Lecturer Profiles

Connie Augoustinos is an emerging artist and maker who creates coiled and Kerryn Levy graduated from University of South Australia with a Bachelor of Visual pinched ceramic sculptural vessels reminiscent of ritualistic artefacts. She undertook a Arts (Ceramics) in 2014. The following year she spent time honing her skills in various Bachelor of Visual Art, specialising in Ceramics at University of South Australia before ceramics studios in BC, Canada. Kerryn creates functional and sculptural ceramics completing the associate training program at JamFactory where she now has her using a range of making techniques. She is currently an associate at JamFactory. studio. www.kerrynlevyceramics.com www.connieaugoustinos.com Jess Mara completed her Bachelor of Visual Art [Honours] at Adelaide Central School Alex Beckinsale is an emerging artist and lover of all things vintage. She graduated of Art in 2006. The following year she was the recipient of the Hill Smith Gallery/ from Adelaide Central School of Art with a Bachelor of Visual Art [Honours] in 2016. Malaysia Airlines Travel Award. Jess has exhibited extensively across Australia including Her research is based on the use of found images in the construction of uncanny recent exhibitions at Floating Goose Studios and Adelaide Central Gallery. She narratives. Alex continues to make work, teach art and hunt for vintage photos. currently lectures in both the Painting and Drawing Departments at the School. www.alexmarie-beckinsale.com www.jessmara.com @alex.beckinsale Xanthe Murphy graduated from the University of New South Wales with a Bachelor Melanie Brown completed a Bachelor of Visual Art [Honours] in 2008 at Adelaide of Design [Honours] in 2018 and is currently a Ceramics Associate at JamFactory. Her Central School of Art, having been awarded several scholarships and the Alumni work is rooted in a belief that design should be highly functional and have longevity Award. She has won numerous awards including the Clifton’s Art Prize in 2008, the for everyday use. Xanthe’s practice celebrates the uniqueness and eccentricities of Loreto Star Portrait Prize in 2013 and the Kennedy Art Prize People’s Choice Award for handcrafted objects. Term 4 – 2019 Term 2015. Melanie has an extensive exhibition history and currently lectures in both the www.xanthemurphy.com Short Courses Painting and Drawing Department at the School. Melanie has received corporate and private commissions for her paintings both locally and overseas. Yve Thompson has been lecturing in the Drawing Department at the Adelaide Central www.melaniebrown.com.au School of Art since 2007. She graduated from the School with a Bachelor of Visual Art Adelaide Central School of Art is a leading, not-for-profit, single-focus art school, recognised in 2019 as the best art [Honours] in 2004. Her studio practice is based on drawing but also embraces painting school in Australia for overall student experience. Deidre But-Husaim has been a finalist in numerous major Australian art prizes and printmaking and an on-going engagement with non-traditional materials. Yve including the Sulman Prize, Archibald Prize, and the Portia Geach Memorial Award. exhibits with BMGART and works out of Central Studios in Kent Town. Our studio-based short courses are for participants of all levels – whether you are a beginner learning the basics, undertaking Her work has been exhibited at Art Gallery of South Australia as part of the @yve.thompson professional development, refreshing your skills as a practising artist, or considering studying visual art at a tertiary level. Guildhouse Collections Project. In 2018, Deidre completed a commission for the National Portrait Gallery in Canberra. Courses have a maximum of 12 places ensuring all participants receive individual, expert attention. Courses are held in air- Luke Thurgate completed a Bachelor of Fine Art at the University of Newcastle. He conditioned teaching studios at our Glenside campus and at JamFactory, an esteemed partner institution. www.but-husaim.id.au has an extensive exhibition history including recent exhibitions at Burra Regional Art Gallery, National Art School and .M Contemporary. He was a finalist in the Dobell Daniel Connell is currently a PhD candidate at the University of South Australia. His Drawing Prize 2019 and currently lectures in the Drawing Department at Adelaide Beginning Saturday 21 September 2019 research explores the role of the visual arts, specifically portraiture, in creating healthy Central School of Art. Early-bird fee ends Monday 26 August 2019 (see policy on reverse). Enrol online at acsa.sa.edu.au communities. His work has been selected for the Doug Moran National Portrait Prize, www.lukethurgate.com or over the phone on (08) 8299 7300. No classes held Saturday 5 and Monday 7 October. Waterhouse Natural History Art Prize and Fleurieu Art Prize. Daniel recently created a project at the Kochi Muziris Biennale of Contemporary Art in India. He has worked Lucy Turnbull recently completed her Masters of Fine Art at the New York Studio Short courses on public art projects both nationally and in Birmingham, Vancouver and throughout School of Drawing, Painting and Sculpture and was awarded the Peter Rippon Travel India. Daniel delivered an inspiring talk “How art teaches you to approach the Level Name Lecturer Day Times Date Duration Cost Prize to visit museums in Europe. She is also a graduate of Adelaide Central School of unfamiliar” for TEDxUbud in May 2018. Art and received a Bachelor of Visual Art (Hons) in 2010. Primarily an oil painter, Lucy 1 Drawing Fundamentals Jess Mara Wed 6.30pm – 9.30pm 25 Sep – 6 Nov 7 wks $475 www.danielconnell.net works from observation, looking carefully at light and space to compose bold images of her surroundings. Recent exhibitions include, Carriers, at Hill Smith Gallery. 1 2 Drawing in Colour Yve Thompson Sat 1.30pm – 4.30pm 21 Sep – 9 Nov 7 wks $475 Ebony Heidenreich is an Adelaide based ceramic artist. She studied at the University @to_lucy 1 2 Portraits and Identity Daniel Connell Wed 6.30pm – 9.30pm 25 Sep – 23 Oct 5 wks $340 of South Australia and graduated with honours in 2014. Ebony will spend the next two years working as a Jam Factory associate. Her work utilises both wheel-throwing and 1 2 Figure and Space Lucy Turnbull Thu 6.30pm – 9.30pm 26 Sep – 7 Nov 7 wks $550 Ryan “Riaghan” Waters completed a Bachelor of Visual Art [Honours] at Adelaide hand-building techniques, using traditional processes to make contemporary objects. Central School of Art in 2017 and has an Advanced Diploma of Screen and Diploma 1 Introduction to Life Drawing Daniel Connell Thu 6.30pm – 9.30pm 26 Sep – 24 Oct 5 wks $340 @eheid_ceramics of Applied Design. His practice is primarily based in realist portrait painting which 1 2 Drawing for Teenagers Alex Beckinsale Mon 4.15pm – 6.15pm 14 Oct – 11 Nov 5 wks $200 explores colour and light through themes of identity, culture and history. In 2018 Ryan Ashlee Hopkins is an emerging Adelaide-based ceramicist. Her practise focuses on had two works selected as finalists in the Kennedy Art Prize and previously in 2017 1 2 Painting for Teenagers Luke Thurgate Mon 4.15pm – 6.15pm 14 Oct – 11 Nov 5 wks $200 functionality, elegant design, and an earthy aesthetic. In 2015, she undertook a major was a prize winner in the Gallery M Contemporary Art Prize. 1 Introduction to Oil Painting Melanie Brown Sat 1.30pm – 4.30pm 21 Sep – 9 Nov 7 wks $475 project, creating 75 uniform vessels, exploring the natural variation of the handmade. @riaghan_art Her background as a musician and interest in textiles informs Ashlee’s work. 2 3 Classical Portrait Painting Melanie Brown Tue 1.30pm – 4.30pm 24 Sep – 5 Nov 7 wks $475 @a.sh.lee 2 3 Techniques of the Old Masters Melanie Brown Wed 1.30pm – 4.30pm 25 Sep – 6 Nov 7 wks $475 2 3 Oil Painting – Exploring a Limited Palette Deidre But-Husaim Fri 9.30am – 12.30pm 27 Sep – 8 Nov 7 wks $475 1 2 Painting Portraits – Alla Prima Daniel Connell Sat 9.30am –12.30pm 21 Sep – 26 Oct 5 wks $340 2 3 Painting from Photographs Ryan Waters Sat 9.30am – 12.30pm 21 Sep – 9 Nov 7 wks $475 Short Course Fee Policy Application for Enrolment 1 Introduction to Wheel Throwing Ebony Heidenreich Mon 10.00am – 12.00pm 23 Sep – 18 Nov 8 wks $340 1 Fees are due to be paid in full upon enrolment. Please complete the online application form at acsa.sa.edu.au 1 Introduction to Wheel Throwing Ebony Heidenreich Mon 1.00pm – 3.00pm 23 Sep – 18 Nov 8 wks $340 2 Preference for places in the course will be given in order of enrolment. or call (08) 8299 7300 to enrol over the phone. 3 No refund will be given for absenteeism. 1 Introduction to Wheel Throwing Connie Augoustinos Mon 6.00pm – 8.00pm 23 Sep – 18 Nov 8 wks $340 Early-bird discount applies if fees are paid in full by Monday 26 August 2019* 4 No refund will be given for full or partial withdrawal 1 week (or less) before 2 3 Intermediate Hand Building and Surface Decoration Kerryn Levy Mon 6.00pm – 8.00pm 14 Oct – 2 Dec 8 wks $340 the commencement of the course. 5 For withdrawal more than 1 week prior to commencement of the course, fees *Applicants who are already eligible for a 10% concession/early-bird/JamFactory 1 Introduction to Wheel Throwing Xanthe Murphy Tue 10.00am – 12.00pm 24 Sep – 12 Nov 8 wks $340 paid will be refunded less a 20% administration fee. Member will not receive any further discount. 6 Courses which do not achieve enrolment targets may be cancelled in which 2 3 Intermediate Wheel Throwing Ashlee Hopkins Tue 6.00pm – 8.00pm 24 Sep – 12 Nov 8 wks $340 All participants under 18 years of age must, prior to commencement of the course, case fees will be fully refunded or transferred to another course. 1 Introduction to Wheel Throwing Xanthe Murphy Wed 6.00pm – 8.00pm 25 Sep – 13 Nov 8 wks $340 7 In the event of a course being cancelled, a full refund will be made. contact Luke Thurgate, Public Program Manager on 8299 7300 or 0409 984 670. 8 Concession: Students, pensioners, unemployed, registered teachers and 1 2 Introduction to Hand Building and Surface Decoration Connie Augoustinos Wed 6.00pm – 8.00pm 25 Sep – 13 Nov 8 wks $340 Adelaide Central School of Art graduates (within last 5 years receive 10% By enrolling in a course you agree that you have read and understood the fee discount off the course fee. Evidence of a current concession card or teacher policy and understand that your photo may be taken during the course for 1 Introduction to Wheel Throwing Kerryn Levy Thu 6.00pm – 8.00pm 7 Oct – 28 Nov 8 wks $340 registration must be produced at the time of enrolment to receive the discount marketing and publicity purposes. 1 Introduction to Wheel Throwing Xanthe Murphy Sat 10.00am – 12.00pm 21 Sep – 16 Nov 8 wks $340 fee. No refunds will be issued for discounts after fees have been paid in full. 9 Early-bird discount* 10% of advertised fee if payment is received in full by the 1 Introduction to Wheel Throwing Xanthe Murphy Sat 1.00pm – 3.00pm 21 Sep – 16 Nov 8 wks $340 due date (Monday 26 August 2019). 10 Applicants who are already eligible for a 10% concession/early-bird/ JamFactory Member will not receive any further discount. 1 Beginners 7 Mulberry Road Glenside SA 5065 2 Intermediate (basic experience assumed) T 08 8299 7300 E [email protected] 3 Advanced (experience assumed) acsa.sa.edu.au Drawing Painting Ceramics

Drawing Fundamentals Figure and Space Painting for Teenagers Techniques of the Old Masters Painting Portraits – Alla Prima Introduction to Wheel Throwing Jess Mara Lucy Turnbull Luke Thurgate Melanie Brown Daniel Connell Ebony Heidenreich Mon 23 Sep – 18 Nov 10.00am – 12.00pm 1 1 2 1 2 2 3 1 2 Mon 23 Sep – 18 Nov 1.00pm – 3.00pm Wed 25 Sep – 6 Nov 6.30pm – 9.30pm Thu 26 Sep – 7 Nov 6.30pm – 9.30pm Mon 14 Oct – 11 Nov 4.15pm – 6.15pm Wed 25 Sep – 6 Nov 1.30pm – 4.30pm Sat 21 Sep – 26 Oct 9.30am – 12.30pm Connie Augoustinos Mon 23 Sep – 18 Nov 6.00pm – 8.00pm This course introduces participants to the In this exciting new course participants will This exciting new short course is ideal for Explore the materials and painting techniques This course will explore various strategies for basic techniques of drawing by observation. work from the life model in relation to the teenagers (aged 13 – 17) who want to learn of Old Masters such as Rembrandt, Velazquez direct ‘Alla Prima’ (wet in wet) portrait painting. Xanthe Murphy Moving from line drawings to tonal drawings, studio setting. There will be different staged to paint with oils. Artist Luke Thurgate will and Caravaggio. Students will copy an Old Working from a model, participants will learn Tue 24 Sep – 12 Nov 10.00am – 12.00pm participants acquire the skills and confidence to setups/environments each week to aid the introduce participants to a range of fundamental Master work, utilising techniques such as tonal how to create naturalistic skin tones using a Wed 25 Sep – 13 Nov 6.00pm – 8.00pm accurately represent what they see. exploration of composition, geometry, form techniques for making paintings. underpainting, ‘Alla Prima’ (wet in wet) painting range of colour palettes. Participants will explore Kerryn Levy and perception of space. Participants will be and glazing. The course involves practical different approaches for developing likeness and Materials Materials Thu 7 Oct – 28 Nov 6.00pm – 8.00pm A2 sketch pad, 4 sheets A1 cartridge paper, 1 sheet encouraged to work quickly, making numerous Oil paints: Titanium White, Ivory Black, Cadmium Red demonstrations as well as individual instruction will be introduced to the etiquette of working sketches to develop strong drawing skills and a and a critique of each person’s work. with a life model. Xanthe Murphy mid-grey Canson paper, selection of pencils (eg 2B, Light, Yellow Ochre, Ultramarine Blue. Brushes: Synthetic Sat 21 Sep – 16 Nov 10.00am – 12.00pm 4B, 6B), willow and compressed charcoals, 1 Conte - better understanding of the visual language of filbert nos 1, 2, 3 & 4. Flat hog hair brushes nos 6 & drawing. Materials Materials Sat 21 Sep – 16 Nov 1.00pm – 3.00pm White, blade or sharpener, white plastic eraser, masking 8. Medium: Oleogel or refined linseed oil, odourless Oil paints: Titanium White, Ivory Black, Burnt Sienna, Oil or acrylic paints: White, Black, Pthalo Blue, tape, measuring stick (dowel). solvent. 5 sheets A3 oil sketch paper. A3 disposable Materials Burnt Umber, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Cadmium Red, Alizarin Crimson, 1 J palette, brush stand, palette knife, paper towels, 2 small Cadmium Yellow Mid, Lemon Yellow, Yellow Ochre, Cadmium Yellow, Lemon Yellow. Brushes: A range of 20 sheets (or pad) A3 newsprint paper (80gsm bulky/ glass jars with lids, soft t-shirt or cotton rags. Held in JamFactory Ceramics Studios, this course will heavy), 20 sheets A1 cartridge paper, 1 A4 sketchbook, Ultramarine Blue, Pthalo Blue, Prussian Blue. Acrylic brushes synthetic and hog hair (flats or brights), nos 2, introduce participants to the techniques and skills paint: Burnt Sienna. Brushes: Synthetic filbert nos 1, 4, 6, 8, 10. Medium (if oil painting): Painting medium Drawing in Colour selection of pencils (eg 2B, 4B, 6B), 3 boxes of willow required to throw clay on a potter’s wheel. The course charcoal (various sizes), blade or sharpener, 3 white 2, 3 & 4. Flat hog hair brushes nos 6 & 8. Medium: no 2, odourless solvent. Disolv for cleaning brushes. will cover many aspects of wheel throwing with the aim Yve Thompson plastic erasers, masking tape, cotton rag, ruler, scissors, Painting medium no 2, Glaze medium no 4 or Liquol/ Supports: canvas paper pad or 5 x boards or stretches of producing an object to take home. This workshop will Introduction to Oil Painting Liquin, odourless solvent. Disolv for cleaning brushes. canvases 18”x12” or larger. A3 disposable palette, 1 2 2 large bulldog clips. cover various stages of ceramic making from shaping the Melanie Brown 1 20”x24” canvas board. A3 disposable palette, palette palette knife, 1 stick willow charcoal (medium), paper object with the wheel, to firing, and glazing. This course knife, 1 stick willow charcoal, paper towels, Glad Wrap towels, Glad Wrap (or equivalent cling film), 2 small 1 is also suitable for participants who are familiar with Sat 21 Sep – 9 Nov 1.30pm – 4.30pm (or equivalent cling film), 2 small glass jars with lids, glass jars with lids, soft t-shirt or cotton rags. wheel work, but would like to further develop their skills. Introduction to Life Drawing soft t-shirt or cotton rags. Building on core drawing skills, this course will Sat 21 Sep – 9 Nov 1.30pm – 4.30pm *Additional materials will be discussed in week 1. introduce the use of pastels as a medium for Daniel Connell This course introduces a complete beginner full-colour observational drawing. Yve will also 1 Intermediate Wheel Throwing guide participants through various exercises to the essential principles and practices of oil Oil Painting – Exploring a Limited painting. It includes instruction on materials, Painting from Photographs Ashlee Hopkins exploring different approaches to drawing, Thu 26 Sep – 24 Oct 6.30pm – 9.30pm Palette developing interesting compositions based on methods of paint application and insights into Deidre But-Husaim Ryan Waters 2 3 J key elements of tone and colour. In a supportive simple subjects. This course will introduce participants to the 2 3 fundamentals of drawing a life model. Aimed atmosphere participants will make a tonal study, 2 3 Tue 24 Sep – 12 Nov 6.00pm – 8.00pm Materials at people with limited life drawing experience, start a colour wheel and paint two simple still Artist quality soft pastel set (preferably Rembrandt) life arrangements. Fri 27 Sep – Fri 8 Nov 9.30am – 12.30pm Sat 21 Sep – 9 Nov 9.30am – 12.30pm Held in JamFactory Ceramics Studios, this course will or individual pastels (red, blue, yellow, orange, green, this course will build confidence, develop further develop participants’ throwing skills. Participants purple, umber, black and white). 3 sticks willow new skills and refine existing techniques. This course, designed for participants with Materials This course is for participants with previous oil will expand their throwing repertoire with new techniques charcoal medium and 2 sticks willow charcoal thick. Participants will explore the human figure Oil paints: Titanium White, Ivory Black, Cadmium Red painting experience who are looking for more previous painting and drawing experience, and forms, including handles, bowls, and matching sets. Graphite pencil (B or 2B). 1 sheet mid-grey Canson through a structured series of exercises that Light, Alizarin Crimson, Cadmium Yellow Mid, Lemon control over their colour palette. Participants will explores the use of photographs in This course is only suitable for participants who have paper, 1 sheet bright coloured Canson paper, 3 sheets build on core observational drawing skills and Yellow, Ultramarine Blue, Pthalo Blue, Prussian Blue. contemporary painting practice. Participants will completed a minimum of two introductory wheel throwing CA Grain paper. Scissors, white plastic eraser, putty begin by working from still life set ups (welcome various approaches to the understanding and Brushes: Synthetic filbert nos 1, 2, 3 & 4. Flat hog hair learn strategies for developing compositions, courses or have an equivalent level of experience. eraser, glue stick, masking tape. to bring a favourite object) using a reduced application of tone. brushes nos 6 & 8. Medium: Painting medium no 2, range of colours, which can be expanded as the mixing colours accurately, and resolving oil odourless solvent. Disolv for cleaning brushes. 2 sheets To enquire about the suitability of this course please Some additional materials will be suggested/discussed Materials course moves on. The goal is to come away with paintings based on photographic source A3 oil sketch paper. 1 14”x18” and 1 16”x20” canvas contact the School prior to enrolling. during the course. 12 A1 sheets newsprint paper (80gsm bulky/heavy), 6 board. A3 disposable palette, palette knife, 1 stick willow a greater understanding of colour and tone, and material. Participants are asked to bring high res sheets A1 cartridge paper, 1 sheet A1 CA grain paper, charcoal, paper towels, Glad Wrap (or equivalent cling to learn best practice and practical skills that can reference material such as photographs, digital 1 sheet mid-grey Canson paper, 10 sticks of willow film), 2 small glass jars with lids, soft t-shirt or cotton rags. then be applied to future paintings. images, etc. (preferably printed at A4 or A3) for charcoal (medium and thick), 1 stick compressed discussion in week one. Portraits and Identity charcoal, 1 charcoal pencil - Black, 1 Conte - White, Materials Introduction to Hand Building and Materials Daniel Connell blade or sharpener, masking tape, hard white plastic Oil paints (artist quality): Lead White, Transparent Surface Decoration eraser, cotton rag, measuring stick (dowel). Classical Portrait Painting Yellow Oxide, Cadmium Red Light, Transparent Red Oil paints: Titanium White, Ivory Black, Raw Umber, Burnt Sienna, Cadmium Red Light, Alizarin Crimson, Connie Augoustinos 1 2 Melanie Brown Oxide, Ultramarine Blue. Brushes: A selection of hog hair brushes (Neef 1150 Bright preferred) 2 each #2, Cadmium Yellow, Lemon Yellow, Ultramarine Blue, 1 2 J Prussian Blue (additional colours are welcome). Brushes: Wed 25 Sep – 23 Oct 6.30pm – 9.30pm 2 3 #6, #10. Mediums: low toxic odourless solvent, oleo gel Drawing for Teenagers or refined linseed oil. Small palette knife, A3 disposable Synthetic filbert nos 2 x 2, 3, 2 x 4, 6 and 1 flat Taklon or Synthetic. Medium: Painting medium optional, Wed 25 Sep – 13 Nov 6.00pm – 8.00pm This course focusses on the nature of portraiture palette in Grey, 2 small jars with lids, old absorbent Alex Beckinsale Tue 24 Sep – 5 Nov 1.30pm – 4.30pm odourless solvent. Disolv for cleaning brushes. 2 A3 rags and absorbent paper towels. Held in JamFactory Ceramics Studios, this course is an ideal and introduces various techniques for portrait sheets canvas paper. Choice of painting surface will be 1 2 introduction to hand building ceramics. The course will cover drawing from life to apprehend the identity of This oil painting course explores the tradition of discussed in week one. A3 disposable palette, palette various aspects of ceramic practice, from coil, pinch and the subject. Participants will draw and hear from classical realism techniques used in portraiture. knife, 1 coloured (flesh or earth tone), paper towels, slab construction, to firing and glazing. This course is also a culturally diverse range of sitters and look Mon 14 Oct – 11 Nov 4.15pm – 6.15pm Participants will learn to set up their palettes, Glad Wrap (or equivalent cling film), 2 small glass jars suitable for participants who are familiar with hand building prepare coloured grounds, develop tonal with lids, soft t-shirt or cotton rags. at other artists working in this genre. Daniel This exciting new short course is ideal for techniques but would like to further develop their skills. will guide participants through the etiquette teenagers (aged 13 – 17) who want to extend underpaintings and structure paint layers to involved in producing portraits and discuss their artmaking experience. Emerging artist Alex achieve a range of visual effects. Working issues relating to the role of the visual arts and Beckinsale will introduce participants to a range from direct observation, students will create intercultural relations in broader society. of materials and strategies for making drawings. monochromatic studies of a bust before working Intermediate Hand Building and from life with a focus on skin tones. The course Surface Decoration Materials Materials also involves practical demonstrations as well 14 sheets newsprint paper or 2 A3 cartridge pad (not A2 sketch pad, 4 sheets A1 cartridge paper, 1 sheet Kerryn Levy spiral ring bound), 3 sheet mid-grey Canson paper, 3 as individual instruction and a critique of each mid-grey Canson paper, selection of pencils (eg 2B, person’s work. 2 3 J sheets A2 cartridge paper, 1 A5 or A4 cartridge paper 4B, 6B), willow and compressed charcoals, 1 Conte pad 3 sticks compressed charcoal soft (suggested brand - White, blade or sharpener, white plastic eraser, Materials Faber Castell) 3 sticks willow charcoal thin, 1 charcoal kneadable eraser, masking tape, measuring stick Oil paints: Cremitz White, Ivory Black, Raw Umber, Burnt Mon 14 Oct – 2 Dec 6.00pm – 8.00pm pencil medium, 1 Conte or pastel pencil white, 1 (dowel). Umber, Transparent Red oxide, Vermillion or Cadmium graphite pencil HB, 1 white plastic eraser, 1 pencil‑style Red Light, Alizarin Crimson, Naples Yellow, Lemon This course is for students with basic hand-building skills, eraser, masking tape and bulldog clips, blade for Yellow, Ultramarine Blue, Prussian Blue, Pthalo Blue. who are open to self-directed learning. An experienced sharpening, 1 3” or larger soft brush. 1 set of 24 or Acrylic Paints: Black and White. Brushes: Synthetic filbert Central Artist Supplies is an JamFactory supports and teacher will assist you with your projects, and teach more coloured pencils (student grade or better). nos 2 x 2, 3, 2 x 4, 6 and 1 flat Taklon or Synthetic. independently owned art promotes outstanding design techniques specific to your interests to improve your Medium: Painting medium no 2, odourless solvent, supply shop located on campus. and craftsmanship through hand-building and decorating skills. its widely acclaimed studios, Liquin or Liquol. Disolv for cleaning brushes. 2 14”x18” Open galleries and shops. A unique and 2 16” x 20” canvas board or canvas, A3 disposable Mon–Fri 8.30am–4.15pm not-for-profit organisation palette, palette knife, 1 stick willow charcoal (medium), Sat 9am–1pm located in the Adelaide city centre, JamFactory is paper towels, Glad Wrap (or equivalent cling film), J All materials supplied. 1 Beginners 2 small glass jars with lids, soft t-shirt or cotton rags. Call Greg on supported by the South Australian Government and These courses are held at JamFactory. 08 8271 6912 recognised nationally and internationally as a centre for 19 Morphett Street, Adelaide SA 5000 Intermediate (basic experience assumed) 2 *For week 1, please bring 2 14” x18 canvas boards, all www.centralartistsupplies.com.au excellence. www.jamfactory.com.au T 08 8410 0727 3 Advanced (experience assumed) paints & materials ready to paint!