Westfield College, University Universidad de Sevilla of London J. Hillis Miller, Teresa Fanego Lema, University of California, Irvine Universidad de Santiago de Compostela Marita Nadal Blasco, Kathleen Firth, Universidad de Zaragoza Universidad de Barcelona Mª Pilar Navarro Errasti, Celia Florén Serrano, Universidad de Zaragoza Universidad de Zaragoza Carmen Olivares Rivera, José Ángel García Landa, Universidad de Zaragoza Universidad de Zaragoza Macario Olivera Villacampa, Francisco Garrudo Carabias, Universidad de Zaragoza Universidad de Sevilla Susana Onega Jaén, José Luis González Escribano, Universidad de Zaragoza Universidad de Oviedo Beatriz Penas Ibáñez, 5 Constante González Groba, Universidad de Zaragoza Universidad de Santiago de Compostela Ramón Plo Alastrué M. Isabel González Pueyo, Universidad de Zaragoza Universidad de Zaragoza Constanza del Río Álvaro, José Luis Guijarro Morales, Universidad de Zaragoza Universidad de Cádiz Francisco J. Ruiz de Mendoza Ignacio Guillén Galve Ibáñez, Universidad de Zaragoza Universidad de La Rioja Leo Hickey, Andrew Sanders, University of Salford University of Durham Pilar Hidalgo Andreu, Ignacio Vázquez Orta, Universidad de Málaga Universidad de Zaragoza Andrew Higson, Patrick Zabalbeascoa Terrán, University of East Anglia Universidad Pompeu Fabra table of contents Articles 11 21 39 CHRISTIAN GUTLEBEN LUIS MIGUEL GARCÍA MAI- LOURDES LÓPEZ ROPERO 6 (University of Strasbourg) NAR (University of Alicante) (University of Zaragoza) Palindromes and ‘Some of All of Us in You’: Palimpsests: Strategies of Genre, Auteur and Identity Intra-racial Relations, Deliberate Self-contradiction in Contemporary Pan-Africanism and in Postmodern British Hollywood Cinema: Clint Diaspora in Paule Fiction Eastwood’s White Hunter, Marshall’s The Fisher King Black Heart 5971 91 MÓNICA CALVO PASCUAL SONIA BAELO ALLUÉ ANUPAM NAGAR (University of Zaragoza) (University of Zaragoza) (University of North Guja- rat, India) My Beautiful Laundrette: Serial Murder, Serial Hybrid “Identity”, or the Consummerism: Bret The Two Sides of a Single Paradox of Conflicting Easton Ellis’s American Coin: Karun Rasa and Identifications in “Third Psycho (1991). Tragic Feeling Space” Asian-British Cinema of the 1980s. Reviews 103 109 113 CHRISTIAN GUTLEBEN ANNE MacCARTHY SUSANA ONEGA AND JOHN A. STOTESBURY Nostalgic Postmodernism: James Clarence Mangan, (EDS.) The Victorian Tradition and Edward Walsh and the Contemporary British Nineteenth-Century Irish London in Literature: Novel Literature in English Visionary Mappings of the (by M.a Jesús Martínez (by Teresa Sixto Rey. Metropolis Alfaro. University of University of Santiago de (by Christian Gutleben. Zaragoza) Compostela) University of Strasbourg) Abstracts Notes for Contributors 115 123 Addressing the Asian Diaspora: A Review of Four 7 Different Books on the Subject (by Rocío G. Davis. University of Navarra) 129 Acknowledgements 139 Articles PALINODES, PALINDROMES AND PALIMPSESTS: STRATEGIES OF DELIBERATE SELF-CONTRADICTION IN POSTMODERN BRITISH FICTION CHRISTIAN GUTLEBEN University of Strasbourg 11 “Words once spoke can never be recall’d” declared Wentworth Dillon in his classical Art of Poetry (1680), little thinking that his statement along with many other canonical truisms would be challenged and overturned by postmodernist fiction. To simultaneously say and unsay, tell and untell, assert and negate, propose and retract is precisely the type of paradoxical privilege contemporary literature likes to claim for itself. The consequence of these self-contradictory practices, which is manifestly also its purpose, is a lack of committment, of selection, of assertiveness, foremost on the narrative level but also and crucially in the aesthetic and ideological fields. It is my contention that if postmodernism has given rise to such polemical definitions and analyses and if it continues to be such a complex cultural phenomenon to grasp, it is in particular because of its paradigmatic association of contradictory statements, modalities, and literary traditions. The logic of self-contradiction stems from what one might call, to transpose Lyotard’s renowned phrase, an incredulity towards all meta-ideologies, or in other words a fundamental political weariness and wariness. Defined as a song and by extension a text which retracts, negates or contradicts that which has previously been stated, the palinode is, according to Antoine Compagnon (1990: 151), what characterizes postmodernism and its retraction of modernist purity, balance and messianism. Rather than choose one guiding line, contemporary art explores one type of tradition, style or dogma before questioning miscelánea: a journal of english and american studies 26 (2002): pp. 11-20 Christian Gutleben it and exploring an opposed tendency. Concretely, palinodes can take two textual forms, one isolated and syntagmatic, the other narrative and structural. In Ever After, for example, Graham Swift (1992: 120, 249, 259) uses palinodes as a strikingly repetitive figure of speech: “It’s not the end of the world. It is the end of the world”. “Life goes on. It doesn’t go on”. “It’s not the end of the world. It is. Life goes on. It doesn’t”. “Nothing is meant to be. Everything is meant to be”. Voiced by the wavering, hesitating, suicidal narrator, these antithetical declarations appear initially as a means of self-characterization: Bill Unwin who has lost all certainty stands on “groundless grounds” (55) and nourishes contradictory hopes. The same device is employed again in Out of this World and Shuttlecock (“The facts of life, my darlings. Your parents fuck. They don’t fuck”, Swift 1988: 139), but it becomes evident however that what is at stake is not merely the depiction of the protagonists, and this is underscored by the fact that retractions can also be found in the structural unfolding. In Ever After, the double-layered narrative starts by accounting for the conjugal, albeit provisional, happiness of the two main characters before dwelling on the opposite likelihood, i.e., unfaithfulness and woeful cuckoldry. One state of affairs does not cancel the other: a possibility and its opposite are presented concomitantly, neither being more definitive than the 12 other. The same process is at work in Shuttlecock where the initial portrait of the protagonist’s father as a war hero is later retracted and replaced by the description of a traitor and a coward,
Recommended publications
  • How to Play in a Band with 2 Chordal Instruments

    How to Play in a Band with 2 Chordal Instruments

    FEBRUARY 2020 VOLUME 87 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
  • Newsletter 15/10 DIGITAL EDITION Nr

    Newsletter 15/10 DIGITAL EDITION Nr

    ISSN 1610-2606 ISSN 1610-2606 newsletter 15/10 DIGITAL EDITION Nr. 278 - September 2010 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 15/10 (Nr. 278) September 2010 editorial Hallo Laserdisc- und DVD-Fans, auch jede Menge Filme auf dem liebe Filmfreunde! Fantasy Filmfest inspiziert. Diese sind Herzlich willkommen zum ersten jedoch in seinem Blog nicht enthalten, Newsletter nach unserer Sommer- sondern werden wie üblich zu einem pause. Es ist schon erstaunlich, wie späteren Zeitpunkt in einem separaten schnell so ein Urlaub vorbeigehen Artikel besprochen werden. Als ganz kann. Aber wie sollten wir es auch besonderes Bonbon werden wir in ei- merken? Denn die meiste Zeit ha- ner der nächsten Ausgaben ein exklu- ben wir im Kino verbracht. Unser sives Interview mit dem deutschstäm- Filmblogger Wolfram Hannemann migen Regisseur Daniel Stamm prä- hat es während dieser Zeit immer- sentieren, das unser Filmblogger wäh- hin auf satte 61 Filme gebracht! Da rend des Fantasy Filmfests anlässlich bleibt nicht viel Zeit für andere Ak- des Screenings von Stamms Film DER tivitäten, zumal einer der gesichte- LETZTE EXORZISMUS geführt ten Filme mit einer Lauflänge von 5 hat. ½ Stunden aufwartete. Während wir dieses Editorial schreiben ist er Sie sehen – es bleibt spannend! schon längst wieder dabei, Filmein- führungen für das bevorstehende Ihr Laser Hotline Team 70mm-Filmfestival der Karlsruher Schauburg zu schreiben. Am 1. Ok- tober geht’s los und hält uns und viele andere wieder für drei ganze Tage und Nächte auf Trab.
  • “The First Thing You Notice About David Breskin Is That He's Got Chops up The

    “The First Thing You Notice About David Breskin Is That He's Got Chops up The

    “The first thing you notice about David Breskin is that he’s got chops up the wazoo and is fabulously intelligent. It may take longer to start seeing through his fierce and faceted eye or to notice how many of our lived-in worlds it sees in all their dazzle of simultaneity and fact. This is poetry in which the intimate and public worlds do not exclude each other but mutually refract their signs and lights, and where even the self on which the world imposes its unrelenting politics can earn, with ingenuity and effort, its meed of radiance.” —Rafi Zabor, author of The Bear Comes Home, PEN/Faulkner Award Winner “In David Breskin’s Escape Velocity, ferocity and speed don’t preclude clarity of critique, and the tectonic instabilities of metaphor’s capacity for disruption is married to a clarity of focus, producing a vivid, Baroque pageantry that defies chronology in favor of synchronicity, that gives us panoramas of wrecks. Rare to find poetry that is so confrontational, so avid to go to the hot spots, to risk being brutal in the service of truth while preserving such formal elegance. Unflinching, these poems roar like Cassandra with disastrous moment: it’s a transfixing sound.” —Dean Young, author of Skid “David Breskin’s Escape Velocity is torqued with rage at the world as he finds it, ‘a micro avalanche of each soul’s presence.’ With formal precison and clarity, he elucidates the sorrows of our times, an unflinching and brave indictment of the spoils of life’s wars, both personal and political.
  • Neg(Oti)Ating Fusion: Steely Dan's Generic Irony by Ethan Krajewski A

    Neg(Oti)Ating Fusion: Steely Dan's Generic Irony by Ethan Krajewski A

    Neg(oti)ating Fusion: Steely Dan’s Generic Irony by Ethan Krajewski A thesis presented for the B.A. degree with Honors in The Department of English University of Michigan Winter 2018 © 2018 Ethan Patrick Krajewski To my parents for music and language Acknowledgements My biggest thanks go to my advisor, Professor Julian Levinson, as a teacher, mentor, and friend, for helping me think, talk, write, and (most importantly, I think) laugh about seventies rock music. You’ve helped make this project fun in all of its rigor and relaxed despite all of the stress that it’s caused. I’d also like to thank Professor Gillian White for leading our cohort toward discipline, and for keeping us all grounded. Also for her spirited conversations and anecdotes, which proved invaluable in the early stages of my thinking. I wouldn’t be here writing this if it weren’t for Professor Supriya Nair, who pushed me to apply for the program and helped me develop the intellectual curiosity that led to this project. The same goes for Gina Brandolino, who I count among my most important teachers and role models. To the cohort: thank you for all of your help over the course of the year. You’re all so smart, and so kind, and I wish you all nothing but the best. To Ashley: if you aren’t the best non-professional line editor at large in the world, then you’re at least second or third. I mean it sincerely when I say that this project would be infinitely worse without your guidance.
  • Anglo-Indian Visions of Empire, the Raj Revival, and the Literary Crafting of National Character

    Anglo-Indian Visions of Empire, the Raj Revival, and the Literary Crafting of National Character

    Shadows of the Raj: Anglo-Indian Visions of Empire, the Raj Revival, and the Literary Crafting of National Character by GENEVIEVE GAGNE-HAWES B.A. Whitman College, 2003 M.A. New York University, 2007 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) November 2012 © Genevieve Gagne-Hawes, 2012 i ABSTRACT In my dissertation, I argue for a relationship of influence between the authors of what I define as the Raj novel genre, or works by British writers who lived in India between 1858 and 1947 and produced novels set in that country, and authors of the so-called “Raj Revival” in 1970s and 1980s Great Britain. The latter encompasses bestselling, award-winning novels (M.M. Kaye’s The Far Pavilions, Paul Scott’s Raj Quartet; J.G. Farrell’s The Siege of Krishnapur, Ruth Prawer Jhabvala’s Heat and Dust) and films (David Lean’s A Passage to India) that nostalgically revisit the Raj experience. Both movements claim ideal British character is manifested by Anglo- Indians, British persons living and working in India, who develop a series of exemplary character traits through the rigors of daily service in the subcontinent. In the Raj novel genre, this model of Anglo-Indian character—and the concurrent denigration of Indian character—is used as a strategy by which to elevate the nascent Anglo-Indian community. In the Raj Revival, the Raj novel genre’s ideals are deployed in support of the conservative shift that occurred during Prime Minister Margaret Thatcher’s tenure (1979-1990).
  • Uptown Conversation : the New Jazz Studies / Edited by Robert G

    Uptown Conversation : the New Jazz Studies / Edited by Robert G

    uptown conversation uptown conver columbia university press new york the new jazz studies sation edited by robert g. o’meally, brent hayes edwards, and farah jasmine griffin Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 2004 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin All rights reserved Library of Congress Cataloging-in-Publication Data Uptown conversation : the new jazz studies / edited by Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin. p. cm. Includes index. ISBN 0-231-12350-7 — ISBN 0-231-12351-5 1. Jazz—History and criticism. I. O’Meally, Robert G., 1948– II. Edwards, Brent Hayes. III. Griffin, Farah Jasmine. ML3507.U68 2004 781.65′09—dc22 2003067480 Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 contents Acknowledgments ix Introductory Notes 1 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin part 1 Songs of the Unsung: The Darby Hicks History of Jazz 9 George Lipsitz “All the Things You Could Be by Now”: Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz 27 Salim Washington Experimental Music in Black and White: The AACM in New York, 1970–1985 50 George Lewis When Malindy Sings: A Meditation on Black Women’s Vocality 102 Farah Jasmine Griffin Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954–1960 126 John Gennari Mainstreaming Monk: The Ellington Album 150 Mark Tucker The Man 166 John Szwed part 2 The Real Ambassadors 189 Penny M.
  • Trishaan,C.S.A

    Trishaan,C.S.A

    Trishaan,C.S.A. +919167549854 , +919372625905 [email protected]_____________________________________________________________________ Diploma in acting from Barry john’s IMAGO Acting school P.G Diploma in film making & acting from F.T.I.I., Pune Features: Hotel Mumbai(Casting Director) Producer-Thunder Road Pictures, Julie Ryan, Kent Kubena, John Collee, Jonathan Fuhrman, Garry Hamilton, Mike Gabrawy, Basil Iwanyk, Andrew Ogilvie, Director-Anthony Maras Cast-Dev Patel, Armi Hammer, Naznin Boniadi, Jason Issacs, Anupam Kher The Wedding Guest(Casting Director) Producer-Dev Patel, Anthony Wilcox, Michael Winterbottom, Deepak Nayar, Pravesh Sahni, Nik Bower, Melissa Parmenter Director-Michael Winterbottom Cast-Dev Patel, Radhika Apte, Jim Sarb, Harish Khanna The Field(Casting Director) Producer-Rohit Karn Batra & Guy L.Luthan Director-Rohit karan Batra Cast-Prem Chopra, Ronit Roy, Neeraj Kabi, Brenden Fraser, Ali haji, Ekavali Khanna Bioscopewala(Casting Director) Producer-Sunil Doshi(Alliance media) Director-Deb Medhekar Cast- Danny Denzongpa, Adil Hussain, Geetanjali Thapa, Tisca Chopra, Simon Frenay, Ekavali Khanna Chaman Bahar(Casting Director) Producer-Saregama India, Siddharth Anand Kumar, Vikram Mehra Director-Apurva Dhar Badgaiyann Cast-Jitendra Kumar, Bhuvan Arora, Dhirendra Tiwari, Ashwani Kumar Soni(Casting Director) Producer-Kimi Singh Director-Ivan Ayr Cast-Saloni Batra, Geetika Vidya Ohlyan Viceroy House(Casting Associate) Producers-Gurinder Chadha, BBC, Pathe Films, Paul Meyda Berges, Deepak Nayar Director-Gurnder Chadha
  • Maharashtra Board Class 10 History and Political Science Solved Previous Year Question Paper 2019

    Maharashtra Board Class 10 History and Political Science Solved Previous Year Question Paper 2019

    Maharashtra Board Class 10 History and Political Science Solved Previous Year Question Paper 2019 1 (A) Choose the correct option from the given options and complete the sentences. [4] 1. ‘Primitive Communism to Slavery’ represents the _______ historiography. (A) Colonial (B) Orientalist (C) Nationalistic (D) Marxist Answer: Option D: Marxist 2. The National Archives of India is in _______. (A) Delhi (B) Kolkata (C) Mumbai (D) Chennai Answer: Option A: Delhi 3. The first English newspaper in India was started by _______. (A) James Augustus Hickey (B) Sir John Marshall (C) Allen Hume (D) Balshastri Jambhekar Answer: Option A: James Augustus Hickey 4. The ancient event of Olympic competitions used to be held at _______. (A) Greece (B) Rome (C) India (D) China Answer: Greece (B) Identify the wrong pair in the following, correct it and rewrite: [4] 1. 1. Georg Wilhelm Reason in History Friedrich Hegel 2. Leopold von Ranké The Theory and Practice of History 3. Herodotus The Histories 4. Karl Marx Discourse on the Method Answer: The first three pairs are correct. The wrong pair is no. 4. Karl Marx is discourse of the method written by Rene Descartes. 2. 1. Qutb Minar Mehrauli 2. Gol Gumbaz Bijapur 3. Chhatrapati Shivaji Maharaj Railway Terminus Delhi 4. Taj Mahal Agra Answer: The wrong pair is no. 3. Chhatrapati Shivaji Maharaj Railway Terminus is located in Mumbai. 3. 1. Keechakvadh Krishnaji Prabhakar Khadilkar 2. Ekach Pyala Ram Ganesh Gadkari 3. Ithe Oshalala Mrutyu Vasant Kanetkar 4. Natasamrat Vijay Tendulkar Answer: No. 4 option is the wrong pair. Natasamrat was written by VV Shrivadkar.
  • Late Winter 2019 at Seattle Theatre Group

    Late Winter 2019 at Seattle Theatre Group

    OCTOBER–NOVEMBER 2019 My legacy. My partner. You have dreams. Goals you want to achieve during your lifetime and a legacy you want to leave behind. The Private Bank can help. Our highly specialized and experienced wealth strategists can help you navigate the complexities of estate planning and deliver the customized solutions you need to ensure your wealth is transferred according to your wishes. Take the first step in ensuring the preservation of your wealth for your lifetime and future generations. To learn more, please visit unionbank.com/theprivatebank or contact: Lisa Roberts Managing Director, Private Wealth Management [email protected] 415-705-7159 Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2019 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. Untitled-3 1 4/30/19 12:11 PM October 2019 | Volume 16, No. 1 WELCOMEFrom Seattle Theatre Group, a non-profit arts organization We proudly welcome you to the start of Seattle Theatre Group’s 2019/2020 Performing Arts Season, featuring a lineup of proficient, innovative artists who bring a wide range of talent to our historic venues! As the people’s theatre, where all are welcomed and represented, STG is committed to advocating for greater participation in the arts by granting access for all, reducing barriers, and including diverse people, cultures, and perspectives on our stages. This season has been carefully curated to support these values, and as we kick off our season with these fall events, we look forward to the varied experiences and conversations we hope these performances will inspire.
  • 53133 Angel City Jazz Festival 2018 Program Working.Indd 1 9/26/18 11:46 AM Organized by the Museum of Modern Art

    53133 Angel City Jazz Festival 2018 Program Working.Indd 1 9/26/18 11:46 AM Organized by the Museum of Modern Art

    53133_Angel City Jazz Festival 2018 Program Working.indd 1 9/26/18 11:46 AM Organized by The Museum of Modern Art ADRIAN PIPER, EVERYTHING #2.8, 2003. PHOTOGRAPH PHOTOCOPIED ON GRAPH PAPER AND SANDED WITH SANDPAPER, WITH PRINTED TEXT. 8½ × 11 IN (21.6 × 27.9 CM). PRIVATE COLLECTION. © ADRIAN PIPER RESEARCH ARCHIVE FOUNDATION BERLIN 1 MUSEUM hammer.ucla.edu | @hammer_museum Free Admission 53133_Angel City Jazz Festival 2018 Program Working.indd 2 9/26/18 11:46 AM ANGEL CITY JAZZ FESTIVAL First and foremost, I’d like to thank you for choosing to To help usher in the newest generation of innovative attend one (or more) of our concerts. You clearly have a composers/improvisers, Angel City Arts is hosting the 7th thirst and curiosity for interesting music and I’m confident Angel City Arts Young Artist Competition this year. Every you’ll find the experience of listening to these world class fall, just before the festival, high school and college aged musicians extremely rewarding. This edition of our small- students from the L.A. area converge to compete for a $1,500 but-mighty festival is a bit different from festivals past, as cash prize and a prominent slot to perform at the festival we decided not to have an overarching theme, which we’ve at the Los Angeles County Museum of Art (LACMA) and a always thought provided a welcoming framework from scholarship to the University of California, San Diego (UCSD) which to enter the sometimes daunting and insular world of Jazz Camp. As our Young Artist Competition continues to jazz and new music.
  • Pyroclastic Records

    Pyroclastic Records

    label SpoTligHT Frisell and Julian Lage, pianists Craig Taborn and together individuals with an interest in the music. Angelica Sanchez, drummers Billy Drummond and “Through their donations we are able to support artists pyroclastic Marcus Gilmore and reedplayers Tim Berne and Don with the infrastructure of hiring a publicist, printing Byron). Every aspect of the date was carefully thought CDs and getting them a bit of money to record and do by john sharpe through, from the palindromic sequencing of the artwork and everything. So trying to do it right as compositions and improvisations and video by much as we can.” She laughs: “This really is a non- Not content with forging new models on the filmmaker Mimi Chakarova to the stylish packaging. profit business, literally.” bandstand, pianist Kris Davis seeks to achieve similar She developed the concept in collaboration with a Pyroclastic licenses a release for seven years from ends with her Pyroclastic Records imprint, which she longtime ally, producer David Breskin, whose the artist; after that it will be their choice to continue has set up as a non-profit organization dedicated to involvement has been crucial. Davis elaborates: “He with the label or do with the album as they wish. In the supporting innovative artists who create art for non- also runs The Shifting Foundation, which has meantime the label will seek to recoup all the commercial purposes. The label likely came to the supported probably my last four or five CDs. That’s production costs and thereafter split any revenues attention of many jazz fans thanks to the sustained how I’ve been able to create these large-scale projects 50/50 with the artist.
  • Liner Notes, Visit Our Web Site

    Liner Notes, Visit Our Web Site

    “When we escape from the place we spend most of our time . we start thinking about obscure possibilities . that never would have occurred to us if we’d stayed back on the farm.” —Jonah Lerner 1 In his 2009 essay about the transformative power of travel, science writer Jonah Lerner concludes, “When we get home, home is still the same. But something in our mind has been changed, and that changes everything.” The same thing can be said about listening to music, especially music that causes you to lose your bearings in a territory that cannot be fenced into any familiar category. The Celestial Septet, comprising the Nels Cline Singers and Rova Saxophone Quartet, is a vehicle for time and space travel through dense, narrow thickets and airy, wide expanses of boundary-blurred extrapolations of jazz, rock, late-20th-century European modernism and American minimalism, and 21st-century postmodern fusions. The trip is challenging, but the open-minded listener/traveler cannot help but come through the experience with new perspectives on sound and music. As individual entities, the Singers and Rova ramble in musical regions that have been variously and inadequately called “avant-garde,” “creative,” “improvised,” “new,” “noise,” and “free.” Such labels are more convenient than instructive. Similarly, the groups’ respective names are somewhat deceptive and limited when it comes to describing the configurations of personnel and instrumentation. The singer-less Singers—Nels Cline, Devin Hoff, and Scott Amendola—are ostensibly a guitar-bass-drums trio. But the approaches taken by Cline on acoustic and electric guitars and various effects, Hoff on acoustic contrabass, and Amendola on drum kit, percussion, live electronics, and effects expand the threesome’s musical possibilities exponentially.