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Blackwork Embroidery Pattern Generation Using a Parametric Shape Grammar
Blackwork Embroidery Pattern Generation Using a Parametric Shape Grammar April Grow, Michael Mateas, and Noah Wardrip-Fruin Computational Media Department University of California Santa Cruz Santa Cruz, CA 95060 USA [email protected], [email protected], [email protected] Abstract Design tools with computational algorithms have been aiding artists for many years in 2D and 3D, from of- fering a digital drafting table or canvas to applying im- age filters or other mathematical transformations. How- ever, there are many more non-digital creative tasks that can benefit from computer-aided design. This paper presents an interactive parametric shape grammar for blackwork embroidery pattern generation, whose pat- terns are then implemented (sewn) using an unmodified home embroidery machine. A design tool executes the grammar-guided user input, enumerates expanded pat- tern possibilities, and compiles patterns into an imme- Figure 1: Generated samples by our parametric shape gram- diately sewable file format. The grammar is capable of mar. These demonstrate borders, focal designs (motifs), and generating published embroidery patterns as well as in- two examples of space-filling patterns. finitely possible new patterns, and has future applica- tions in other areas of surface pattern design and crafts. Related Work Introduction ”Embroidery” is a broad term that roughly encompasses any embellishment by thread, or materials held or strung via thread, on nearly any material, most commonly on textiles. In the multi-millennial lifespan of embroidery, while many fundamental stitches remain the same, dozens of styles and approaches have been classified (Leslie 2007). This paper chooses to focus on non-freeform blackwork embroidery, one of the most restrained styles, as a first approach to em- broidery pattern generation. -
Cascade 220® Fingering Lattice Sampler Shawl
FW240 Cascade 220® Fingering Lattice Sampler Shawl Designed by Jennifer Weissman © 2017 Cascade Yarns® - All Rights Reserved. Cascade 220® Fingering Lattice Sampler Shawl Designed By Jennifer Weissman Skill Level: Intermediate Size: 64" wide x 32.5" deep Materials: Cascade Yarns® Cascade 220® Fingering 100% Peruvian Highland Wool 50 g (1.75 oz)/ 273 yds (250 m) 4 skeins color #9593 (Ginseng) US 4 (3.5 mm) knitting needles or size to obtain gauge 3 Stitch markers Yarn needle Pins for blocking Gauge: 20 sts x 40 rows = 4" (10 cm) blocked, in Garter Stitch Abbreviations: BO = Bind Off CO = Cast On K = Knit K2tog = Knit 2 sts together (decrease 1) KFB = Knit into the front and then the back of the next st (increase 1) M = Marker P = Purl PM = Place Marker Sl = Slip st purlwise with yarn in front Sl2-K1-P2SSO = Slip 2 sts knitwise, knit 1, then pass the 2 slipped sts over (decrease 2) SM = Slip Marker SSK = Slip 1 st knitwise, slip 1 st purlwise, insert left needle into front loops of the slipped sts and knit them together (decrease 1) St(s) = Stitch(es) WS = Wrong Side YO = Yarn Over (increase 1) Notes: The Lattice Sampler Shawl is an asymmetric triangular shawl featuring bands of lattice lace in a Garter st field. Each of the lace bands is set off from the Garter st background by ridges of double Garter st. The shawl finishes with a wider band of large lattice lace. This shawl begins with 2 sts. Sts are then added at the beginning of RS rows so that the piece grows into a right triangle. -
The Bayeux Tapestry
The Bayeux Tapestry The Bayeux Tapestry A Critically Annotated Bibliography John F. Szabo Nicholas E. Kuefler ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by John F. Szabo and Nicholas E. Kuefler All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Szabo, John F., 1968– The Bayeux Tapestry : a critically annotated bibliography / John F. Szabo, Nicholas E. Kuefler. pages cm Includes bibliographical references and index. ISBN 978-1-4422-5155-7 (cloth : alk. paper) – ISBN 978-1-4422-5156-4 (ebook) 1. Bayeux tapestry–Bibliography. 2. Great Britain–History–William I, 1066–1087– Bibliography. 3. Hastings, Battle of, England, 1066, in art–Bibliography. I. Kuefler, Nicholas E. II. Title. Z7914.T3S93 2015 [NK3049.B3] 016.74644’204330942–dc23 2015005537 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed -
Blackwork Journey © 1 'Sublime Stitches' Aida Part 8, Patterns 101 - 109
Blackwork Journey © 1 'Sublime Stitches' Aida Part 8, Patterns 101 - 109 Full Design Area: 16.07 x 29.57 inches worked on 14 count AIDA 225 x 414 stitches Material: Minimum size - 26 x 40 inches to allow for embroidery frame and mounting Suggested fabric: Zweigart 14 count Aida, white, antique white or cream The sample was worked on Zweigart 14 count Aida, white Over dyed or space dyed fabrics may detract from the design - select carefully! There are 12 pages of patterns. One page will be placed in 'Freebies' in Blackwork Journey every month. Each pattern or group of patterns have their: Individual numbers, Technique, Threads and beads used, Chart, Picture and Method. Each month join a printout of the chart to the one before. The final chart will consist of 12 pages arranged in the order as shown above. Please follow the main chart carefully to place and work the different patterns. The embroidery may differ slightly. Where patterns overlap between the pages do not start the pattern. The part patterns are there to help in the placing of the design. As additional pages are added the part patterns will be complete. Do not add beads to the design until all 12 pages have been worked. The sample was worked in DMC and Anchor floss in four shades including DMC 310 as the base colour. Cross stitch is worked in TWO strands over two threads, back stitch is worked in ONE strand over two threads. Threads used: DMC 310 Black, three skeins Anchor 1206 variegated, or DMC 815 Garnet, three skeins DMC 415 Pearl grey, one skein DMC 414 Steel grey, one skein Metallic threads used: Rainbow Gallery Petite Treasure Braid PB01, one card or DMC Lights Effects E3852 Dark Gold, one skein DMC Lights Effects E317 DMC 996 electric blue is used on the chart to show ONE strand of 415 and ONE strand 414 together to make two strands for pulled thread work stitches. -
European and American Needlework Samplers June 7
MAKE MUCH OF PRECIOUS TIME WHILE IN YOUR POWER: EUROPEAN AND AMERICAN NEEDLEWORK SAMPLERS JUNE 7- SEPTEMBER 1, 2019 A CATALOGUE OF THE EXHIBIT LYCOMING COUNTY HISTORICAL SOCIETY 858 WEST FOURTH STREET WILLIAMSPORT, PENNSYLVANIA CURATED BY GARY W. PARKS EXECUTIVE DIRECTOR #1: BAND NEEDLEWORK SAMPLER- Sarah RELPH, in her 10th year, [England, or possibly Rhode Island], October 30, 1745 Linen ground with silk thread Known as a band sampler, this was a primary learning tool for a young woman of the 17th through the 19th centuries. Through a basic marking sampler, the young lady would learn to sew and use darning stitches, necessary for her future roles as wife, mother, and housekeeper. As samplers continued to be made, religious verses and maxims were added to guide her toward a purposeful life. Decorative bands of geometrical motifs were copied across the width of the sampler and served as a reference when the young woman wished to embellish an article of clothing or household linen. Inscription: “Make Much of Precious Time While in Your Power/ Be Careful Well to Husband Evry Hour/ for Time Will Come When You Shall Sore Lament/ The Unhappy Minutes That You Have Mispent Collection of Gary W. Parks #2: NEEDLEWORK SAMPLER- Ellen Elizabeth JACKSON, [Norfolk, England], 18[0]6 Linen gauze with reinforced woolen backing ground, applied silk thread Stitches: Cross stitch, crewelwork- satin and stem Description: Ellen Jackson’s sampler belongs to a large body of needlework produced in Norfolk, England. The diamond-shaped inner border is one of the elements tying them together, as well as the bouquets of flowers in each corner. -
1 Blackwork Journey © 'Sublime Stitches' Evenweave Part 11 Patterns 137 - 140
1 Blackwork Journey © 'Sublime Stitches' Evenweave Part 11 Patterns 137 - 140 Full Sampler Design Area: 16.07 x 29.57 inches worked on 28 count evenweave 225 x 414 stitches Material: Material: Minimum size - 26 x 40 inches to allow for embroidery frame and mounting Suggested fabric: Zweigart 28 count evenweave, white, antique white or cream Zweigart 25 count Lugana, white or cream There are 12 pages of patterns. One page will be placed in 'Freebies' in Blackwork Journey every month. Each pattern or group of patterns have their: Individual numbers, Technique, Threads and beads used, Chart, Picture and Method. Each month join a printout of the chart to the one before. The final chart will consist of 12 pages arranged in the order as shown below. The evenweave sampler was worked in DMC Coloris floss in six shades plus DMC 310 as the base colour. Evenweave Sampler Threads: DMC 996 electric blue is used on the chart to show DMC Cotton Pérle No.12, ecru. Key- please note the threads can be adapted to suit your requirements. These are a guideline only! Page 11 is worked underneath Page 8. This is the first part of the final row. Instructions for the pulled thread work border will be included in Part 12. To help position the patterns correctly on the fabric and to see how they relate to each other look carefully at the embroidery. If only a small part of a pattern is shown on one page leave it until the following month and work the pattern as a whole. -
PDF Download Stumpwork
STUMPWORK PDF, EPUB, EBOOK Kate Sinton | 96 pages | 01 Aug 2011 | Search Press Ltd | 9781844485864 | English | Tunbridge Wells, United Kingdom Stumpwork PDF Book Many times the designs are used to portray company logos or team mascots. Ad 7: Haystack. What do you use for backing? You will get a good feel for the complete Class content by reviewing these various elements. Fig 4 - Felt padding for basket and head. You can have any embroidery pattern as the main design, or you can use the ones that come with the stumpwork kits. One of my favorites is the needlewoven picot. Let expert needlework instructor Celeste Chalasani be your guide as you learn how to add texture and dimensionality to your work. Do keep in mind, however, that as a benefit of Craftsy Premium Membership, you would have access to all Classes on the Craftsy site as long as your Membership is valid. I used my little mermaid figure on a crazy quilt block , which sadly went out for a "Round Robin" and never returned to me. Fig 12 - Needlelace mermaid. Buttonhole over this wire and then fill the area with your chosen stitch. Privacy Policy. Review the Class Preview video, and the various written descriptions of the Class and each Lesson before you purchase, so you have a good understanding of the Class content. As an Embroidery Guild of America teacher, she often leads workshops at chapter and national events around the United States. As with the Class video, you can access the Bonus Materials as many times as you like — or you can print them out also. -
From the Sun Region of the Embroiderers' Guild of America, Inc
from The Sun Region of The Embroiderers’ Guild of America, Inc. website: www.sunregionega.org RD’s Letter Hello to everyone in Sun Region. I imagine that most of you are looking forward to some cooler weather just like I am. Lets hope it comes soon and we don’t have any more hurricanes or big storms. The fall board meeting is the 17th and 18th of September in Safety Harbor. At that meeting we will talk about next year’s review of the bylaws for Sun Region. 2017 is our scheduled year for this review and this involves every chapter’s bylaws and the region’s. The chapter reps will come back from the meeting with information on how this process will work. That should make it easier for everyone to get their bylaws reviewed and accepted by the end of 2017. The nominating committee is struggling to find candidates for positions. I strongly urge you to think about what will happen if the region can not find officers to serve. We’d all like to sit back and just enjoy the benefits of being part of Sun Region but that just doesn’t work. And I have to say that the best part of being on the board and committees for me has been meeting region members and getting to know them. I’ve gotten to know many peo- ple that I never would have known and have had experiences that would never have happened. And yes, those are good things. Please help the nominating committee by reaching out to those in your chapters that may never have considered serving at the region level but that you think would do a great job. -
Tiled Magic Table Runner
Tiled Magic Table Runner Created by Debbi Lashbrook Use BERNINA Embroidery Software 7 to create a three dimensional table runner featuring a unique set of design tiles using the 3-D tools in the software. Create one, two, three, or four design tiles. These fun-to-create tiles can be used for a variety of projects from home décor to quilting to crafts. See page 8 for a full view of the finished table runner. Finished size is approximately 28” x 10”. Supplies Machine & Accessories Notions BERNINA Embroidery Software 7 Fabrics for table runner (9” squares for tiles + ½ yd BERNINA Sewing & Embroidery Machine of other fabrics) BERNINA Large Oval Hoop & Medium Hoop Felt & roving for PunchWork BERNINA Teardrop Embroidery Foot #26 Size 26 wire for StumpWork BERNINA Echo Quilting & CutWork #44C OESD Badgemaster (for StumpWork) BERNINA CutWork Tool (optional) OESD Heavy Tear Away (for CutWork) CutWork throat plate (optional) OESD Medium Weight Tear-Away (for embroidery) BERNINA Exclusive Embroidery Collection - Appliqué Fuse & Fix Ecco #21012 Isacord Embroidery threads Batting & Backing fabric (12” x 26”) StumpWork Tile Notes Editing Stitches Open BERNINA Embroidery Software 7. Select Insert Embroidery. Navigate to the location of the file, 21012-15. Select Open. Switching to Design View by selecting T on your keyboard will Deselect the entire design by clicking outside of the black boxes. help you know when something is selected because it turns a bright Select T on your keyboard. pink. ©2013 BERNINA of America, Inc. Page 1 of 8 While holding the Alt and Ctrl keys, click on the small step fill circles. -
Fall (Band) Sampler
FALL BAND SAMPLER BAND 4: Guillouche Stitch with beads 1. Start at the left hand basting thread 6 fabric threads down from the chevron stitch. 2. Place 3 satin stitches over 3 fabric threads. Skip 3 fabric threads; repeat the satin stitches. Work to end of row, ending 1 fabric thread before the basting, see chart #12.Work a total of 13 sets of satin stitches. Chart #12 ! ! 3. Weave through the satin stitch blocks. Weave in a figure eight fashion. Bring needle up between the 2nd and 3rd stitches of the block and slide the needle under the first two stitches to start the weaving. Go under all stitches following chart #13. DO NOT PIERCE FABRIC AS YOU WEAVE. ! ! ! ! Chart #13 Chart #14 4. At the end of the row continue weaving back to the beginning of the weaving. At the end take the needle to the wrong side between two stitches, green stitches on chart #14. 5. The second row is off set by three stitches. Start the second row 6 fabric threads below the satin stitches of first row and 3 fabric threads from the basting stitch, chart #15. !7 (C) Jane Ellen Balzuweit, 2019 FALL BAND SAMPLER Chart #15 ! ! 6. When weaving is complete place a seed bead in the center as shown on chart #15. Use beading thread and tapestry #26 needle. BAND 5: Eyelets 1. When working an eyelet, always go down in the center and pull to form a hole. 2. Start 10 fabric threads below the satin stitch blocks at the left basting thread. -
Gg Usefulhours.Pdf
3 seful hours: needlework and Painted textiles from south - ern California ColleCtions Uexplores the development of the needle arts in the United States in the late 18th and early 19th centuries through a selection of more than 25 samplers, coats of arms, family trees, mourning pictures, pocketbooks, and narrative painted textiles made be tween 1763 and 1844. Most of these richly engaging com - positions were stitched by girls between the ages of 8 and 19 as part of their preparation for marriage and later life. Such samplers were handsomely framed for display in the “best parlor” of the young needleworker’s home, where they could be admired by visitors and family alike. ey served as symbols of the family’s wealth and social standing as well as of the maker’s refinement and eligibility for marriage. Today, these works are highly prized by collectors of American folk art for their fresh beauty and for the remarkable technical accomplishment of their creators. Because they represent rare examples of work designed and made by women, samplers are also valued today for the extraordinary insight they offer into the early training, daily lives, and social and cultural values of American women in the late 18th and early 19th centuries. e exhibition is drawn in large part from the collection of Thomas H. Oxford and Victor Gail. The Gail-Oxford Collec tion, comprising more than 500 objects, from American furniture and painting, to ceramics, metals, and needlework, is a promised gift to e Huntington Library, Art Collections, and Botanical Gardens. e Gail-Oxford material is supple - mented by loans from other public and private collections in Southern California. -
Stumpwork Flowers Ebook Free Download
STUMPWORK FLOWERS PDF, EPUB, EBOOK Sachiko Morimoto | 120 pages | 01 Jan 2014 | Search Press Ltd | 9781844489459 | English | Tunbridge Wells, United Kingdom Stumpwork Flowers PDF Book Fig 9 - Slip cut out. Book ratings by Goodreads. There is a small photo of each flower, materials you need and then several very small drawings. I learned to embroider when I was a kid, when everyone was really into cross stitch remember the '80s? It said, "Hello, Intrigued Person. It is ideal as clothing for mini figures. Join me and read, or listen, to my story about me and my love of needlework. Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on Fig 8 - Stitched french knots slip. The book is beautifully photographed. For leaves you can also add a wire vein. I have to second everything you say in your review…it is one of the most beautiful and concise books I now own. Your reviews are the next best thing to flipping through them in person. Ad 7: Haystack. Some of the links on this site include affiliate links, providing Needlework Tips and Techniques a small percentage of the sale at no additional cost to you. And it makes stumpwork - that sometimes- complicated-looking, three dimensional embroidery - manageable. You can use the sampler for making your own garden of roses, pansies, violets, strawberries, vegetables and acorns. It's simple and elegant. Recent Articles. Part one is a gallery of the stumpwork flowers featured in the book, along with various ways the embroidery can be finished into made things.