ventures live in japan 65 full album download The Ventures - Live Box [4CD Japanese Edition] (1992) Artist : The Ventures Title : Live Box Year Of Release : 1992 Label : Toshiba/EMI Japan [TOCP7125-7128 - 4] Genre : Surf Pop/Rock, Rock & Roll Quality : 320 kbps / FLAC (tracks+cue, log, scans) Total Time : 3:56:15 Total Size : 618 mb / 1.59 gb WebSite : Album Preview. :: TRACKLIST :: Disc 1 The Ventures In Japan 01. Medley_ Walk Don't Run_Perfidia_Lullaby Of The Leaves 02. Driving Guitars 03. Bulldog 04. Pipeline 05. Apache 06. Slaughter on 10th Avenue 07. Walk Don't Run '64 08. Bumble Bee Twist 09. Wipe Out 10. Caravan. Disc 2 All About The Ventures Live. 01. The Cruel Sea 02. Penetration 03. Bulldog 04. I Feel Fine 05. The House of the Rising Sun 06. Out of Limits 07. Slaughter on 10th Avenue 08. Besame Mucho Twist 09. Love Potion No. 9 10. Journey to the Stars 11. When You Walk in the Room 12. Walk Don't Run '64 13. Rap City 14. Wipe Out 15. The Ventures Medley_ Walk Don't Run_Perfidia_Lullaby Of The Leaves 16. Lonely Bull 17. Telstar 18. Mariner No. 4 19. Driving Guitars 20. Apache 21. Yellow Jacket 22. Pipeline 23. Surf Rider 24. Bumble Bee Twist 25. Diamond Head 26. Caravan 27. The Pink Panther Theme [Bonus Track] Disc 3 The Ventures On Stage Encore! & Live Again! 01. La Bamba 02. A Taste of Honey 03. Secret Agent Man 04. California Dreamin' 05. Batman Theme 06. The Man from U.N.C.L.E 07. Ginza Lights 08. Kimito To Itsumademo 09. Yozora No Hoshi 10. 00-711 11. Wipe Out '66 12. Blue Chateau 13. Hokkaido Skies 14. Black Sand Beach 15. A Little Bit Me, A Little Bit You 16. Wooly Bully 17. Ginza Lights 18. Sentimental Guitar 19. La Bamba 20. California Dreamin' 21. A Taste of Honey 22. Slow Sundown 23. Diamond Head '67 24. La Bamba ''Single Version'' [Bonus Track] Disc 4 The Ventures In Tokyo '68 & Live! The Ventures 01. Let's Go 02. Telstar 03. A Taste of Honey 04. The Ballad OF Bonnie & Clyde 05. Ode to Billy Joe 06. Pipeline 07. Wipe Out '68 08. The House of the Rising Sun 09. Apache 10. Yesterday 11. Born Free 12. Walk Don't Run 13. Caravan '68 14. Kyoto Doll 15. Aquarius_Let the Sunshine In 16. Light My Fire 17. Classical Gas 18. Medley_ Who'll Stop the Rain_Bad Moon Rising 19. Paint It Black 20. Born to be Wild 21. Medley_ Blowin' in the Wind_Don't Think Twice It's All Right 22. Kyoto Doll 23. Proud Mary 24. The House of the Rising Sun 25. Honky Tonk Woman 26. Hawaii Five-O. THE VENTURES - 45th Anniversary Live IN JAPAN - COMPLETE UNCUT SHOW - DVD. "The Ventures: 45th anniversary Live" was recorded at Hibiya Kokaido, Tokyo, Japan, on 18 January 2004. The quality of picture and sound is excellent. The total running time is ca. 1 hour and 22 minutes. On this album the line-up of the band is as follows: ** Bob Bogle - lead guitar and bass guitar ** Leon Taylor - drums and vocals ** Don Wilson - rhythm guitar and vocals. ** Nokie Edwards - lead guitar and bass guitar (special guest) For more information about the band I refer to Del Halterman's biography: Walk-Don't Run - The Story of The Ventures (first edition 2008, second edition 2009). There are 21 tracks on this live album. Here are the titles: 01. Walk, Don't Run // Perfidia // Walk, Don't Run 02. Pipeline 03. I Gotta Woman 04. Penetration 05. Runaway (vocal: Don) 06. Johnny B. Goode (vocal: Leon) 07. Slaughter on 10th Avenue 08. Stranger in Midosuji // Reflections in a Palace Lake 09. Kyoto Doll // Paint it Black 10. Walk, Don't Run '64. 11. Wipe Out 12. Bull Dog 13. Sleepwalk 14. Bumble Bee Rock 15. Out of Limits. 16. Driving Guitars 17. Black Sand Beach 18. House of the Rising Sun 19. Hawaii Five O 20. Diamond Head. Having played track # 20 (Diamond Head) the band says goodbye and leaves the stage. But the applause is so strong that the band has to return to the stage for one more song: Caravan. This is a long track, because it includes a long drum solo by Leon Taylor, who plays with the same energy and power as his father Mel Taylor. The Great (Live) Albums: The Ventures’ ‘Live in Japan ‘65’ The Great (Live) Albums is a bimonthly look at some of the best—or at least most interesting—live recordings in pop music history. How do these odd documents fit in with an artist’s overall discography? What do they teach us about the history of rock? Let’s find out! Live in Japan ‘65 , The Ventures (1995, EMI) You know surf music, right? Not like the Beach Boys. More like the stuff you’d hear in the opening credits of Pulp Fiction that isn’t “Jungle Boogie.” Or like what you might hear playing under grainy 8mm footage of tubular surf dudes crushing monster waves somewhere off the coast of Maui in the early 1960s while their Annette Funichello lookalike beach bunny sweethearts sit watching on the sand from behind cat’s-eye sunglasses, sipping bottles of Coke. You know—surf music! Surf music (of the instrumental variety) was an extremely specific phenomenon—a quick, quirky rock ‘n roll blip that helped fill the gap in youth culture in the years between peak Elvis and the emergence of The Beatles. For a few brief years, the aspirational, sun-bound sounds of groups like OC’s The Lively Ones, Glendora’s The Surfaris, Redland’s The Tornados, LA’s The Bel-Airs and a bunch of groups not even from Southern California (like Minneapolis’s The Trashmen and Buffalo, NY’s The Rebels) dominated American radio, unleashing a succession of short, upbeat instrumental singles characterized by strong melodies, tribal drums, and the all-important surf guitar tone —typically a fender single-coil guitar plugged into a tube amp and played with enough reverb that even My Morning Jacket would probably say, “Hmm, that’s a lot of reverb.” But aside from early solo pioneers Link Wray and Dick Dale, inarguably the mightiest name in all surfdom was Tacoma, WA’s The Ventures. The Ventures were pretty big in the U.S. for a little while, and remain a beloved cult act. But weirdly they were way bigger in Japan for way longer — which explains why the shrieking audience recorded at Tokyo Kosei Hall on March 5, 1965 greets each squeak and squeal of the normcore Washingtonians’ custom Mosrite guitars like the wailing of a roundeyed conqueror-god. Okay, maybe not. But the crowd on The Ventures’ Live in Japan ’65 is SUPER PSYCHED. The band feeds off the energy to deliver an amazingly tight, 27-song performance across two sets—a total of 78 minutes in all, including spoken introductions to nearly every song delivered by a fast-taking Japanese MC. It’s kitschy, sure. But that doesn’t mean it isn’t also a friggin’ blast to listen to. Select tracks from Live in Japan were originally released on the Japan-only All About the Ventures in 1966, collected and re-released as the album we know today by EMI in 1995. The album features the classic Ventures lineup: lead guitarist Nokie Edwards, rhythm guitarist Bob Bogle, bassist Don Wilson, and drum dynamo Mel Taylor, the band’s true not-so-secret weapon. Front, L-R: Wilson, Edwards, and Bob Bogle. Back: Mel Taylor. The first thing that leaps out about Live in Japan is just how clean the recording sounds. Not only can you hear every instrument distinctly, you can practically hear every string . The band is incredibly tight and the songs—a well-curated collection of Ventures originals, non-Ventures surf favorites, and instrumental covers of then-current pop tunes—charge ahead with punk rock hyperactivity. Highlights of the first set include The Pyramids’ surf classic “Penetration” and a moody take on “House of the Rising Sun.” Also: The Marketts’ sci-fi inflected “Out of Limits,” “Slaughter on Tenth Avenue,” and “Rap City” (The Ventures’ own interpretation of Brahams’ “Hungarian Dance No. 5.) The set culminates in a superlative rendition of The Surfaris iconic 1963 double-kick showcase “Wipeout,” which Taylor crushes like one of Al Jourgensen’s 808 drum machines, unleashing a blast beat so steady and hard-hitting it’d make even the most seasoned death metal pounder throb green with envy. Had Taylor found his way into a less niche gig, I have no doubt he’d be regarded today by washed classic rock olds as one of the all-time drum greats, up there with John Bonham, Keith Moon, and the one-armed dude from Def Leppard. Returning from (presumably) a brief sake break, the second set kicks off with a three-song medley of “Walk, Don’t Run,” “Lullaby of the Leaves,” and “Perfidia,” proving that while surf music may be limited in its sonic palette, it’s more than flexible enough to accommodate a relatively wide range of emotions. At its worst, surf can often be boiled down to the same half-dozen stock guitar tricks. But here at their peak, The Ventures are virtuosic—chugging along with crackerjack efficiency and smartly prioritizing melody over atmospherics. The album crests with a nearly 10-minute rendition of the Duke Ellington standard “Caravan”—yet another extended solo drum showcase for Taylor, who goes all third-act Whiplash on The Land of the Rising Sun’s ass, pounding and tapping and banging away like an overcaffeinated Ganesh. It’s a great end to a great album, but also a little counterintuitive; you’d expect the definitive live document of instrumental surf music’s most defining band to end on a more guitar-forward note. But hey. Sometimes waves break in weird ways, you know? Live in Japan ’65 is great surf music. And if you’re skeptical of the genre or don’t take it all that seriously as art, trust me: you’re missing out. Surf’s image maybe one of clean-cut white boys awkwardly hugging vintage Jazzmasters on album covers like they were teddy bears, but the music these non-threatening dudes created lo these 50-odd years ago is still way more punk and way more metal than nearly anything before or since. Kowabunga, dude. Ventures live in japan 65 full album download. Mrblob4: Help, quarantine is hell 329 days ago. dh4: FENDER MARINE 316 days ago. bigtikidude: Cheers 228 days ago. elbortobandito: surfybear trem power 226 days ago. BlindBlake: surf music discography 222 days ago. thewhipandthebody: It's MONDAY! 220 days ago. 2nanfer: Guys asking for help bc of quantine, 144 days ago. 185 days ago. sysmalakian: Surf's up! 183 days ago. taku: sale 98 days ago. Skiltrip: SurfyBear is Life 90 days ago. Please login or register to shout. No polls at this time. Check out our past polls. No contests at this time. Check out our past contests. 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SurfGuitar101 Forums » Gear » Ventures Live in Japan '65 amps. I'm sure this has been asked before but i cant find the information. What amps were the ventures using on their live recordings in japan? Are these the mosrite amps i've heard about? Also, did Takeshi Terauchi use the same amp on his albums because the tone sounds very similar to my ears? The Ventures Live in Japan sound is one of my favorite tones and i would love to be able to at least get close. I have a '72 silverface twin but im never able to turn it up loud enough to hear it overdrive or even play a mosrite or somewhat similar p90 equipped guitar through it. If they're the same ones used in the Beloved Invaders film I'm pretty sure those are blonde showman amps with 1-15" cabs. I'm sure someone will correct me if I'm wrong. I'm looking at the album jacket of my "The Ventures on Stage" album (Dolton BST-8035, ca.1965 or 1966), and the piggyback amps on the cover are definitely not Fenders. I recall that the Japanese M.C. referred to "Japanese Amplifiers" at one point during his in-between songs chit- chat. IMO, this was the best, most kick-ass live album that The Ventures ever recorded. The songs are a lot edgier and more intense than the versions on the "Live in Japan '65" album. I've always wondered what kind of amps they were using on the "On Stage" album. They do not appear to be Mosrite amps. It is apparent from the overhead condensor microphone placement on the cover photo that they were being recorded. The amps were mic'd individually as well. Both Nokie and Don are plugged straight into their amps via a coil cord - no tank. Each amp has nine knobs, so I would assume that they had onboard reverb. Does anyone know for sure what these amps were? Jack aka WoodyJ. HulaHounds (1996-present, studio only) The Mariners (1964-2019) The X-Rays (1997-2004) The Surge! (2004, 2011-2012) Various non-surf bands that actually made money (1978-1990) good question, ttt for answers. I remember reading on Cowabunga or something that the Ventures borrowed some Japanese amps for the tour. They were similar to Fender Showmans. Certainly some hard core Ventures fans will know the real story. Site dude - S3 Agent #202 Need help with the site? SG101 FAQ - Send me a private message - Email me. "It starts. when it begins" -- Ralf Kilauea. WoodyJ IMO, this was the best, most kick-ass live album that The Ventures ever recorded. Woody, that's probably because it wasn't actually a 'live' album!! Well, it wasn't recorded in front of an audience, anyway. Read the liner notes to the CD reissue. The whole thing was recorded in some warehouse. They NEVER played live in Great Britain. PS There was an in-depth discussion on Yahoo SG101 a year or few back about the amps pictured on the On Stage album. Somebody actually knew exactly what the amps were! I can't remember now, though. But I'm pretty sure they were solid state amps. And most certainly not what they actually used to record the On Stage album, which by any rate was done in the US. However, I think it's pretty certain that it was those circa- '62-'63 Showmans and Bassman that were used for the Live in Japan '65 album. Thanks, Ivan. very interesting! I've never been able to find the CD reissue of the On Stage album - I didn't know that it was on CD - and my vinyl album that I've had since it was released 40+ years ago is about worn out. I assume the CD is not readily available nowadays. Now I have yet another thing to look for on eBay! Jack aka WoodyJ. HulaHounds (1996-present, studio only) The Mariners (1964-2019) The X-Rays (1997-2004) The Surge! (2004, 2011-2012) Various non-surf bands that actually made money (1978-1990) Woddy, yeah, the CD reissue has been out of print for a few years. But here is the info about it. Good luck tracking it down! I think skeeter and Ivan are right about the amps at least until the mid 60's. There are several Japanese Ventures tribute bands who seem to be sticklers for details and prefer vintage Mosrite guitars and Fender amps. Here's a link to some photos. In one photo Nokie's apparently using a blonde Fender amp and the Mosrites are the early bound/sidejack '63's. I know it's not Mosrite amps because the Ventures never used Mosrite amps. They contracted with another company (I can't remember the name either) to produce a "Ventures" amp. These amps were solid state--produced sometime after '65. I got this information from Ed Sanner who designed the Mosrite amps, which were tube amps. Don Wilson said that the Ventures regularly sold their equipment after a Japanese tour because it was costly to ship back and they could get a small fortune for it in Japan. It's true the Ventures never played in England, however they did play live in Japan over the course of decades and were still touring Japan as late as 2003 at least. Many of the live Japanese recordings overdubbed the crowd screams because the Japanese crowds were too well behaved. Specifically the "Live in Japan '65" doesn't sound like it has an undue amount of crowd overdubbing, if any. "Live in Japan '65" is really a great album. Last edited: Dec 23, 2006 09:55:42. Mosrite amps, according to Semie in a recent Vintage Guitar Magazine interview, were made by Waters Connelly. They made 1000 amps and they all had a bad tremolo circuit that shorted the amp out. They were a big part of the downfall of Mosrite in 1969. The Ventures with the Showmans and Bassman RULE ! chad3006 There are several Japanese Ventures tribute bands who seem to be sticklers for details and prefer vintage Mosrite guitars and Fender amps. Here's a link to some photos. In one photo Nokie's apparently using a blonde Fender amp and the Mosrites are the early bound/sidejack '63's. The logos on the amps are apparently Guyatone. You can get the boy out of the Keynes era, but you can’t get the Keynes era out of the boy. I found an Interview with Don Wilson ( reprinted from Vintage Guitar Magazine - March 1997). Don stated that in the "Beloved Invaders " movie he played through a white tolex Showman. He also mentioned that on the Album "The Ventures on Stage" he recolects using a piggyback back that he said may have been a Mosrite prototype ( which ended up stolen ). Hope this helps. wow, thanks for all the helpful replies, guys! this is all great information but it seems like we have'nt quite cracked it yet. i never really thought about it but the overdriven sound does have solid-state like qualities to it. sort of stiff and fuzzy but thats something i really love about it. i wish i could find a pedal that would get this sort of sound running through a twin or showman. maybe a very raspy fuzz type pedal that can be run nearly clean. i dont think any of those exist :wink:. Maybe these were "Fenler" amps. I'm in agreeance with Ivan here, as when I listen to the Video's audio, the Audience track is so obviously a loop. you can time the loud high pitched whisltes down to the second. almost as sad as some of the Heavy Metal live albums, that were all studio overdubs. WoodyJ IMO, this was the best, most kick-ass live album that The Ventures ever recorded. Woody, that's probably because it wasn't actually a 'live' album!! Well, it wasn't recorded in front of an audience, anyway. Read the liner notes to the CD reissue. The whole thing was recorded in some warehouse. They NEVER played live in Great Britain. PS There was an in-depth discussion on Yahoo SG101 a year or few back about the amps pictured on the On Stage album. Somebody actually knew exactly what the amps were! I can't remember now, though. But I'm pretty sure they were solid state amps. And most certainly not what they actually used to record the On Stage album, which by any rate was done in the US. However, I think it's pretty certain that it was those circa- '62-'63 Showmans and Bassman that were used for the Live in Japan '65 album. I could of swore I read that about their amps being non-Fenders. but after looking at the photos they almost have to be Fenders. Unless they were very clever knock-offs, like Magnetbox and Sorny. Site dude - S3 Agent #202 Need help with the site? SG101 FAQ - Send me a private message - Email me. "It starts. when it begins" -- Ralf Kilauea. Brian Unless they were very clever knock-offs, like Magnetbox and Sorny. Just so you know, Brian, at least one Simpsons-phile caught and loved this reference! my freind brought me back some cheap tweeters for my car from Africa and their brand name was SintONY. we had a good laugh about that one. I know a genuine Panaphonics when I see it. Guys. I'm rather certain they were Guyatone solidstate amps.. "ICHIBAN" (the best) as the annoucer says. Assuming you have access to an early 60s Mosrite with the hot (11.5K-13.5K pickups), the sound can be approximated rather closely with the early 80's Yamaha G100-xx series of amps (I use a G-100-II head and 4x12 cabinet). It's the only solidstate amp I own and I got it years back just to get that edgy, gritty sound heard on the 65 "Live" album. And it's RELIABLE! The AWARD amps didn't pop up (then pop out with short circuits) until 67-68. Having played a few.. they plain out SUCK! Pretty to look at, though. Ruined Mosrite, almost ruined the Ventures.. a real money pit. They really didn't need the built in fuzztone if you catch my drift. Long live the Showman.. JM. Please visit our friends in the surf music community: SurfGuitar101.com © 2004 - 2018 by Brian Neal. All comments and user contributed articles are property of the posters. Thanks to all the surf bands, past and present. And thanks to all the fans who care about and keep surf music alive. From the Vaults: The Ventures Live In Japan ’65. The year is 1965 and a small battalion of teenagers waits at the airport. In mere moments, cameras will capture a portrait of them as screaming fans, elbowing their way ahead of one another, hoping to reach the front ropes and welcome the exciting new cultural force that has just touched down. Four young men have flown thousands of miles westward, crossing an ocean to land among the recently empowered youth in one of the fastest- growing economies on the planet. Now they disembark, smiling, waving casually. They wear synchronized jackets and ties, sport matching haircuts, and carry unusual-looking guitars. It’s the American invasion. Of Japan. The Story. 15 months after the Beatles landed in New York, The Ventures land in Tokyo. They had been one of the most popular acts in the U.S. for the first half of the sixties. Then, the arrival of The Beatles and everything they brought, knocked them off the charts almost overnight. The new guard made them seem an unlikely old outfit. They were dedicated instrumentalists who could never match the visual appeal and personal charm of The Beatles. They were capable, they were inventive, but lacked a narrative – they had no revolution on their side. The Ventures were just in their early thirties. And they were over in America. The "Beloved Invaders". In Tokyo they were received as cultural icons. In Japan, things were different. Even today, Japanese baby-boomers can hum dozens of Ventures tunes as readily as their western counterparts can sing “I Want To Hold Your Hand”. When the Ventures landed in Tokyo they were still at the height of their powers. Locals dubbed them their “Beloved Invaders” and made a full- length feature film of the same name. In footage from a concert that would become The Ventures: Live In Japan ’65 the band is at its best; its most raw, unrestrained and raucous. The standout performer throughout is drummer Mel Taylor. He plays, unceasingly, like a man with something to prove. The Sound. In a rare animated moment, bassist Bob Bogle matches Mel Taylor's physical intensity. Taylor plays so far ahead of the beat he may as well be playing the next song – but he does it consistently and with absolute precision. His drumming on this album is a like an I.V. of Jolt Cola: a madly caffeinated frenzy of rhythm that somehow remains steady and controlled. At times, he gets so caught up in keeping a relentlessly driving groove that he makes unexpected choices. Like when he essentially forgets to take solo on “Wipe Out”. The effect is ballsy, casual, and something like a drum-kit equivalent of Neil Young’s infamous one-note guitar solo from “Cinnamon Girl”. (For fans of more intricate playing, the band’s encore of “Caravan” will be redeeming.) The recording itself is surprisingly hi-fi and well-executed. There are few concert albums from the 60s, or any other era, that sound this good. Overall, the record is clear, punchy, and powerful, if perhaps erring just a bit on the thin side of the spectrum. (The sonics are definitely superior to the YouTube clips provide here for reference.) What’s most surprising is the mix. The Ventures are a guitar band, and Taylor’s drums are ratcheted up to a level unheard of on any kind of 60’s record. It’s unexpected, unprecedented, perhaps inappropriate, and somehow, incredibly satisfying. The band hired Taylor only two years earlier as a stand-in the critically injured Howie Johnson. Instantly amazed by his energy and signed him on as a full-time replacement as soon as they could. On Japan ’65 Taylor’s minimal drum set is tuned fairly high giving the impression of a jazz kit during a surprisingly funky and hard-hitting drum solo. Onstage, he’s positioned alongside the rest of the band, where his mannerisms bring to mind a rock n’ roll Gene Krupa. The rest of the band, in traditional Ventures style, are fairly reserved on stage. They’re musical showmen only, came up playing teenage dance halls where the focus was on the groove and the dance-floor. They wear the expressions of men checking their watches. But the band is still adventurous on their instruments. Bob Bogle risks near-mistakes on high-powered ascending bass fills, and although Nokie Edwards and Don Wilson are expressive as ever on guitar parts that need no improvisation. They do well, but it’s the speed of the high-octane rhythm section casts their parts in a new light. The Verdict. One of two Japanese versions of the album cover. This classic performance would not be released in the U.S. until 1995. The album is a full 70-minutes that feels like it’s over before it’s even begun. It’s worth owning even (perhaps especially) for non-fans. From the time they were uprooted by the British invasion, the Ventures would have to settle for sparking the lukewarm kind of fondness every kid who learns guitar inevitably feels for them. Even though a few of their songs are lexicon, a teenager today is as likely to sit down and listen to a Ventures album as he is to listen to a Deep Purple album. In some ways, that’s understandable. The majority of their catalog is creative, fun and at times, very, very tame. Hearing the original 1959 recording of “Walk Don’t Run” can make one wonder what all the fuss was about. Listening to Live In Japan 1965 however, is a revelation. This is the Ventures at their most engaging, their most exciting, their most over-the-top. As an endearing bonus feature, a Japanese announcer makes appearances throughout, speaking to the audience in very emphatic Japanese. Occasionally a recognizable English word cuts through: “Een-tense-a!” “Diiii-nameek!” “Excite-a-ment!”. In later years, the aging-but-active Ventures would develop a penchant for sweatbands, loud Hawaiian shirts, louder facial hair, oversize sunglasses and 10-gallon hats. Perhaps there’s something vaguely Eastern about The Ventures after all. Rather than embrace American individualism, they borrowed compositions from across their own culture to create a unifying tradition. They embodied spirit and diligence, making a daily practice out of performance, never tiring of their repertoire, working hard to color between the lines. Or maybe they were just the perfect export. They took the popular songs contemporary western culture, stripped them to their bare essence, and then warped and exaggerated whatever was left. In America, the land of the exalted pop star, there was something out of place about a band without a singer, without a soloist, without a message. In Japan, we hear the band through fresh ears. Extras: Read a Seattle Times article on The Ventures receiving a national award from The Emperor of Japan in June 2010. Watch the original footage from “Slaughter On 10th Avenue “ Live in Japan ’65 (Embedded above) Watch the trailer to “Beloved Invaders”. (Also embedded above) Watch The Ventures play “Cruel Sea”, live in Japan. Watch The Ventures play “Caravan”, also live in Japan.