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University of Oklahoma Graduate College
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE EVOLUTION OF THE HYDROTHERMAL STAGE WITHIN MIAROLITIC CAVITIES IN GRANITIC PEGMATITES OF CALIFORNIA AND MAINE, USA A THESIS SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of MASTER OF SCIENCE By CHARLES LORIN DUVAL Norman, Oklahoma 2019 EVOLUTION OF THE HYDROTHERMAL STAGE WITHIN MIAROLITIC CAVITIES IN GRANITIC PEGMATITES OF CALIFORNIA AND MAINE, USA A THESIS APPROVED FOR THE SCHOOL OF GEOSCIENCES BY Dr. David London, Chair Dr. Andrew S. Elwood Madden Dr. Megan E. Elwood Madden © Copyright by CHARLES LORIN DUVAL 2019 All Rights Reserved. Table of Contents Abstract………………………………………………………………..……………………….. vi 1. INTRODUCTION/PROBLEM STATEMENT…………………………………………... 1 2. OBJECTIVES…………………………………………………………………………..…... 2 3. BACKGROUND……………………………………………………………………………. 2 3.1 Minerals present within miarolitic cavities….…………………………………………… 2 3.2 Prior studies……………………………………………………………………………... 5 4. CLAY SAMPLE LOCATIONS……………….…………………………………………. 10 4.1 California………………………………………………………………………………. 10 4.2 Maine…………………………………………………………………………………… 11 5. ALKALI FELDSPAR SAMPLE LOCATIONS………………………………………… 11 6. METHODOLOGY………………………………………………………………………... 11 6.1 X-ray diffraction analysis of clay minerals……………………………………………... 12 6.2 Electron microprobe analysis of clay minerals…………………………………………. 12 6.3 X-ray diffraction analysis of alkali feldspars…………………………………………… 13 7. RESULTS………………………………………………………………………………….. 13 7.1 XRD of pocket clay samples…………………………………………………………….. 13 7.2 EDXA of pocket clay samples…………………………………………………………… -
2376H04.07H Hcb 8
2376H04.07H HCB 8 House _______________________________________________________ Amendment NO.____ Offered By _____________________________________ ___________________________________ 1 AMEND House Committee Substitute for House Committee Bill No. 8, Page 2, Section 340.285, 2 Line 19, by inserting immediately after said section and line the following: 3 4 "407.315. 1. As used in this section, the following terms mean: 5 (1) "American Indian tribe”, any Indian tribe federally recognized by the Bureau of Indian 6 Affairs of the United States Department of the Interior; 7 (2) "American Indian”, a person who is a citizen or enrolled member of an American Indian 8 tribe; 9 (3) “Imitation American Indian art or craft”, any basic article purporting to be of American 10 Indian style, make, origin, or design that was not made by American Indian labor and workmanship; 11 (4) “Authentic American Indian art or craft”, any article of American Indian style, make, 12 origin, or design that was made wholly or in part by American Indian labor and workmanship 13 including, but not limited to, any Kachina doll, rosette, necklace, choker, barrette, hair tie, 14 medallion, pin, pendant, bolo tie, belt, belt buckle, cuff links, tie clasp, tie bar, ring, earring, purse, 15 blanket, shawl, moccasin, drum, or pottery or any visual or performing arts or literature; 16 (5) “Merchant”, any person engaged in the sale to the public of imitation American Indian 17 art or craft or authentic American Indian art or craft. 18 2. No merchant shall distribute, trade, sell, or offer for sale or trade within this state any 19 article represented as being made by American Indians unless the article is an authentic American 20 Indian art or craft. -
February 2020
FEBRUARY 2020 DIAM ND 115VOL. DISTRICT MONTHLY A NEW BOX FULL OF GOOD NEWS The same way you can’t judge a book by its cover, you shouldn’t judge a monthly publication by its newsbox. Alas, most people in the Diamond District are very familiar with the dirty, scruffy blue newsboxes the Diamond District Monthly has long been distributed from. Like most other things on the street, they’ve been covered with stickers and graffiti. And, now, like most things on the street, they been replaced with sparkling new models. Continued on page 10 SAY HELLO TO THE “PURPOSE-DRIVEN SHOPPER” Everyone needs a purpose. According to a new study of 19,000 consumers in 28 countries, ages 18 to 73, many are willing to pay for it. Nearly one-third of the consumers polled said they would stop buying a brand that is inconsistent with their purpose, such as those associated with negative social or environmental impacts, or lack sustainability—in other words, products produced in ways that may damage long term natural resources to satisfy short term needs. But nearly two thirds also said they would be willing to pay up to 35% more for brands consistent with their purpose. What does this crucial insight mean to diamond and jewelry retailers? Continued on page 17 WHAT’S INSIDE In the News, pg. 4; Industry Spotlight, pg. 6; Market Trends pg. 9; Diamond District Partnership News, pg. 10; Urgent Crime Alert pg. 13; diamonddistrict.org Small Business pg. 17; Crime Report, pg 18 LETTER FROM THE EXECUTIVE DIRECTOR Dear Friends, Details matter. -
31.2 FORGING a FUTURE 2.CB.3.JD FIN 12/12/07 6:26 PM Page 48
31.2_FORGING A FUTURE 2.CB.3.JD FIN 12/12/07 6:26 PM Page 48 DYLAN POBLANO JARED CHAVEZ ELIZABETH WALLACE WAYNE NEZ GAUSSOIN Photographs by Miguel Gandert. Photographs by CODY SANDERSON KERI ATAUMBI MARIA SAMORA DAVID GAUSSOIN A NEW ERA IN JEWELRY FORGING A FUTURE Diana Pardue everal young American Indian jewelers are developing and staff member of the Fashion Institute of Technology (FIT) distinctive contemporary styles while acknowledging in New York City to attend school there. His application was S traditional ones. Like the generation before them, they successful, and his studies included jewelry classes as well as are exploring materials and techniques new to American drawing, painting and fashion design classes. Poblano spent Indian jewelrymaking. Many of these young artists have unique two years at the Fashion Institute learning new techniques, experiences, including formal training in art or design at including lost wax casting, which were influential and useful as competitive universities and select art schools. Others have he continued to develop his sense of design. been influenced by global travels and hands-on opportunities His lost-wax cast designs can be whimsical yet applicable with jewelers from other countries. The result is diverse and to contemporary lifestyles and include small cast earrings distinctive work that is engaging and intriguing. The jewelry in the shapes of couture shoes or charm bracelets that hold of eight of this new generation of young artists is currently a variety of his cast silver shoe charms. Much of Poblano’s being featured at the Heard Museum in Phoenix, Arizona. -
EXHIBITORS --- July 17, 2018
EXHIBITORS --- July 17, 2018 • 3W ENTERPRISES/RUFF TUFF RANCH TOYS • SCHLEICH, TOMY ERTL, SAFARI & LITTLE BUSTER FARM & RANCH EQUIPMENT & TOY ANIMALS • MIDWAY 12' X 12' #7 • A SPICE ABOVE WYOMING • Prepackaged spices, dips, spreads and dressings • B 58 • ACE HARDWARE • Grills and demos • Outside • • ALLWAYZ MANFACTURING • Metal and vinyl décor, wine holders, etc • B 31-34 • • AMBRIZ JEWELRY • HAND CRAFTED SILVER JEWELRY; WINE STOPPERS; BUSINESS CARD HOLDERS; KEY CHAINS, HORSE HAIR & LEATHER ACCESSORIES • B 22 & 23 • AMERICAN BULLRIDING • MECHANICAL BULL RIDING • OUTSIDE • BGV MARKETING • Survey group and vacation info • Outside • BLAKE’S TRADING INC. • Silver, fashion jewelry, watches, dream catchers, fanny packs, purses, southwest style gifts, and painted ponies • MIDWAY 12' X 24' #2 • BLUE GREEN VACATIONS UNLIMITED, INC • Vacation information • E 9-11 • BOOT BARN • WESTERN APPAREL & WORK WEAR • Outside 40' x 80' • BUNNIES & BOW • Pillowcases, tooth fairy pillows, tea towels all personalized • B 57 • BRANDIN BUDDIES • MINATURE BRANDS; BRANDED WOODEN ITEMS AND CRAFTS, It Works Products • E 12-13 • BROWN AND GOLD EXHIBITORS --- July 17, 2018 • T-shirts sweatshirts, hats, novelty items • MIDWAY BLDG 12' X 12' #16 • BUTTERFLIES TO GO • Butterflies & insects, • E 108 & 109 • C & C ENTERPRISES • Ropes, hats, chaps, spurs, rodeo supplies, conchos, gloves, and more • Outside Midway Bldg. #4 • • CAS GIFT SHOPPE • Authentic Southwestern Indian Arts & Crafts and jewelry • E 40 & 41 • CATALINA’S ORIGINALS • Clothing and purses • E 96-100 • CAVE -
Clothing Terms from Around the World
Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat. -
March 12, 13 & 14, 2021
GREEN VALLEY • AMADO • TUBAC • TUMACACORI • NOGALES Open Studio Tour March 12, 13 & 14, 2021 Ricardo Santos Hernandez Chicago, IL & Nogales, AZ 520-223-6334 [email protected] www.ricardochicanindio.com TUBAC GALLERY GUIDE Open Studio Artists’ Exhibit • February 26 to April 4 PAGE 24 Open Studio Tour • March 12, 13 and 14 • 10am to 4pm Gallery Night • Friday, March 12 • 4pm to 7pm Hidden Treasures of the Santa Cruz Valley presented by Tubac Center of the Arts, Tubac, Arizona Tesoros ocultos del Valle de Santa Cruz son presentados por El Centro de las Artes de Tubac, AZ www.TubacArts.org • 520-398-2371 Welcome! Bienvenida! Open Studio Artists’ Exhibit We are delighted to present our 13th FEBRUARY 26 TO APRIL 4 Annual Open Studio Tour. This event Visit the Open Studio Tour Artists’ Exhibit at Tubac Center of the Arts offers you an opportunity to see and to see the latest art by the studio tour artists. experience the creative process at work in studios throughout the Santa Cruz Valley. Thank you to all of our artists, Open Studio Tour galleries, and advertisers who make this MARCH 12, 13 AND 14 FROM 10AM TO 4PM catalog possible. Once a year our artists open their studios to the public. Don’t miss this opportunity to visit the studios of 38 artists in Green Valley, COVID GUIDELINES Amado, Tubac, Tumacacori and Nogales! Face masks and social distancing are required when visiting the artist’s studios, galleries, and the art center. Gallery Guide & Gallery Night We do our best to be accurate in the guide. -
American Native Arts Auction Thursday February 11Th @ 4:00PM 16% Buyers Premium In-House 19% Buyers Premium Online/Phone 717 S Third St Renton (425) 235-6345
American Native Arts Auction Thursday February 11th @ 4:00PM 16% Buyers Premium In-House 19% Buyers Premium Online/Phone 717 S Third St Renton (425) 235-6345 SILENT AUCTIONS polychrome zig-zag false embroidery design. It has an old 2" glue repair near top rim, Lots 1,000’s End @ 7:00PM otherwise excellent condition. Late 19th or early 20th century. Lot Description 4B Antique Tlingit Large Indian Basket 8"x10". Spruce root basket with bright orange 1 Antique Tlingit Rattle Top Indian Basket polychrome false embroidery. It has a few 3.75"x6.5". Spruce root basket with small splits to top rim and three small splits polychrome geometric arrow motifs and in the side walls. Excellent condition spiral on lid. Excellent condition. Late 19th otherwise. Late 19th or early 20th century. or early 20th century. 4C Antique Tlingit Large Indian Basket 8"x10". 2 Antique Tlingit Rattle Top Indian Basket An exceptional spruce root basket with 4.25"x7.5". Spruce root basket with geometric diamond motif in false repeating polychrome geometric key motifs. embroidery. Excellent condition. Late 19th Excellent condition. Late 19th or early 20th or early 20th century. century. Collection of artist Danny Pierce, 4D Antique Tlingit Large Indian Basket Washington. 7.5"x10". Spruce root basket with 3 Antique Tlingit Rattle Top Indian Basket polychrome cross and box motif in false 3.75"x6.25". Spruce root basket with embroidery. It has a .5" area of slight repeating polychrome geometric cross and chipping to top rim, otherwise excellent diamond motifs. Excellent condition. Late condition. Late 19th or early 20th century. -
Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas. -
2018 Native American Day Artisan and Crafters Vendors
2018 Native American Day Artisan and Crafters Vendors Name of Native Vendor Name Primary Classification/Artform Artisan or Crafter Christina & Vivian Kirk CVK Krafts Navajo handmade beadwork, jewelry and shell work, shawls, lanyards, & baseball caps Corene Brown Blooming Flower Designs Beaded and silver jewelry, cedar boxes, & handmade cards Joann Fiske Native Three Feathers Dolls and pine-needle baskets & Native American jewelry Lyn Risling Lyn Risling Yurok, Hupa, & Karuk art work, cards, & children’s books Teresa McGinnis TLee McGinnis Designs Handmade Yurok earrings, necklaces, crocheted caps, & canvas drawings Gail Pilas Gail Pilas Soaps, birdfeathers, & jewelry Bill Marin Red Gear & Cece’s Jewelry Native-made screened t-shirts, silver and turquoise jewelry, & beadwork Jessica Mendez KirBear Yurok Designs Handmade jewelry and accessories using dentalium, abalone, & buckskin Dave Wilson Wilson's Den Sterling silver jewelry, beadwork, blankets, hats, & t-shirts Alejandra Juarez Luna Art Beadwork, hand-crafted folk art, & leather work Stan Padilla Stan Padilla Art & handmade jewelry Paula Whiterock Native American Justice Fund Handcrafted abalone jewelry & hand-crafted art drawing Karen & Eric Wilder Eric Wilder's Graphic Co. Kashia Pomo greeting cards, clocks, & comics Fred and Eilene Cary Yupik & Carry Native Spirit Handmade Soap Soaps, body butters, room and body mists, lotion bars, deodorants, & face masks John Balloue John Balloue Notecards, prints, calendars, magnets, & paintings (original artist work) Nona Lucardie Raven Dezign Apparel, wristbands, buttons, stickers, decals, hats, & bags (original designs) Mike Lopez Eagle River Native Designs Marble paintings & handmade jewelry Cj Touchine Red Willow Medicine Wheel Handmade Native American jewelry, leather works, & beadwork Cecelia & Mario Salcedo Comanche Creations Lanyards, keychains, necklaces, teepee lamps, shawls, & Native bears Rudy Cuellar R.O Cuellar Designs Handmade jewelry, Native American Design t-shirts, hats, & jewelry. -
English Index to Sarangani Manobo Dictionary July 11, 2016 by Carl D
English Index 1 acclaim English Index to Sarangani Manobo Dictionary July 11, 2016 By Carl D. DuBois Summer Institute of Linguistics absorb leseb v. For something (as soil) abaca ebaka n. Abaca.; lanot n. Abaca (IOF:patient me-) to absorb something fiber. (rain) (IDF:goal ke--an).; taeb v. For something (as salt) (SF:actor -om-) to abalone lapas n. An abalone shell. absorb moisture (as salt does from abandon bayà v ???(COF:patient pe--en) atmosphere). For someone to leave a thing in a certain abundance kowasa n. Abundance (of food). place (on purpose).; tanan v. For someone (SF:actor -om-) to abandon abundance??? lokan v. For someone or something (DF:goal -an).; telao v. For something (SF:actor -om-) to have someone to abandon something something (fruit???) in abundance???. (AF:patient i-). abundance ollà n. An abundance.; ollà n. abate epà v. For flood (SF:actor m-) to One who has an abundance of abate. something. abdomen getek n. One's abdomen. accept dawat n. For someone to accept something.; kinawà v. For someone abdominal getek n. The abdominal area. (SF:actor -om-/meg-) to receive or abduct taban v. For someone (a raider) accept someone's reasoning or (SF:actor -om-/meg-/meN-) (ISF:actor arguments (OF:patient -en).; tandù v. meke-) to abduct someone. For someone (SF:actor -om-) to accept a proposal.; tanggap v. For someone to ability toig n. Ability. accept a proposal. able to saman v. For someone (ISF:Actor accident selok v. For someone (ISF:actor meke-) to be able to comprehend or to meke-) to meet with an accident or complete the whole. -
1 Navajo and Zuni Turquoise
Navajo and Zuni Turquoise: A Squash Blossom Necklace Case Study By Lucy Gamble Native American jewelry has been admired as adornment and investigated as functional works of cultural significance since the earliest Spanish contact in the 1500s. The unique styles of Native American jewelry across the American Southwest distinguish the pieces as emblems of their region and culture. Although each piece of jewelry is distinct, there are many reoccurring design elements and symbols throughout generations and various tribes. One identifiable widely repeated element of Native American jewelry is the use of the naturally occurring stone turquoise. Turquoise is used in many different types of jewelry, but it is prominently featured in the squash blossom necklace. In my thesis, I use methods of material culture and symbolic anthropology to investigate the use of turquoise in the squash blossom necklace. My work focuses on a collection of squash blossom necklaces collected from donors between 1935 and 1985, and housed at the Colorado Springs Fine Arts Center, to examine design elements and themes amongst the necklaces. Investigating the issues of transforming cultural items to commodities, I analyze these objects as reflective of the culture from which they originate. The market for Native American jewelry complicates the cultural analysis of these objects. When a jeweler is creating a piece within a cultural context it can be examined as reflective of that particular culture, but when the piece is created to be sold there are complications. Placing a value on the necklace puts a price on the cultural value, which in turn has the consumer viewing culture as commodity.