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Aida Tomescu Fox Jensen
AIDA TOMESCU FOX JENSEN 2017 Abstraction: Celebrating Australian women abstract artists, National Gallery of Australia & Tour, Geelong Art Gallery 2017 The Beginnings, Wangaratta Art Gallery Has been living and working in Australia since 1980 Born 1955, Bucharest 2016 WAAM! It’s Women’s Abstract Art Man!, Jervis Bay Maritime Museum & Gallery 1983 Post Graduate Diploma of Art, City Art Institute, Sydney 1977 Diploma of Art (Painting), Institute of Fine Arts, Bucharest. 2016 Chromoffection, Fox/ Jensen, Auckland 2016 Black to Blackest, Geelong Gallery Aida Tomescu is the winner of the inaugural LFSA Arts 21 Fellowship in 1996 at the Heide Museum of Modern Art, 2016 Assemblage, John Curtin Gallery, Perth Melbourne. She is also the winner of the Sulman Prize 1996, the Wynne prize 2001, the Dobell Prize for Drawing 2016 Refugees, Casula Powerhouse, Sydney 2003, by the Art Gallery of New South Wales. 2016 Fleurieu Art Prize, Anne & Gordon Samstag Museum of Art, Adelaide Represented by Jensen Gallery, Sydney & Fox/Jensen/McCrory, Auckland. 2016 Collected II, Wangaratta Art Gallery, Wangaratta 2015 Sullivan+Strumpf, Sydney Contemporary, Sydney Solo Exhibitions 2015 Wynne Prize, Art Gallery of New South Wales, Sydney 2015 Abstraction: The Heide Collection from Nolan to the 90s, Heide Museum of Modern Art 2017 Under the iron of the moon, FOXJENSEN, Sydney 2015 The Triumph of Modernism in the Art of Australia, Hazelhurst Regional Gallery and TarraWarra Museum of Art 2015 Eyes in the Heat, Sullivan+Strumpf, Sydney 2015 Art Basel Hong Kong, Sullivan+Strumpf, -
Appendices 2011–12
Art GAllery of New South wAleS appendices 2011–12 Sponsorship 73 Philanthropy and bequests received 73 Art prizes, grants and scholarships 75 Gallery publications for sale 75 Visitor numbers 76 Exhibitions listing 77 Aged and disability access programs and services 78 Aboriginal and Torres Strait Islander programs and services 79 Multicultural policies and services plan 80 Electronic service delivery 81 Overseas travel 82 Collection – purchases 83 Collection – gifts 85 Collection – loans 88 Staff, volunteers and interns 94 Staff publications, presentations and related activities 96 Customer service delivery 101 Compliance reporting 101 Image details and credits 102 masterpieces from the Musée Grants received SPONSORSHIP National Picasso, Paris During 2011–12 the following funding was received: UBS Contemporary galleries program partner entity Project $ amount VisAsia Council of the Art Sponsors Gallery of New South Wales Nelson Meers foundation Barry Pearce curator emeritus project 75,000 as at 30 June 2012 Asian exhibition program partner CAf America Conservation work The flood in 44,292 the Darling 1890 by wC Piguenit ANZ Principal sponsor: Archibald, Japan foundation Contemporary Asia 2,273 wynne and Sulman Prizes 2012 President’s Council TOTAL 121,565 Avant Card Support sponsor: general Members of the President’s Council as at 30 June 2012 Bank of America Merill Lynch Conservation support for The flood Steven lowy AM, Westfield PHILANTHROPY AC; Kenneth r reed; Charles in the Darling 1890 by wC Piguenit Holdings, President & Denyse -
Art Almanac April 2018 $6
Art Almanac April 2018 $6 Julie Dowling Waqt al-tagheer: Time of change Steve Carr Art Almanac April 2018 Subscribe We acknowledge and pay our respect to the many Aboriginal nations across this land, traditional custodians, Elders past and present; in particular the Established in 1974, we are Australia’s longest running monthly art guide and the single print Guringai people of the Eora Nation where Art Almanac destination for artists, galleries and audiences. has been produced. Art Almanac publishes 11 issues each year. Visit our website to sign-up for our free weekly eNewsletter. This issue spotlights the individual encounters and communal experience that To subscribe go to artalmanac.com.au contribute to Australia’s cultural identity. or mymagazines.com.au Julie Dowling paints the histories of her Badimaya ancestors to convey the personal impact of injustice, while a group show by art FROOHFWLYHHOHYHQíOWHUVWKHFRPSOH[LWLHVRI the Muslim Australian experience through diverse practices and perspectives. Links Deadline for May 2018 issue: between suburbia and nationhood are Tuesday 3 April, 2018. presented at Cement Fondu, and artist Celeste Chandler constructs self-portraits merging past and present lives, ultimately revealing the connectedness of human existence. Contact Editor – Chloe Mandryk [email protected] Assistant Editor – Elli Walsh [email protected] Deputy Editor – Kirsty Mulholland [email protected] Cover Art Director – Paul Saint National Advertising – Laraine Deer Julie Dowling, Black Madonna: Omega, -
Gestural Abstraction in Australian Art 1947 – 1963: Repositioning the Work of Albert Tucker
Gestural Abstraction in Australian Art 1947 – 1963: Repositioning the Work of Albert Tucker Volume One Carol Ann Gilchrist A thesis submitted for the degree of Doctor of Philosophy Department of Art History School of Humanities Faculty of Arts University of Adelaide South Australia October 2015 Thesis Declaration I certify that this work contains no material which has been accepted for the award of any other degree or diploma in my name, in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. In addition, I certify that no part of this work will, in the future, be used for any other degree or diploma in any university or other tertiary institution without the prior approval of the University of Adelaide and where applicable, any partner institution responsible for the joint-award of this degree. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying, subject to the provisions of the Copyright Act 1968. I also give permission for the digital version of my thesis to be made available on the web, via the University‟s digital research repository, the Library Search and also through web search engines, unless permission has been granted by the University to restrict access for a period of time. __________________________ __________________________ Abstract Gestural abstraction in the work of Australian painters was little understood and often ignored or misconstrued in the local Australian context during the tendency‟s international high point from 1947-1963. -
KEVIN CONNOR B
KEVIN CONNOR b. 1932, Sydney Biography Connor has lived and worked in Sydney, painting full time between 1963 to 1976 and 1987 to the present, with periods of overseas work and travel throughout his career. 2006-2014 Various travels. Worked in Sydney 2005 Lived and worked in Paris and London for two months 2003 Lived and worked in Paris for two months 2001-2002 Worked in Paris for five months 1999 Lived and worked in Paris and London for five months 1998 Lived and worked in Paris and London for two months 1996 Lived and worked in Paris and London for three months 1995 Worked in Paris for two months 1994 Worked in Paris for two months 1991 Three week drawing expedition of war damaged areas in Iraq Three week drawing expedition in Jordan, Syria and Jerusalem 1988 Two months drawing and making lithographs with Jacques Champfleury in Paris 1985 Three months study tour of Egypt, Paris and London 1981-1987 Trustee of the Art Gallery of New South Wales 1979 Six months study tour in Egypt and Paris 1976-1987 Lecturer in painting and drawing at the National Art School, Alexander Mackie College of Advanced Education and the City Art Institute, Sydney 1966-1968 Lived and worked in New York, United States of America 1965-1966 Thirteen months travel in Europe including a seven month stay in Spain 1954-1957 Travelled, lived and worked overseas in Canada and England Solo Exhibitions 2018 The Forever One Day, Orange Regional Gallery 2015 Drawings, Liverpool Street Gallery, Sydney 2013 Paintings, Liverpool Street Gallery, Sydney 2012 Paintings, Liverpool -
Emu Island: Modernism in Place 26 August — 19 November 2017
PenrithIan Milliss: Regional Gallery & Modernism in Sydney and InternationalThe Lewers Trends Bequest Emu Island: Modernism in Place 26 August — 19 November 2017 Emu Island: Modernism in Place Penrith Regional Gallery & The Lewers Bequest 1 Spring Exhibition Suite 26 August — 19 November 2017 Introduction 75 Years. A celebration of life, art and exhibition This year Penrith Regional Gallery & The Lewers Bequest celebrates 75 years of art practice and exhibition on this site. In 1942, Gerald Lewers purchased this property to use as an occasional residence while working nearby as manager of quarrying company Farley and Lewers. A decade later, the property became the family home of Gerald and Margo Lewers and their two daughters, Darani and Tanya. It was here the family pursued their individual practices as artists and welcomed many Sydney artists, architects, writers and intellectuals. At this site in Western Sydney, modernist thinking and art practice was nurtured and flourished. Upon the passing of Margo Lewers in 1978, the daughters of Margo and Gerald Lewers sought to honour their mother’s wish that the house and garden at Emu Plains be gifted to the people of Penrith along with artworks which today form the basis of the Gallery’s collection. Received by Penrith City Council in 1980, the Neville Wran led state government supported the gift with additional funds to create a purpose built gallery on site. Opened in 1981, the gallery supports a seasonal exhibition, education and public program. Please see our website for details penrithregionalgallery.org Cover: Frank Hinder Untitled c1945 pencil on paper 24.5 x 17.2 Gift of Frank Hinder, 1983 Penrith Regional Gallery & The Lewers Bequest Collection Copyright courtesy of the Estate of Frank Hinder Penrith Regional Gallery & The Lewers Bequest 2 Spring Exhibition Suite 26 August — 19 November 2017 Introduction Welcome to Penrith Regional Gallery & The of ten early career artists displays the on-going Lewers Bequest Spring Exhibition Program. -
Important Australian and Aboriginal
IMPORTANT AUSTRALIAN AND ABORIGINAL ART including The Hobbs Collection and The Croft Zemaitis Collection Wednesday 20 June 2018 Sydney INSIDE FRONT COVER IMPORTANT AUSTRALIAN AND ABORIGINAL ART including the Collection of the Late Michael Hobbs OAM the Collection of Bonita Croft and the Late Gene Zemaitis Wednesday 20 June 6:00pm NCJWA Hall, Sydney MELBOURNE VIEWING BIDS ENQUIRIES PHYSICAL CONDITION Tasma Terrace Online bidding will be available Merryn Schriever OF LOTS IN THIS AUCTION 6 Parliament Place, for the auction. For further Director PLEASE NOTE THAT THERE East Melbourne VIC 3002 information please visit: +61 (0) 414 846 493 mob IS NO REFERENCE IN THIS www.bonhams.com [email protected] CATALOGUE TO THE PHYSICAL Friday 1 – Sunday 3 June CONDITION OF ANY LOT. 10am – 5pm All bidders are advised to Alex Clark INTENDING BIDDERS MUST read the important information Australian and International Art SATISFY THEMSELVES AS SYDNEY VIEWING on the following pages relating Specialist TO THE CONDITION OF ANY NCJWA Hall to bidding, payment, collection, +61 (0) 413 283 326 mob LOT AS SPECIFIED IN CLAUSE 111 Queen Street and storage of any purchases. [email protected] 14 OF THE NOTICE TO Woollahra NSW 2025 BIDDERS CONTAINED AT THE IMPORTANT INFORMATION Francesca Cavazzini END OF THIS CATALOGUE. Friday 14 – Tuesday 19 June The United States Government Aboriginal and International Art 10am – 5pm has banned the import of ivory Art Specialist As a courtesy to intending into the USA. Lots containing +61 (0) 416 022 822 mob bidders, Bonhams will provide a SALE NUMBER ivory are indicated by the symbol francesca.cavazzini@bonhams. -
R-M-Mcgivern-Catalogue-2019.Pdf
23 November 2019 to 1 February 2020 ii Nicholas Aplin Kate Beynon Amber Boardman Angela Brennan Janet Burchill Dord Burrough Penelope Cain Hamish Carr Kevin Chin Nadine Christensen Dale Cox Nicola Dickson Fernando do Campo Briell Ellison Josh Foley Juan Ford Betra Fraval Deanne Gilson Helga Groves Stephen Haley Katherine Hattam Euan Heng Sophia Hewson Miles Howard-Wilks Deborah Klein Kate Kurucz Emma Lindsay Tony Lloyd Dane Lovett Simon MacEwan Jordan Marani Sam Martin Andrew Mezei Luke Pither Kenny Pittock Victoria Reichelt Mark Rodda Evangelos Sakaris Kate Shaw Shannon Smiley Julian Aubrey Smith Jacqui Stockdale Camilla Tadich Jelena Telecki Sarah Tomasetti Message from Maroondah City Councillors The inaugural R & M McGivern Prize was held in 2003 and since this time has grown to become a prestigious national painting prize attracting artists from all over the country. Well-regarded Australian artists such as Martin King, Rose Nolan and Rosslynd Piggott have each been significant recipients of this award. Submissions to the R & M McGivern Prize this year were of outstanding range and quality, with a record number of 450 entries. Thank you to all of the artists who entered. We are honoured to have three distinguished judges for this year’s prize: Charlotte Day, Director, Monash University Museum of Art; Ryan Johnston, Director, Buxton Contemporary; Penny Teale, Bunjil Place Gallery Curator. The winning recipient of the Prize receives $25,000, and the work is acquired by Council to become part of the Maroondah City Council Art Collection. This is a distinguished collection maintained by Council for the enjoyment of the Maroondah community and wider audiences. -
Dragon Tails 2017 Hopes, Dreams and Realities
5th Australasian conference on Chinese diaspora history & heritage Dragon Tails 2017 Hopes, Dreams and Realities Conference program Golden Dragon Museum Bendigo, Victoria, Australia 23-26 November 2017 0 Contents Conference program 4 Program - Timetable at a glance 4 Program in detail 5 Abstracts and speaker profiles 8 List of participants 25 Event Partner Conference Sponsors La Trobe Asia The Asia Institute La Trobe University The University of Melbourne www.latrobe.edu.au/asia arts.unimelb.edu.au/asiainstitute Conference Contacts For questions or problems during the conference, please see the Registration desk. You should also feel free to speak to the convenors. In case of emergencies, call Nadia Rhook 0409 807 516, Leigh McKinnon 0407 303 518, Paul Macgregor 0418 571 572 www.dragontails.org.au [email protected] Twitter: @dragontailsconf Hashtag #dtails17 Dragon Tails 2017 Hopes, Dreams and Realities 5th Australasian conference on Chinese diaspora history & heritage Golden Dragon Museum, Bendigo, Victoria, Australia 23-26 November 2017 Hopes and dreams have profoundly shaped the histories of Chinese people and their descendants in Australasia and abroad. This central theme of “Dragon Tails 2017: Hopes, Dreams and Realities” highlights not only the role of imagination in shaping the actions of Chinese-Australasians, but also the realities and challenges that Chinese-Australasians have historically encountered in pursuing their hopes and dreams. The Dragon Tails conferences promote research into the histories and heritage of Chinese people, their descendants and their associates, in Australasia (Australia and New Zealand). The conferences also encourage awareness of the connections of Chinese in Australasia with the histories of Chinese people, their descendants and their associates in other countries. -
Blak Douglas A.K.A Adam Hill
Blak Douglas a.k.a Adam Hill Education 1989 Jamison High School (Penrith) 1994 BA Graphic Design University of Western Sydney, Nepean Awards / Competitions 2016 FINALIST Cossack Art Awards, Karatha W.A. 2015 FINALIST Archibald Prize, FINALIST- Parliament of NSW Aboriginal Art Prize 2014 FINALIST Mosman Art Prize 2004-9/11-14 FINALIST Parliament of NSW Aboriginal Art Prize (Commended) 2009 HIGHLY COMMENDED Cricket Art Prize Sydney, FINALIST- Wynne Prize 2003-8 FINALIST Telstra Aboriginal and Torres Strait Islander Art Award 2008 FINALIST Mil-Pra Art Prize 2007 FINALIST The Xstrata Coal Emerging Indigenous Art Award 2006 WINNER Maria Locke Award, Mil-Pra Art Prize 2005-10 FINALIST Parliament of NSW Indigenous Art Prize 2004 WINNER Mil-Pra Art Prize, Artist in Residence, The Canberra Grammar School 2003 WINNER Mil-Pra Art Prize – Liverpool Council Mayor’s Choice Award 2002 WINNER Blacktown City Art Prize – Inaugural Solo Exhibitions 2017 National an’them Blakspot Gallery ‐ Redfern 2016 OLD STORIES, NEW LIGHT The Glasshouse Gallery (accompanied by Unc. Milton Budge) 2015 MCA Art Bar, WHITEBRED Fontanelle Gallery Adelaide (TARNANTHI festival accompanied by Amanda Radomi) JOIN THE DOTS Boomalli Aboriginal Artists, Leichhardt- Sydney BLAKATTAK S.C.A. Sydney (accompanied by Adam Geczy) 2014 LAWFUL & PERMISSABLE Damien Minton Gallery, Redfern ILLUMINATE Old Parliament House, ACT 2013 BOMB Utrecht Gallery, Netherlands (accompanied by Adam Geczy) SMELLIN’ IT LIKE IT IS Tandanya Adelaide 2012 ONEinFOUR Damien Minton Gallery, NSW 2010 NOT A PROPPER -
KEVIN CONNOR B
KEVIN CONNOR b. 1932, Sydney BIOGRAPHICAL NOTES Connor has lived and worked in Sydney, painting full time between 1963 to 1976 and 1987 to the present, with periods of overseas work and travel throughout his career. 2006-2014 Various travels. Worked in Sydney 2005 Lived and worked in Paris and London for two months 2003 Lived and worked in Paris for two months 2001-2002 Worked in Paris for five months 1999 Lived and worked in Paris and London for five months 1998 Lived and worked in Paris and London for two months 1996 Lived and worked in Paris and London for three months 1995 Worked in Paris for two months 1994 Worked in Paris for two months 1991 Three week drawing expedition of war damaged areas in Iraq Three week drawing expedition in Jordan, Syria and Jerusalem 1988 Two months drawing and making lithographs with Jacques Champfleury in Paris 1985 Three months study tour of Egypt, Paris and London 1981-1987 Trustee of the Art Gallery of New South Wales 1979 Six months study tour in Egypt and Paris 1976-1987 Lecturer in painting and drawing at the National Art School, Alexander Mackie College of Advanced Education and the City Art Institute, Sydney 1966-1968 Lived and worked in New York, United States of America 1965-1966 Thirteen months travel in Europe including a seven month stay in Spain 1954-1957 Travelled, lived and worked overseas in Canada and England SOLO EXHIBITIONS 2015 Drawings, Liverpool Street Gallery, Sydney 2013 Paintings, Liverpool Street Gallery, Sydney 2012 Paintings, Liverpool Street Gallery, Sydney 2010 Kevin Connor, -
BORGELT-CV-2015.Pdf
M A R I O N B O R G E L T Biography Lives and works in Sydney 2007 Art Angels Residency Program, Perth 2006-07 Collaboration with Adriano Berengo Glass, Murano, Italy 1995 Collaboration with master printer Fred Genis for Sherman Genis Graphics, Sydney 1990 Collaboration with René Tazé etching atelier, Paris, France 1989–98 Lived and worked in Paris, France 1989 French Government Artist Residency, Paris, France 1979–80 New York Studio School, Postgraduate studies, New York, US 1977 Torrens College of Advanced Education, Adelaide, Graduate Diploma Secondary Art Teaching 1973–76 South Australian School of Art, Diploma of Fine Art, Painting 1954 Born Nhill, Victoria Solo Exhibitions 2014 Luminous Light, Allens Art Projects, Melbourne Full Circle Red, Karen Woodbury Gallery, Melbourne Marion Borgelt: Wabi-Sabi and Other Influences, Port Macquarie Glasshouse Regional Gallery, NSW 2013 So Near So Far, inaugural exhibition, Dominik Mersch Gallery, Sydney 2012 To see a world in a grain of sand…, Fehily Contemporary, Melbourne Musical Geometry, Turner Galleries, Perth 2011 Rhythms, Chords & Cadences, Jan Manton Art, Brisbane Heartbeat, Dominik Mersch Gallery, Sydney 2010 Marion Borgelt: Mind & Matter, A 15 Year Survey, Drill Hall Gallery, Australian National University, Canberra 2009 Exotic Particles, Turner Galleries, Perth Moonlight in my Veins, Dominik Mersch Gallery, Sydney 2007 Flux & Permanence, Sherman Galleries, Sydney 360º, inaugural exhibition, Turner Galleries, Perth 2006 Nothing is Invisible, Christine Abrahams Gallery, Melbourne 2005