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Glaadawards March 16, 2013 New York New York Marriott Marquis
#glaadawards MARCH 16, 2013 NEW YORK NEW YORK MARRIOTT MARQUIS APRIL 20, 2013 LOS AnGELES JW MARRIOTT LOS AnGELES MAY 11, 2013 SAN FRANCISCO HILTON SAN FRANCISCO - UnION SQUARE CONNECT WITH US CORPORATE PARTNERS PRESIDENT’S LETTer NOMINEE SELECTION PROCESS speCIAL HONOrees NOMINees SUPPORT FROM THE PRESIDENT Welcome to the 24th Annual GLAAD Media Awards. Thank you for joining us to celebrate fair, accurate and inclusive representations of the lesbian, gay, bisexual and transgender (LGBT) community in the media. Tonight, as we recognize outstanding achievements and bold visions, we also take pause to remember the impact of our most powerful tool: our voice. The past year in news, entertainment and online media reminds us that our stories are what continue to drive equality forward. When four states brought marriage equality to the election FROM THE PRESIDENT ballot last year, GLAAD stepped forward to help couples across the nation to share messages of love and commitment that lit the way for landmark victories in Maine, Maryland, Minnesota and Washington. Now, the U.S. Supreme Court will weigh in on whether same- sex couples should receive the same federal protections as straight married couples, and GLAAD is leading the media narrative and reshaping the way Americans view marriage equality. Because of GLAAD’s work, the Boy Scouts of America is closer than ever before to ending its discriminatory ban on gay scouts and leaders. GLAAD is empowering people like Jennifer Tyrrell – an Ohio mom who was ousted as leader of her son’s Cub Scouts pack – to share their stories with top-tier national news outlets, helping Americans understand the harm this ban inflicts on gay youth and families. -
Dossier De Presse
ARP Sélection présente un film de John Cameron Mitchell Durée : 1h42 Distribution Presse ARP Sélection Moonfleet - Matthieu Rey 13, rue Jean Mermoz 6, rue d’Aumale 75009 Paris 75008 Paris Tel : 01 53 20 01 20 Tel : 01 56 69 26 00 [email protected] www.arpselection.com www.lecinemaquejaime.com Synopsis 1977 : trois jeunes anglais croisent dans une soirée des créatures aussi sublimes qu’étranges. En pleine émergence punk, ils découvriront l’amour, cette planète inconnue et tenteront de résoudre ce mystère : comment parler aux filles en soirée… La production Adapté de la nouvelle de Neil Gaiman, célèbre écrivain et auteur de romans graphiques, l’atmosphère, l’esprit du film et l’époque s’accordent parfaitement avec la passion jubilatoire de Mitchell pour la musique alternative. Mitchell déclare : « En général, j’aime créer mon univers moi-même mais dans ce projet, il y avait quelque chose de spécial. Le film s’inspire de la jeunesse punk de Neil Gaiman à Croydon et, par certains côtés, on a peut-être davantage besoin d’esprit punk maintenant que dans les années 70, à cause de cette impression de noirceur, de dureté, d’accablement qui règne en chacun d’entre nous à l’heure actuelle. » Ce n’est pas uniquement l’esprit punk de l’histoire qui a incité le cinéaste à situer pour la première fois son film à Londres. « C’est aussi une vraie histoire d’amour entre un punk et une extraterrestre, c’est un mélange de cultures et de sous-cultures. Les extraterrestres et les punks sont deux tribus en marge, dans le monde gris et normal du Croydon des années 70. -
A Statement from David France, Director and Producer of the Death and Life of Marsha P
A statement from David France, director and producer of The Death and Life of Marsha P. Johnson In 1992, the year that activist Marsha P. Johnson was killed, I was writing for the Village Voice covering AIDS and the general LGBTQ beat in New York City. Marsha had been a friend of mine, and her story fell to me to report. I started investigating right away, but with no active leads and the exploding AIDS crisis in New York, I let the story slip away. For years, my decision has haunted me. When making my first feature, How To Survive A Plague, I kept a “Projects Board” of other stories I wanted to explore in future work. Marsha’s story was always the most prominent, because I felt a duty to investigate her death the way I had not been able to in 1992. Reina Gossett has suggested that I’ve stolen both the concept and footage for The Death and Life of Marsha P Johnson from her work, the experimental short narrative Happy Birthday, Marsha. I owe a debt to those who have kept Marsha’s story alive over the years. My creative work builds on theirs. But it is it’s own scholarship. My research team and I spoke with every friend and associate of Marsha and Sylvia Rivera’s that we could reach, and poured through a vast archive to arrive at our film, aided immeasurably by the Anti Violence Project, whose story is at the center of my film. We sourced, digitized, and licensed the archival footage. -
Articles 1§2 for the Period 01/02/2009 – 31/12/2010) ______
04/05/2012 RAP/RCha/RU/I(2012)Add EUROPEAN SOCIAL CHARTER Comments from the Russian LGBT Network and ILGA Europe on the 1st National Report on the implementation of the European Social Charter submitted by THE GOVERNMENT OF THE RUSSIAN FEDERATION (Articles 1§2 for the period 01/02/2009 – 31/12/2010) __________ Report registered by the Secretariat on 30 April 2012 CYCLE 2012 European Social Charter Submission by the Russian LGBT Network and the International Lesbian, Gay, Bisexual, Trans and Intersex Association (European Region) on the 1st National Report by the Russian Federation on the implementation of the revised European Social Charter Article 1.2: Prohibition of discrimination in employment on the grounds of sexual orientation and gender identity Contents 1 Executive Summary.........................................................................................2 2 Principal sources of data used in this submission...........................................3 3 The general situation of lesbian, gay, bisexual and transgender (LGBT) people in the Russian Federation ..........................................................................4 4. Discriminatory application and interpretation of the law ..............................8 5. Council of Europe standards on sexual orientation and gender identity discrimination in employment...............................................................................8 6 The obligations of Contracting Parties under Article 1.2 of the Revised European Social Charter ......................................................................................11 -
EPIIC 2013: Global Health and Security
Tufts University • Institute for Global Leadership • January 2013 EPIIC 2013: Global Health and Security EPIIC is just six weeks away from its 28th annual Norris and Margery Bendetson EPIIC Interna- tional Symposium on “Global Health and Security,” February 21-24, 2013. Preparing to bring a broad range of speakers from the medical, policymaking, academic, and humanitarian communities, there will also be delegations of international students from Brazil, Canada, China, Haiti, India, Iraq and Iraqi Kurdistan, Israel, Palestine, Russia, Rwanda, Singapore, and South Korea as part of the IGL’s TILIP program. The year’s symposium panels will include: Food Insecurity: Nutrition, Conflict and the Envi- ronment • HIV/AIDS: Gender and Sexual Health • The Nexus of Water and Disease • Pharma- ceuticals: Legal and Illegal Markets • Zoonosis and Pandemics: The Next Big One • Mental Health and Security • Health in Complex Humanitarian Emergencies • Biosecurity and Bio- photo courtesy of Ron Haviv/VII continued on page 3 IGL Will Screen Two Academy Award Nominated Films Scholar Mary Kaldor Receives 39 Students Travel for Research Mayer Global Citizenship Award to 11 Countries this January On January 22, the IGL will host a special screening of the Continuing its practice of encouraging students to con- In October, the IGL collaborated with the World Peace Academy Award-nominated documentary “How To Sur- nect theory to practice, this winter intersession the IGL Foundation at The Fletcher School, to host a Dr. Jean vive a Plague,” introduced by its director, David France. sponsored 39 students to conduct research projects or in- Mayer Global Citizenship Award Lecture with Mary Kal- The film presents the story of two coalitions—ACT UP ternships in 11 countries. -
The Bush Revolution: the Remaking of America's Foreign Policy
The Bush Revolution: The Remaking of America’s Foreign Policy Ivo H. Daalder and James M. Lindsay The Brookings Institution April 2003 George W. Bush campaigned for the presidency on the promise of a “humble” foreign policy that would avoid his predecessor’s mistake in “overcommitting our military around the world.”1 During his first seven months as president he focused his attention primarily on domestic affairs. That all changed over the succeeding twenty months. The United States waged wars in Afghanistan and Iraq. U.S. troops went to Georgia, the Philippines, and Yemen to help those governments defeat terrorist groups operating on their soil. Rather than cheering American humility, people and governments around the world denounced American arrogance. Critics complained that the motto of the United States had become oderint dum metuant—Let them hate as long as they fear. September 11 explains why foreign policy became the consuming passion of Bush’s presidency. Once commercial jetliners plowed into the World Trade Center and the Pentagon, it is unimaginable that foreign policy wouldn’t have become the overriding priority of any American president. Still, the terrorist attacks by themselves don’t explain why Bush chose to respond as he did. Few Americans and even fewer foreigners thought in the fall of 2001 that attacks organized by Islamic extremists seeking to restore the caliphate would culminate in a war to overthrow the secular tyrant Saddam Hussein in Iraq. Yet the path from the smoking ruins in New York City and Northern Virginia to the battle of Baghdad was not the case of a White House cynically manipulating a historic catastrophe to carry out a pre-planned agenda. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
A N N U a L R E P O R T 2 0
INTERNATIONAL GAY AND LESBIAN HUMAN RIGHTS COMMISSION ANNUAL REPORT 2007 The mission of the International Gay and Lesbian Human Rights Commission (IGLHRC) is to secure the full enjoyment of the human rights of all people and communities subject to discrimination or abuse on the basis of sexual orientation or expression, gender identity or expression, and/or HIV status. Table of Contents From the Board Chairs .............................................................................................. 2 From the Executive Director .................................................................................... 3 IGLHRC’s Six Core Goals ........................................................................................... 4 Responds to Human Rights Crises ........................................................................ 5 Supports Domestic Human Rights Advocacy ..................................................... 9 Conducts Advocacy with Global and Regional Human Rights Treaty Bodies .............................................................................................................. 17 A Celebration of Courage ......................................................................................25 Thanks to Our Donors .............................................................................................26 Staff/Board of Directors/International Advisory Council ..............................31 Financial Position/Statement ................................................................................32 -
2020 Sundance Film Festival: 118 Feature Films Announced
FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute. Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions. -
Anti-LGBT Backlash and the Shifting Public Opinion on LGBT Rights in Contemporary Russia: a Case Study
University of Central Florida STARS Honors Undergraduate Theses UCF Theses and Dissertations 2019 Anti-LGBT Backlash and the Shifting Public Opinion on LGBT Rights in Contemporary Russia: A Case Study Sean T. Skillings University of Central Florida Part of the Lesbian, Gay, Bisexual, and Transgender Studies Commons Find similar works at: https://stars.library.ucf.edu/honorstheses University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by the UCF Theses and Dissertations at STARS. It has been accepted for inclusion in Honors Undergraduate Theses by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Skillings, Sean T., "Anti-LGBT Backlash and the Shifting Public Opinion on LGBT Rights in Contemporary Russia: A Case Study" (2019). Honors Undergraduate Theses. 634. https://stars.library.ucf.edu/honorstheses/634 ANTI-LGBT BACKLASH AND THE SHIFTING PUBLIC OPINION ON LGBT RIGHTS IN CONTEMPORARY RUSSIA: A CASE STUDY by SEAN SKILLINGS A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in International and Global Studies in the College of Sciences and in the Burnett Honors College at the University of Central Florida Orlando, Florida Fall Term, 2019 Thesis Chair: Bruce Wilson, Ph.D. ACKNOWLDGEMENTS I greatly appreciate Dr. Bruce Wilson, my thesis chair, for his patience, efforts, and guidance throughout this project. Without his dedication to the field and to the topic of this project, this would not be possible. I am grateful for the help of my committee member, Dr. -
For Immediate Release Tribeca Film Festival® Announces
FOR IMMEDIATE RELEASE TRIBECA FILM FESTIVAL® ANNOUNCES FEATURE FILM LINE UP FOR THE COMPETITION, SPOTLIGHT, VIEWPOINTS AND MIDNIGHT SECTIONS OF THE 16TH ANNUAL FESTIVAL APRIL 19-30 ProgrAm Includes Artistic Gems, Comedies, Complex Artistic PortrAits, And PoliticAl And Social Action Films that will Engage, Inspire and Entertain New York, NY [MArch 2, 2017] – An exciting slate of films that showcases the breadth of contemporary filmmaking across a range of styles will premiere at the 2017 Tribeca Film Festival, presented by AT&T. The Festival today announced the feature films across the following programs: Competition, including U.S. Narrative, Documentary, and International Narrative categories; Spotlight, supported by The Lincoln Motor Company, a selection of anticipated premieres from major talent; Viewpoints, which recognizes distinct voices in international and American independent filmmaking; and the popular Midnight Section, supported by EFFEN® Vodka, featuring the best in psychological thriller, horror, sci-fi, and cult cinema. After receiving a record number of entries, the Festival’s seasoned team of programmers, led by Cara Cusumano in her new role as Director of Programming and Artistic Director Frédéric Boyer, carefully curated an edgy, entertaining and provocative program. The 16th Annual Tribeca Film Festival takes place April 19 – 30. Today’s announcement includes 82 of the 98 feature-length titles in the Festival. In a year of record high submissions, the Festival’s curators chose to reduce the size of the overall program by 20%, making this the most selective and focused festival slate yet. The Competition section features 32 films: 12 documentaries, 10 U.S. narratives and 10 international narratives. -
Propaganda? What Propaganda?: Discourse, Identity, and Queer Activism in St-Petersburg, Russia
Propaganda? What Propaganda?: Discourse, Identity, and Queer Activism in St-Petersburg, Russia by Melanie Rickert A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Anthropology Carleton University Ottawa, Ontario © 2014, Melanie Rickert Abstract In light of the recent ban on the “propaganda of non-traditional sexual relations” in Russia, my thesis explores the queer activist movements in the city of St-Petersburg. In the wake of the ban, emerging and new modes of activism in St-Petersburg have developed and the individuals participating in these campaigns present different ways of being active/activists in means both public and private, street and academic, local and global. Firstly, after a brief historical overview of queer desires and identities in Russia, this thesis examines two prominent spheres of activism, academic and street-based, and their shifting practices in light of the ban. Secondly, I examine the effects of the ban on queer subject and identity making through a discussion of the various discourses (nationalist, moral, medical, global) that are present in their everyday lives. This focus demonstrates that despite the official bodies (state and church) attempting to delegitimize queer desires and subjects, queer activists are able to carve out spaces for themselves and continue in their attempts to fashion a queer world of their own. I Acknowledgments The completion of this thesis has been a rollercoaster ride to say the least. Had you asked me a mere few months ago if I thought I would complete this thesis, my answer would have most likely been a nervous laugh.