Amos Bronson Alcott - Poems

Total Page:16

File Type:pdf, Size:1020Kb

Amos Bronson Alcott - Poems Classic Poetry Series Amos Bronson Alcott - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Amos Bronson Alcott(29 November 1799 – 4 March 1888) Amos Bronson Alcott was an American teacher, writer, philosopher, and reformer. As an educator, Alcott pioneered new ways of interacting with young students, focusing on a conversational style, and avoided traditional punishment. He hoped to perfect the human spirit and, to that end, advocated a vegan diet before the term was coined. He was also an abolitionist and an advocate for women's rights. Born in Connecticut in 1799, Alcott had only minimal formal schooling before attempting a career as a traveling salesman. Worried about how the itinerant life might negatively impact his soul, he turned to teaching. His innovative methods, however, were controversial, and he rarely stayed in one place very long. His most well-known teaching position was at the Temple School in Boston. His experience there was turned into two books: Records of a School and Conversations with Children on the Gospels. Alcott became friends with <a href=" Alcott married Abby May in 1830 and they eventually had four surviving children, all daughters. Their second was Louisa May, who fictionalized her experience with the family in her novel Little Women in 1868. Alcott is often criticized for his inability to earn a living and support his family; he often relied on loans from his brother-in-law, Emerson, and others. He was never financially secure until his daughter became a best-selling novelist. <b>Life</b> <b>Early life</b> A native New Englander, Amos Bronson Alcott was born in Wolcott, Connecticut (only recently renamed from "Farmingbury") on November 29, 1799. His parents were Joseph Chatfield Alcott and Anna Alcott (née Bronson). The family home was in an area known as Spindle Hill, and his father, Joseph Alcox, traced his ancestry to colonial-era settlers in eastern Massachusetts. The family originally spelled their name "Alcock", later changed to "Alcocke" then "Alcox". Amos Bronson, the oldest of eight children, later changed the spelling to "Alcott" and dropped his first name. At age six, young Bronson began his formal education in a one-room schoolhouse www.PoemHunter.com - The World's Poetry Archive 1 in the center of town but learned how to read at home with the help of his mother. The school taught only reading, writing, and spelling and he left this school at the age of 10. At age 13, his uncle, Reverend Tillotson Bronson, invited to take him into his home in Cheshire, Connecticut to be educated and prepared for college. Bronson gave it up after only a month and was self-educated from then on. He was not particularly social and his only close friend was his neighbor and second cousin William Alcott, with whom he shared books and ideas. Bronson Alcott later reflected on his childhood at Spindle Hill: "It kept me pure... I dwelt amidst the hills... God spoke to me while I walked the fields." Starting at age 15, he took a job working for clockmaker Seth Thomas in the nearby town of Plymouth. At age 17, Alcott passed the exam for a teaching certificate but had trouble finding work as a teacher. Instead, he left home and became a traveling salesman in the American South, peddling books and merchandise. He hoped the job would earn him enough money to support his parents, "to make their cares, and burdens less... and get them free from debt", though he soon spent most of his earnings on a new suit. At first, he thought it an acceptable occupation but soon worried about his spiritual well-being. In March 1823, Alcott wrote to his brother: "Peddling is a hard place to serve God, but a capital one to serve Mammon." Near the end of his life, he fictionalized this experience in his book New Connecticut, originally circulated only among friends before its publication in 1881. <b>Early career and marriage</b> By the summer of 1823, Alcott returned to Connecticut in debt to his father, who bailed him out after his last two unsuccessful sales trips. He took a job as a schoolteacher in Cheshire with the help of his Uncle Tillotson. He quickly set about reforming the school. He added backs to the benches on which students sat, improved lighting and heating, de-emphasized rote learning, and provided individual slates to each student — paid for by himself. Alcott had been influenced by educational philosophy of the Swiss pedagogue Johann Heinrich Pestalozzi and even re-named his school "The Cheshire Pestalozzi School". His style attracted the attention of Samuel Joseph May, who introduced Alcott to his sister Abby May. She called him, "an intelligent, philosophic, modest man" and found his views on education "very attractive". Locals in Cheshire were less supportive and became suspicious of his methods. Many students left and were enrolled in the local common school or a recently re-opened private school for boys. On November 6, 1827, Alcott started teaching in Bristol, Connecticut, still using the same methods he used in Cheshire, but opposition from the community surfaced quickly; he was unemployed by March 1828. He moved to Boston on www.PoemHunter.com - The World's Poetry Archive 2 April 24, 1828, and was immediately impressed, referring to the city as a place "where the light of the sun of righteousness has risen." He opened the Salem Street Infant School two months later on June 23. Abby May applied as his teaching assistant; instead, the couple were engaged, without consent of the family. They were married at King's Chapel on May 22, 1830; he was 30 years old and she was 29. Her brother conducted the ceremony and a modest reception followed at her father's house. After their marriage the Alcotts moved to 12 Franklin Street in Boston, a boarding house run by a Mrs. Newall. Around this time, Alcott also first expressed his public disdain for slavery. In November 1830, he and William Lloyd Garrison founded what he later called a "preliminary Anti- Slavery Society", though he differed from Garrison as a nonresistant. Attendance at Alcott's school was falling. A wealthy Quaker named Reuben Haines proposed he and educator William Russell start a new school in Pennsylvania. Alcott accepted and he and his newly-pregnant wife set forth on December school was established in Germantown and the Alcotts were offered a rent-free home by Haines. Alcott and Russell were initially concerned that the area would not be conducive to their progressive approach to education and considered establishing the school in nearby Philadelphia instead. Unsuccessful, they went back to Germantown, though the rent-free home was no longer available and the Alcotts instead had to rent rooms in a boarding-house. It was there that their first child, a daughter they named Anna Bronson Alcott, was born on March 16, 1831, after 36 hours of the fall of that year, their benefactor Haines died suddenly and the Alcotts again suffered financial difficulty. "We hardly earn the bread", wrote Abby may to her brother, "[and] the butter we have to think about." The couple's only son was born on April 6, 1831, but lived only a few minutes. The mother recorded: "Gave birth to a fine boy full grown perfectly formed but not living". It was in Germantown that the couple's second daughter was born. Louisa May Alcott was born on her father's birthday, November 29, 1832, at a half hour past on described her as "a very fine healthful child, much more so than Anna was at birth." The Germantown school, however, was faltering; soon only eight pupils remained. Their benefactor Haines died before Louisa's birth. He had helped recruit students and even paid tuition for some of them. As Abby wrote, his death "has prostrated all our hopes here." On April 10, 1833, the family moved to Philadelphia, where Alcott ran a day school. As usual, Alcott's methods were controversial; a former student later referred to him as "the most eccentric man who ever took on himself to train and form the youthful mind." Alcott began to believe Boston was the best place for his ideas to flourish. He contacted theologian William Ellery Channing for support. Channing approved of Alcott's methods and promised to help find students to enroll, including his www.PoemHunter.com - The World's Poetry Archive 3 daughter Mary. Channing also secured aid from Justice Lemuel Shaw and Boston mayor Josiah Quincy, Jr. <b>Experimental educator</b> On September 22, 1834, Alcott opened a school of about 30 students, mostly from wealthy families. It was named the Temple School because classes were held at the Masonic Temple on Tremont Street in Boston. His assistant was Elizabeth Palmer Peabody, later replaced by Margaret Fuller. Mary Peabody Mann served as a French instructor for a time. The school was briefly famous, and then infamous, because of his original methods. Before 1830, writing (except in higher education) equated to rote drills in the rules of grammar, spelling, vocabulary, penmanship and transcription of adult texts. However, in that decade, progressive reformers such as Alcott, influenced by Pestalozzi as well as Friedrich Fröbel and Johann Friedrich Herbart, began to advocate writing about subjects from students' personal experiences. Reformers debated against beginning instruction with rules and were in favor of helping students learn to write by expressing the personal meaning of events within their own lives. Alcott's plan was to develop self-instruction on the basis of self-analysis, with an emphasis on conversation and questioning rather than lecturing and drill, which were prevalent in the U.S.
Recommended publications
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University M crct. rrs it'terrjt onai A Be" 4 Howe1 ir”?r'"a! Cor"ear-, J00 Norte CeeD Road App Artjor mi 4 6 ‘Og ' 346 USA 3 13 761-4’00 600 sC -0600 Order Number 9238197 Selected literary letters of Sophia Peabody Hawthorne, 1842-1853 Hurst, Nancy Luanne Jenkins, Ph.D.
    [Show full text]
  • Little-Men.Pdf 6 11/1/2018 8:44:55 AM
    COVER_MARKS_Little-Men.pdf 6 11/1/2018 8:44:55 AM Little Men LEVEL LIFE AT PLUMFIELD WITH JO'S BOYS Little uly had come, and haying begun; the little gardens were doing nely and the long J summer days were full of pleasant hours. e house stood open from morning till night, and the lads lived out of doors, except at school time. e lessons were short, and there were many holidays, for the Bhaers believed in cultivating healthy bodies by Men much exercise, and our short summers are best used in out-of-door work. Such a rosy, sunburnt, hearty set as the boys became; such appetites as they had; such sturdy arms and LIFE AT PLUMFIELD legs, as outgrew jackets and trousers; such laughing and racing all over the place; such antics WITH JO'S BOYS C in house and barn; such adventures in the tramps over hill and dale; and such satisfaction M in the hearts of the worthy Bhaers, as they saw their ock prospering in mind and body, Y I cannot begin to describe. CM MY Miss Jo March, the beloved character from Little Women—now Mrs. Jo Bhaer—lls CY her home at Plumeld with boys in need of guidance, an education, and, above all, CMY aection. e children are full of mischievous and amusing larks in each chapter. K Discover with the Plumeld household how, despite some disastrous events, "love is a ower that grows in any soil [and] works its sweet miracles undaunted by autumn frost or winter snow." "With incredibly beautiful, descriptive writing, Alcott tells the endearing story of Plumeld, a home and school for boys, where Mr.
    [Show full text]
  • RAR Mama Book Club-Little
    PREMIUM MAMA BOOK CLUB GUIDE SPRING 2020 Little Men by Louisa May Alcott This novel, published in 1871, continues the story of Jo March from Little Women. Jo and her husband now run the Plumfield Estate School, a perfectly inspiring place for children to grow and learn. Though this is a sequel, you can read it and join in our discussions even if you haven’t yet read Little Women. Suggested Reading Plan: Feel free to make this reading plan work for your own schedule. Just do what you can, and don’t get worried if you fall behind or get off track. Each Monday, a new thread will be posted in the forum to discuss that week’s reading. Find all of the conversations right here. Week of March 2: Read and discuss chapters 1-3 Week of March 9: Read and discuss chapters 4-6 Week of March 16: Read and discuss chapters 7-9 Week of March 23: Read and discuss chapters 10-12 Week of March 30: Read and discuss chapters 13-15 Week of April 6: Read and discuss chapters 16-18 Week of April 13: Read and discuss chapters 19-21 Week of April 20: An Evening with Jan Turnquist An Evening with Jan Turnquist Join us for a live video stream with the Executive Director of Louisa May Alcott’s Orchard House, and Co-Executive Producer of the Emmy-Award winning documentary, Orchard House: Home of Little Women. � Final date/time coming soon! Details will be posted here. MAMA BOOK CLUB: LITTLE MEN © READ-ALOUD REVIVAL, ALL RIGHTS RESERVED | PAGE 1 As You Read… Remember that literature is not intended to provide answers, but rather to raise questions.
    [Show full text]
  • Anna Bronson Alcott Pratt
    ANNA BRONSON ALCOTT PRATT • Mr. Amos Bronson Alcott born November 29, 1799 as Amos Bronson Alcox in Wolcott, Connecticut married May 23, 1830 in Boston to Abigail May, daughter of Colonel Joseph May died March 4, 1888 in Boston • Mrs. Abigail (May) “Abba” Alcott born October 8, 1800 in Boston, Massachusetts died November 25, 1877 in Concord, Massachusetts • Miss Anna Bronson Alcott born March 16, 1831 in Germantown, Pennsylvania married May 23, 1860 in Concord to John Bridge Pratt of Concord, Massachusetts died July 17, 1893 in Concord • Miss Louisa May Alcott born November 29, 1832 in Germantown, Pennsylvania died March 6, 1888 in Roxbury, Massachusetts • Miss Elizabeth Sewall Alcott born June 24, 1835 in Boston, Massachusetts died March 14, 1858 in Concord, Massachusetts • Abby May Alcott (Mrs. Ernest Niericker), born July 26, 1840 in Concord, married March 22, 1878 in London, England to Ernest Niericker, died December 29, 1879 in Paris “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY “Stack of the Artist of Kouroo” Project Anna Bronson Alcott HDT WHAT? INDEX ANNA BRONSON ALCOTT ANNA BRONSON ALCOTT 1829 By this point Minot Pratt was at work as a printer in Boston. He and his bride were married by the Reverend Waldo Emerson at his 2d Unitarian Church on Hanover Street in the North End — quite possibly this was the first couple which Emerson united in matrimony.1 NOBODY COULD GUESS WHAT WOULD HAPPEN NEXT 1. They would have three sons, one of whom, John Bridge Pratt, would become an insurance man and marry an Alcott daughter, Anna Bronson Alcott.
    [Show full text]
  • Louisa May Alcott's Wild Indians: Pedagogy of Love, Politics of Empire
    Louisa May Alcott’s Wild Indians: Pedagogy of Love, Politics of Empire Steve Benton East Central University Though long dismissed by many literary critics as sentimental juvenile literature, Louisa May Alcott’s Little Women series has over the past few decades enjoyed a critical renaissance. The first installment of Alcott’s multi-volume account of Jo March and her sisters was published in 1868. It was a best-seller then, and when I checked Amazon.com’s list of best-selling 19th century novels during the first week of November 2011, it was in the number one position. In 1978, Nina Auerbach helped Little Women gain a stronger hold in college curricula by calling attention to the radical nature of Alcott’s suggestion that the “world of the March girls” was “rich enough to complete itself” (55). Thirteen years later, Elaine Showalter, described Jo as “the most influential figure of the independent and creative American woman” (42). Since then, many feminist scholars have ratified the status of Alcott’s work in academic journals. I am happy to see popular novels like those in the Little Women series finding their way onto the critical radar because they offer so much insight into the values embraced by their readers. Little Women provides a rich, complex terrain for discussion about gender discourse in the 19th century. In this essay, I will discuss the relationship between that discourse and territorial expansion policies of the United States during the years following the Civil War, policies that would eventually push many Native American nations to the brink of extermination.
    [Show full text]
  • Higher Laws" "Higher
    tcny n<,rt IIInl J J A BENEFACTOR OF HIS RACE: THOREAU'S "HIGHER LAWS" AND THE HEROICS OF VEGETARIANISM ROBERT EPSTEIN grasped and lived by is the law which says: "Follow your own gen­ Berkeley, California ius"--be what you are, whether you are by your own nature hunter, or Was Thoreau a vegetarian or not? There wood chopper, or scholar. When you are several answers to this question. have become perfect you will be perfect; but only if you have If dietary practice is to be the sole learned to be, all along, what at criterion for judging, then Thoreau cannot be each manent you were. (pp 84-5) considered a vegetarian, since, by his own account, he ate fish and meat (though the Echoing Thoreau, the eminent psycholo­ latter rarely). gist, Carl G. Jung once wrote: Yet, despite this fact, Thoreau espoused I had to obey an inner law which a vegetarian ethic. So, his practice does was :irr\posed on me and left me no not suffice as a criterion for judging the freedanfreedom of choice. Of course I did extent of his vegetarianism. Consequently, not always obey it. How can anyone he has been criticized numerous times, e.g. live without inconsistency? (1965, by Wagenknecht, 1981, Garber, 1977, Jones, p. 356) 1954, for being inconsistent. How consistent was he in adhering to the vegetarian ideal? What we need to do in Thoreau scholarship-­ The question is not easy to answer. We must particularly regarding his dietary views--is ask: consistent from whose point of view? put aside our judgments of inconsistency The notion of consistency cannot always and (which frequently represent a defense against easily be objectively detennined,determined, because the areas of conflict in us) and attempt to un­ critic's own biases distort that which is derstand Thoreau franfrom within his own frame of ref~ence.[l] being viewed, in this case Thoreau's vegetar­ The question with which we ianism.
    [Show full text]
  • The Importance of the Newly Identified Alcott-Pratt Photographs by Kristi
    The Importance of the Newly Identified Alcott-Pratt Photographs By Kristi Martin The newly discovered photographs of Anna Alcott Pratt and her husband, John Bridge Pratt, are an important and exciting development. John and Anna are easily recognizable. John appears as he does in the already documented portrait. There is a characteristic softness about Anna’s features in her photograph that differentiate her from the 1862 silhouette portrait her sister Louisa, difficult to adequately qualify in words, but particularly remarkable around the eyes. The relationship between John and Anna is subtly indicated in the portrait layout within the album, facing one another from adjoining pages. It is not difficult to imagine that these portraits might have been taken around the time of their marriage in 1860, though there is no visible date associated with the images. The mislabeled portrait of Anna was, nonetheless, closely compared against known images of Louisa and Anna to verify her identify. While a recovered image of Louisa May Alcott would have been gratifying, those of her sister and brother in-law offer stimulating revelations for Alcott studies that are as noteworthy, thrilling, and perhaps more insightful than a new image of Louisa could have been. These photographs of Anna and John Pratt are significant for several reasons. Firstly, the existence of multiple photographs of John, evidentially taken during the same portrait sitting, could suggest that there may have been multiple poses of Anna as well. The newly identified portrait of her is a silhouette. Perhaps there was also an anterior portrait. Perhaps it will still be recovered.
    [Show full text]
  • Louisa May Alcott - Realistic Child
    133 Louisa May Alcott - Realistic Child of the Concord Renaissance Karen Ann Takizawa ルイザ ・メイ ・オルコット― コンコー ド・ルネッサンスの現実主義的落し子 カ レ ン ・ア ン ・滝 沢 1994年 、 清 泉 女 学 院 短 期 大 学 の ドラ マ セ ミナ ー の 学 生 達 が ル イ ザ ・メ イ ・オ ル コ ッ トの 代表作7若 草物語」を脚色し、上演することなった。 このことが、彼女の作品 と時代 につ い て 調 べ 、 マ サ チ ュ ー セ ッ ツ 州 コ ン コ ー ド(当 時 の 超 絶 主 義 の 中 心 地)に あ る 彼 女 の 故 郷 へ文学巡礼の旅 をするきっかけ となった。ルイザ ・メイ ・オルコッ トは、今は少女小説の 作 家 で あ る と思 わ れ て い る が 、 純 文 学 を 書 く作 家 で も あ り、 ま た 収 入 を 得 る た め の 作 品 も 書いた現実主義的作家でもあった。 Introduction In 1994, the students in my Drama Seminar at Seisen Jogakuin College chose to write and perform a play based on Louisa May Alcott's most famous work, Little Women. This project led to an investigation into her life and times and a literary pilgrimage to her former home in Concord, Massachusetts, both of which will be discussed in this report. The Place of Louisa May Alcott in American Literature Louisa May Alcott lived for much of her life in Concord, Massachusetts, where her father, Bronson Alcott, was active as one of the leaders of the nineteenth century Transcendentalist movement. Among his friends were three of the major American writers of the day, Ralph Waldo Emerson, author of Nature, Henry David Thoreau, 134 Bu!.
    [Show full text]
  • Fruitlands Shaker Manuscript Collection, 1771-1933
    THE TRUSTEES OF RESERVATIONS ARCHIVES & RESEARCH CENTER Guide to Fruitlands Shaker Manuscript Collection, 1771-1933 FM.MS.S.Coll.1 by Anne Mansella & Sarah Hayes August 2018 The processing of this collection was funded in part by Mass Humanities, which receives support from the Massachusetts Cultural Council and is an affiliate of the National Endowment for the Humanities. Archives & Research Center 27 Everett Street, Sharon, MA 02067 www.thetrustees.org [email protected] 781-784-8200 The Trustees of Reservations – www.thetrustees.org Date Contents Box Folder/Item No. Extent: 15 boxes (includes 2 oversize boxes) Linear feet: 15 Copyright © 2018 The Trustees of Reservations ADMINISTRATIVE INFORMATION PROVENANCE Manuscript materials were first acquired by Clara Endicott Sears beginning in 1918 for her Fruitlands Museum in Harvard, Massachusetts. Materials continued to be collected by the museum throughout the 20th century. In 2016, Fruitlands Museum became The Trustees’ 116th reservation, and the Shaker manuscript materials were relocated to the Archives & Research Center in Sharon, Massachusetts. In Harvard, the Fruitlands Museum site continues to display the objects that Sears collected. The museum features three separate collections of significant Shaker, Native American, and American art and artifacts, as well as a historic farmhouse that was once home to the family of Louisa May Alcott and is recognized as a National Historic Landmark. OWNERSHIP & LITERARY RIGHTS The Fruitlands Shaker Manuscript Collection is the physical property of The Trustees of Reservations. Literary rights, including copyright, belong to the authors or their legal heirs and assigns. RESTRICTIONS ON ACCESS This collection is open for research. Some items may be restricted due to handling condition of materials.
    [Show full text]
  • EVANS-DISSERTATION.Pdf (2.556Mb)
    Copyright by Katherine Liesl Young Evans 2010 The Dissertation Committee for Katherine Liesl Young Evans certifies that this is the approved version of the following dissertation: Staged Encounters: Native American Performance between 1880 and 1920 Committee: James H. Cox, Supervisor John M. González Lisa L. Moore Gretchen Murphy Deborah Paredez Staged Encounters: Native American Performance between 1880 and 1920 by Katherine Liesl Young Evans, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August, 2010 Acknowledgements For someone so concerned with embodiment and movement, I have spent an awful lot of the last seven years planted in a chair reading books. Those books, piled on my desk, floor, and bedside table, have variously angered, inspired, and enlightened me as I worked my way through this project, but I am grateful for their company and conversation. Luckily, I had a number of generous professors who kept funneling these books my way and enthusiastically discussed them with me, not least of which were the members of my dissertation committee. James Cox, my director, offered unflagging enthusiasm and guidance and asked just the right questions to push me into new areas of inquiry. Lisa Moore, Gretchen Murphy, John González, and Deborah Paredez lit the way towards this project through engaging seminars, lengthy reading lists, challenging comments on drafts, and crucial support in the final stages. Other members of the English department faculty made a substantial impact on my development as a teacher and scholar.
    [Show full text]
  • Dauntless Women in Childhood Education, 1856-1931. INSTITUTION Association for Childhood Education International, Washington,/ D.C
    DOCUMENT RESUME ED 094 892 PS 007 449 AUTHOR Snyder, Agnes TITLE Dauntless Women in Childhood Education, 1856-1931. INSTITUTION Association for Childhood Education International, Washington,/ D.C. PUB DATE [72] NOTE 421p. AVAILABLE FROM Association for Childhood Education International, 3615 Wisconsin Avenue, N.W., Washington, D.C. 20016 ($9.50, paper) EDRS PRICE NF -$0.75 HC Not Available from EDRS. PLUS POSTAGE DESCRIPTORS *Biographical Inventories; *Early Childhood Education; *Educational Change; Educational Development; *Educational History; *Educational Philosophy; *Females; Leadership; Preschool Curriculum; Women Teachers IDENTIFIERS Association for Childhood Education International; *Froebel (Friendrich) ABSTRACT The lives and contributions of nine women educators, all early founders or leaders of the International Kindergarten Union (IKU) or the National Council of Primary Education (NCPE), are profiled in this book. Their biographical sketches are presented in two sections. The Froebelian influences are discussed in Part 1 which includes the chapters on Margarethe Schurz, Elizabeth Palmer Peabody, Susan E. Blow, Kate Douglas Wiggins and Elizabeth Harrison. Alice Temple, Patty Smith Hill, Ella Victoria Dobbs, and Lucy Gage are- found in the second part which emphasizes "Changes and Challenges." A concise background of education history describing the movements and influences preceding and involving these leaders is presented in a single chapter before each section. A final chapter summarizes the main contribution of each of the women and also elaborates more fully on such topics as IKU cooperation with other organizations, international aspects of IKU, the writings of its leaders, the standardization of curriculuis through testing, training teachers for a progressive program, and the merger of IKU and NCPE into the Association for Childhood Education.(SDH) r\J CS` 4-CO CI.
    [Show full text]
  • Charles Ives and Musical Borrowing
    Western University Scholarship@Western Electronic Thesis and Dissertation Repository 4-2-2012 12:00 AM Charles Ives and Musical Borrowing Allison C. Luff The University of Western Ontario Supervisor Dr. Emily Abrams Ansari The University of Western Ontario Graduate Program in Music A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Music © Allison C. Luff 2012 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Musicology Commons Recommended Citation Luff, Allison C., "Charles Ives and Musical Borrowing" (2012). Electronic Thesis and Dissertation Repository. 492. https://ir.lib.uwo.ca/etd/492 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. CHARLES IVES AND MUSICAL BORROWING IN PIANO SONATA NO. 2 “CONCORD, MASS., 1840–1860”: SYMBOLISM, PROGRAM, AND CULTURAL CONTEXT (Spine title: Charles Ives and Musical Borrowing) (Thesis format: Monograph) by Allison C. Luff Graduate Program in Music A thesis submitted in partial fulfillment of the requirements for the degree of Master of Music in Literature and Performance The School of Graduate and Postdoctoral Studies Western University London, Ontario, Canada © Allison C. Luff 2012 WESTERN UNIVERSITY School of Graduate and Postdoctoral Studies CERTIFICATE OF EXAMINATION Supervisor Examiners ______________________________ ______________________________ Dr. Emily Abrams Ansari Dr. Jeffrey Stokes ______________________________ Dr. Edmund Goehring ______________________________ Dr. Bryce Traister The thesis by Allison Christine Luff entitled: Charles Ives and Musical Borrowing in Piano Sonata No.
    [Show full text]