Artists Statements & Curriculum Vitae Contents

Steven Alderton 01 Tony Pepe 22

Joshua Andree 02 Rodney Pople 23

Anne Brennan 03 Jennifer Riddle 24

Jane Burton Taylor 04 Darryl Brian Rogers 25

Faridah Cameron 05 Luisa Romeo 26

Tim Coad 06 Otto Schmidinger 27

Jason Cordero 07 the naughty see monkey 28

Richard Dunlop 08 V.I.D Singh 29

Josh Foley 09 Peta-Jayne Smith 30

Sebastian Galloway 10 Paul Snell 31

Fabien Garcia 11 Neil Taylor 32

Peter Gouldthorpe 12 Thomas Thorby-Lister 33

Elaine Green 13 Irene Torres 34

Leanne Halls 14 Guy Trinquet 35

Karen Hammat 15 Annette van Betlehem 36

Robyn Harman 16 Craig Waddell 37

Rachel Howell 17 James Walker 38

Melissa Kenihan 18 John Waller 39

Laurence King 19 Peter Watts 40

Keith Lane 20 Anthony White 41

Robert O’Connor 21 Lee Wilkes 42

Glover Prize 2021 Steven Alderton NSW 01

Little Blue Lake Pigmented inks and acrylic on canvas 172 x 190 cm $11,000

My work is about the enduring horizon line and the visual environment. When you are in nature you are looking, absorbing, seeing and experiencing the vast complex surrounds. Within the landscape, you always have a point of focus and direction, yet everything else that is not part of your focus forms part of the visual environment - these paintings are about rolling up the experience of the whole visual environment, beyond your focus, and looking to the horizon line beyond the immediate. The energy of nature, great beauty and the sublime are found at the horizon line; it is limitless and ongoing, and linked to the definition of nature keeps changing, then it was turned into a mine, future and to destiny. and our relationship with it shifts. now turned back into nature Nature is powerful, violent, I painted Little Blue Lake in through repatriation. The beauty brutal, cruel and chaotic, yet Tasmania as it is a vivid, bejeweling is extraordinary, it is natural and abundant, giving and eternal. It colour that lights up the landscape. unnatural, sublime in its beauty and is a work in flux, where the It was once untouched nature, alchemic in its colour.

Glover Prize 2021 Steven Alderton Artist CV

Education

1990 Bachelor of Arts in Fine Art, Major in Painting Queensland College of Art (Griffith University)

Fellowship

2010 AsiaLink Fellow, The Arts Council of Mongolia

Selected Group Exhibitions

2015 Just Paper Maitland Regional Art Gallery 2012 Margaret Olley: Home Museum of Sydney 2012 Inspiring Artists Maitland Regional Art Gallery 1995 New Bellas Gallery Brisbane 1994 Here Not There Umbrella Studio’s Townsville 1993 Here Not There Institute of Modern Art Brisbane 1992 Evolute and Create Umbrella Studio’s Townsville 1992 Move Over Space Plentitude Brisbane 1992 Matter Space Plentitude Brisbane 1991 The Ideal Copy NAVA No Vacancy project Brisbane 1991 Strine Space Plentitude Brisbane 1991 The Colour of Air Galerie Brutal Brisbane 1991 Against Pure War Institute of Modern Art Brisbane 1991 Filth Space Plentitude Brisbane 1990 ‘No’ Michael Milburn Gallery Brisbane 1990 Out Now Museum of Contemporary Art Brisbane 1990 491 Galerie Brutal Brisbane 1990 Mean Galerie Brutal Brisbane

Selected Solo Exhibitions

1997 Black Light Ploetz Gallery Brisbane 1995 And Now The End Is Near Isnt Gallery Brisbane 1994 Dining On The Abdomen First Draft West Sydney 1993 Destruction Isnt Gallery Brisbane 1992 Oscilate And Retrieve Space Plentitude Brisbane 1991 Bull NAVA No Vacancy project Brisbane 1991 Decomp Space Plentitude Brisbane 1990 Morbid Moral Sober Institute of Modern Art Brisbane 1990 The Demolition of Light QCA Library Brisbane

Steven Alderton 0467 717 760 [email protected] Joshua Andree TAS 02

Storm Bay (Brought to you by) The Atlantic salmon industry in that. It’s a complex environment Oil on canvas Tasmania is worth an estimated 497 with rich cultural and social 122 x 153 cm million dollars annually. 497 million history. Further, it is inherently $2,850 is the dollar value that is placed scarred by the presence of pens upon the purchase of an ageless that just don’t belong. landscape. It would be easy to paint An eloquent allegory for the a nice landscape of Storm Bay with presence in the landscape of pretty blue sky and puffy clouds those and their ancestors who reflected in calm waters. But it’s not impart them.

Glover Prize 2021 CV Joshua Andree

Date of Birth: 14/9/1992 Place of Birth: Tasmania, Australia Email: [email protected]

Education 2011-2015: Bachelor of Fine Arts (Hons. Research) Tasmanian College of the Arts, University of Tasmania

Solo Exhibitions 2012: Entrepot Gallery, Hobart 2015: Continuation; An Exhibition of Paintings - Arts Factory, Hobart 2016: Liquid Worlds; Henry Jones Art Hotel 2017: Have we Found What we Are Looking for? ; Shmorgassbaag, Hobart 2018: New Suburban Playground; Henry Jones Art Hotel

Group Exhibitions 2012: Gestalt - Entrepot Gallery, Hobart 2012: Open Doors- Long Gallery, Hobart 2013: Utas Painting Society Annual Show- Long Gallery Hobart 2013: Graduate Exhibition- Tasmanian College of the Arts 2014: Contemporary Art Tasmania 2015: Honours Research Graduate Show- Plimsoll Gallery 2017: Artist in Residence Exhibition, Plimsoll Gallery

Prizes: 2013: RACT Tasmanian Portraiture Prize (Finalist) 2015: RACT Tasmanian Portraiture Prize (Finalist) 2016: RACT Tasmanian Portraiture Prize (Finalist) 2017: RACT Tasmanian Portraiture Prize (Finalist)

Curatorial Projects 2013: In Paint and Ink - Long Gallery Hobart 2014: Nowish - Contemporary Art Tasmania

Residencies 2014: Residency, Broken Hill, NSW and Outback South Australia 2016: AiR (artist in residence) program; University of Tasmania

Travel, Further Study & Other Projects 2013-2015: Technical staff, Plimsoll Gallery, Hobart 2015: The Hot House - Dark Mofo, Hobart 2016-2018: Faux Mo- Mona FOMA,Hobart 2018: Vibrance Festival (Festival Coordinator), Hobart Anne Brennan VIC 03

Horizontal forest Acrylic on canvas 147 x 100 cm $3,000

I have been painting humanlike tree limbs for several years now. In this painting, I have invoked the stories my mother told me when I was a child, driving up the West coast to visit family in Zeehan. She spoke about horizontal forests which, she said, formed dense impenetrable mats over gullies where the lost fell, never to escape. I believed these cautionary tales she had been told as a child. Yet, most of the forests around Zeehan and Queenstown had been long axed to feed the railways or poisoned by sulphuric mine fumes: the only forests around the towns were small remnants. Now I understand that horizontal forests are easily penetrated. They are part of a web that forms a protective mat over the world. Not to be feared and destroyed but appreciated and preserved. I have re-imagined them from below, as I once did as a child, but entwined them to form a woven pattern. I wanted this painting to be beautiful and disorientating as are the depths of real forests.

Glover Prize 2021 C.V. and PERSONAL INFORMATION

Anne Maree Brennan

Address: 55 Thompson St, Williamstown, 3016 Email address: [email protected] Instagram: a.brennan Phone: 0411388303 DOB:18/11/1957

RELEVANT ACADEMIC QUALIFICATIONS 1994-1996 Bachelor of Arts, (Fine Art) RMIT Australia, not completed

1990 Bachelor of Arts, The University of Melbourne, completed.

EXHIBITIONS

2006 and 2007: Art in Public Spaces, Williamstown, Victoria

2016 and 2017: St Kevin’s Art Show, Victoria.

Jane Burton Taylor NSW 04

Court House Wallpaper Collage: cotton rag on cotton rag paper 99 x 66 cm $3,000

Court House Wallpaper is a re- imagined wallpaper presenting a symbolic landscape. It bears witness to the dramatic impact of colonialism on the Tasmanian landscape. The artwork is based on an 1880s wallpaper salvaged from a Court House that was once part of the colonial military complex at Oatlands, in the southern midlands of Tasmania. In the 19th century Australian colonists often installed wallpapers decorated with wildflowers from their homeland. They were following a painterly tradition dating back through French scenic wallpaper to Roman wall frescoes, of bringing the outer landscape inside. But in Australia, this seemingly harmless pursuit had an inherent nostalgia for the place before; a turning away from a recognition of the indigenous. This work seeks to incorporate the indigenous within the colonial. Physically, the work is scaled to reference wallpaper samplers of the day. The floral pattern of the historic original is re-formed by the painted roots of lantana. The twisting roots of this introduced species frame carefully observed, drawn and painted colonial depictions of fauna now classified as extinct, endangered or vulnerable in Tasmania. In this re-imagined landscape, two extinct species face downwards, while the others animals move upwards, from sea to sky.

Glover Prize 2021 Curriculum Vitae JANE BURTON TAYLOR www.janeburtontaylor.com.au #jane_burtontaylor +61 412154709/ [email protected]

EDUCATION 2018 Master of Fine Art, Sculpture, National Art School 2016 Bachelor of Fine Art, Sculpture, National Art School 2014 Master of Art, Photography/ Sculpture, UNSW Art & Design

SELECTED SOLO SHOWS 2014 Qui e Li and Earth, Nuvole Gallery, Palermo, Sicily. 2013 Grove, Barometer Gallery, Paddington. 2012 Earth, Photo Access Gallery, Canberra.

SELECTED GROUP EXHIBITIONS 2020 Fishers Ghost Art Prize, Campbelltown Art Centre. 2020 Home, House Conspiracy, Brisbane. 2020- Meroogal Women’s Art Prize, Meroogal, Nowra. 2020 Unfolding, Incinerator Art Space, Willoughby. 2020 Frolic Freeze, Articulate Project Space, Leichhardt. 2019 Emanate, New England Regional Museum, Armidale. 2019 Finest Drop, Fairfield City Museum and Gallery, Fairfield. 2018 AT8, Articulate Space, Leichhardt. 2017 Harbour Sculpture, Woolwich. 2016 Sustainable Waste 2 Art Prize, Ryde, 2015 Articulate Project Space, Leichhardt. 2014 Grove, Edmund Pearce Gallery, Melbourne. 2013 Hidden- Rookwood Sculpture Walk, Rookwood. 2013 In Situ 13, Mosman Art Gallery, Mosman. 2012 -2013 Queensland Centre for Photography, Brisbane. 2012 Blacktown City Art Gallery Prize, Blacktown. 2012 Blake Prize Director’s Cut, on-line. 2012 In the Minds Eye, Primrose Park Gallery, Cammeray. 2010 Small Images, Grand Visions, Wagner Gallery, Paddington.

RESIDENCIES 2013 Portus archaeological dig, near Ostia, Italy, British School of Rome 2012 Six months, artist in residency Primrose Park Cammeray.

COLLECTIONS 2019 Monash Gallery of Art 2007 State Library of NSW 2007 National Library of Australia. Faridah Cameron TAS 05

A line in the sand Acrylic on linen 102 x 110 cm $7,500

A strand of kelp lies on the sand near Eaglehawk Neck, a reminder of the giant kelp forests that grew in the area.

Glover Prize 2021 Curriculum vitae Faridah Cameron phone 0439 877 984 email [email protected] address 4 Milles St South Hobart TAS 7004 web www.faridahcameron.com

Faridah Cameron’s art has evolved from her experiences in many different cultural environments in Australia and overseas. The principal theme of her work is the cultural translation of the physical existence; of our ideas of who we are and how we relate, societally, culturally and within the biosphere. The thread-like application of paint becomes a metaphor for connection, between past and present, between the arts of diverse cultures, and between traditional crafts and contemporary painting. She is represented by Handmark Gallery.

QUALIFICATIONS 2004 Master of Fine Art, Queensland University of Technology, Brisbane 1991 Bachelor of Arts (Fine Art), Northern Territory University, Darwin

SOLO EXHIBITIONS 2020 Theme and Variations, Handmark Gallery, Hobart TAS 2018 Biennale of Australian Art, Ballarat VIC 2017 Tansei, Handmark Gallery Hobart TAS 2015 Colour Persists, Handmark Gallery Hobart TAS 2013 Open Poem, Handmark Gallery Hobart TAS 2011 Sutra, Handmark Gallery Hobart TAS 2005 Fullness/Emptiness, Salamanca Arts Centre, Hobart TAS 2004 Shell Series 1, QUT, Brisbane QLD 1991-03 Designer and Principal Artist, Neil Cameron Productions 1991 National Graduates Show, Contemporary Art Space, Perth WA

SELECTED GROUP EXHIBITIONS 2020 Summer Exhibition, Handmark Gallery, Hobart TAS 2019 Landscape Exhibition, Handmark Gallery, Evandale TAS 2018 Summer Exhibition, Handmark Gallery, Evandale TAS Landscape Exhibition, Handmark Gallery, Hobart TAS 2017 Landscape Exhibition, Handmark Gallery, Evandale TAS 2016 Exquisite, Henry Jones Art Hotel, Hobart TAS 2014 Melbourne Art Fair, Conny Dietzschold Gallery, Melbourne VIC 25th Anniversary Show, Conny Dietzschold Gallery, Sydney NSW 2013 New Australian Painting, Conny Dietzschold Gallery, Sydney NSW 2012 Micro Worlds, Conny Dietzschold Gallery, Sydney NSW A Measure of Things, Carnegie Gallery, Hobart TAS 2011 Yield, Royal Tasmanian Botanical Gardens, Hobart TAS 2009 Shells, Gallery@71, Hobart TAS

AWARDS / GRANTS 2019 Highly Commended, Hadley’s Art Prize, Hobart TAS Finalist, Glover Art Prize, Evandale TAS 2014 Unpackers Prize, Alice Prize, Alice Springs NT 2013 Finalist, Blake Prize, Sydney NSW Finalist, Glover Art Prize, Evandale TAS 2012 Highly Commended, Blake Prize Syndey NSW Finalist, Togart Contemporary Art Prize, Darwin NT 2011 Finalist, Glover Art Prize, Evandale TAS 2010 Finalist, Glover Art Prize, Evandale TAS Finalist, Archangel Prize, Melbourne VIC 2005 Finalist, Sovereign Asian Art Prize, Hong Kong Finalist, Waterhouse Natural History Art Prize, Mueum of South Australia, Adelaide SA Tim Coad TAS 06

Tracing Impacts This work is the result of a drawing damaged, dug up and stripped away, Dry-point on Hahnemülhe machine. A handmade, clunky and we are not simply met with nature, 300gsm paper chaotic machine where detritus from we are again met with civilisation. 110 x 160 cm the fire ravaged Tasmanian landscape “We” have been unveiled by the $4,000 is salvaged and used to expand on bushfires. Wires, nails, miscellaneous methods of expressive mark making. tools and fire scorched machine parts The machine makes dry-point marks - these are our traces. Now they are that evolve over time, and reflect employed as drawing implements. upon the interdependence, and the The tangled and struggled movement collisions of nature and culture. of the fragile black lines echoes When the landscape is burnt, within our marked landscape.

Glover Prize 2021 Tim Coad (Aus, b.1996) • Email: [email protected] • Website: http://www.timcoad.com/ • Phone: 0497264516 Education: • University of Tasmania, School of Creative Arts, Bachelor of Fine Arts with First Class Honours, 2019 • Appointed to Deans Honour Roll for Academic Excellence, 2017 • Inducted to the Golden Keys International Honour Society, 2016 Solo Exhibitions: • Cultural Burning, Knocklofty Reserve, Mona Foma / Beaker Street / Detached Cultural Organisation, Hobart 2021 • Tracing Impacts, Hobart Town Hall Underground, Contemporary Art Tasmania's Cobra program and supported by City of Hobart 2020 • Fourfoot Rd, Schoolhouse Gallery, Clarence Arts and Events, Rosny 2020 • The Still, Penny Contemporary, Hobart 2019 • Engagements with Twilight, Brunswick Street Gallery, Melbourne 2018 Selected Group Exhibitions: • Dissections, Sawtooth ARI, Launceston 2019 • Honours Graduate Exhibition, Plimsoll Gallery, Centre for the Arts, Hobart 2019 • The Grafting Laboratory, Good Grief Studios, Hobart 2019 • Site Energy Construct, Plimsoll Gallery, Centre for the Arts, Hobart 2019 • Un-sensations, Entrepot Gallery, Centre for the Arts, Hobart 2019 • Dark Mofo, Panopticon, School of Creative Arts and Media 2017, 2019 • Contemporary Art Tasmania The Blackest Spat, North Hobart 2018 • Contemporary Impressions, Brunswick Street Gallery, Melbourne 2018 • Images of Tasmania 20, Long Gallery, Salamanca Arts Centre, Hobart 2017, 2019 Awards / Prizes: • Finalist: The Hadley’s Art Prize, The Hadley’s Hotel, Hobart 2019 • Finalist and ‘Honorary Mention’: The Henry Jones Art Prize, Hobart 2019 • Finalist and ‘Honorary Mention’: Agendo Art Prize, David Williams Gallery, Melbourne 2019 • Semi-finalist: Moran Contemporary Photographic Prize 2019 • Finalist and ‘Honorary Mention’: Life Framer International Photography Award, by MoMA New York, curator Marion Tandé, 2019 • Finalist: National Photographic Portraiture Prize, National Portrait Gallery, Canberra 2018 • Finalist: Hutchins Australian Contemporary Art Prize, Brooke Street Pier, Hobart 2018 • Finalist and Editors’ Pick: Youthhood, Life Framer Award 2018 and 2019 • Finalist: RACT Insurance Tasmanian Portraiture Prize, Long Gallery, Salamanca Arts Centre, (State Touring Exhibition), Hobart 2017, 2018, 2019 • Finalist: Perth Centre for Photography, IRIS Portrait Award, Perth 2018 • Winner: Rotary Club of Hobart 2017 Art Show, Wrest Point, Ted Pool Memorial prize, Hobart 2017 Collections: • Life Framer, 2018 • The Hutchins School, 2018 Articles / Publications: • The Grafting Laboratory, exhibition review by Andrew Harper, Tas Weekend, 21st September • A case of practice makes perfect, Penny McLeod, The Mercury, 5th September 2019 • Artists onboard for Hobiennale, Penny McLeod, The Mercury, 5th September 2019 • Youthhood, Editors’ Pick, The Languid Flow of Fleeting Youth, Life Framer Award 2018 • 43 Finalists revealed for the 2018 National Photographic Portraiture Prize, Capture Magazine, 19 Dec 2017 • The Blackest Spat, Eyeline Contemporary Visual Arts 2018 • Contemporary Art Tasmania: ‘The Blackest Spat’ curated by Linda Crispin, Island Magazine 2018 • The Blackest Spat, Art Guide, Australia, ‘what’s on’, 2018 • INTO THE DARK, The Australian, Australia, Arts & Entertainment, Michaela Boland 14 Jun 2017, Page 16 • 1279 words Jason Cordero SA 07

The Expedition of the Artificer Oil on linen 152 x 102 cm $10,000

We are individuals of artifice and change. Expeditions from our built environments to the wild trace filaments from which tendrils leading to the alteration of the explored inevitably extend. Here I have recalled Tasmanian places I have visited which are seemingly wild but bear the mark of our activity; that I could be in those places is, in itself, a mark of such change. With a shift in perspective, that which is introduced is filtered and becomes normalised. The intrusions, while not necessarily having their origin forgotten, become a part of the wild, establishing a cycle as the Artificer’s expeditions continue into and extend from those which came before.

Glover Prize 2021 JASON CORDERO CURRICULUM VITAE – ONE PAGE CONDENSED

BORN: Adelaide, Australia, 10 October 1973. Lives and works in Adelaide

CONTACT: Central Studios Inc. 78 King William Street, Kent Town, South Australia 5067

 +61 0424 101 220  [email protected]  jason_cordero_art

EDUCATION: Bachelor of Visual Arts, South Australian School of Art, University of South Australia, 1992-1995.

EXHIBITIONS

28 solo exhibitions since 1997.

Currently represented by Nanda\Hobbs (NSW), BMG Art (SA), Mossenson Galleries (WA)

PRIZES/AWARDS - wins only. 46 finalist selections and 7 high commendations omitted

2019 Winner - Children’s Choice, Glover Prize 2018 Winner – Dr Wendy Wickes Memorial Prize, The People’s Choice. Waterhouse Natural Science Art Prize 2015 Hanger’s Choice - Glover Prize for Tasmanian Landscape 2014 Winner - People's Choice, 38th Alice Prize 2012 Winner - People's Choice, John Leslie Art Prize 2012 Winner - People's Choice, R&M McGivern Prize 2010 Winner – 2010 John Leslie Art Prize 2008 Winner - People's Choice, Fleurieu Biennale Art Prize 2008 3rd Prize, Category A: Painting - Waterhouse Natural History Prize 2007 Winner – Viewer’s Choice, 2007 Heysen Prize for Australian Landscape 2007 Winner – Greg Waddle People’s Choice Award, Glover Prize for Tasmanian Landscape. 2006 Winner - 2006 Heysen Prize for Australian Landscape 2005 Winner – Viewer’s Choice, 2005 Heysen Prize for Australian Landscape

RESIDENCIES

2015/2016 1 December 2015 – 27 February 2016, Red Gate Residencies, Beijing, China

BIBLIOGRAPHY – publications only, 12 reviews omitted

2011 Simon Gregg. The New Romantics: Darkness and Light in Australian Art. Australian Scholarly Publishing.

COLLECTIONS

Various Public and Private collections in Australia, UAE, China and USA.

Richard Dunlop TAS 08

Liffey Falls near Deloraine (Birthplace of the Tasmanian Greens) Oil on Belgian linen 168 x 170 cm $25,000

Liffey Falls near Deloraine North Tasmania (where I now live) is adjacent to Oura Oura where Bob Brown and partner Paul Thomas hatched ideas for the formation of the Tasmanian Greens over a kitchen table, with various visitors like Richard Flanagan. The images of the area on television were relayed to me in my twenties, and I was enamoured by the idea that anyone could conceptualise a persuasive movement with such modest means. As a subject for painting however, it has nothing to do with politics, but rather chosen for its formal and theatrical qualities as a painterly fiction, no more a copy of reality than what a novelist or a filmmaker might envision for an audience to communicate an experiential journey. I sought to bring various elements into a fresh and harmonious order, with the predominant subject being the capturing of an emergence of light in the north Tasmanian ‘film noir’ landscape.

Glover Prize 2021 Richard Dunlop

Lives and works in Deloraine, North Tasmania www.richarddunlop.com.au

Selected Qualifications

2003-2007 Doctor of Visual Arts, Queensland College of Art (Received Griffith University Award for Academic Excellence at PhD level)

1989-1992 Doctor of Philosophy, University of Queensland

1985-1989 Master of Educational Studies, University of Queensland

1982-1985 Bachelor of Education, Queensland University of Technology

Selected Solo Exhibitions 2020 Colville Gallery, Hobart Voice in the Wilderness Gallery One, Gold Coast Here Comes the Sun: Optimistic Paintings

2019 James Makin Gallery, Melbourne – Images of Eden and Elsewhere Colville Gallery, Hobart – Garden in the Mountains, Somewhere near Deloraine

2018 Sydney Contemporary Art Fair (James Makin Gallery) 13 – 16 September 2018 Perc Tucker Regional Gallery, Townsville, Retrospective – Richard Dunlop: A Northern Survey 20 July – 9 September 2018

2017 James Makin Gallery, Melbourne – Made on Location, 20 September – 6 October Jan Murphy Gallery, Brisbane – Crossing the Rubicon River, 26 April – 20 May

2016 Hill-Smith Gallery, Adelaide – The Arab Spring and Other Natural History Notes

2015 Jan Murphy Gallery, Sydney @ Guy Maestri Studio – Shunga: Pictures of Spring

2014 James Makin Gallery, Melbourne – Sublime East: History is on Our Side Jan Murphy Gallery, Brisbane Sublime East: New Romantic Landscapes

2012 James Makin Gallery, Melbourne - Memorial Park: New Paintings of Nostalgic Subjects Jan Murphy Gallery, Brisbane – Classical Arrangements

2011 Greenhill Galleries, Perth – Old Growth Hill-Smith Gallery, Adelaide – Delicatessen James Makin Gallery, Melbourne – Still Life, Still Death: ANZAC Memorials and Other New Paintings

2010 Jan Murphy Gallery, Brisbane – Larger Than Life

2009 Hill-Smith Gallery, Adelaide – Green Shoots of Recovery James Makin Gallery, Melbourne - Less is Morte Tim Olsen Gallery, Sydney – Age of Exploration

2008 Jan Murphy Gallery, Brisbane – Maps, Natural History and Quite Ambitious Plans Art Obsession Gallery, Tokyo – Richard Dunlop: Recent Paintings Rebecca Hossack Gallery, London – Richard Dunlop: Recent Paintings Retrospective Survey Exhibition, Perc Tucker Regional Art Gallery, Townsville – Second Nature Milford Galleries, Auckland – Tattoo Paintings

2007 Queensland College of Art, Griffith University – 100% Organic Tim Olsen Gallery, Sydney – 100% Organic Delgany (National Trust), Portsea, Victoria – Richard Dunlop: Recent Paintings

2006 Tim Olsen Gallery, Sydney – To Sow, to Reap Jan Murphy Gallery, Brisbane – The First Cut is the Deepest: Tattoo Paintings

2005 Retrospective Survey Exhibition, Rockhampton Regional Art Gallery – Second Nature Retrospective Survey Exhibition, Redland Regional Art Gallery – A Study in Genius Jan Murphy Gallery, Brisbane – Signs of Still Life Despard Gallery, Hobart – News of the World

2004 Michael Reid Art Dealer, Sydney – Richard Dunlop: Recent Works

2003 Jan Murphy Gallery, Brisbane – Pollen Retrospective Survey Exhibition, Mackay Regional Art Gallery – Richard Dunlop: Botanica Ray Hughes Gallery, Sydney – Tattoo: New Paintings Open Studio Exhibition, Brisbane (Preview for Sydney Exhibition) – Tattoo: New Paintings

2001 Ray Hughes Gallery, Sydney – Still Life Retrospective Survey Exhibition, Brisbane City Art Gallery – The Chosen Ones

2000 Brisbane City Residency Exhibition, Randall Studio, Represented by Ray Hughes Gallery, Sydney - Richard Dunlop: Still Lifes and New Paintings from Switzerland

1999 Ray Hughes Gallery, Sydney – Hinterland Open Studio Exhibition, Zurcherstrasse, Zurich – Paintings of Switzerland

1998 Ray Hughes Gallery, Sydney – Second Nature

1997 Ray Hughes Gallery, Sydney - Night Garden: Selective Cuttings Josh Foley TAS 09

Houdini Oil, acrylic ink & synthetic polymer paint on canvas 153 x 185 cm $12,500

Some notes taken throughout the creation of this work include: Information age landscape. Detail is textual. Flying pigs... The sky is inhabited once more. The Tasmanian landscape is a computer program made in Inida (Spelling intentionally incorrect. The label on the roll of canvas, used for the work specified it was made in Inida and I thereby began to speculate on the significance of the fact that in some ways part of this landscape was manufactured in a factory in the Northern Hemisphere) This is a Frankenstein landscape of Tasmania, stitching together a gothic past, echoes of Gondwana land, the continuing juxtaposition of industrial schematics with ongoing colonial desires, and an emergent reality that is mediated and manipulated by exponentially increasing technological trickery with the communicative and physical distances of space and time shrinking as an outcome. Luddite self-portrait...

Glover Prize 2021

JOSH FOLEY Born in Australia, 1983 Lives and works in Launceston, Tasmania

EDUCATION 2001 – 2004 Bachelor of Contemporary Arts (Hons), Major: Painting, University of Tasmania, Launceston, Tasmania

Selected (Recent) SOLO EXHIBITIONS 2020 Calculating Infinity (Launched as part of MONA FOMA), Queen Victoria Museum & Art Gallery, Launceston, Tasmania New Percepts, Despard Gallery, Hobart, Tasmania 2017 The Disrupted Gaze, Despard Gallery, Hobart, Tasmania 2015 Parametric Painting Institute, Gallerysmith Project space, Melbourne, Victoria Blue Lines, MOP Projects: Hosted by Galerie Pompom, Sydney, New South Wales

Selected (Recent) GROUP EXHIBITIONS 2020 Linden Postcard 30th Anniversary show, Curated by Juliette Hanson, Linden New Art, St. Kilda, Victoria 2019 McGivern Prize (Finalist Exhibition), Maroondah Art Gallery, Maroondah, Victoria 2018 Speed, Curated by Malcom Bywaters, as part of MONA FOMA, Academy Gallery, UTAS, Launceston, Tasmania

Selected AWARDS/GRANTS/COMMISSIONS/RESIDENCIES 2021 (Forthcoming) Artist in residence, College TBC (Arts Tasmania), Tasmania 2020 Arts & Screen Grant, Arts Tasmania, Tasmania 2019 Vice-Chancellor portrait commission (Professor Daryl Le Grew), University of Tasmania, Hobart, Tasmania 2018 Artist in Residence, Cradle Mountain Hotel, Cradle Mountain, Tasmania TasART City of Burnie Award, Burnie Regional Art Gallery, Burnie, Tasmania 2017 Artist in residence, Launceston Church Grammar School, Mowbray, Tasmania Art for Public Buildings (Corporate), Arts Tasmania, Vet Clinic, Launceston, Tasmania 2016 Individuals Grant (Cultural Residency), Arts Tasmania, Tasmania Public Art Commission, (Power Play) Junction Boxes, Devonport City Council, East Devonport, Tasmania Public Art commission, Tasmanian Government Art site Scheme, Taroona high School, Taroona, Tasmania Artist in residence, Bundanon Trust (Freeman studio), Bundanon, New South Wales Artist in residence, Newstead College (Arts Tasmania), Launceston, Tasmania Public Art commission, Tasmanian Government Art site Scheme, Latrobe Primary School, Latrobe, Tasmania 2015 Artist in residence, Rosamond McCulloch Studio, Cite Internationale Des Arts, Paris, France Artist in residence, Scotch Oakburn College, Launceston, Tasmania Linden Postcard Artsphere Award, Linden New Art, St. Kilda, Victoria 2014 Individuals Grant, Arts Tasmania, Tasmania Tasmanian Art Award Winner, Eskleigh, Perth, Tasmania Public Art commission, Tasmanian Government Art site Scheme, Don College, Devonport, Tasmania 2013 Artsbridge Grant, Arts Tasmania, Tasmania TasART Major Award Winner, Burnie Regional Art Gallery, Burnie, Tasmania 2012 Tasmanian Portrait Prize (Runner up), Long Gallery, Hobart, Tasmania 2011 Glover Prize Winner, Falls Park Pavilion, Evandale, Tasmania Eutick Memorial Still Life Award (Runner up), Coffs Harbour Regional Gallery, Coffs Harbour, New South Wales Individuals Grant, Arts Tasmania, Tasmania

Selected COLLECTIONS Macquarie Group Collection, Queen Victoria Museum & Art Gallery, University of Tasmania Sebastian Galloway TAS 10

10 Sebastian Galloway TAS

View Of Mt. Lyell through an Acid Raindrop Oil on copper, Sassafras 85 x 95 cm $6,750

Although the environment of Queenstown is slowly healing, its Mars-like landscapes are as striking as ever; a persisting testament to over a century of copper mining. As the trees on the hills were felled for building and fire wood, acid rain, caused by sulphur dioxide emitted by the copper smelting process, fell to earth and further transformed the landscape. The barren hills of exposed rock remain as stark evidence of an environmental catastrophe, yet they bear a strange and otherworldly beauty and are captivating for many.

Glover Prize 2021 Sebastian Galloway Works and lives in Tasmania, Australia. Email: [email protected] 0488735140 Represented by Colville Gallery, Hobart

Education 2009 – 13 Bachelor of Fine Arts, University of Tasmania, Hobart

Solo exhibitions 2020, Temporary Things, Colville Gallery, Hobart 2018, New Works, Colville Gallery, Hobart 2017, The Birds, Colville Gallery, Hobart 2016, There's Something in the Water, Despard Gallery, Hobart 2015 Fish, Despard Gallery, Hobart 2014 Infinymph, Despard Gallery, Hobart

Selected group exhibitions 2020, The Lester Prize, Art Gallery of Western Australia, Perth 2019, The Lester Prize, Art Gallery of Western Australia, Perth 2019, The Holmes Art Prize, Caloundra Regional Gallery, Queensland 2019, The Kilgour Prize 2019, Newcastle Art Gallery, New South Wales 2018, Bruny18, finalist, Tasmania 2017, Holmes Prize for Realistic Bird Painting, finalist 2017/18/20, Annual Artist Exhibition, Colville Gallery, Hobart 2016/17, Annual Summer Show, Despard Gallery, Hobart 2016, Figments, 107 Projects, Sydney 2014/15, Annual Summer Show, Despard Gallery, Hobart 2013, Un-Natural Selection, Despard Gallery, Hobart 2012, Animalia, Despard Gallery, Hobart, MONA FOH Staff 2012, Art Exhibition, Stable Gallery, Moonah 2012, 24th Annual Summer Show, Despard Gallery, Hobart 2011, Continuum, UTAS Graduate Exhibition, Art School, Hobart 2011, MONA FOH Staff Art Exhibition - Monaista, Stable Gallery, Moonah 2010, Transition, Studio Gallery, Salamanca Arts Centre, Hobart

Awards and Prizes 2020, The Lester Prize, Toni Fini Foundation Prize winner 2015, Tasmanian Portraiture Prize, Packer's Prize winner 2015, 2014 Tasmanian Portraiture Prize, finalist 2006 Art Rage, First Prize 2006 Elizabeth College Art Prize, First Prize

Public Art Projects 2016/17 Hound in the Hunt artist, MONA, Hobart Fabien Garcia VIC 11

11 Fabien Garcia VIC

Orchestra Oil on linen 80 x 98 cm $2,100

It was a mystical foggy day, grey, very windy and raining. After setting up camp at the base, we decided to go explore the valley above us, the foothills of Jerusalem walls. Coming around a corner, we discovered an altitude lake which has struck us in awe. The three of us stopped, stood still in this harsh weather and contemplated what was unfolding in front of us. The wind was directing a magical ballet on the surface of the water, surrounded by an orchestra of colors and rare varieties of flora. We literally felt something special, his lead one after the other. After for vibrations or “accidents” that something almost spiritual. We a while, we bowed to this scene will add depth and energy to this felt humbled and privileged. We and left. I have worked from a scene. It is a personal work of all wanted to be a part of this picture I took on that day. As soon emotional remembrance, most scene without disturbing it. My as I put my paintbrush on the precisely a work of memory linked friend stepped ahead, kneeled by canvas, it is a play between me to the experience of a peculiar the water and drank a mouthful and the painting. The reference space and time, depicting my inner of it. It was the clearest water. My picture becomes second as I act experience of this landscape. partner and I decided to follow to materialise my memory, I look

Glover Prize 2021 FABIEN GARCIA

French-born contemporary figurative artist

2 Seaview Cres Surf Beach, VIC 3922 Australia Tel: 04 32 658 889 Email: [email protected] www.garciafabien.com

ARTIST STATEMENT I never set out to create a particular response from the viewer, that is definitely out of my control. However, if for a moment, anyone can look on my work and feel as if time has slowed, then that would be the ultimate dream for me. I like to think that people can escape through my paintings. Contemporary life offers very little respite. Painting can be a cure: by slowing down time and creating connections between people, sharing experiences.

Today I am exploring the structure of figuration. Between realism and abstraction, I seek the necessary balance for a painting to exist by itself, no need for interpretation or meaning. It is a sensory experience, it is alive, and I am definitely, for life.

BIO

Born in France in 1986, I currently live and work in Surf Beach, Victoria (Australia). In 2007, after graduating with a degree in Applied Arts from the University of Nîmes in France, I embarked on an adventure and moved to Australia. As my art was taking more and more space and time in my life, in 2016, I decided to return to my native country to study the old masters. I have crossed paths with great artists who have greatly influenced my work. I first broadened my skills and sharpened my vision on a daily basis with the sculptor Éric Chatalin, former student of Charles Auffret, in the alternative art’s school Auralithe in Montpellier. I then immersed myself in the world of colors and textures working beside Marseille’s based painter Nushka. Being an Australian permanent resident, I have now moved back to this beautiful land to work and live since January 2020. RECENT EXHIBITION HISTORY

26 AUGUST-22 SEPTEMBER 2019: GROUP SHOW, DOMAINE DE RESTINCLIÈRES; PRADES-LE-LEZ, FRANCE Participation to the Third Contemporary Art and Nature Salon - A review of the states of water. My artwork, « Chorégraphie sous-marine », won both the Public Choice Award and First Jury Prize.

DECEMBER 2018: PERSONAL SHOW, DOMAINE PUECH; SAINT- CLÉMENT-DE- RIVIÈRE, FRANCE Personal show titled « Affabulations romanesques », in which I presented a series of portraits of great artists who have inspired my work. I painted each one of them trying to reflect each artist’s style and medium of predilection.

1-23 SEPTEMBER 2018: GROUP SHOW, DOMAINE DE RESTINCLIÈRES; PRADES- LE-LEZ, FRANCE Participation to the Second Contemporary Art and Nature salon - To Be(e) or not to Be(e). My artwork, « Le Souverain », won the Second Public Choice Award.

4-11 NOVEMBRE 2017: GROUP SHOW, EXHIBITION HALL OF FRÉGÈRE; SAINT- GÉLY-DU-FESC, FRANCE Collective Exhibition titled « Brassens » after the French late singer/songwriter. The show took part of the annual festival « J'ai rendez-vous avec vous ». Peter Gouldthorpe TAS 12

Inside the Snowdome Oil on linen 153 x 138 cm $13,000

The classic shape of Cradle Mountain is imprinted in people’s minds as the view from Dove Lake. This is a view of its turreted western side in mid-winter, a sight unfamiliar to most. On this day I was enjoying the wild nip of winter and the tracery of snow on the plants but disappointed not to be seeing anything beyond fifty metres. With an easing of the wind, came an opening of the scene, before it was swallowed once more by blizzard.

Glover Prize 2021 PETER GOULDTHORPE C.V. EXHIBITIONS; The Wild Heart, 2020, High Places 2017, Solo exhibitions, Handmark Gallery, Hobart. Dragon’s Veins, Solo Exhibition, Handmark Gallery Evandale, 2018. Glover Prize, Finalist 2004, 2010, 2014, 2016, 2017, 2018 People’s Choice - 2010, Children’s Choice - 2014, Summer exhibition, Mixed show, Handmark Gallery Hobart, 2016,2017,2018,2019. To The Island, Solo Exhibition, Colville Gallery, Hobart, 2011. A Change in the Weather, Solo Exhibition, Colville Street Gallery, Hobart, Oct. 2007. Tasmanian Landscapes. Solo Exhibition. Colville Street Gallery, Hobart, Nov. 2005. Isolation/Solitude. Mixed exhibition. Long Gallery, Hobart 2005. Barking Up The Wrong Tree. Mixed exhibition. Sydney, Hobart and Melbourne. Curated by Mori Gallery, Sydney 2004. Queen Victoria Museum and Art Gallery, exhibition “Lost Diamonds of Killiekrankie”, June 2000. Latrobe Regional Gallery, Vic. Exhibition with three illustrators, August-September,1999. Dromkeen, Vic. Retrospective exhibition, March-July,1999. COLLECTIONS; Paintings and illustrations in Public and Private Collections throughout Australia. Public Collections; Tasmanian Museum & Art Gallery, Queen Victoria Museum & Art Gallery, Australia Post, Devonport City Gallery, Australian Antarctic Division, Kingston, C.S.I.R.O. Marine Laboratories, Hobart, Fremantle Children’s Literature Centre, W.A., National Centre for Children’s Literature, A.N.U. Canberra, State Library of N.S.W. AWARDS, GRANTS, TRAVEL, etc, Residency Bundanon, August 2014 Wrest Point Art Awards, Runner-up 2012. People’s choice, 2013 Arts Tasmania Wilderness Residency at Lake St. Clair, April and May 2002. Stamps for Australia Post, 1997 and 2002. Residency at the Cite des Artes International, Paris 2001 Children’s Book Council of Australia Awards, 8 of my books have been short-listed for the annual book awards and one won Picture Book of the Year in 1994. Arts Tasmania, numerous commissions for murals and paintings throughout Tasmania Elaine Green TAS 13

April The thirty scenes depicted in this all shut, the chairlift sat silent and Oil on masonite work reflect the thirty days in the penguins were not visited. 51 x 78 cm April 2020 of lockdown in Stanley But the wind still blew, the rain $3,000 Tasmania. The world had changed, still fell, the sun rose and set, helicopters flew over-head and the tide came in and out and roadblocks were erected to prevent the magnificence that is Stanley us travelling far. No tourists came comforted my soul. for the Easter break, the shops were

Glover Prize 2021 Elaine Green CV

Education 2015 Bachelor of Visual Arts SCU Lismore 2011 Studied Diploma in Fine Arts at Murwillumbah T.A.F.E

WORK Owner, Director of Caba Arti Art Gallery Cabarita 2012-2013 SOLO EXHIBITIONS 2020 The Way I See It, Highfield House, Stanley Tasmania 2019 Changing Moods, Anthea Polson Art 2018 Contemplations of Place,M-Arts Murwillumbah NSW 2017 Clouds, Mist and Other Illusions Anthea Polson Art 2015 Energy Never Dies Percolator Gallery Paddington Brisbane 2015 Remembered Landscapes, The White Jade Pottsville 2015 Universal Energy, Fit Hit Studio Coolangatta, QLD 2014 ‘Moodscapes’ Waterside Artspace Currumbin 2013 E-Scapes, Kartel Cabarita Residencies 2014 Tweed River Art Gallery Selected Awards, Prizes 2020 Finalist Ravenswood Women’s Art prize 2020 Finalist Lethbridge 20000 2020 Finalist Glover Prize 2019 ARTEX Tasmania (People’s Choice) 2019 TASARTS, (highly commended) 2019 Finalist Tattersalls Art Prize 2019 Finalist Milburn Art Prize 2019 Finalist Ravenswood Women’s Art Prize (Highly Commended) 2019 Finalist Rotary Art Spectacular Bris. 2018 Finalist Ravenswood Women’s Art Prize 2017 Finalist Art Piece Prize 2017 Finalist Brisbane Rotary Art Prize 2017 Finalist Bluethumb Art Prize 2016 Finalist Brisbane Art Prize 2016 Finalist Waverley Art Prize 2016 Finalist Camberwell Art Prize 2016 Finalist Lethbridge 10000 2016 Finalist Rotary Art Prize 2016 Finalist Border Art Prize 2015 Finalist Eutick Memorial Still Life Award 2015 Finalist Lethbridge 10000 2015 Curator’s Choice Byron Arts Classic (Angus McDonald) 2015 Finalist She Art Prize Walker Gallery Dandenong Vic. 2014 Finalist Sunshine Coast Art Prize 2014 Finalist Border Art Prize 2014 Finalist Lethbridge 10000 Smalls 2013 The Kaske Award for Painting SCU 2013 Finalist Len Fox Art Award Castlemaine Vic. 2013 First Prize Ocean Shores Art Expo 2013 Finalist Wilson Art Award Lismore 2012 Finalist Border Art prize Tweed River Art Gallery 2012 Selected Caldera Art Prize, Murwillumbah NSW. Leanne Halls NSW 14

In The Mist Oil on canvas 91 x 76 cm $5,000

Rarely do we come across places that profoundly touch and excite our senses, yet the Tasmanian wilderness is one such place which attracts and inspires people from every nation on earth. Peter Dombrowski’s wilderness photography helped open the worlds eyes to this treasure which is uniquely Tasmanian. I also was inspired from the first time I saw it so many years ago. In this work I wanted to inspire a new generation by capturing the mysteriousness of the wilderness while paying tribute to a great artist, whose photography has inspired me.

Glover Prize 2021 artist | digital designer Leanne +61 413 295 438 [email protected] HaLLs www.leannehalls.com

TRAINING PROFILE Billy Blue College of Design Torrens Born in Australia, I spent a number of years working and training abroad in University Japan where I was exposed to various kinds of traditional Japanese art and Diploma of Graphic Design design. Asian sensibilities and techniques continue to influence my work Aug 2019 – Aug 2020 which is characterised by fluid and expressive brush strokes, atmospheric perspective and light. My painting philosophy is to paint movement, the Julian Ashton Art School Diploma of movement of light, colour and tone across the surface of any given object. Fine Arts Oct 2010 – Dec 2011 Finalist in a number of awards including Glover Art Prize, lloyd rees Art Prize, eutick MeMoriAl still life AwArd, lethbridGe 10,000 Art Prize and oth- Residency - Japan ers, I have a growing reputation and confidence. My paintings have also Dec 2014 – Mar 2015 been published in various publications including The Art Collector are Private Tutelage - Japan Kitagawa held in private collections in Japan, USA, Netherlands, UK and Australia. Ryufu Kanazawabunkou Nov 2006 – Jan 2008 AWARDS AND PRIZES EXHIBITIONS Glover Art Prize • Finalist 2017 | sold SOLO EXHIBITIONS Eutick Memorial Still Life Award Colville Gallery | Hobart Tasmania • Finalist 2017 | sold • 2020 - Still Life Exhibition • Finalist 2015 | sold • 2018 - Alla Prima • 2017 - Windows into my world Llyod Rees art prize • 2016 - Paintings from 3 steps back • Finalist 2017 • 2015 - New Works • Finalist & People’s Choice 2015 |sold • 2013 - Meadowbank Frogmore Creek Lethbridge 10,000 Small Art Award • Finalist 2017 |sold TEACHING • Finalist 2016 Taught workshops in watercolour and Pritex Still Life Prize oil paintings through various institutions • Finalist 2017 |sold such as: FIP World Polo Art Prize Art Society of Tasmania • Finalist 2017 Colour Circle Wrest Point Art Awards Private Tuition • Finalist 2016 • Finalist 2014 • Finalist 2013 Other • Winner Art Society of Tasmania - Annual Exhibition 2016 • Highly Commended - Art Society of Launceston 2016 • Highly Commended - Royal Hobart Show - Oils Medium 2016 • Hangers Choice & Highly Commended - Annual Art Society of Tasmania Exhibition 2013 • Runner Up - Royal Hobart Art Show - Professional Division 2012 • Runner Up Painting Section City of Clarence Open Art Exhibition 2012 • David Wilson Drawing Prize 2011 Karen Hammat SA 15

Night Rocks, Bay of Fires Mixed media on board 90 x 90 cm $1,390

My abstract landscapes depict the imprints left in memory by a particular place. These imprints are as much emotional and kinaesthetic as visual. The feeling of a place that persists even when its visual memory fades.

Glover Prize 2021 KAREN HAMMAT Curriculum Vitae

QUALIFICATIONS 2005 Bachelor of Visual Arts and Applied Design, Onkaparinga Institute of TAFE , O’Halloran Hill Campus, South Australia 1978 Master of Psychology, Flinders University, South Australia Accredited Member of GUILDHOUSE AWARDS AND PRIZES 2016 Winner Best Abstract Expression prize, Adelaide Cathedral Art Show 2013 Merit Award. Adelaide Cathedral Art Show 2011 Winner Best Abstract Expression prize, Adelaide Cathedral Art Show Merit award, Solar Art Prize, Royal South Australian Society of Artists 2009 Selected as participating artist for “Faces of the Port” portrait project. 2008 Second Prize. Country Artist Section, Port Adelaide Rotary Art Show 2005 Winner of the Minter Ellison Rising Stars Award SELECTION OF GROUP EXHIBITIONS 2019 Artbox Project Zurich 1.0, Zurich Switzerland 2014 “Come on in the Water’s Fine” two person show with Rebecca Arman, Yankalilla Yarns and Fine Art Studio.Yankalilla SA 2013 “Natural Impressions” two person show with Emanda Fretwell, Yankalilla Yarns and Fine Art Studio. .Yankalilla SA 2012 “Text, Texture, Context” two person show with Emanda Fretwell, Yankalilla Yarns and Fine Art Studio. .Yankalilla SA 2011 “Birds of a Feather” two person show with Emanda Fretwell, Yankalilla Yarns and Fine Art Studio. .Yankalilla SA 2011 “Art from the Heart” SALA exhibition Artistic License Gallery, Melbourne St North Adelaide 2011 “Pooled” 11artists Gallery M, Marion SA 2011 “ Winter Exhibition” two person show with Emanda Fretwell, Alexandrina Cheese Company, Mt Jagged, SA 2003 “First Date”, Artroom Gallery, Hyde Park SA SOLO EXHIBITIONS 2014 Angove Winery. McLaren Vale 2013 Scarlatti’s Gallery, Clare, SA 2011 Work featured in the foyer of the ETSA building, Anzac Highway Adelaide 2010 Woodside Cheesewrights, Woodside SA 2009-10 Work featured in the foyer of the Hyatt Hotel North Tce Adelaide 2009 Wirra Wirra Winery, Mclaren Vale 2006 Lilla’s Café Yankalilla SA 2004 Aldgate Cafe, Aldgate SA

Robyn Harman TAS 16

Monolith #3 Oil and acrylic on canvas 160 x 105 cm $3,200

The coastal and estuarine waters of Tasmania are both constant and ephemeral - constant in our lives as island people, yet we experience only a snapshot of water’s traverse over our island’s ever-changing landscape. Our island is both still and solid, the crag that we cling to; but still the tides ebb and rage, the waves erode once-familiar shorelines and geological time marches on. On a sailboard I have visited a few of these reefs and islets and I imagine the precarity of reaching one of Tasmania’s sea stacks - stone towers that arise from deep bays, evoking a sense of remoteness and wilderness, of memories and myths. This sea stack near Waterfall Bay has the presence of a spiritual site existing in the liminal space between land and sea, between sea and sky. As I view the towering sea stack I imagine myself sailing in close proximity, weaving closer to the monolith while a GPS signal follows my trail. What would it feel like? Where would the wake of my board appear as I cut through the water? Digital and painterly images may have more permanence than this monolith, entering the age of the Anthropocene.

Glover Prize 2021 ROBYN HARMAN

ARTIST'S CURRICULUM VITAE

• PROFESSIONAL DETAILS•

Teacher of Visual Art

• EDUCATION •

1978 Diploma of Arts (Visual Art Teaching), Tasmanian School of Art, Hobart

• S OLO EXHIBITIONS •

2018 Same Ocean, Gallery Pejean, Launceston 2017 Deeper Water, Gallery Pejean, Launceston

• S ELECTED GROUP EXHIBITIONS •

2020 The Light Burns Blue, Gallery Pejean, Launceston 2016 Cliftons Art Prize, Melbourne 2016 Redlands Art Award, Brisbane 2016 Full House 146 ArtSpace, Hobart 2016 Still Life Revisited, Gallery Pejean, Launceston 2016 Strangers in a Strange Land, Poimena, Launceston 2016 Out of Control TATA, Poimena, Launceston 2016 Tasmania, White Sands Estate, Gallery Pejean, Bicheno, Tasmania 2015 Beyond the Classroom, Academy Gallery, University of Tasmania 2015 Trace and Transit exhibition, Sawtooth ARI, Launceston 2013 Glover Prize, Evandale, Tasmania 2010 Beyond the Chalkboard, Academy Gallery, University of Tasmania 2008 Eskleigh Art Award, Tasmania 1996 Tasmanian Art Exhibition, Burnie

• RECOGNITIONS & AWARDS •

2020 Tidal Art Prize (Finalist) Devonport Regional Gallery 2019 Glover Prize (Finalist) 2019 Bay of Fires Art Prize (Finalist) 2018 Bay of Fires Art Prize (Finalist) 2016 Cliftons Art Prize (Finalist) 2016 Redlands Art Award (Finalist) 2013 Glover Prize (Finalist) 1995 Central Coast Tasmania Day Art Exhibition Prize (Winner) 1992 Tasmanian Art Awards, Burnie (Highly Commended)

• COLLECTIONS •

North-West Private Hospital, Tasmania Central Coast Council, Tasmania Private Collections Rachel Howell TAS 17

Syntonic Cradle Valley, Ronny Creek. A spring the quiet, fresh, soothing, healing Oil on linen day, beautiful sun, intercepted by a surrounds of our natural world. 140 x 180 cm howling gale, the blackest of skies, Beauty at its best, unlimited $10,800 incoming torrential rain, thunder and combinations of form, colour, texture, lightning, mist and a flurry of snow. shape and pattern. Crisp fresh air invokes feelings of Leaving us awed, enlivened, peace and relaxation. Immersed in energised.

Glover Prize 2021 Melissa Kenihan VIC 18

That Bruny Backyard I dream of that big Bruny backyard, The Pademelons coming and Oil on stretched linen one without fences and with views going as they please, grazing on 61 x 92 cm out to sea. grasses, watching me play. $1,400 The air is salty but sweet. Nature all around me. I want to play there again, to swing Life there is free and I know, with on the old clothesline and hear that all my heart, that is where I wish I rusty creak as it turns. could be. My feet without shoes.

Glover Prize 2021 MELISSA KENIHAN 0411 800 445 I [email protected] I 92 Park St, St Kilda West Vic 3182

Artist statement: A professional career as an artist has come late in my life, therefore my CV stems no earlier than 2019. My foundation and skills has not come through academic study but from my life-long interest in all forms of art and through my career as an audio engineer and writer. I consider myself a keen observer and believe this to be my greatest skill. How this translates into the way I paint is ever evolving. I keep an open mind, listen to my intuition and paint what I feel deeply connected to.

Exhibitions and Shows: 2020 - Bluethumb Art Prize (finalist) 2019 - The Doug Moran National Portrait Prize (semi-finalist) 2019 - The Linden Postcard Show 2019 - The Australian Watercolour Muster 2019 - The Mount View Art Show 2019 - The Bayside Art Show 2019 - The Victor Harbor Art Show

Social media, website and online: Website - Currently working on my website Online - https://www.gallery247.com.au/melissa-kenihan/?source=2 Social media - Instagram: melsart111

Laurence King TAS 19

The Madness of He was driven away from mankind. Nebuchadnezzar He ate grass like an ox, and his Oil on canvas body was drenched with the dew 71 x 152 cm of heaven, until his hair grew like $8,600 the feathers of an eagle and his nails like the claws of a bird. Dan 4:33 This is a personal response to a straight forward image. It is a metaphor for how we can be at the mercy of life swirling about us.

Glover Prize 2021

King, Laurence - Curriculum Vitae ABN: 31592970854

Name: Laurence King

Phone: 0499 193 821/ 0467 972 578

Email: [email protected]

DOB: 12/9/1956 Currently:

2017-2021 My work is on display at Kings Fine Art Gallery,22 Cambria Drive Dolphin Sands, Swansea

I have lived in Tasmania for 5 years; in that time, I have sold numerous art works in multiple mediums in both Salamanca Gallery and my own gallery.

The majority of these works can be viewed online at: https://www.kingsfineartgallery.com https://tasmanianartsguide.com.au/artists/visual-artists/laurence-king/ https://www.instagram.com/kingsfineart/ https://www.facebook.com/laurencekingartist/ Exhibited at:

2016-17 Gallery Salamanca, Hobart Relevant & Demonstrated Experience

1991-2015 Wade High School Griffith NSW (24yrs)

• Visual Arts Teacher • Numerous success with students over a number of conse • cutive years being selected for “Art Express”- the best of NSW Higher School Certificate Artworks in NSW.

1984 Visual Arts Teacher Broken Hill NSW

• First exhibition at Broken Hill at Pro Hart Anthill Gallery

1976 Newcastle of Advanced College Education – Newcastle University

• Diploma in Visual Arts & Graduate Diploma in Education

Keith Lane TAS 20

Lost Overboard Before moving to Tasmania six years reminded me of the principle origin (The Hunt for Ruby) ago from Sydney we would sit of Tasmanias COVID troubles Acrylic, coloured pencil, oil on the harbour foreshore for the brought about by the incursion on canvas on board annual Boxing Day family picnic of the virus via the returning 40 x 140 cm and watch the start of the Sydney Ruby Princess passengers to the $4,400 to Hobart Yacht Race. Burnie area. Again, the Sydney and The cancellation of the 2020 “Blue Tasmania connection via the sea Water Classic” due to COVID-19 between us. resonated with me and reminded So this work, whilst making a more me of the tragic year 1998 (that literal visual reference to the 1998 we watched depart from Sydney) disaster, has sought to draw parallels and the catastrophic storm that with more recent events and devastated the race that year and consequences relating to the sea and with it the loss of life. This also Tasmania’s status as an island.

Glover Prize 2021

Artist’s Bio/CV: 2021 Keith Lane Studied Fine Art in London UK graduating in 1979, migrating to Australia in 1989. Practiced as a Building Designer alongside practice as a painter/sculptor/printmaker and Visual Arts Teacher TAFE Sydney NSW 2010 – 2014. Numerous group and solo shows in London, Sydney, Canberra and Launceston, has exhibited in China, is represented in many private and public collections including Campbelltown Arts Centre NSW, the Shanghai Government and the Chinese Embassy in Canberra. Has also been commissioned to undertake several public art commissions notably for Sydney Olympic Park in 2008 and 2010. Lane has been a finalist in the Sulman Prize at the Art Gallery NSW in 2008 and 2009. Semi Finalist Doug Moran Portrait Prize in 2014. Featured in the Melbourne Art Fair 2014 and Sydney Contemporary Art Fair 2015 with Art Atrium and is currently represented in Tasmania by Gallery Pejean, Launceston and Nolan Gallery, Hobart and in Sydney by Art Atrium and Glover Finalist 2020 Web sites below:

www.gallerypejean.com.au www.nolanart.com.au www.artatrium.com.au www.keithlane.net

Abridged CV Solo shows 2018 Painting/sculpture. Gallery Pejean Launceston 2014 Painting/Sculpture Art Atrium Bondi Junction NSW 2012 Painting/sculpture/printmaking. Art Atrium Bondi Junction 2010 Painting/sculpture/printmaking. Art Atrium Bondi Junction Upcoming Solo Show Nolan Gallery Hobart March 2021 10 Year Cut off

Duo shows 2017 Jones Bay Wharf, (Art Atrium) Sydney 2014 Melbourne Art Fair with Art Atrium

Group Shows 2021 Jan Summer Showcase Gallery Pejean, Launceston 2020 Jan Summer Showcase Gallery Pejean (drawing/sculpture) Feb Ravens - Long Gallery Hobart (painting/sculpture) Feb Landscapes Gallery Pejean (painting) Feb Glover Art Prize – Finalist July Dangerous Women – Nolan Gallery Hobart Dec Small Works Gallery Pejean Launceston

2019 ‘Go Figure” Gallery Pejean Launceston ( painting/sculpture) Works on paper ( selected) Gallery Pejean Landscapes Gallery Pejean Launceston ( painting) Esk Art Award Great Western Tiers art prize (winner) 2018 Summer Show, Gallery Pejean, Launceston ‘Transcendance’ Art Atrium/Live in Art, Sydney Esk Art Award, prize winner, Eskerleigh Tas Finalist Bay of Fires Art Prize, St Helens Tas 2017 Summer Sojourn, Art Atrium Sydney déjà vu Gallery Pejean 5th Anniversary show, Gallery Pejean 30x30 paintings Gallery Pejean Finalist Bay of Fires Art Prize, St Helens Tas Editions: 2017 Gallery Pejean Linocuts/Sculpture 2016 ‘She’ Gallery Pejean Directors Choice, Gallery Pejean Gallery artists, Art Atrium 2015 Sydney Contemporary Art Fair, Carriageworks. Art Atrium ( Sculpture) Art Atrium, Bondi Junction, Sydney, annual group show ( Sculpture ) China Cultural Centre. Sydney (Sculpture/painting) Inaugural Group Show (painting/sculpture) Elemental Artspace Deloraine 2014 Red-Volution, (sculpture) Hong Kong House , Sydney Doug Moran Portrait Prize – Semi Finalist 2013 Group show (painting) Campbelltown Arts Centre, NSW Group show-NSW TAFE teachers. (sculpture) Downing Centre, Sydney 2012 Finalist Fisher’s Ghost Art Prize, Campbelltown Arts Centre NSW 8 Year cut off Robert O’Connor TAS 21

Poatina Oil on canvas 127 x 127 cm $7,500

Some see the land as something that only serves to be dug, cut, drilled, and exploited. It’s okay though - the land will outlast us folk. She will heal and thrive, and the Poatina Headrace will resemble Claude Lorrain’s “Paysage de la Campagne” or Capriccio’s “Ruins with figures” or Claude Henri Watelet’s “Paysage” to the roaches, rats, and whatever else survives climate change.

Glover Prize 2021 Robert O’Connor b. 27 – 12 – 1984

Education: 2007 BFA [hons] University of Tasmania, School of Art, Hobart

Solo Exhibitions: 2021 Iconotropy, Bett Gallery Hobart 2019 GUILLOTINE!, Bett Gallery Hobart 2017 A Rag Or A Rip, Contemporary Art Tasmania, Hobart AWESOME!, Chamber, Brunswick, VIC 2016 Black and White Matter, Galeria Metropolitana, Santiago, Chile 2015 Robert O’Connor Steals, Bett Gallery Hobart 2014, Searched Hard For You And Your Special Ways, Constance A.R.I, Hobart 2013 27, Sawtooth A.R.I, Launceston 2012 The Plague Never Dies or Disappears For Good, Bett Gallery Hobart 2011 Core, Bett Gallery, Hobart 2009 Deus Ex Machina, Bett Gallery, Hobart 2008 The Great White Hoax, Mona scholarship exhibition, Salamanca Arts Centre, Hobart

Group/Collaborative Exhibitions: 2021 Kaiju, Feltspace, Adelaide, SA, supported by Australia Council for the Arts 2020 Hackable Animals, collaboration with Neil Haddon and Meg Walch, Good Greif Studios, Hobart, supported by Arts Tasmania MONSTER, collaborative with Joel Crosswell, Good Grief Studios, Hobart 2018 Dark [other] Times, Plimsol Gallery, University of Tasmania School of Creative Art, Hobart Black Matter: Routes, Sawtooth ARI, Launceston, assisted by Arts Tasmania 2017 Not Fair, Windsor, VIC Black Matter: Origins, 146 Artspace, Hobart 2015 View From Above, Flux Factory, New York City Wormholes, Bett Gallery, Hobart 2014 La Cavalera, 146 Artspace, Hobart Light Therapy, Carlton Arms Art Projects, New York, NY 2013 Poets and Painters, Bett Gallery, Hobart 2012 come to life…, Queen Victoria Museum and Art Gallery, Launceston Regret is for Chemists, Paradise Hills, Richmond, VIC Establishment, Contemporary Art Services Tasmania, Hobart Iniquity, Carnegie Gallery, Hobart Best Show, Festival of Unpopular Culture, Feltspace, Adelaide, SA 2011 When West meets East, Xu Cun Artist Commune, Shanxi, China Things we denote to keep, Sawtooth ARI, Launceston I Am Satan, Hell Gallery, Richmond, VIC Kill!Conquer!Kill!, Milk of Magnesia, Brunswick, VIC 2010 48 Fugues for Frank, MONA FOMA, Tasmanian Museum and Art Gallery, Hobart Prosopography, Launceston Academy of Visual Arts, Launceston Souvenirs, Plimsol Gallery, Hobart 2009 It’s All Bullshit and It’s Bad For Ya, Inflight A.R.I, and Kings A.R.I, VIC Limbus, MOP Projects, Sydney, NSW 2008 The Unsustainable Weight of Place, Watch This Space, Alice Springs, NT

Awards/ Experience/ Activity: 2020 Artist in Residence, Cite International des Arts, Paris, France Winner, Glover Prize, Evandale, TAS 2018 Finalist Glover Prize, Evandale, TAS Finalist, Tidal Art Prize, Devonport Regional Art Gallery, TAS 2017 Finalist, Glover Prize, Evandale, TAS 2016 Shotgun, Mentorship program, Contemporary Art Tasmania [partnership with Detached and MONA] Black Matter, residency project in Santiago, Chile, supported by Arts Tasmania, National Association for the Visual Arts, Galeria Metropolitana and Museo de Arte Contemporáneo 2015 Artist in Residence, Flux Factory, Long Island City, New York Finalist, Glover Prize, Evandale, TAS 2014 Artist in residence, Carlton Arms, Manhattan, New York 2013 Artist in residence, Flux Factory, Long Island City, New York 2011 Winner, RACT Tasmanian Portrait Prize Artist in residence, Xu Cun Artist commune, Shanxi, China 2010 Artist in residence, Cite International des Arts, Paris, France 2008-2012 Board Member, Inflight A.R.I/Constance A.R.I, Hobart 2007 MONA Scholarship recipient Jim Bacon Foundation Scholarship for the Arts Tony Pepe TAS 22

Huon Moon The moon setting over the Huon Oil on linen river was a moment of true 91 x 122 cm tranquility. $5,000 The turmoil of moving away from my family and being a new arrival to these shores was finally set to rest.

Glover Prize 2021 Rodney Pople NSW 23

Liffy Falls ‘Liffy Falls’ is from a contemporary Oil on linen series on Tasmanian rain forests 140 x 180 cm with some non-native imagery. $30,000 The crystal clear waterfall is surrounded by cobalt green myrtle, towering eucalypts and massive tree ferns giving over a lush green hue with dappling light.

Glover Prize 2021 Rodney Pople studied photography at the University of Tasmania and postgraduate sculpture at the Slade School of Art, London and New York Studio School. He has been awarded international residencies in Paris and Beijing, where he was Australia’s first Asialink artist-in-residence at the Beijing Art Academy. In 2014 Pople was awarded a solo exhibition at the Australian Centre for Photography and in 2021 has been invited to stage a two-person exhibition (with Euan Macleod) at the Western Plains Cultural Centre, NSW. He has been a finalist several times in the Archibald and Doug Moran portrait prizes, and in recent years has won the Glover Art Prize, Sulman Prize, NSW Parliament Art Prize, Paddington, Mosman and Kings School art prizes. Pople’s work is in the collection of the National Gallery of Australia and the state galleries of Queensland, WA and NSW, and many university, corporate and private collections including those of Russell Crowe and Spike Jonze.

Jennifer Riddle VIC 24

‘And I shall not pass you by’ - Bathurst Harbour Acrylic and conte on canvas 141 x 186.5 cm $15,000

With each challenge experienced in life, our connection with nature has an opportunity to intensify and grow. Through loss, I understand the profound effect nature has on our physical and mental wellbeing - a connection that is vitally important not only to our health but to the health of our natural world. This work aims to offer an intimate, visceral and meaningful dialogue with the viewer, a narrative that acknowledges the antiquity of its culturally rich past, the ephemeral beauty within and the unbridled fate of its future. Through composition, expressive palette knife applications and thinly veiled brushwork, my work endeavours to exemplify both the physical strength and the transient grace that underlies the landscape. Whilst creating a soulful sense of space and depth within that offers stillness, reverence and most importantly connection.

Glover Prize 2021 J E N N I F E R R I D D L E b1971

EDUCATION

1990-91 Melbourne College of Decoration, VIC - Associate Diploma of Art 1988-89 Moorabbin College of TAFE, VIC - Advanced Certificate in Art and Design

SOLO EXHIBITIONS

2020 Embrace, Scott Livesey Galleries, Prahran, VIC 2019 Land Relics and Reflections, Gallery One, Southport, QLD 2018 Reverence - Pastures to the Wild, Scott Livesey Galleries, Armadale, VIC 2017 Hither Land, Gallery One, Southport, QLD Illusory Light, Salt Contemporary, Queenscliff, VIC 2016 Swoon, Salt Contemporary Art, Queenscliff, VIC 2015 Silent Song, Gallery One, Southport, QLD Art Images Gallery, Norwood, SA 2014 Exhale, Gallery One, Gold Coast, QLD Sundays, Manyung Gallery, Sorrento, VIC 2013 Southern Light, Gadfly Gallery, Dalkeith, WA Cloud Ballads, Manyung Gallery, Sorrento, VIC 2012 The White of the Cloud, Gadfly Gallery, Dalkeith, WA

SELECTED GROUP EXHIBITIONS

2018 A Painted Landscape, Book Launch Exhibition, Special Group Studios, Surry Hills, NSW 2017 Scott Livesey Galleries, Armadale, VIC 2016 Salt Contemporary Art, Queenscliff, VIC 2015 Salt Gallery, Queenscliff, VIC 2014 Art Red Hill, Red Hill, VIC 2013 Art Images Gallery, Adelaide, SA Gallery One, Gold Coast, QLD Art Red Hill, Red Hill, VIC 2012 Manyung Gallery, Mt.Eliza, VIC Art Red Hill, Red Hill, VIC Canterbury Art Show, Canterbury, VIC (Feature artist) Gadfly Gallery, Dalkeith, WA 2003-12 Assorted Exhibitions, Manyung Gallery, Mt Eliza, VIC

AWARDS AND PRIZES

2019 Finalist, Paddington Art Prize, Sydney, NSW People’s Choice Award, Tattersall’s Club Art Prize, Brisbane, QLD People’s Choice Award, Glover Prize, Evandale,TAS 2018 Finalist, Tattersall’s Club Art Prize, Brisbane, QLD People’s Choice Award, Hadley’s Art Prize, Hobart, TAS 2017 Finalist, Paddington Art Prize, Sydney, NSW People’s Choice & Children’s Choice Award, Glover Prize, Evandale,TAS 2016 Salon des Refusés, E.H Ervin Gallery, Sydney, NSW People’s Choice Award, Bay of Fires Art Prize, TAS 2015 Finalist, Glover Prize, Evandale, TAS Winner, Mornington Peninsula Shire’s Acquisitive Art Prize, VIC 2014 Winner, Art Red Hill Art Prize, Red Hill, VIC

COLLECTIONS

Parliament House, Canberra, ACT, Mornington Peninsula Shire,VIC, Epworth Hospital, Melbourne, VIC Darryl Brian Rogers TAS 25

Remnant #4 Mixed media on linen 55 x 55 cm $1,350

“Remnant #4” is a work that remembers a desecrated country, it has been created through heat and fire, a burnished obliteration of organic matter that preserves the forms of a scorched bushland floor, leaving an embossed story of what once was. This embellished negative imprint of a detritus littered ground speaks of lost natural histories underfoot, a land under threat and a relief etched topographical landscape toward abstraction.

Glover Prize 2021 Darryl Rogers - 0429126540 - https://linktr.ee/darrylbrogers www.instagram.com/darrylbrogers

Darryl Rogers is an Australian time-based media artist who works with video, augmented and virtual reality installation. His work has been shown extensively across the world, including, Times Square NYC, LOOP Barcelona, FACT UK, UMW Media Wall USA and many other video arts festivals around the world. Darryl has had work shown across Australia including Vivid Sydney, TMAG, Artentwine and The Blake, The Outback, Mandorla and Brisbane art prizes, as well as having artworks collected by Artbank Australia, QVMAG and many private collections internationally. A number of Darryl’s motion artworks stream permanently on Apple TV and Amazon Fire.

Darryl’s work explores the deep conviction that the construct of reality is but a small part of a greater metaphysical other. By creating perceptual shifts in the veracity of matter he seeks to both aesthetically and intellectually connect with a deeper understanding of what actually matters.

Education 2012 Bachelor of Contemporary Art (Hon) University of Tasmania 2011 Bachelor of Art (Fine Art) Curtin University of Technology, WA 1996 Producer Fellowship Australian Film Commission

Solo Exhibitions 2021 Lacunae Mona Foma, TAS 2020 Hypnos Cave Mona Foma, TAS 2019 Rust, Resin and Reality Devonport Regional Gallery, TAS 2019 Takayna Anthropocene Blues (With Jim Moginie of Midnight Oil) Mona Foma, TAS 2016 Thylacine Cradle Mt Wilderness Gallery, TAS 2016 Takayna Hypostasis #1 Sawtooth, TAS 2014 Sehnsucht Sawtooth, TAS 2012 Event Horizon Albury Art Gallery, NSW

Group Exhibitions 2021 Pilgrims The Blake Prize, Finalist, NSW 2021 For That One Moment Mandorla Art Prize, WA 2020 Infinite Past Times Square, NYC 2019 Various video works on External Media Screens Adelaide Festival Centre, SA 2018 Takayna Hypostasis #2 LOOP Barcelona, SPAIN 2018 The Infinite Dance Artentwine, TAS (Highly Commended) 2018 Red and Yellow/Timescape Aust #5 Biennale of Australian Art, VIC 2018 Found Objects and other Wild Life Junction Arts Festival (Fringe), TAS 2018 Timescape Australia #5 Outback Art Prize Finalist, NSW 2018 Pacing the Cage Fajr Int Festival of the Arts, IRAN 2018 Jump Stricoff Gallery, NYC, USA 2018 Takayna Hypostasis #2 UMW Media Wall, Uni of Mary Washington,USA 2018 Seven Mona Foma, Tasmania 2017 My Beautiful Balloon Brisbane Art Prize (Finalist) 2017 The Marathon Exhibition Academy Gallery, TAS 2017 Still Life? 10 Days on the Island, TAS 2017 My Beautiful Balloon BG Gallery, LA, USA 2017 Portrait of Self and Soul 10 Days on the Island, TAS 2016 Transient and Enduring Marathon Encounter, TAS 2016 Sehnsucht #3 Vivid Sydney, NSW 2016 Aqua Luminal TMAG, TAS 2016 Tamar Waltz Artentwine, TAS 2015 Numinous I Jugglers Art Space, QLD 2015 The Persistence of Vision QVMAG, TAS 2015 A Timeless Sea FACT, Liverpool, UK 2015 Metascape Launceston Channels Video Art Festival, VIC 2013 Collision Monash University, VIC 2012 Waterwalkers UTAS Academy Gallery, TAS 2011 A Timeless Sea Vancouver Art Centre, WA

Collections/Public Art 2015- Works held in both public and private collections inc Artbank and QVMAG 2016 Cradle Mural Cradle Mt Wilderness Gallery, TAS 2013 Neil Davis Memorial Sorell Primary School, TAS

Curatorial, Residencies, Producer, Designer and Professional Credentials 2015 -19 Chair, vice chair, board member Sawtooth ARI 2019 West Coast Tasmania Residency Arts Tasmania 2018 Mas els Igols (Spain) and Arteles (Finland) Residencies (Nov/Dec), Arts Tasmania 2016 - Co-Founder and Co-Curator Tasmanian International Video Art Festival

8 Balaclava Street, Invermay, 7248 0429 126 540 , https://linktr.ee/darrylbrogers

http://somalumia.org Luisa Romeo TAS 26

The Styx, A Stereo Window Oil on linen 161 x 161 cm $11,000

Romeo’s large scale impressionistic painting shows a movement, an aliveness of time and place while the graphically dense details of the eddies in the tannin rich waters allows the viewer to fall into the swirl and be carried into the image. The title alludes to a historical implement for viewing, the stereoscope was a device once used to view far distant lands. The preliminary drawings and photographic documentation were gathered where only a hundred meters away were scenes of major destruction and decimation of land through heavy handed forestry activities. The roads that were traveled to reach this sublime space, are the very same road networks that were established to cart away our very lifeline of existence. We have to consider the possibility these stereoscopes captured in oil and pigment will be the only way to view these landscapes in the coming decades, assuming even they survive the wanton expansion of the human race. A reminder of what we could preserve from being mindful of the destruction caused by our collective narrow focus on fiscal gain prioritised over the earth’s bounty of natural resources and beauty. What are we all collectively losing from this practice of narrow focus financial gain?

Glover Prize 2021

Otto Schmidinger QLD 27

TIMELESS Oil on canvas 110 x 110 cm $4,500

“Timeless” I wanted to show a landscape outside of time. This painting is of one of the timeless scenes that I was captured by when travelling Tasmania, I think many people are attracted by that aura of endless tranquility and love Tasmania for that reason.

Glover Prize 2021 Curiculum vitae - Otto Schmidinger.

1993 1994 1998 Salon De Refuse Archibald. Finalist in the Moran Prize for portraiture. 2001 Winner for landscape in the Southern Cross Arts Festival. Finalist in the Sunday Mail Art Show. 2002 Inclusion in the touring portraits ‘Australian Odyssey’ Exhibition. Participant in ‘Site Works’ landscapes for the Tweed River Regional Art Gallery. 2006 Finalist in the tweed river art prize. Comissioned to paint a portrait to 2009raise money for the Tweed River Regional Gallery. Winner of the Arno Art Award Illustrator of the year. 1010 Commissioned to paint two portraits of past chairmen of Twin Towns 2011Club. 2012 First prize in ‘Exotic Erotic’ Sculpor’s Society Gold Coast. Second prize for sculpture the Byron Bay Writer’s Festival. 2013 Highly commended Illustrators Australia Awards Finalist in the Croation Bienale of Illustration. Finalist in the Gold Coast Art Prize. Participant in the ‘Koalas with attitude’ Sculpture event. Finalist in the 2014Gainsborough Green Art Awards . First prize for landscape D’Arcy Doyle Art Awards. Finalist in the Heysen Prize. Finalist in the Coraki Art Prize. Finalist in the Moreton Bay Art Awards. Finalist in the Noosa Art Award. Second prize in the D’Arcy Doyle Art Award for portraits. Second prize in the D’Arcy Doyle Art Awards for landscape. Best Oil or Acrylic Brisbane Rotary Art Spectacular.2015 Finalist in the EMSLA Eutick Still Life Award. Second prize in ‘Exotic Erotic’ Sculpture Society Gold Coast. Artists choice Royal Queensland Art Society. Finalist in the Milburn Art Prize. Finalist in the Moreton Bay Art Awards. Finalist Art Ascent ‘Magnificence’ Competition. Second prize in the RQAS Art Awards. Finalist Darcy Doyle Art Awards. Finalist in the Holmes art prize. Finalist in the Ocean Shores Art 2016Competition. Finalist in the Feck:Art Competition. Finalist in the Border Art Prize. One man show at Hillier and Skuse Gallery Gold Coast. Finalist in the Stanthorpe Art Festival.Finalist in the Glover Art Prize . Finalist in the Minnawara Art Awards. Finalist in the Noosa Art Award. First prize RQAS. Big Art Awards. First prize Portraits D’ Arcy Doyle Awards . Finalist in theHolmes Art Prize. Finalist in the Clifton Art 2017Prize. Finalist in the Border Art Prize. Finalist in the EMSLA Still Life Award. 2018Finalist in the Morton Bay Art Awards. Finalist in the Rotary Art Spectacular. Finalist Rotary Art Spectacular. Finalist Darcy Doyle Awards. 2019 Finalist the Morris Art Prize. Finalist Stanthorpe Art Prize. Finalist Border Art Prize. Finalist Darcy Doyle Art Prize. Finalist in the Royal Queensland Show. Finalist in the Rotary Art Spectacular. Finalist Art Extravaganza. Finalist Lethbridge 20000 Art Prize. Finalist Darcy Doyle Art Award. Finalist Morton Bay Art Awards. Finalist Stanthorpe Art Awards. the naughty see monkey VIC 28

Franklin River Dream This work is a world in microcosm, I create art for my own pleasure, Mixed media on artists paper where shapes are viewed through trusting my instincts to guide 65 x 91 cm a kaleidoscope that tumbles them my imagination with techniques $2,500 together. Fractal shapes frozen honed over decades. Images within the canvas dance and play. reveal themselves slowly, while This work is dense, with shapes spontaneous surprises emerge that feel like several paintings at every stroke. I’m completely pressed into one, representing absorbed, refining what to keep, scenes and events, but remaining being brave enough to discard teasingly ambiguous, frozen elements for unexpected delights between something that has to reveal themselves. My unique happened and is about to happen. signature challenges the viewer to Viewers wander around inside the step outside the anticipated, to see painting, seeing new objects, new what’s actually there, continuing to stories, and getting lost in time. delight as new shapes emerge.

Glover Prize 2021 the naughty see monkey CV 2021

Exhibiting artist for more than thirty-five years. A highly independent career in the Visual Arts, including performance art, theatre, teaching, sculpture, ephemeral works, printmaking, drawing, painting and mixed media. Studio resident and coordinating committee member of Roar Studios in Fitzroy, Melbourne from 1991 to 1996.

Exhibitions

2019 “20 years of Old and New Art”, solo exhibition Gurutzia Gallery, St Kilda, Melbourne

2018 “Body Fractals” solo exhibition of new works, Marios Café Brunswick, Melbourne

2018 “Art and Textiles” exhibition with Jodie Stephens, Gurutzia Gallery, St Kilda, Melbourne

2013 Nillumbik Art prize, Barn gallery Montsalvat, Eltham, Melbourne 2012 2011

2011 “Mass Hang”, solo exhibition of works from the past ten years, GibbsLang Contemporary Art Gallery, Hamilton, New Zealand

2010 Art Melbourne Art Fair, Royal Exhibition Buildings, Melbourne

2008 “Open Studio” Anne Pincus and the naughty see monkey, 45 Downstairs Gallery, Melbourne

2007 “HE: Inspired” Fenton, Monkey &Smith, The ICON Museum of Art, Deakin University

“recent works” solo sculpture exhibition, Lovegrove Winery Gallery, Cottles Bridge, Melbourne

2006 Nillumbik Shire Ephemeral Sculpture Event, outdoor public sites Eltham and surrounds, Melbourne

2005 “Untamed” Group show, 45 Downstairs Gallery, Melbourne

V.I.D Singh NSW 29

TMSHSKDC 76 Arcylic on canvas 30.5 x 30.5 cm $200

The sky as a whole has capitvated humanity throughout the ages, I am no one but a slave to its mystery. Forever recapturing its beauty over and over.

Glover Prize 2021 Profile Hi! My name is V.I.D and I'm a Fiji- Indian Artist currently basd in Sydney. I work with a variety of mediums stretching from acrylic to oils to resin Education BLUE MOUNTAINS INTERNATIONAL HOTEL MANAGEMENT SCHOOL V.I.D 2019 Diploma of Business (Hotel ARTIST and Resort Mangement) LCI MELBOURNE (CURRENT) Bachelor of Design Arts CONTACT (Visual Arts) Mobile: Experience 0484398970 BLACK ROOSTER CAFE PARRAMATTA

Email: Gallery Showcase of vishii9699@g Paintings for Sale 2020 mail.com Mediums Acrylic Paints Oil Paints Instagram: Resin v.i.d_artist Paper Found Objects Peta-Jayne Smith ACT 30

Trowutta treasures Watercolour and gouache on archers paper 60 x 90 cm $3,000

As a visitor to Tasmania, I am repeatedly awestruck by the grandeur and vastness of the landscapes. There is something that thrills my senses at every view, I’m not sure what it is but this gorgeous island sure packs a punch. As an artist, the landscapes are diverse and breathtaking. I’ve been inspired by the “big picture” landscapes of Australian artists, the paintings of mountain ranges, monumental trees, valleys of lush pastures and meandering rivers but these last few years have reminded me to look at things differently. I’ve realised how important and vital the “small things” are to the whole story of life. Trowutta Caves Conservation Reserve on Palawa land is home to the Trowutta Arch, a geological formation left behind by sinkholes located in northwest Tasmania. A temperate rainforest with rugged formations, soft ferns, large trees, tiny fungi and mosses. The “big” and the “small” sit together in perfect harmony here as the jewel like fungi decompose organic waste and are essential for recycling of carbon and minerals in the ecosystem, the seeders of the plant world. My artworks title pays homage to the big and small in all our lives.

Glover Prize 2021 PJ SMITH: Curriculum Vitae

2020 Nov- Represented by Humble House Gallery, Canberra, ACT

Oct- Finalist in the Calleen Art Award, Cowra, NSW

Sept- Group Exhibition, Ginninderry Drawing Prize, Strathnairn Gallery, Canberra, ACT

July- Finalist in the John Leslie Art Prize for landscape painting at Gippsland Art Gallery, Vic. Winner of the People`s Choice Award

March- 8x10 Group Exhibition Corner Store Gallery, Orange, NSW

2019 Nov- Jugiong Art Show – Group Exhibition, Jugiong, NSW

May- Ciderfest Art Show – Group Exhibition, Batlow, NSW

April- “Birds” Group Exhibition, Helen Stephens Gallery, Collector, NSW

2018 Dec- In the kitchen Group Exhibition, Helen Stephens Gallery, Collector, NSW

Prior Visual Arts Educator

Paul Snell TAS 31

Bleed # 202101 Chromogenic print face-mounted 3mm matte plexiglas on paper 120 x 120 cm $6,500

At this critical time in our environmental history it is extremely hard to celebrate the landscape without reflecting on our severely flawed relationship with it. “Bleed # 202101” is a re- imagined landscape. It does not provide a definite representation or narrative. It places the viewer in a space that is just out of reach. A liquid space that envelopes and consumes, the soft forms are both rich and void. The viewer is invited to experience the work as if drifting among layers of primal matter, it is an invitation for contemplation and reflection. “Bleed # 202101” provides space and time for the viewer to consider a landscape no longer present, but lost.

Glover Prize 2021 Paul Snell CV_2019 Academic Qualifications: 2009 - 11 MCA, University of Tasmania.1995 - Bachelor of Fine Arts (Hons), University of Tasmania.1990 - Diploma of Education, University of Tasmania.1987-89 - Bachelor of Fine Arts, University of Tasmania.

Selected Solo Exhibitions 2020 Incidental Contact, Australian Consulate, New York 2018 Vanishing Point, Gallery 9, Sydney, NSW 2017 Mute, Colville Gallery, Hobart, Tas Chromophilia, Gallery 9, Sydney, NSW The Liminal Space, Moonah Arts Centre, Hobart, Tas 2016 The Liminal Space, QVMAG, Launceston, Tas Formal, Gallery 9, Sydney, NSW 2015 Intersect, Colville Gallery, Hobart, Tas Sectant, Gallery 9, NSW Decoding Sydney, Gaffa, Sydney, NSW 2014 Shift, Colville Gallery Hobart, Tas 2013 Chromophobia, Colville Gallery, Hobart, Tas Decoding New York. Edmund Pearce Gallery, Vic Chromophobia, Rex Livingston Gallery, Sydney, NSW Chromophobia, Jan Manton Gallery, Qld 2012 Afterimage, Devonport Regional Gallery, Tas The Persistence of Vision, The Colour Factory, Melbourne, Vic Codes and Convensions, Colville Gallery, Hobart, Tas 2011 Afterglow, 146 Artspace, Hobart, Tas

Selected Exhibitions Image_Object, MONA FOMA, Poimenia Gallery, Tas Formal, MONA FOMA, Poimena Gallery, Tas Beyond The Field (Still), Contemporary Art Tasmania, Tas Josephine Ulrick & Win Schubert Photography Award, Gold Coast City Gallery, Qld The Substation Contemporary Art Award, The Substation, Vic Wyndham Art Prize, Vic Perceptions of Space: Justin Collection, Glen Eira City Council Gallery, Vic Gold Coast Art Prize, Gold Coast Regional Gallery, Qld Abstraction 12, Charles Nodrum Gallery, Vic Tidal Art Prize, Devonport Regional Gallery, Tas NONOBJECTIVE_Present, 120 Langford Gallery, Melbourne, Vic AT_Salon_2, Anita Treverso Gallery, Vic Melbourne Art Fair, Vic Art Hamptons, International Art Fair, New York The Blake Prize, National Art School, NSW Paramor Art Prize, Casula Powerhouse Arts Centre, NSW Sunshine Coast Art Prize, Caloundra Regional Gallery,QLD Spectum Art Fair, New York, New York The Whyalla Art Prize, SA Hazelhurst Art Award, Hazelhurst Regional Gallery, NSW The Bay of Fires Art Prize, Tas NEO-O-10, Stephen McLaughlan Gallery, Vic Paramor Art Prize, Casula Powerhouse Arts Centre, NSW

Works in Collections Tasmanian Museum and Art Gallery, Tasmania Justin House Museum, Victoria Pine Rivers Regional gallery, Brisbane Art Bank, Australia Devonport Regional Gallery, Tasmania Burnie Regional Gallery, Tasmania

Awards 2015 Winner, Whyalla Art Award, South Australia Winner, Moreton Bay Art Award, Pine Rivers Gallery Brisbane 2012 Winner, Flanagan Art Prize, Ballarat,Vic Winner, Tidal Art Prize, Devonport Regional Gallery, Devonport Neil Taylor NSW 32

Ice Age Fires This image of fires and rising always fascinated me - the drowning Acrylic on canvas oceans from the North East is not a of land bridges is comparatively 122 x 183 cm contemporary response - its source recent history and deeply effects our $18,000 is millennia old - the end of the mythology and all evolution. last Ice Age. It came to me (close Under these straits lie fireplaces to its current form) while I was and campsites and middens and researching in preparation for a trip hunting grounds and songlines and to Tasmania that eventually had to paintings and carvings and burial be Covid-cancelled. grounds as well as the once fire red The immense fluctuations in sea rocks of the North East. level over geological time have

Glover Prize 2021 NEIL TAYLOR

BIOGRAPHY

1953 Born in Brisbane 1970-72 Art Teacher's Diploma, Kelvin Grove College, Brisbane 1973 High school teaching, Queensland 1974 Screen printing for Florence Broadhurst Sydney. 1975 Began painting and exhibiting full-time. 1976 Moved to Hawkesbury River NSW. 1976-present Travels extensively in Australia and overseas researching paintings 2007 Elected Member of Australian Watercolour Institute 2008-present Lives and Works in Blue Mountains west of Sydney. 2011-present Vice-President of Australian Watercolour Institute.

SOLO EXHIBITIONS

2019 Wagner Contemporary 2017 Wagner Contemporary 2016 Day Fine Art Blackheath 2015 Wagner Gallery Sydney 2014 Wagner Gallery Sydney 2012 Wagner Gallery Sydney 2011 Wagner Gallery Sydney 2011 Blue Bicycle Gallery Byron Bay 2010 Wagner Gallery Sydney 2010 Cooks Hill Galleries Newcastle 2009 Cooks Hill Galleries Newcastle 2008 Wagner Gallery Sydney 2007 Wagner Gallery Sydney 2005 Wagner Gallery Sydney 2004 Royall Fine Art Kent UK 2002 Port Jackson F.A. Laguna Beach CA 2001 Cooks Hill Galleries Newcastle 1999 North Shore Fine Art Sydney 1999 Wagner Gallery Sydney 1998 Cooks Hill Gallery Newcastle 1998 Gallery Attica Katoomba 1995 Wagner Gallery Sydney 1995 Wagner Gallery Hong Kong 1995 Cooks Hill Galleries Newcastle 1993 Valerie Cohen Gallery Sydney 1992 Bridge Street Gallery Sydney 1991 Philip Bacon Gallery Brisbane 1991 Solander Gallery Canberra 1990 Cooks Hill Galleries Newcastle 1990 Editions Gallery Melbourne 1989 Cooks Hill Galleries Newcastle 1988 Robin Gibson Gallery Sydney 1987 Robin Gibson Gallery Sydney 1986 Cooks Hill Galleries Newcastle 1985 Philip Bacon Gallery Brisbane 1984 Robin Gibson Gallery Sydney 1983 Robin Gibson Gallery Sydney 1982 Bonython Gallery Adelaide 1981 Robin Gibson Gallery Sydney 1979 Robin Gibson Gallery Sydney 1978 Bonython Gallery Adelaide 1977 Robin Gibson Gallery Sydney 1976 Bonython Gallery Sydney

SELECTED GROUP SHOWS 1974-2019

Hogarth Gallery Sydney ; Bonython Gallery Sydney ; "Sea Exhibition" Australian Pavilion Expo'75 Okinawa ; Robin Gibson Gallery Sydney ; Cooks Hill Galleries Newcastle ; Penrith Region Gallery ; Quentin Gallery Perth ; Barry Stern Gallery Sydney ; Bonython Gallery Adelaide ; Editions Gallery Melbourne; Gallery 460 Gosford ; BMG Fine Art Adelaide ; A.C.A.F.1 Melbourne ; Greenhill Galleries Perth ; BMG Fine Art Sydney ; A.C.A.F.2 Melbourne ; Solander Gallery Canberra ; Bridge Street Gallery Sydney ; Flinders Lane Gallery Melbourne ; Dempsters Gallery Melbourne; Wagner Gallery Sydney, Valerie Cohen Gallery Sydney, Rotunda Exchange Square Hong Kong, Wagner Gallery Hong Kong, Marlene Antico Fine Arts Sydney, Beachside Gallery Noosa Qld.; North Shore Fine Art Sydney; Gallery Attica Katoomba; Bell Gallery Berrima, Port Jackson Fine Art, Laguna Beach, California; Moulton Galleries Sydney, William Merrill Gallery Laguna Beach California; Royall Fine Art Kent U.K., Paintbox Gallery Canberra, Yallingup Galleries WA., Blue Mountains City Gallery, Day Gallery Blackheath, A.W.I. Annual Exhibitions 2008-19.

AWARDS

2015 Mosman Art Prize – People’s Choice 2014 Temora Art Prize – First Prize 2014 Stanthorpe Art Prize – People’s Choice and Volunteer’s Choice 2013 Calleen Art Awards - People’s Choice 2012 Hawkesbury Art Prize - People’s Choice 2011 Gosford Art Prize – First Prize 2011 Mt Eyre Art Prize – First Prize 2009 Kenilworth Art Prize – First Prize 2009 Mortimore Prize – First Prize 10 Times Finalist in Archibald, Wynne and Sulman prizes AGNSW Finalist in many other art prizes including Paddington Art Prize, Tattersalls Art Prize, Mosman Art Prize, Waterhouse Art Prize, Muswellbrook Art Prize and NSW Parliament Plein Air Prize.

COLLECTIONS

Wollongong City Art Gallery; B.H.P. Brisbane; European Asian Bank; Abbot-Tout-Creer; Gold Coast City Art Gallery; C.B.A. Bank; De Beers London; Newcastle University; N.R.M.A. Sydney; Banque Nationale du Paris; Volvo International; Hyatt Hotels Adelaide; Tubemakers Australia; N.S.W. State Parliament; European Banking Corporation; Bird Cameron Perth; S.A. Co-op Building Society; Price Waterhouse Sydney; Girvan Corporation Sydney; Colonial State Bank, Sydney; Fincorp Ltd, Perth; G.I.O.Sydney; Colgate- Palmolive Sydney; The Terrace Adelaide; American Club Sydney; State Bank of S.A.; Hilton Hotel Brisbane; A.M.P. Society Brisbane; Carrington Coal Co Newcastle; C.S. First Boston Sydney; Comsteel Newcastle; A.A.P. Sydney; Barclays De Zoot De Weit Sydney; Reuters Sydney; Bayer Sydney; State Street Bank Sydney, Randwick Municipal Council Sydney, A.G.L. Sydney, Hyatt Hotels USA, Port of Brisbane, QLD Sunshine Coast Art Collection QLD. Mt Eyre Vineyards NSW. Thomas Thorby-Lister NSW 33

Scarred Ridges Synthetic polymer on linen 120 x 150 cm $4,500

The painting focuses on an abstracted aerial view of the Tasmanian landscape, namely the Franklin-Gordon National Park surrounding Lake Gordon. This area was one of the worst affected by bushfires in Tasmania. Satellite photographs of the burnt landscape were used as inspiration for this painting, created for the Glover Prize specifically. I hope to evoke a sense of scale and place with the work, focusing on perspective and the stark distinct ridges of the region. The monotone palette of raw linen and black paint is signature to my practice, but also references the charred landscape.

Glover Prize 2021 Thomas Thorby-Lister P: 0410705018 E: [email protected]

BVA – Honours, Sydney College of the Arts, 2010

Prizes Finalist, ‘Blacktown City Art Award’, 2020 Finalist, ‘Burwood Art Prize’, 2020 Finalist, ‘Byron Arts Magazine Art Prize’, 2020 Finalist, ‘Visual Arts in the Valley’, 2020 Finalist, ‘Live In Art Prize’, 2020 Finalist, ‘Lethbridge 20000 Small Scale Art Award’, 2019/2020 Finalist, ‘Northern Beaches Art Prize’, 2019 Finalist, ‘North Sydney Art Prize, 2019 Finalist, ‘Blacktown City Art Award’, 2018 Finalist, ‘BAM Art Award’, 2018 Finalist, ‘Redland Art Award’, 2018 Finalist, ‘Pirtek Still Life Award’, 2018 Finalist, ‘Royal Art Society: Young Artist Award’, 2018 Finalist, ‘Eutick Memorial Still Life Award’, 2018 Finalist, ‘Wyndham Art Prize’, 2017 Finalist, ‘Contemporary Art Awards’, 2015/2016/2019 Finalist, ‘Art In The Hills’, 2016

Solo Exhibitions ‘Finding Form’, Tributary Projects, Canberra, 2019 ‘Recent Works’, Wellington Street Projects, Chippendale, 2019 ‘Objective’, Alpha Gallery, Sydney, 2017 ‘CoLab’ by Alfies Kitchen, Paperbark, 2017 ‘Maler’, M2 Gallery, Sydney, 2016 ‘MonoToneTimes’, Gallery 2010, Sydney, 2013

Published Art Month, ‘Thomas Thorby-Lister: Recent Work’, Events, 2019 Art Almanac, ‘Maler (Solo Exhibition)’ - April Issue, Pg: 53, 2016 Broadsheet Magazine, “Five Artists To Know at The Other Art Fair” by Sammy Preston, Art & Design, 2016

Select Group Exhibitions ‘Intimacy’, Jerico Contemporary, Sydney, 2020 The Other Art Fair, Barangaroo, Sydney, 2019 ‘Not Just A Hobby’, Gaffa Gallery, Sydney, 2019 ‘Paper Salon’, Ambush Gallery, Waterloo, 2019 ‘Botanical Mechanics’, Zero Gravity Gallery, Marrickville, 2019 ‘North Sydney Art Prize’, Coal Loader Centre for Sustainability, Waverton, 2019 ‘Hijacked’, Curated by Daniel Soma & Edith Collier, Cold Cuts Project Space, 2018 ‘The Other Art Fair’, Commune, Waterloo, Sydney, 2016 ‘RYGB’, Brand X Studios, Sydney, 2016 ‘SummerCamp’, Bondi Pavillion Gallery, Bondi, 2015 ‘CO-LAB’- YCF Fundraiser, L3 Gallery, Chippendale, Sydney, 2014 ‘Useless’, Corner Co-Operative, Chippendale, Sydney, 2014 ‘I’m Simply Not There’, Kaleidoscope Gallery, Sydney, 2013 ‘Altered States’, Kind-Of Gallery, Sydney, 2013 ‘Enlighten Festival’, Old Parliament House, Canberra, 2013 ‘Jurassic Lounge’, Australian Museum, 2012 - 2013 ‘So It Begins’, Factotum Studios, Paddington, Sydney, 2012 ‘Half’, No Vacancy Gallery, Melbourne, 2012 ‘Life In A Glasshouse’, The Glasshouse, Sydney, 2012 ‘Happiness is Warm Gun’, M2 Gallery, Surry Hills, Sydney, 2012 ‘Always on Vacation’, Ambush Gallery, Waterloo, Sydney 2012 ‘UpRaw’, Art Equity, GigPiglet HeadQuarters, Sydney, 2011 ‘Outpost Project’, Cockatoo Island, Sydney, 2011 ‘Sidewayz’, The National Grid Gallery, Sydney, 2011 ‘SmartArts Youth Festival’, Fraser Studios, 2011 ‘Culture Jam’, Oh Really Gallery, Sydney, 2011 SCA Graduation Show, Sydney College of the Arts, 2010 ‘InkWell’, TAP Gallery, Sydney, 2009

Residencies ‘Corridor Projects’, Create NSW & Corridor Lab, Regional NSW, Cowra, 2020 ‘Urban Screen’, 3D Printing & New Media, Liverpool CBD, 2018 ‘Insitut Fur Alles Mogliche’, 3 Month Program (including Exhibition), Berlin, Germany, 2015

Select Grants & Commissions Urban Screen Grant, Create NSW, 2018 *Private Commission, Berlin, Germany, 2018 Billboard, Project Ugly, Leichhardt, 2018 Workshop, Sydney Boys High School, 2018 Workshop, Currambena Primary School, Lane Cove, 2018 *Private Commission, Google Headquarters, Sydney, 2016 *Private Commission , Macquarie Bank, Martin Place, Sydney, 2016 ‘Whites Creek’, Commission Mural, Marrickville Council, 2016 ‘Eat Street’, Commission Mural, Liverpool Council, 2016 LOST Commission Mural, Leichhardt Council, 2016 Le Petit Bateau, Subsonic Music Festival, 2016 VR Competition, VR Corner, Darlinghurst, 2016 Activated Walls, Bondi Sea Wall, Bondi Beach, 2016 Commission Mural, The Nelson Hotel & Young Henrys, 2016 Weekly Sketch Artist, The Old Clare Hotel, Central, Sydney, 2016 Site Launch, Brand Culture, Rushcutters Bay, 2016 Commission Mural for OSHC (After School Care), Newtown, 2015 Australia Day Workshop, Marrickville Council, 2015 Live Painting, Avalon Arts Festival, 2015 Hidden Festival, Rookwood Cemetery, 2015 Independent Artist Grant, Marrickville Council, 2014 ‘Live to Create’, Marrickville Council, 2014 ‘Artists in Schools’, Dulwich Hill High School of Visual Arts, 2014 ‘Perfect Match’, Marrickville Council, 2014 ‘Cartwright Underpass’ – Liverpool Council, 2014 ‘Street Creatures Workshops’, Matching Grant - City of Sydney, 2012 ‘Liverpool Hotspots’, Liverpool Council, Ron Darcy Oval, 2012 NAIDOC Week, Workshop, Redfern Arts Centre , 2011 Workshop, South Sydney High School, 2011 Workshop, Erskineville Youth Centre Irene Torres VIC 34

Hell’s Gates Oil paint on canvas, framed 57 x 69 cm $2,400

Nature - with its uncontrollable power, its violence, its potential for cataclysmic extremes, its mysteries and majesty, are phenomena for expressing a range of psychological and emotional states. Having visited Tasmania on two occasions to hike the wilderness and learn about the history of such an immensely fascinating place in terms of its natural wonder and its convict history, I was struck by its inherent darkness and lightness, violence and beauty, hope and despair. This ancient and powerful land has become a motivation in which I reveal my perceptions relating to identity and landscapes as complex representations of continuous interactions between people and their surrounding environment, influenced by different factors in the processes of the environments evolution. Employing light as a tool to highlight drama, terror, or awe, my work is a visceral response to the Tasmanian landscape.

Glover Prize 2021 IRENE TORRES CV

Born 1981, Melbourne Australia

Education

Master of Fine Art candidate, RMIT 2006

Bachelor of Fine Art with Honours, RMIT University 2003

Employment

Part owner PG Printmaker Gallery, Fitzroy

Selected Exhibitions:

PG Gallery, upstairs Recent paintings, Solo show 2019

Off the Kerb Gallery, Winter Group Show, 2019

PG Gallery, upstairs I Want to Paint You as a Mountain, Solo show 2018

Hogan Gallery, Recent works, Solo show, 2009

Hogan Gallery, Collages, Solo show, 2007

Australian Centre for Photography Red Eyes and Sticky Fingers, 2005

Australian Centre for Photography Zeitgeist, 2005

Hobson’s Bay Contemporary Art Awards 2005

Darebin Art Show, Bundoora Homestead 2004

RMIT Story Hall Gallery, 2003

RMIT First Site Gallery, 2003

RMIT Project space gallery, 2003 and 2006

Span Galleries, RMIT Graduate Exhibition 2003

Collections: RMIT University, Private collections in Australia, Spain, USA and Chile.

Achievements: Australian Centre for Photography Zeitgeist, Artists selected by 11 critics and curators - likely to be future influence on Australian cultural life. 2004

Shortlisted for Siemens’ scholarship awards 2003

Shortlisted for Hobson’s Bay Contemporary Art Awards 2004 & 2005

Publications: Sydney Morning Herald, 2005 / Real Time Magazine 2003 Guy Trinquet VIC 35

35 Guy Trinquet VIC

Misty-rious Mixed Media on canvas 123.8 x 93.6 cm $5,800

The Western Arthur Range, part of the spectacular wilderness of Tasmania’s World Heritage listed area, is both inhospitable and alluring. Exposed to harsh and unpredictable weather patterns that can change quickly, thick fog often shrouds the rugged terrain, creating mysterious shapes that disappear into an atmospheric background. Painting this piece reminded me of another World Heritage site, Cathedrale Notre- Dame de Chartres, located about 100 kms away from Paris where I lived before moving to Australia. I visited Chartres on a cold spring morning. The cathedral, which sits on a hill overlooking the town, was barely visible, its towers vanishing into the fog. It wasn’t a picture- perfect day, but I found the mood appropriately mystical.

Glover Prize 2021 GUY TRINQUET 2/60 Rufus Street, Epping VIC 307 [email protected] M: 0406 027 064

Guy Trinquet is a self taught French artist who emigrated to Australia in 2005. Residing in Melbourne, it wasn’t until much later in life and after several career changes that he truly began to ground his painting practice, developing his style through experimentation. Drawn to quiet places in nature, he attempts to evoke a sense of mood and place through his paintings.

EXHIBITIONS

Mornington Art Show, January 2021

New Futures, Whittlesea (Group), January 2021

Art @ St Francis (Solo), scheduled for Nov 2020. Cancelled due to COVID-19 restrictions)

Without Pier Gallery (Joint), February 2020

Fifty Squared Art Prize, Brunswick Street Gallery, January 2019

Le Jolie Cafe, Pascoe Vale (Solo) May 2014 - Feb 2019 (frequently changing artwork)

COLLECTIONS

Private collections in France, Australia, USA, Singapore, Malaysia

RELEVANT EXPERIENCE

Conceptualised, developed and delivered oil and acrylic painting workshops for adult learners, Nov 2017 - Present Annette van Betlehem TAS 36

Through Summer Snow to Lake Nameless... Oil on canvas 100 x 100 cm $8,300

02/12/2020 Snow covers the Central Highlands... have reached the snowy open Moorland, way beyond Judith Wrights trees, with her words from the Higgs track sign still reverberating “wisdom... can be quiet and not look for reasons past the edge of reason.” (from Gum-trees Stripping by Judith Wright)

Glover Prize 2021 A N N E T T E V A N B E T L E H E M studio: CROTTY ST QUEENSTOWN TASMANIA e: [email protected]

From the lush rainforest to the coastline and highlands, the Tasmanian landscape continues to inspire Annette van Betlehem. Through 10 solo exhibitions and 30+ group shows over 15 years of professional practice she has interpreted the Tasmanian landscape through Oil on Canvas, and is in many private collections including New York, Italy, the Netherlands and Australia as well as Parliament House, Tasmania.

The catalogue of Colori Dell’Anima 2015 at Galleria 360 in Florence, Italy, described van Betlehem’s technique as “hyperrealist” meaning that the paint is applied to replicate the processes of Nature, using thickly applied texture layer on layer, with gravity as a partner in the process.

“…..the painting of the Australian artist creates a new sense of reality, where Nature, absolute protagonist, becomes an eschatological means of purification an iscovery. Annette van etlehem seems to ip the brush irectly into the primal force that ominates the worl an, through elicate an subtle tetures of lighting effects, intense an evocative colours, creates an enveloping atmosphere that invites to an inner silence…” From Colori Dell’Anima Exhibition Catalogue November 2015 translated by Critic Virginia Bazzecca

HIGHLIGHTS

1978 - 1992 Window Dressing, Set & Costume Design for theatre, TV & shows & CBD, Hobart 1996 BFA Utas 1997 – 2003 Established unter treet tuios, Regional Art Space in Queenstown Tasmania 2005 - current Landscape Painting Oil on Canvas 2010 Rosamond McCulloch residency Cite Internationale des Arts Paris 2015 Finalist, Glover Prize 2015 First International Exhibition 4 Artists Florence Italy 2017 Finalist, Glover Prize

SOLO EXHIBITION HIGHLIGHTS

Jan 2015 FLUID Sidespace Gallery Salamanca HOBART Nov 2014 PROPOSITION : MONOCHROME Sold Out Sidespace Gallery Salamanca HOBART May 2012 PRIMAL RedChapel Gallery HOBART April 2011 FOREST Collingwood Gallery MELBOURNE Dec 2009 AFTERLIGHT Sold Out Goulburn Street Gallery HOBART Aug 2009 OTHER WORLDS Collingwood Gallery MELBOURNE Nov 2008 SEEING NORTH Kidigo Gallery FREMANTLE WA Jan 2008 ...GREEN Sold Out Sidespace Gallery Salamanca HOBART Sept 2007 IN THE HALF LIGHT... Orr Street QUEENSTOWN April 2006 IMPRESSIO Sold Out LARQ Gallery QUEENSTOWN

Craig Waddell NSW 37

Wild Shores of Love Oil on linen 170 x 120 cm $15,500

This work is part of an ongoing body of work that explores landscapes that draw reference to sites of historical significance within Australia. I have been exploring areas along the Australian coastline for many years. Often tracing the history of early settlement and finding historical narratives that become the point of entry into making images pertaining to these selected sites. Cape Grim in Tasmania is a site that I have returned to many times. The dark beauty that surrounds this area has both a disturbing and magnetic energy to it. The dark history to this area has been the platform for the emotive response within my work. As an artist drawn to landscapes where the ocean meets the land it was natural for me on my many trips to Tasmania to work with this particular site. I am often drawn to areas where I am forced to question my own sense of mortality. When confronted by the power of the natural world it is possible to feel a sense of humility, this has created an internal space to launch from within my painting, no preconceived ideas or outcome. Opposed to a pictorial likeness I vigorously apply paint, pushing, pulling and scraping it around the

Glover Prize 2021 CRAIG WADDELL b. Sydney 1973 www.craigwaddell.com

Education 2003/2004 Masters in Printmaking, Chiang Mai Uni Thailand 1999 Bachelor of Fine Art, National Art School, Sydney Solo Exhibitions Solo Exhibition

2020 ‘Where the Wild Things Grow’ Craig Waddell Survey Macquarie University 2019 Grand ‘The Significance of Scale’ Pamela Walsh Gallery USA 2018 ‘Mexican Dreaming’ Carriage Works Collaboration with James Viles 2016 ‘Mexican Dreams’ Edwina Corlette Gallery Brisbane 2016 ‘Into The Skin’ Nicholas Thompson Gallery Melbourne 2015 Headlands, Edwina Corlette Gallery, Brisbane 2015 Belle Magazine Exhibition, Brisbane 2015 Featured artist - King’s Art Award, solo Exhibition 2014 Songs of the Heart, Edwina Corlette Gallery, Brisbane 2014 Aurora Place, Offsite Exhibition, Gallery 9 2013 Sydney Contemporary Art Fair, Gallery 9, solo exhibition

2013 Beautiful Creatures, Edwina Corlette Gallery, Brisbane 2012 Melbourne Art Fair, Gallery 9, solo exhibition 2012 Portraits of the Past, Gallery 9, Sydney Art Month 2011 Heavenly Dreams, Edwina Corlette Gallery, Brisbane 2010 What Dreams May Come, Gallery 9, Sydney 2009 Autumn Frolic, Gallery 9, Sydney 2008 Searching, Cite Internationale des arts, Paris 2007 Between Heaven and Hell, Chiang Mai Uni, Thailand 2000 Seasons of Change, Sydney Biennale Satellite exhibition, Casula Power House, Sydney

Grants / Awards 2010 Mosman Art Prize - Recipient 2008 Moya Dying Studio, AGNSW – Recipient 2008/2007 Marten Bequest Travelling Scholarship - Recipient 2007 Gunnery Studio Residency, Arts NSW – recipient 1998 Pat Corrigan Travelling Scholarship for Painting - Recipient 1998 Artelier Painting Prize, Most Outstanding Student, NAS Sydney 2004 Paddington Art Prize – Recipient

2020 JADA Drawing Award Grafton Regional Gallery - Finalist 2019 EMSLA Award Wollongong Contemporary Art Space 2019 Doug Moran Portrait Award 2019 Arthur Guy Memorial Painting Award, Bendigo Art Gallery 2019 Paddington Art Award for Australian Landscape painting 2018 JADA Drawing Award Grafton Regional Gallery - Finalist 2018 The Glover Prize for Landscape Painting of Tasmania - Finalist 2018 Adelaide Perry drawing prize - Finalist 2018 Tom Bass Sculpture Award, Sydney - Finalist 2017 The Glover Prize for Landscape Painting of Tasmania - Finalist 2017 Tattersall’s Club Art Prize for Landscape, Brisbane - Finalist 2016 Tattersall’s Club Art Prize For Landscape, Brisbane - Finalist 2016 Woollahra Small Sculpture Prize - Finalist 2016 The Kilgour Prize, Newcastle Region Art Gallery - Finalist 2016 Adelaide Perry drawing prize - Finalist 2015 NSW Parliament Plein Air Painting Prize, Parliament House, Sydney 2015 The Glover Prize for Landscape Painting of Tasmania - Finalist 2015 Gosford Art Award - Finalist 2015 Emsla Art Award, Coffs Harbour Regional Gallery - Finalist 2015 Fishers Ghost Art Award, Campbelltown Gallery - Finalist 2015 Tattersall’s Club Art Prize For Landscape, Brisbane - Finalist 2014 Mosman Art Prize - Finalist 2014 Salon Des Refuse, National Trust S.H Ervin Gallery, Sydney - Finalist 2013 Sulman Prize - Finalist AGNSW 2013 Salon Des Refuse, National Trust S.H Ervin Gallery, Sydney - Finalist 2013 Fleurieu Art Prize, McClaren Vale, South Australia - Finalist 2013 Kings Art Prize - Finalist 2013 Fishers Ghost Art Award, Campbelltown Gallery 2013 Emsla Art Award, Coffs Harbour Regional Gallery 2012 Archibald Prize - Finalist AGNSW 2012 Wynne Prize - Finalist AGNSW 2012 Dobell Drawing Prize - Finalist AGNSW 2011 RBS Emerging Artist Award, Sydney - Winner 2011 Fleurieu Art Prize, Mclaren Vale, South Australia - Finalist 2011 Muswellbrook Regional Gallery Art Award - Finalist 2011 NSW Parliament Plein Air Painting Prize, Parliament House, Sydney 2011 Doug Moran Portrait Prize - Finalists 2010 Mosman Art Prize - Winner 2010 Sulman Prize, Art Gallery of NSW - Finalist 2009 Mosman Art Prize - Highly Commended 2008 Moya Dying Studio, AGNSW – Recipient 2008/2007 Marten Bequest Travelling Scholarship - Recipient 2007 Gunnery Studio Residency, Arts NSW – recipient 2007 The Glover Prize for Landscape Painting of Tasmania – Finalists 2006 Archibald Portraiture Prize - Finalist 2006 The Kilgour Prize, Newcastle Region Art Gallery - Finalist 2006 ABN AMRO 2006 Emerging Art Award - Finalist 2006 Salon Des Refuse, National Trust S.H Ervin Gallery, Sydney- Finalist 2005 Woollahra Small Sculpture Prize - First Prize (in collaberation with Jessie Cacchillo 2005 Tattersall’s Club Art Prize For Landscape, Brisbane -First Prize 2005 Wynne Prize for Landscape Painting - Finalist 2005 Art on the Rocks - Finalist 2005 Blake Prize for Religious Art - Finalist selected for 2006 Touring Exhibition 2004 Paddington Art Prize - First Prize 2004 Norville Australian Landscape Prize, Murrurundi - Winner 2004 Dobell Drawing Prize - Finalist 2001 Brett Whiteley Travelling Scholarship - Highly Commended 2001 Oil Painting Prize, Waverley Art Exhibition - First Prize 2000 Lloyd Rees Memorial Award - Highly Commended 1999 Waverley Art Exhibition - Highly Commended 1998 Pat Corrigan Travelling Scholarship for Painting - Recipient 1998 Artelier Painting Prize, Most Outstanding Student, NAS Sydney

Selected group exhibitions

2016 Group Show, Stacks projects, Sydney 2016 In the Still, Art House, Sydney 2015 Mug Shot, Gallery Ecosse, Exeter 2011 Gallery 9, Group show, Sydney 2011 Muswellbrook Regional, Gallery 2011 Doug Moran Portrait Prize, State Library, NSW 2011 Mosman Art Prize, Mosman Regional Art Gallery, Sydney 2010 Melbourne Art Fair, Represented by Gallery9, Melbourne 2010 Mosman Art Prize, Mosman Regional Art Gallery, Sydney 2010 Sulman Prize, Art Gallery of NSW, Sydney 2010 Salon Des Refuse, S.H Ervin Gallery, Sydney 2010 NSW Parliament Plein Air Painting Prize, Parliament House, Sydney 2009 Gallery 9, Last Show of the Year, Sydney 2009 Waiting a still life, NG Art Gallery, Sydney 2009 NSW Parliament Plein Air Painting Prize, Parliament House, Sydney 2008 The Led Zepplin World Tour, S.H Ervin Gallery, Sydney (curated by Kezia Geddes) 2008 Art Dubai, Contemporary Art fair Dubai, Dubai 2008 Artspace on 7, Time, Vision and Invention, Chiang Mai Thailand 2007 The Led Zeppelin World Tour, Lismore Regional Gallery, Lismore (curated by Kezia Geddes) 2007 Blake Prize for Religious Art, NAS Gallery, Sydney 2007 The Glover Prize for Landscape Painting of Tasmania, Evandale 2007 Fragile Planet, NG Art Gallery, Sydney 2007 Replicotta Warriors, Chalkhorse Gallery, Sydney 2006 ABN AMRO 2006 Emerging Art Award, Sydney 2006 Archibald Portraiture Prize, Art Gallery of NSW, Sydney 2006 Salon Des Refuse, National Trust S.H Ervin Gallery, Sydney 2006 Ironic Expressionism, Virginia Wilson Gallery, Sydney (curated by Andrew Frost) 2006 The Kilgour Prize, Newcastle Region Art Gallery, Newcastle 2006 Art on the Rocks, Sydney Visitor Centre, Sydney 2005 Wynne Prize for Landscape Painting, Art Gallery of NSW, Sydney 2005 McClelland Sculpture Prize, McClelland Gallery and Sculpture Park, Victoria 2005 Friends and Neighbours, Hawkesbury Regional Gallery, (curated by Kathleen Von Witt). 2005 Tattersall’s Club Art Prize For Landscape, Brisbane 2005 Blake Prize for Religious Art, Sir Hermann Black Art Gallery, (2006 Touring Blake Exhibition -Wagga, Wagga Art Gallery, Hawkesbury Regional Art Gallery, New England Regional Art Gallery, Albury City Regional Art Gallery 2005 Canberra Art Prize, Canberra 2005 Mosman Art Prize, Mosman Art Gallery, Sydney 2005 AGRI/culture - Recreating the Living Landscape, Hawkesbury Regional Gallery, Sydney 2005 Art on the Rocks, Sydney Visitors Centre, Sydney 2005 Jacques Cadry Memorial Art Prize, State Library, Sydney 2005 Annual Drawing Show, Maunsell Wickes, Sydney 2004 Paddington Art Prize, Marlene Antico Gallery, Sydney

Selected group exhibitions

2004 Norville Australian Landscape Prize, Murrurundi NSW 2004 Mori Gallery Group Show, Mori Gallery, Sydney 2004 Dagmar Art Consultants, Group Show, Melbourne 2004 Dobell Drawing Prize, Art Gallery of NSW, Sydney 2004 Mosman Art Prize, Mosman Council Chambers, Sydney 2003 Brett Whiteley Travelling Scholarship, Brett Whiteley Studio, Sydney 2003 Group Exhibition, Museum of Contemporary Art, Chiang Mai, Thailand 2002 Longitude 105, Pha Thaem National Park, Ubon Ratchathani, Thailand 2002 Isaan Arts and Cultural Festival, Big C Centre, Ubon Ratchathani, Thailand 2002 Melbourne Art Fair, Represented by BBA Gallery, Melbourne 2002 Group Exhibition BBA Gallery, Sydney 2002 Impressions of the King, Isaan Arts and Cultural Festival, Ubon Ratchathani Museum, Thailand 2001 Brett Whiteley Travelling Scholarship, Brett Whiteley Studio, Sydney 2001 Group Exhibition BBA Gallery, Sydney 2000 Sydney Biennale Contemporary Art Festival, Casula Power House, Sydney 2000 Fishers Ghost Exhibition, Campbelltown Regional Gallery, NSW 2000 Waverly Woollahra Art Exhibition, Sydney 2000 Selected Works Lloyd Rees Memorial Award, ABC Studios, Sydney 1999 Brett Whiteley Travelling Scholarship, Brett Whiteley Studio, Sydney 1998 Final Year National Art School show, Cell Block, Sydney 1998 Contemporary Painters, Qantas Lounge, International Airport, Sydney 1998 Selected Works Lloyd Rees Memorial Award, ABC Studios, Sydney 1998 Lloyd Rees Memorial Award, Lane Cove Council, Sydney 1998 Applebloom, Group Exhibition, Limoges, France

Residencies

2011 Fraser Studio’s Visual Arts Residency Programme, Sydney 2008 Cite Internationale des Arts, Paris 2008/2007 Marten Bequest Travelling Scholarship Chiang Mai University, Thailand 2007 Gunnery Studio Residency, Arts NSW 2006 Gunnery Studio Residency, Arts NSW 2004/2005 Hanoi University, Hanoi Vietnam (3 months) 2003/2004 Chiang Mai University, Thailand (12 months) 1998 Applebloom, France, Limoges, Paris (five weeks)

Collections

Artbank, Sydney Mosman Art Gallery NSW Hawkesbury Regional Gallery NSW Macquarie University Collection Kedumba Collection Maitland Regional Gallery NSW Chiang Mai Museum of Contemporary Art Thailand Allens Arthur Robinson Art Collection NSW National Art School Darlinghurst NSW Paddington Art Prize Collection Woollahra Council Norvill Art Prize Collection

Selected Press

2016 Vogue Living, September edition 2016 House and Garden, August edition 2016 Real Living Magazine, August edition 2016 CEO Magazine, An artist of Intuition, Skye Hoklas 2015 Waddell and Winton, The painter and the scribe, by Karrie McCarthy 2013 Craig Waddell featured - Blouin Art Info, Sydney Contemporary Art Fair 2013 Craig Waddell Featured, Angeline Collings, Art Blog, Sydney Contemporary 2012 Prue Gibson, Australian Art Collector, Artist Profile Issue 59 January – March 2012 Portraits of the Past, Sydney Morning Herald 2012 Sebastian Goldspink, Featured Artist, Art Month 2011 Belle Magazine Artist Profile - May/June edition 2011 Jane Sommerville, Heartland 2011 Susan Burchill, Heartland Interview 2010 Sydney Morning Herald - Sunday Arts 2010 Someplace Else, Andrew Frost 2006 Andrew Frost, A moment of your time 2006 Andrew Frost, Sunday Life, Blanc Canvas, The Sun Herald Magazine, p 43 2006 Rosalie Higson, Look who’s been Framed Now, The Australian, March 17, p20 2005 Andrew Frost, Heads and Tails, Australian Art Collector, Issue 34, p197 2005 Elizabeth Fortescue, Talented couple hop two it, Telegraph, Oct 28, p65 2004 Lenny Ann Low, Machine Love, Sydney Morning Herald, August 2003/4 Tathra Witherow, Roosters 2000 Bruce James, Sydney Biennale 2000, Casula Power House, Sydney Morning Herald, June

James Walker WA 38

Western Junction: For a little over 10 years, I turnaround window. A Lifetime Ago worked as a baggage handler at A lasting memory is watching the Acrylic on MDF triptych Launceston airport. landing lights approaching from 12 x 36 cm (12 x 12 cm each) It feels like that time has collapsed miles away. To see the flickering $1,500 into scattered memories and light through the atmosphere vague recollections of people and gradually increase to eventually be space but I do recall the landscape accompanied by the silhouette of markers and the weather extremes. an aircraft and the engine noise. Many days and nights were spent I could watch this from my house trying to keep dry or out of the long after I’d left my job at the wind but it was in vain. Sometimes airport and it always stirred a the aircraft offered shelter, or at memory of sitting on the tug least a slight reprieve, but the waiting for the aircraft to land so I reality was an uncomfortable could go home. experience within a 35-minute

Glover Prize 2021 James Walker: Artist’s Curriculum Vitae

Solo and Group Exhibitions 1995, Max Fry, Tas 2016, A Fear of Flying: Solo exhibition, Sawtooth ARI, Tas 1995, Launceston Show, Tas 2016, Sawtooth fundraiser, Tas 1997, Max Fry, Tas 2016 The Gorge: Handmark Evandale 1998, Eskleigh Art Award, Tas 2016, Heysen Prize for Landscape Finalist: Handorf 1999, RAAF Heritage Award (Winner), Canberra Academy, SA 2000, RAAF Heritage Award (Winner), Canberra 2017 Handmark: Contemporary Tasmanian Artists: Long 2001, RAAF Heritage Award (Second Place), Canberra Gallery Hobart 2001, Max Fry, Tas 2017, Glover Finalist, Evandale Tas 2002, RAAF Heritage Award, Canberra 2017, Landscape Exhibition: Handmark Evandale 2002, Max Fry, Tas 2018, Vivid Gallery 9x5 Exhibition (Highly Commended) 2003, RAAF Heritage Award, Canberra 2018, Hunter’s Hill Exhibition NSW 2003, Max Fry, Tas 2018, Peel Region Open Studios, WA 2003, Living Artist’s Week, Tas 2018 Guess Who – Portrait Exhibition, WA 2004, Living Artist’s Week, Tas 2019, Alternative Archive Peel at Contemporary Art 2005, RAAF Heritage Award, Canberra Spaces Mandurah 2005, Living Artist’s Week, Tas 2019, Mandjar Art Award, WA 2006, Eskleigh Art Award, Tas 2019, Guess Who-Portrait Exhibition, CASM Mandurah 2006, Alzheimer’s Exhibition, Tas 2019, Peel Region Open Studios, WA 2007, Shine: Poimena Art prize, Tas 2019, Plein Air Down Under, MPAC Mandurah 2008, Staffing it Up: Grammar Art Staff Exhibition, Tas 2019, Ascending, Fremantle, WA 2008, Eskleigh Art Award (Judges Commendation), Tas 2019, Tiny Treasures, CASM Mandurah 2008, Alzheimer’s Exhibition, Tas 2019, Plein Air Exhibition, MPAC Mandurah 2008-09, Teeter: Solo exhibition at Blue Café, Tas 2020, Mandjar Art Award, WA 2009, Arts Alive Members Exhibition: Some Things 2020, Glover Finalist, Evandale Tas Change, Some Things Remain the Same, Tas 2020, Reflections: CV19, CASM Mandurah WA 2010, Eskleigh Art Award, Tas 2020, Approaching Landscape, Court House Pinjarra 2010, Birchalls Student Art Award, Tas 2020, Plein Air Downunder, CASM Mandurah WA 2010, Pairings: Grammar art staff, Tas 2020, Divided State, CASM Mandurah WA 2011, Latrobe Council Art Award (Winner), Tas 2020, Refracted Reality, PICA Perth WA 2011, Solo exhibition at Handmark Evandale, Tas 2011, Little Hill: Grammar Art Staff Exhibition, Tas Awards/Prizes: 2012, Guest artist at Latrobe Council Art Award, Tas 1999, 1st prize for painting RAAF Heritage Award for 2012, Glover Finalist, Tas Painting $3500 2012, Tasmanian Landscape Painters: Handmark Hobart 2000, 1st prize for painting RAAF Heritage Award for 2012, Celebrating the North: Handmark Evandale Painting $3500 2012, Art the Movies: Poimena Gallery, Tas 2001, 2nd prize for painting RAAF Heritage Award for 2013, Skylines: Solo exhibition at Handmark Evandale Painting $1500 2013, Glover Finalist, Tas 2008, Judges Commendation, Eskleigh Art Award $500 2013, Landscape Exhibition: Handmark Evandale 2008, University Prize for Works on Paper 2103, Celebrating the North: Handmark Evandale 2011, Winner-Latrobe Council Art Prize $1500 2013, Double Agency: Poimena Gallery, Tas 2014, Winner-Wrest Point Art Award $10,000 2014, Wrest Point Art Award (Winner), Tas 2015, Highly Commended: Glover Prize 2014, Landscape Exhibition: Handmark Evandale 2018, Vivid Gallery 9x5 Exhibition (Highly Commended) 2104, Celebrating the North: Handmark Evandale 2018, Peoples Choice winner at Peter Carnley Exhibition 2015, Paint: Poimena Gallery, Tas 2019, Mandjar Art Awards - Regional Award Winner 2015, Glover Finalist-(Highly Commended), Tas $5000 2015, Wrest Point Art Award, Tas 2019, Highly Commended, Plein Air Down Under $500 2015, Landscape Exhibition: Handmark Evandale 2015, Celebrating the North: Handmark Evandale Curatorial Roles: 2015, Sawtooth Fundraiser, Tas Strangers in a Strange Land: Poimena Gallery 2015, Beyond the Classroom: Academy Gallery, Tas A Fear of Flying: Sawtooth ARI 2015, Beyond the Classroom: Makers Workshop Burnie 2016, Strangers in a Strange Land: Poimena Gallery, Tas Education/Employment: 2016, Glover Finalist, Tas 2006-2009, Bachelor of Contemporary Art, UTAS 2016, RAAF Heritage Awards, Canberra 2010-2011, Master of Teaching, UTAS 2016, Landscape Exhibition: Handmark Evandale 2007-2017 Launceston Church Grammar School: Art 2016, Out of Control: Poimena Gallery, Tas Teacher 2016, Wrest Point Art Award, Tas 2016, Ellipsism: Solo exhibition at Handmark Evandale John Waller VIC 39

Warb’s Harbour Oil on canvas 122 x 122 cm $6,000

Waub Harbour is named after Wauba Debar (1792-1832), a female Aboriginal Tasmanian. Wauba Debar, as a teenager, was kidnapped and enslaved by sealers and whalers for sexual explotation during the European colonisation of Tasmania. She drowned in 1832 as she rescued two sealers. Waub Harbour is located in Bicheno which is noted for its distinctive red lichen on granite outcrops and its impressive blowholes. Like much of the Australian landscape its astonishing beauty incudes a bleak past. On a recent trip to Tasmania we visited Bicheno and I subsequently painted this landscape on my return home.

Glover Prize 2021

John Waller 3/2B Fernhurst Grove Kew 3101 Tel: +61 423 551 265 Email: [email protected]

JOHN WALLER

Appointments: National Gallery of Victoria, Education Officer, 1973. Industrial Design Council of Australia, Melbourne. Education Officer 1974. Watsonia Technical School, Art Teacher 1976-79 St. Joseph’s Marist Brothers College, Creative & Performing Arts Coordinator 1979-89 Kakadu Resources Pty Ltd, Technical Consultant Aboriginal Artists 1989-90 Whitefriars College, Head of Faculty Visual and Performing Arts 1991-92 Sacre Coeur, Head of Arts 1995-96 La Trobe University Artist in Residence 2000-04 The King David School, Head of Art 2004-07 Trinity Grammar School Kew, Head of Art 2008 -

Solo Exhibitions: The Essoign Club Gallery, Melbourne, 1986, 1990 Rathdowne Street Gallery, Melbourne, 1988, 1989 Lyttleton Gallery, Melbourne, annually 1991 – 2006 Mossgreen Gallery Melbourne, 2008, 2009, 2011, 2014, 2016 Arthouse Gallery Sydney, 2010 La Trobe University Art Museum, Melbourne, John Waller Artist in Residence, June – July 2001; John Waller: Recent Works, September – October 2004; John Waller: Artist in Residence, October – November 2005; Junction 2006: Recent Works by John Waller, Artist in Residence, November 2006 – February 2007 Mildura Arts Centre, Mildura, May – June 2002 Bundoora Homestead Arts Centre, Melbourne, Survey: John Waller 1990 – 2002, July – August 2002. Shepparton Art Gallery, Home Country: the Art of John Waller Artist in residence La Trobe University – Survey 1999-2003, June – July 2003 Peking University, November – December 2007 Red Sea Galleries Brisbane February 2016

Group Exhibitions: Lyttleton Gallery, Melbourne, Audette, Lawson, Waller – New Paintings, 1992; End of Year Exhibition, 1997; John Waller and Ronnie Jakamarra Lawson, May – June 2000 Exhibition Selected Paintings, Prints and Drawings, February – March 2002 Stephen McLaughlan Gallery, Melbourne, Saloon 2002 Abstract Painting: curated by Stephen Wickham, March – April 2002 Albury Regional Arts Centre, NSW and La Trobe University Art Museum, Vic., Our Land Abounds – Selections from La Trobe University Art Collections, March and May 1998. La Trobe University Art Museum, Abstract Interpretations of the Australian Landscape, May – June 2002; The Situation Now: A Survey of Local Non-Objective Art, 1995; Recent Acquisitions: selected works acquired in 2004/2005, 18 April – 26 May 2006. Mildura Arts Centre, From the Fringe to the Centre, December 2002 – February 2003. Bundoora Homestead Federation Centre for the Arts, Melbourne, North: Artists from the other side of the Yarra, June – July 2003; Site + Vision: La Trobe University Art Collection, July – September 2004 Bendigo Art Gallery, My Country, October – November 2005 Bundoora Homestead Arts Centre, Melbourne, Common Ground, 19 May – 25 June 2006 Maroondah City Council Art Gallery, 2006 R & M McGivern Art Prize finalists, 6 July – 5 August 2006 Mossgreen Galleries, Melbourne Art Fair 2014 Cox Architecture 2015

Bibliography: Roger Palmer, John Waller Artist in Residence, La Trobe University Art Museum, 2001. Bernard Smith with Terry Smith and Christopher Heathcote, Australian Painting 1788- 2000, Oxford University Press, 2001. Dr. Christopher Heathcote, Home Country: the art of John Waller, La Trobe University Art Museum, 2002. Dr. Christopher Heathcote, John Waller’s new paintings, La Trobe University, 2004 Dr. Christopher Heathcote on John Waller, ‘Art Streams’, Vol.7 No.3 July/August 2002. Christopher Mulder, From the Fringe to the Centre, Mildura Arts Centre, 2002 Dr. Christopher Heathcote, Site + Vision: La Trobe University Art Collection, La Trobe University, 2004 Vincent Alessi, My Country, Abstract Interpretations of the Australian Landscape, La Trobe University, 2005. Vincent Alessi, John Waller: Artist in Residence, La Trobe University, 2005. Dr. Alana O’Brien, Common Ground, La Trobe University, 2006 Dr. Sheridan Palmer, Re-Union: Cities and Natural Sites, Maroondah City Council, 2006 R & M McGivern Art Prize. Dr. Alana O’Brien, Junction 2006 : Recent Works by John Waller, Artist in Residence, La Trobe University 2006 McCulloch, Encyclopedia of Australian Art, Aus Art Editions & The Miegunyah Press, 2006 Reviews: The Age, Christopher Heathcote, Welcome Return of an Art Form, 8 November 1991 The Age, Christopher Heathcote, Shifting from Metaphysical to Physical, 12 November 1993 Herald Sun, Jeff Makin, Group Exhibition, 18 March 2002 The Age, Penny Webb, Visual Arts, 3 December 2006

References to: Gallery, National Gallery Society of Victoria Monthly Magazine, July 1989 Australian Home Beautiful, November 1992 Australian House and Garden, December 1992 The Australian Arts Diary, Prendergast, Text, 1993 The Australian Arts Diary, Prendergast, Debden, 1995 The Age, ‘The art of enjoying investment’, 1 September 1997 Australian House and Garden, April 1998 The Melbourne Times, 9 June 2004, p.23 Sunraysia Daily, ‘Exhibitions at Arts Centre’ 3.6.2002; ‘Landscape Artist at home in the Mallee’ 6.6.2002 CSIRO Sustainability Network, 30 October 2002, ‘Our Australian environment – A gift from before clocks kept time’ Herald Sun, ‘Looking to the true north’, Simon Plant, 24.6.2003 Whittlesea Leader, ‘Artscapes north of the Yarra’, 10.6.2003 La Trobe University Bulletin, ‘John Waller’s view of the land’, October 2003 McCulloch's Encyclopedia of Australian Art 2006

Collections: Mildura Arts Centre, Victoria Shepparton Art Gallery, Victoria La Trobe University, Victoria Art Bank Bundoora Homestead Arts Centre, Victoria City of Darebin Art Collection, Victoria Telstra, Victoria Alfred Hospital, Melbourne Private collections – Australia, Italy, France, U.K., U.S.A.

Peter Watts VIC 40

The house where I stayed Seclusion and sanctuary amongst clashes breaking the bleached day Acrylic on linen the Tasmanian Central Highlands. into the sharp edges of coolness 130 x 170 cm Rose Lucas writes of the its slate-grey blade and fractals of $9,500 Tasmanian Central Highlands - I white dry grasses whip and flatten paint the words. in the onslaught and a parched “Sudden rain hurtles hitting the canopy of clustering gums turn land and sending it fizzing into grateful faces up catching runnels ionised air the pungent smell of of water and splinters of amber earth rising and mingling with a light that flood paddocks and falling of cloud which roils and towering reaches of sky.”

Glover Prize 2021 Peter Watts is an award-winning landscape artist who captures fleeting moments of light and shade in the dramatic skies across South East Australia. Born in 1963 in Horsham, Victoria, Peter’s paintings are influenced by vivid cloudscapes and landscapes interpreting the wild combinations of shades, movement and time shifts inherent in the high hills. With a distinct perspective on nature’s ferocity and beauty, Peter moves from reality to a subtle abstraction that brings his work to life. Peter is represented locally and Internationally by art galleries in Melbourne, Sydney, Canberra and Singapore. Peter has been part of the arts community for most of his life, with more than 30 years as an award-winning creative director of his design agency, Watts Design. His design work has been exhibited world-wide including New York, London, the National Gallery of Victoria and the National Gallery of Australia. He has also been a judge for numerous prestigious design competitions worldwide. Anthony White FRANCE 41

Federation Peak II Oil on French linen 156 x 127 cm $25,000

Tasmania is under threat from ecological disaster. During 2019 at the base of Federation Peak, fires were at the edge of the surrounding alpine forests. In a devastatingly short amount of time ecological threat has gone from fantasy to a reality. The fires of 2019 signifies a new age of climate catastrophe, one in which we need urgent action to slow down the immediate effects of an increase in sea temperatures, heatwaves and extreme rainfall events. The southwest of the island the vastly uninhabited area, a world heritage site, is beginning to die as documented in various media reports most notably from the Guardian article dated February 2019, water scientist - Professor Peter Davies quoted as saying - “the islands vast, uninhabited and globally unique wildland, the heart of its world heritage area - was dying. The iconic habitats of rainforest, button grass plains, and heathlands had begun to vanish because of climate change”. These paintings are a call to action to hold the government, accountable for the health of their citizens and to protect the local environment by refusing fossil fuel companies exploitation rights to the land and help safeguard our country from ecological collapse.

Glover Prize 2021 ANTHONY WHITE

Anthony White 1976 Born Sydney, Australia 2009 Immigrated to France FORMATION / EDUCATION 2002 Diploma of Creative Studies (Painting) School of Creative Arts, Sydney Australia 2005 Bachelor of Fine Art, The National Art School, Sydney Australia 2007 Marathon Program at The New York Studio School, New York,USA RECOMPENSES / RESIDENCES 2020 Creative Fellowship at The National Library of Australia (The Stockade Project at the Nolan Archive) 2019 Artist in Residence at NG Art Residency Eygalieres, Provence,France 2018 Artist in Residence at the Nancy Fairfax Studio at The Tweed Regional Gallery and Margaret Olley Art Centre, Tweed Heads, NSW Australia 2018 The Glover Prize for Landscape Painting, Tasmania Australia (Highly Commended) 2017 International Painting Symposium at The Mark Rothko Centre, Daugavpils,Latvia 2015 Creative Individuals Career Fund from Copyright Agency Australia with Atelier Michael Woolworth, Paris 2010 The Leipzig International Art Program Scholarship Leipzig, Germany 2009 Artist in Residence at The Storrier Onslow National Art School Studio Residency Award at La Cité Internationale des Arts, Paris,France (Awarded by William Wright AM) 2008 Artist in Residence at The Vermont Studio Centre, Vermont, USA 2007 The Marten Bequest Travelling Scholarship, USA (Two years 2007-2008) 2007 Australia Council Skills and Arts Development: Artist in Residence,Paris Moya Dyring Studio at La Cite Internationale Des Arts,Paris-On reserve 2006 The Brett Whiteley Travelling Art Scholarship Finalists Exhibition, The Art Gallery of NSW Sydney, Australia 2005 The Gruner Prize for Landscape Painting, The Art Gallery of NSW Sydney Australia 2005,2007 The Churchie Emerging Artist Exhibition, Finalist Exhibition, Brisbane Australia (Commended 2005) 2002 The Lloyd Rees Memorial Youth Art Award (Highly Commended) Sydney Australia EXPOSITIONS PERSONNELLES / SOLO EXHIBITIONS SELECTED 2019 Bloodlines not Borderlines at Young International Art Fair (YIA) Paris,France 2019 The Curious Eye Never Runs Dry with Informality Gallery, Henley,United Kingdom 2018 Signs of Civilisation at Nanda Hobbs Contemporary, Sydney 2016 Displacement at Le Pave D’Orsay with Martin Brown,Paris 2016 Crossing the Rubicon at Nanda and Hobbs Contemporary, Sydney 2016 When the Sleeper Wakes at Metro Gallery, Melbourne,Australia 2015 Pentimento at Metro Gallery, Melbourne,Australia 2014 Anthony White-Survey Exhibition at Le Pave D’Orsay, Paris,France 2013 Informal Relations-The Cat St Gallery, Hong Kong,China 2011 Scratching the Surface- Iain Dawson Gallery, Sydney,Australia 2010 Paris Paintings -Iain Dawson Gallery, Sydney,Australia 2008 Figure and Ground-Rushcutters Bay Gallery, Sydney Australia EXPOSITIONS COLLECTIVES GROUP EXHIBITIONS 2020 9x5 Place Exhibition at Nanda Hobbs Gallery Sydney 2019 Discrepant Abstraction at le Pave D’Orsay Paris 2018 The Glover Prize for Landscape Painting, Tasmania Australia (Commended) 2017,2016,2005 The Paddington Art Prize for Landscape Painting Finalists, Sydney,Australia 2016 Art Central Art Fair, Hong Kong with Metro Gallery,Melbourne,Australia 2015 69th Salon Réalities Nouvelles, Parc Floral Paris,France 2015 The Annual Summer Exhibition at The Royal Academy of Arts Burlington House, London,United Kingdom (Final Round Finalist) 2015 The Kedumba Invitational Drawing Prize at The Orange Regional Gallery NSW, Australia COLLECTIONS The Mark Rothko Centre Permanent Collection, Daugavpils, Latvia Lee Wilkes QLD 42

Time Stamp (part b) Oil on canvas 55 x 43 cm $1,200

Lee Wilkes is a Brisbane based painter and photographer working primarily with landscape, as a blurring of time, space and memory. Utilising traditional oil paint, Wilkes uses repetition, reflection, and abstraction to express the impermanence and transformation of the rugged landscapes in his work, with ambiguous horizon lines blending the boundaries between land, sea and sky. Alternative materials such as aluminium panel, mirror, Epoxyglass and found items, challenge the tradition of his oil paintings. “Time Stamp (part b)” was made in direct response to time spent in the rugged Central Plateau region of Tasmania. This painting is a monotype oil print made by creating a painting and pressing another canvas onto that painting making the print. This process creates atmosphere and ambiguity in the landscape, and has allowed me to capture a sense of this place.

Glover Prize 2021 Lee Wilkes – Artist CV

Born Brisbane 1985, lives and works in Brisbane.

Education: 2017 – Bachelor of Fine Art and Visual Culture – School of Art and Design, Curtin University.

Solo Exhibitions: 2020 – Retracing Steps – Jan Manton Gallery, Brisbane, QLD, Australia.

2019 – Waiting in the shadows of morning – The Field, M|Arts Precinct – Murwillumbah, NSW, Australia.

2019 – Waiting in the shadows of morning – Maverick Art Space – Coolangatta, QLD, Australia.

2019 – Reflect (Refract) – Jan Manton Art, Brisbane, QLD, Australia.

2017 – Repose (and pursue) – Jan Manton Art, Brisbane, QLD, Australia.

2016 – Caricatured (and true) – Jan Manton Art, Brisbane, QLD, Australia.

2015 – Low Pressure (closing in) – Jan Manton Art, Brisbane, QLD, Australia.

Group Exhibitions:

2020 - John Leslie Art Prize - Gippsland Art Gallery, Victoria.

2020 - The Heartbeat of Health - Royal Brisbane Women’s Hospital.

2020 - Abstraction art prize - Petrie Terrace Gallery, Brisbane.

2020 - Boiling Point - The Third Quarter, Brisbane, QLD, Australia.

2018 – First Impressions: The Valley of Skies – Jan Manton Art, Brisbane, QLD, Australia.

2015 – Linden Postcard Prize – Linden Centre for Contemporary Arts, Melbourne, VIC, Australia.