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Crossdressing Cinema: an Analysis of Transgender
CROSSDRESSING CINEMA: AN ANALYSIS OF TRANSGENDER REPRESENTATION IN FILM A Dissertation by JEREMY RUSSELL MILLER Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2012 Major Subject: Communication CROSSDRESSING CINEMA: AN ANALYSIS OF TRANSGENDER REPRESENTATION IN FILM A Dissertation by JEREMY RUSSELL MILLER Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Co-Chairs of Committee, Josh Heuman Aisha Durham Committee Members, Kristan Poirot Terence Hoagwood Head of Department, James A. Aune August 2012 Major Subject: Communication iii ABSTRACT Crossdressing Cinema: An Analysis of Transgender Representation in Film. (August 2012) Jeremy Russell Miller, B.A., University of Arkansas; M.A., University of Arkansas Co-Chairs of Advisory Committee: Dr. Joshua Heuman Dr. Aisha Durham Transgender representations generally distance the transgender characters from the audience as objects of ridicule, fear, and sympathy. This distancing is accomplished through the use of specific narrative conventions and visual codes. In this dissertation, I analyze representations of transgender individuals in popular film comedies, thrillers, and independent dramas. Through a textual analysis of 24 films, I argue that the narrative conventions and visual codes of the films work to prevent identification or connection between the transgender characters and the audience. The purpose of this distancing is to privilege the heteronormative identities of the characters over their transgender identities. This dissertation is grounded in a cultural studies approach to representation as constitutive and constraining and a positional approach to gender that views gender identity as a position taken in a specific social context. -
E Dating Show, Visiter Des Musées, Les Sorties, Danser, Restaurant, Les Joies De La Vie Ave
Check out A&E's shows lineup. Find show info, videos, and exclusive content on A&E. Dating Show Auditions for in If you are looking to star in a reality show that can help you find your true love this is your category. Often times it can be difficult to meet a person that you feel that you want to spend your life with. It is even more rare when people have the opportunity to find this person of their dreams on a dating show. Dec 12, · E! has ordered 20 half-hour episodes of Dating #NoFilter, a new comedy blind dating series from Lime Pictures and All3Media America, for premiere next month. Dating #NoFilter will air Monday throug Author: Denise Petski. Betsie, 66 ans. Habite à Béthune, Pas-de-Calais, Nord-Pas-de-Calais. Recherche une femme: Amitié. Nouvelle sur ce site, aime les ballades, le cinéma E Dating Show, visiter des musées, les sorties, danser, restaurant, les joies de la vie ave. Jan 30, · Instead, it’s an absolute shit show of X-rated pics, ghosting and one night stands. Finally, an honest voice is coming to take on modern TV dating. Welcome to Dating #NoFilter. About E. Dec 18, · E! is on the Pulse of Pop Culture, bringing fans the very best original content including reality series, topical programming, exclusive specials, breaking entertainment news, and more. On this reality dating show, young singles head to paradise to find their perfect matches and for a chance to split the $1 million prize. related shows Ex On The Beach. -
Transition to BLIND DATE Video
Going on a date What is the definition of a “date”? (Oxford English Dictionary) • 1. A date = (n.) A social or romantic appointment or engagement. • 2. A date = (n.) A person with whom one has a date. Examples of a date?! What is a “blind date” ? • blind = (adj.) unable to see • A blind date is a social meeting between two people who have not met before (usually arranged by a mutual acquaintance). Examples of a blind date?! BLIND DATE : the famous TV show Can you explain what happens on this show?... BLIND DATE : what happens on the show… 1. Three singles of the same sex are introduced to the audience. 2. They are then questioned by a single of the opposite sex, who can hear but not see them (because hidden behind a screen), to choose with whom to go on a date. 3. Before the decision, Graham, who is never seen, gives an amusing reminder of each contestant. (Graham is a “voice over” = “voix off” in French.) 4. The couple then picks an envelope naming their destination for their date. 5. The following episode, a week later, shows the couple on their date, and interviews with them about the date and about each other. What questions do you think are asked on the Blind Date TV show ? • Name? • What’s your name? • Origins? • Where do you come from? / Where are you from? • Occupation? • What do you do (for a living)? • Likes? • What do you like (doing)? / What are your turn ons? • Dislikes? • What don’t you like (doing)? / What are your turn offs? Blind Date Special with Mr Bean •In 1993, Mr Bean (played by Rowan Atkinson) made a guest appearance on the show. -
Confessions of a Dangerous Mind
CONFESSIONS OF A DANGEROUS MIND a screenplay by Charlie Kaufman based on CONFESSIONS OF A DANGEROUS MIND an unauthorized biography by Chuck Barris third draft (revised) May 5, 1998 MUSIC IN: OMINOUS ORCHESTRAL TEXT, WHITE ON BLACK: This film is a reenactment of actual events. It is based on Mr. Barris's private journals, public records, and hundreds of hours of taped interviews. FADE IN: EXT. NYC STREET - NIGHT SUBTITLE: NEW YORK CITY, FALL 1981 It's raining. A cab speeds down a dark, bumpy side-street. INT. CAB - CONTINUOUS Looking in his rearview mirror, the cab driver checks out his passenger: a sweaty young man in a gold blazer with a "P" insignia over his breast pocket. Several paper bags on the back seat hedge him in. The young man is immersed in the scrawled list he clutches in his hand. A passing street light momentarily illuminates the list and we glimpse a few of the entries: double-coated waterproof fuse (500 feet); .38 ammo (hollowpoint configuration); potato chips (Lays). GONG SHOW An excerpt from The Gong Show (reenacted). The video image fills the screen. We watch a fat man recite Hamlet, punctuating his soliloquy with loud belching noises. The audience is booing. Eventually the man gets gonged. Chuck Barris, age 50, hat pulled over his eyes, dances out from the wings to comfort the agitated performer. PERFORMER Why'd they do that? I wasn't done. BARRIS (AGE 50) I don't understand. Juice, why'd you gong this nice man? JAYE P. MORGAN Not to be. That is the answer. -
Alec Mapa: Baby Daddy Press
PRESS KIT Baby Daddy OVERVIEW FILM TITLE ALEC MAPA: BABY DADDY SYNOPSIS Actor and comedian Alec Mapa (America's Gaysian Sweetheart) shares hilarious and heartfelt stories about how his life has changed since he and his husband adopted a five year old through the foster care system. No topic is off limits in this raunchy yet moving film of his award-winning one-man show: Alec's sex life, hosting gay porn award shows, midlife crisis, musical theatre, reality television, bodily functions, stage moms vs. baseball dads, and the joys, challenges, and unexpected surprises of fatherhood. Includes behind-the-scenes footage of his family's home life on a busy show day. " / / Thought Moment Media Mail: 5419 Hollywood Blvd Suite C-142 Los Angeles, CA 90027 Phone: 323-380-8662 Jamison Hebert | Executive Producer [email protected] Andrea James | Director [email protected] / Ê " TRT: 78 minutes Exhibition Format: DVD, HDCAM Aspect Ratio: 16:9 or 1.85 Shooting Format: HD Color, English ," -/ÊEÊ -/, 1/" Ê +1, - For all inquiries, please contact Aggie Gold 516-223-0034 [email protected] -/6Ê- , Ê +1, - For all inquiries, please contact Jamison Hebert 323-380-8662 [email protected] /"1/Ê" /Ê ÊÊUÊÊ/"1/" /° "ÊÊUÊÊÎÓÎÎnänÈÈÓÊÊ Baby Daddy KEY CREDITS Written and Performed by ALEC MAPA Directed by ANDREA JAMES Executive Producers JAMISON HEBERT ALEC MAPA ANDREA JAMES Director of Photography IAN MCGLOCKLIN Original Music Composed By MARC JACKSON Editors ANDREA JAMES BRYAN LUKASIK Assistant Director PATTY CORNELL Producers MARC CHERRY IAN MCGLOCKLIN Associate Producers BRIELLE DIAMOND YULAUNCZ J. DRAPER R. MICHAEL FIERRO CHRISTIAN KOEHLER-JOHANSEN JIMMY NGUYEN MARK ROSS-MICHAELS MICHAEL SCHWARTZ & MARY BETH EVANS RICHARD SILVER KAREN TAUSSIG Sound Mixer and Sound Editor SABI TULOK Stage Manager ERIKA H. -
Reality TV in Bulgaria the Paper Was Kindly Provided by the Author For
Reality TV in Bulgaria RUNNING HEAD:REALITY TV IN BULGARIA You’ll See, You’ll Watch: The Success of Big Brother in Postcommunist Bulgaria by Maria Raicheva-Stover, Ph.D. Assistant Professor Mass Media Department Washburn University Henderson Learning Center #312 Topeka, KS 66621 Tel: (785) 670-1802 e-mail: [email protected] Paper submitted to the International Division of the Broadcast Education Association Conference in Las Vegas, April 27-29, 2006 The paper was kindly provided by the author for publication on the CWSP website. Reality TV in Bulgaria 2 Abstract This paper explores the development and growth of the reality television genre in a postcommunist setting. It uses the first reality TV show in Bulgaria, Big Brother, as a case study to show how the reality television format has far reaching social, technological and economic ramifications for the media industry of that postcommunist country. The paper places special emphasis on examining reality television as a global hybrid format, which provides assurance of unprecedented success when introduced locally. Keywords: Reality television, Big Brother, Bulgaria The article was kindly provided by the authors for publication on the CWSP’s website. Reality TV in Bulgaria 3 All the world’s a stage, And all the men and women merely players; They have their exists and their entrances; And one man in his time plays many parts Shakespeare, As You Like It, Act II, Scene VII You’ll See, You’ll Watch: The Success of Big Brother in Postcommunist Bulgaria Up until recently, audiences in Bulgaria thought of Big Brother as the embodiment of a totalitarian government capable of subjecting everybody to an uninterrupted surveillance apparatus. -
The Voice of China: Interactive Television and Participatory Audiences in Mainland China
The Voice of China: Interactive Television and Participatory Audiences in Mainland China Xin Yao Thesis submitted for the degree of Doctor of Philosophy University of East Anglia School of Art, Media and American Studies March 2017 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived there from, may be published without the author’s prior, written consent. Abstract In 2012, the most popular reality TV show in China was The Voice of China (TVoC). It is an adaptation of The Voice of Holland, the format of which has been traded to many countries. Unlike its international versions, audiences cannot vote in TVoC due to government regulations. This research focuses on audience engagement with TVoC (2012), in light of this crucial difference. To investigate how audiences engage and make meanings with the show, this thesis is the first study approaches audience engagement in China by examining the tensions between government media policies, industry strategies and audience reception. Building on existing literature on media convergence and participatory culture in the West, this thesis argues that Internet technologies alongside social media enable and stimulate individual critical thinking and creativities which resist structural constraints such as censorship and commercialisation. Although direct online political participation is censored in China, audiences express and negotiate power as ways to construct political values. These online engagements bring new perspectives to understand participatory culture and ‘empowerment’ of audiences. Using political economy frameworks, this thesis highlights the power of government media policies in shaping TV industry and media content. -
Dating Show En España
Universidad de Sevilla Facultad de Comunicación El Dating Show en España. Las razones de su éxito. Curso Académico 2016-2017 Autoras: Cristina Aliseda Barrero Lorena Luque Cabrero Alba Palomo Morales Tutora: Inmaculada Gordillo Índice Resumen…………………………………………………………………………….4 Palabras Clave………………………………………………………………………4 Introducción…………………………………………………………………………5 Preguntas de Investigación………………………………………………………….6 Hipótesis…………………………………………………………………………….6 Objetivos……………………………………………………………………………7 Metodología………………………………………………………………………...8 Motivación y Justificación………………………………………………………….10 Marco Teórico………………………………………………………………………12 Panorama actual de la televisión en España………………………………...12 Evolución del medio hasta la actualidad…………………………………12 Televisión vs Internet…………………………………………………….13 La Hipertelevisión…………………………………………………………..14 Etapas televisivas………………………………………………………..14 Características de la hipertelevisión……………………………………..16 Hipergéneros televisivos y sus formatos………………………………...17 La Telerrealidad…………………………………………………………….20 Los programas de citas……………………………………………………...22 Historia de los programas de citas…………………………………........22 Los programas de citas en España…………………………………........25 Características y particularidades de los programas de citas…………...27 Los programas de citas ¿realidad o ficción?............................................30 Críticas que reciben los programas de citas………………………………………...32 Análisis de los Dating Shows………………………………………………………34 Resultados y Conclusiones…………………………………………………………100 Parte Creativa………………………………………………………………………108 -
The Cultural Politics of Islam in U.S. Reality Television
Communication, Culture & Critique ISSN 1753-9129 ORIGINAL ARTICLE The Cultural Politics of Islam in U.S. Reality Television Evelyn Alsultany Department of American Culture, University of Michigan, Ann Arbor, MI 48109-1045, USA To a limited extent, post-9/11 U.S. media has begun to accommodate Middle Eastern iden- tities that go beyond Orientalist binaries common to American film and television. By exploring 2 reality television shows, All-American Muslim and Shahs of Sunset,thisarticle asks: How can we understand this increase in representations of Arabs, Iranians, and Mus- lims within U.S. popular culture? Examining how Islam is represented (or not represented) in each show provides a window onto different media representational strategies, highlight- ing the possibilities and limitations of inclusion afforded by liberal multiculturalism and revealing the still-thorny cultural politics of Islam in a post-9/11 context. Keywords: All-American Muslim, Muslim Americans, Cultural Politics, Islam, Media Representations, Reality Television, Shahs of Sunset, Liberal Multiculturalism. doi:10.1111/cccr.12121 There has been a noticeable increase in Middle Eastern Americans on U.S. reality television since 2009. To list just a few: In 2010, Rima Fakih was the first Arab American to win the Miss USA Pageant. She went on to train to be a professional wrestler on the USA network’s reality show, WWE Tough Enough (McMahon, 2011, season 5), and then appeared on FOX’s dating game show, The Choice (Smith, Weed, & St. John, 2012, season 1). Sahar Dika was the first Arab American Muslim to be cast on MTV’s The Real World (Goldschein, French, Johnston, & Murray, 2010, Season 24). -