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This Constitution: a Bicentennial Chronicle, Nos. 14-18
DOCUMENT RESUME ED 300 290 SO 019 380 AUTHOR Mann, Shelia, Ed. TITLE This Constitution: A Bicentennial Chronicle, Nos. 14-18. INSTITUTION American Historical Association, Washington, D.C.; American Political Science Association, Washington, D.C.; Project '87, Washington, DC. SPONS AGENCY National Endowment for the Humanities (NFAH), Washington, D.C. PUB DATE 87 NOTE 321p.; For related document, see ED 282 814. Some photographs may not reproduce clearly. AVAILABLE FROMProject '87, 1527 New Hampshire Ave., N.W., Washington, DC 20036 nos. 13-17 $4.00 each, no. 18 $6.00). PUB TYPE Collected Works - Serials (022) -- Historical Materials (060) -- Guides - Classroom Use - Guides (For Teachers) (052) JOURNAL CIT This Constitution; n14-17 Spr Sum Win Fall 1987 n18 Spr-Sum 1988 EDRS PRICE MFO1 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Class Activities; *Constitutional History; *Constitutional Law; History Instruction; Instructioral Materials; Lesson Plans; Primary Sources; Resource Materials; Secondary Education; Social Studies; United States Government (Course); *United States History IDENTIFIERS *Bicentennial; *United States Constitution ABSTRACT Each issue in this bicentennial series features articles on selected U.S. Constitution topics, along with a section on primary documents and lesson plans or class activities. Issue 14 features: (1) "The Political Economy of tne Constitution" (K. Dolbeare; L. Medcalf); (2) "ANew Historical Whooper': Creating the Art of the Constitutional Sesquicentennial" (K. Marling); (3) "The Founding Fathers and the Right to Bear Arms: To Keep the People Duly Armed" (R. Shalhope); and (4)"The Founding Fathers and the Right to Bear Arms: A Well-Regulated Militia" (L. Cress). Selected articles from issue 15 include: (1) "The Origins of the Constitution" (G. -
New Membership Program Offers Value and Supports the Growing Art
The Colonial Williamsburg Foundation P.O. Box 1776 Williamsburg, Va. 23187-1776 www.colonialwilliamsburg.com New Membership Program Offers Value and Supports the Growing Art Museums of Colonial Williamsburg Individual and family memberships offer value and benefits and support the DeWitt Wallace Decorative Arts Museum and Abby Aldrich Rockefeller Folk Art Museum “Dude,” tobacconist figure ca. 1880, museum purchase, Winthrop Rockefeller, part of the exhibition “Sidewalks to Rooftops: Outdoor Folk Art” at the Abby Aldrich Rockefeller Folk Art Museum; rendering of the South Nassau Street entrance to the Art Museums of Colonial Williamsburg; “Portrait of Queen Elizabeth I”, artist unidentified, 1590-1600, gift of Preston Davie, part of the exhibition “British Masterworks: Ninety Years of Collecting at Colonial Williamsburg,” opening Feb. 15 at the DeWitt Wallace Decorative Arts Museum. WILLIAMSBURG, Va. (Feb. 5, 2019) –Colonial Williamsburg offers a new opportunity to enjoy and support its world-class art museums, the DeWitt Wallace Decorative Arts Museum and the Abby Aldrich Rockefeller Folk Art Museum, with annual individual and family memberships that provide guest benefits and advance both institutions’ exhibition and interpretation of America’s shared history. The DeWitt Wallace Decorative Arts Museum, which showcases the best in British and American fine and decorative arts from 1670-1840, and the Abby Aldrich Rockefeller Folk Art Museum, home to the nation’s premier collection of American folk art, remain open during their donor-funded, $41.7-million expansion, which broke ground in 2017 and is scheduled for completion this year. Once completed, the expansion will add 65,000 square feet with a 22- percent increase in exhibition space as well as a new visitor-friendly entrance on Nassau Street. -
Annual Report
COUNCIL ON FOREIGN RELATIONS ANNUAL REPORT July 1,1996-June 30,1997 Main Office Washington Office The Harold Pratt House 1779 Massachusetts Avenue, N.W. 58 East 68th Street, New York, NY 10021 Washington, DC 20036 Tel. (212) 434-9400; Fax (212) 861-1789 Tel. (202) 518-3400; Fax (202) 986-2984 Website www. foreignrela tions. org e-mail publicaffairs@email. cfr. org OFFICERS AND DIRECTORS, 1997-98 Officers Directors Charlayne Hunter-Gault Peter G. Peterson Term Expiring 1998 Frank Savage* Chairman of the Board Peggy Dulany Laura D'Andrea Tyson Maurice R. Greenberg Robert F Erburu Leslie H. Gelb Vice Chairman Karen Elliott House ex officio Leslie H. Gelb Joshua Lederberg President Vincent A. Mai Honorary Officers Michael P Peters Garrick Utley and Directors Emeriti Senior Vice President Term Expiring 1999 Douglas Dillon and Chief Operating Officer Carla A. Hills Caryl R Haskins Alton Frye Robert D. Hormats Grayson Kirk Senior Vice President William J. McDonough Charles McC. Mathias, Jr. Paula J. Dobriansky Theodore C. Sorensen James A. Perkins Vice President, Washington Program George Soros David Rockefeller Gary C. Hufbauer Paul A. Volcker Honorary Chairman Vice President, Director of Studies Robert A. Scalapino Term Expiring 2000 David Kellogg Cyrus R. Vance Jessica R Einhorn Vice President, Communications Glenn E. Watts and Corporate Affairs Louis V Gerstner, Jr. Abraham F. Lowenthal Hanna Holborn Gray Vice President and Maurice R. Greenberg Deputy National Director George J. Mitchell Janice L. Murray Warren B. Rudman Vice President and Treasurer Term Expiring 2001 Karen M. Sughrue Lee Cullum Vice President, Programs Mario L. Baeza and Media Projects Thomas R. -
THE DAVID ROCKEFELLER FUND, INC. Financial Statements and Supplemental Schedule December 31, 2017 and 2016 (With Independent Auditors’ Report Thereon)
THE DAVID ROCKEFELLER FUND, INC. Financial Statements and Supplemental Schedule December 31, 2017 and 2016 (With Independent Auditors’ Report Thereon) KPMG LLP 345 Park Avenue New York, NY 10154-0102 Independent Auditors’ Report The Board of Trustees The David Rockefeller Fund, Inc.: We have audited the accompanying financial statements of The David Rockefeller Fund, Inc., which comprise the statements of financial position as of December 31, 2017 and 2016, and the related statements of activities and cash flows for the years then ended, and the related notes to the financial statements. Management’s Responsibility for the Financial Statements Management is responsible for the preparation and fair presentation of these financial statements in accordance with U.S. generally accepted accounting principles; this includes the design, implementation, and maintenance of internal control relevant to the preparation and fair presentation of financial statements that are free from material misstatement, whether due to fraud or error. Auditors’ Responsibility Our responsibility is to express an opinion on these financial statements based on our audits. We conducted our audits in accordance with auditing standards generally accepted in the United States of America. Those standards require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free from material misstatement. An audit involves performing procedures to obtain audit evidence about the amounts and disclosures in the financial statements. The procedures selected depend on the auditors’ judgment, including the assessment of the risks of material misstatement of the financial statements, whether due to fraud or error. In making those risk assessments, the auditors consider internal control relevant to the entity’s preparation and fair presentation of the financial statements in order to design audit procedures that are appropriate in the circumstances, but not for the purpose of expressing an opinion on the effectiveness of the entity’s internal control. -
The Collection of Peggy and David Rockefeller to Be Sold to Benefit Charities
THE COLLECTION OF PEGGY AND DAVID ROCKEFELLER TO BE SOLD TO BENEFIT CHARITIES COMMITMENT OF SALE PROCEEDS TO CHARITIES CONTINUES THE LONG LEGACY OF ROCKEFELLER PHILANTHROPY CHRISTIE’S SELECTED TO MANAGE SPRING 2018 AUCTION OF OVER 2,000 ITEMS Peggy and David Rockefeller, May 1973. Photo: Arthur Lavine/Rockefeller Estate “Eventually all these objects which have brought so much pleasure to Peggy and me will go out into the world and will again be available to other caretakers who, hopefully, will derive the same satisfaction and joy from them as we have over these past several decades.” – David Rockefeller New York – The Estate of David Rockefeller, the youngest son of American philanthropist John D. Rockefeller, Jr. and art patron Abby Aldrich Rockefeller, will sell at Christie’s the personal collection of Peggy and David Rockefeller, which is estimated to include over 2,000 individual items and spans numerous collecting categories, in order to benefit a dozen charities. The sales will be conducted in keeping with David Rockefeller’s pledge to direct the majority of his wealth to philanthropy and provide for the cultural, educational, medical, and environmental causes long supported by both David and Peggy Rockefeller. A series of dedicated sales is slated for spring 2018 at Christie’s in Rockefeller Center in New York City. David Rockefeller, Jr. commented: “We are delighted to be partnering with Christie’s to create a significant fundraising opportunity for the philanthropies that are so important to the Rockefeller family. We are proud to fulfill my father’s wish to share with the world the art and objects he and my mother collected over a lifetime together, and use them as means to continue the long legacy of Rockefeller family philanthropy first established by John D. -
The Rockefellers an Enduring Legacy
The Rockefellers An Enduring Legacy 90 / OCTOBER 2012 / WWW.WESTCHESTERMAGAZINE.COM alfway through a three-hour tour The views from Kykuit were astound- of the Kykuit mansion, the for- ing—possibly the best in Westchester. The mer home to four generations Hudson sparkled like a thousand stars lit up of Rockefellers, it became appar- in the night sky. Surrounding towns, includ- ent that I was going to need to ing Tarrytown and Sleepy Hollow, looked as Huse the bathroom—a large mug of iced coffee if civilization had yet to move in, the tree- purchased at a Tarrytown café was to blame. tops hiding any sign of human life. I felt like My guide, Corinne, a woman of perhaps 94, a time-traveler whisked back to a bygone era. Look around eagerly led me to a marble bathroom enclosed This must have been the view that had in- by velvet ropes, telling me this may have been spired John D. Rockefeller to purchase land you. How where John D. Rockefeller had spent a great in Westchester in 1893. New York City, where deal of his time. When, after several high- the majority of the Rockefeller family resided, much of decibel explanations, she gathered the nature was just 31 miles away and a horse-drawn car- of my request, I was ushered away from the riage could make the journey to the estate in the land, tour by two elderly women carrying walkie- less than two hours. It was the perfect family talkies, taken down a long flight of wooden retreat, a temporary escape from city life. -
Conservation Stewardship Workshop
4W ARSH-B1LLING r>^ m/ty(/ National Historical Park */ CoNseRv AT i oN STEWARDSHIP WORKSHOP CONSERVATION STEWARDSHIP WORKSHOP FINDINGS AND RECOMMENDATIONS NIAGARA, THOMAS COLE. DATE UNCERTAIN, POSSIBLY CIRCA 1829-30. COLLECTIONS OF MARY F. AND LAURANCE S. ROCKEFELLER. WOODSTOCK. VERMONT. MARSH-BILLINGS NATIONAL HISTORICAL PARK WOODSTOCK, VERMONT NOVEMBER 20-21. 1993 CONTENTS 1 - EXECUTIVE SUMMARY 3 - OPENING REMARKS 3 Laurance Spelman Rockefeller 4 Roger Kennedy, Director, National Park Service 5 - THE WORKSHOP 5 Participants 5 National Park Service Team 6 Major Findings & Recommendations 1 8 Review of Themes & Resources on the I listory of American Conservation - Jurrctta J. IlecKschcr 23 - BACKGROUND David A. Donatli 23 Marsli-Billings National Historical Park 24 Site History 25 George Perkins Marsh 29 Frederick Billings 33 Laurance Spelman Rockefeller 38 Endnotes 39 Selected Bibliography 41 - PRINCIPAL SPEAKER ESSAYS 41 1 he American Conservation Movement and the Woodstock Site David Lowcntlial 42 Frederick Billings - Robin limits 45 Laurance Spelman Rockefeller - RussellE. Train 49 - APPENDIX 49 Changing Attitudes Toward Conservation - David Loicenthal 54 workshop I articipant Biographies 59 Special Thanks to Workshop Guests & Staff EXECUTIVE SUMMARY PURPOSE The Conservation Stewardship Workshop convened a group of some 50 professionals from within and outside of the National Park Service in November 1QQ3 to define the broad outlines of the "story to be told" at the new Marsh-Billings National Historical Park. The purpose of the park is to interpret the history and evolution of conservation stewardship in America and to recognize the significant contributions of the individuals who have shaped and occupied the -property—George Perkins Marsh, Frederick Billings, and Laurance S. -
The Adjacent Possible Faculty Show 14 1619 / 2019
Dear Friends of the Muscarelle, LETTER With the fall semester upon us, I am happy to report that the Museum into the topic of repatriations and restitutions of looted art. Through FROM THE continues to thrive and that we are moving forward aggressively five special events comprising lectures and films, we probed the on multiple paths. We have a vibrant calendar of exhibitions and criminality of systematic art theft and the legal remedies that have INTERIM programs scheduled for the final months of 2019, and we are helped to reverse the ethical breakdowns and illegal activity of the DIRECTOR continuing to develop and refine plans for our new facility. past. We presented another season of Selected Topics in Architecture, At the Muscarelle, 2019 is clearly the year of collaborations. The our 9th annual sequence of architectural lectures. We restarted our Museum reopened this past spring with the outstanding exhibition Members’ Travel Program with a trip to the Tintoretto exhibition at the entitled Objects of Ceremony: Effervescence, Decay, and the Everyday. National Gallery of Art in Washington, D.C., and we held a variety of The exhibition was the product of the amazing work of Professor art workshops and artist conversations throughout the semester. FALL/WINTER Alan Braddock and his curatorial class in the Department of Art & Art In addition to our upcoming exhibitions, we have another semester History. The class worked to develop their theme and then carefully of strong and vibrant programming scheduled for our university and selected works from the collections of the Museum and the Special community audiences. -
A Study in American Jewish Leadership
Cohen: Jacob H Schiff page i Jacob H. Schiff Cohen: Jacob H Schiff page ii blank DES: frontis is eps from PDF file and at 74% to fit print area. Cohen: Jacob H Schiff page iii Jacob H. Schiff A Study in American Jewish Leadership Naomi W. Cohen Published with the support of the Jewish Theological Seminary of America and the American Jewish Committee Brandeis University Press Published by University Press of New England Hanover and London Cohen: Jacob H Schiff page iv Brandeis University Press Published by University Press of New England, Hanover, NH 03755 © 1999 by Brandeis University Press All rights reserved Printed in the United States of America 54321 UNIVERSITY PRESS OF NEW ENGLAND publishes books under its own imprint and is the publisher for Brandeis University Press, Dartmouth College, Middlebury College Press, University of New Hampshire, Tufts University, and Wesleyan University Press. library of congress cataloging-in-publication data Cohen, Naomi Wiener Jacob H. Schiff : a study in American Jewish leadership / by Naomi W. Cohen. p. cm. — (Brandeis series in American Jewish history, culture, and life) Includes bibliographical references and index. isbn 0-87451-948-9 (cl. : alk. paper) 1. Schiff, Jacob H. (Jacob Henry), 1847-1920. 2. Jews—United States Biography. 3. Jewish capitalists and financiers—United States—Biography. 4. Philanthropists—United States Biography. 5. Jews—United States—Politics and government. 6. United States Biography. I. Title. II. Series. e184.37.s37c64 1999 332'.092—dc21 [B] 99–30392 frontispiece Image of Jacob Henry Schiff. American Jewish Historical Society, Waltham, Massachusetts, and New York, New York. -
FY19 Annual Report View Report
Annual Report 2018–19 3 Introduction 5 Metropolitan Opera Board of Directors 6 Season Repertory and Events 14 Artist Roster 16 The Financial Results 20 Our Patrons On the cover: Yannick Nézet-Séguin takes a bow after his first official performance as Jeanette Lerman-Neubauer Music Director PHOTO: JONATHAN TICHLER / MET OPERA 2 Introduction The 2018–19 season was a historic one for the Metropolitan Opera. Not only did the company present more than 200 exiting performances, but we also welcomed Yannick Nézet-Séguin as the Met’s new Jeanette Lerman- Neubauer Music Director. Maestro Nézet-Séguin is only the third conductor to hold the title of Music Director since the company’s founding in 1883. I am also happy to report that the 2018–19 season marked the fifth year running in which the company’s finances were balanced or very nearly so, as we recorded a very small deficit of less than 1% of expenses. The season opened with the premiere of a new staging of Saint-Saëns’s epic Samson et Dalila and also included three other new productions, as well as three exhilarating full cycles of Wagner’s Ring and a full slate of 18 revivals. The Live in HD series of cinema transmissions brought opera to audiences around the world for the 13th season, with ten broadcasts reaching more than two million people. Combined earned revenue for the Met (box office, media, and presentations) totaled $121 million. As in past seasons, total paid attendance for the season in the opera house was 75%. The new productions in the 2018–19 season were the work of three distinguished directors, two having had previous successes at the Met and one making his company debut. -
National Register of Historic Places Inventory Nomination
NPS Form 10-900 (3-82) OMB No. 1024-0018 Expires 10-31-87 United States Department off the Interior National Park Service For NPS use only National Register of Historic Places received Inventory Nomination Form date entered See instructions in How to Complete National Register Forms Type all entries complete applicable sections____________ 1. Name historic Rockefeller Center and or common 2. Location Bounded by Fifth Avenue, West 48th Street, Avenue of the street & number Americas, and West 51st Street____________________ __ not for publication city, town New York ___ vicinity of state New York code county New York code 3. Classification Category Ownership Status Present Use district public x occupied agriculture museum x building(s) x private unoccupied x commercial park structure both work in progress educational private residence site Public Acquisition Accessible _ x entertainment religious object in process x yes: restricted government scientific being considered yes: unrestricted industrial transportation no military other: 4. Owner of Property name RCP Associates, Rockefeller Group Incorporated street & number 1230 Avenue of the Americas city, town New York __ vicinity of state New York 10020 5. Location of Legal Description courthouse, registry of deeds, etc. Surrogates' Court, New York Hall of Records street & number 31 Chambers Street city, town New York state New York 6. Representation in Existing Surveys Music Hall only: National Register title of Historic Places has this property been determined eligible? yes no date 1978 federal state county local depository for survey records National Park Service, 1100 L Street, NW ^^ city, town Washington_________________ __________ _ _ state____DC 7. Description Condition Check one Check one x excellent deteriorated unaltered x original s ite good ruins x altered moved date fair unexposed Describe the present and original (iff known) physical appearance The Rockefeller Center complex was the final result of an ill-fated plan to build a new Metropolitan Opera House in mid-town Manhattan. -
The Rockefeller University Story
CASPARY AUDITORIUM AND FOUNTAINS THE ROCKEFELLER UNIVERSITY STORY THE ROCKEFELLER UNIVERSITY STORY JOHN KOBLER THE ROCKEFELLER UNIVERSITY PRESS· 1970 COPYRIGHT© 1970 BY THE ROCKEFELLER UNIVERSITY PRESS LIBRARY OF CONGRESS CATALOGUE CARD NO. 76-123050 STANDARD BOOK NO. 8740-015-9 PRINTED IN THE UNITED STATES OF AMERICA INTRODUCTION The first fifty years of The Rockefeller Institute for Medical Research have been recorded in depth and with keen insight by the medical his torian, George W. Corner. His story ends in 1953-a major turning point. That year, the Institute, which from its inception had been deeply in volved in post-doctoral education and research, became a graduate uni versity, offering the degree of Doctor of Philosophy to a small number of exceptional pre-doctoral students. Since 1953, The Rockefeller University's research and education pro grams have widened. Its achievements would fill a volume at least equal in size to Dr. Corner's history. Pending such a sequel, John Kobler, a journalist and biographer, has written a brief account intended to acquaint the general public with the recent history of The Rockefeller University. Today, as in the beginning, it is an Institution committed to excellence in research, education, and service to human kind. FREDERICK SEITZ President of The Rockefeller University CONTENTS INTRODUCTION V . the experimental method can meet human needs 1 You, here, explore and dream 13 There's no use doing anything for anybody until they're healthy 2 5 ... to become scholarly scientists of distinction 39 ... greater involvement in the practical affairs of society 63 ACKNOWLEDGMENTS 71 INDEX 73 .