Justice and a Lack Thereof: Comparative Perspectives on Accountability in the Southern Cone
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Juicio a Las Juntas Militares (Argentina)
Juicio a las juntas militares (Argentina) The 1985 trial of the Argentinean Military Junta Members is an historical trial which saw the prosecution of the leaders of the three first Argentinean juntas of 1976 – 1983. The hearings were held from 22 April to 9 December 1985. Due to the large number of victims, the Court selected 280 emblematic cases among the 709 cases presented by the Prosecution. The Prosecutor’s closing argument, with its “ ¡ nuncas mas !”, remains historical. On 9 December 1985, the verdict stated that the Military Juntas had “developed and implemented a criminal plan to fight terrorism, leaving considerable discretion to the junior officers of the armed forces to imprison those who where described as ‘subversives’ by the intelligence services; to torture them; to subject them to inhumane living conditions; and ultimately to decide freely on the final fate of their victims: being transferred to the legal system (judiciary or police), being released, or being simply executed” (unofficial translation of an extract of the judgment). Jorge Rafael Videla and Emilio Eduardo Massera (first Junta) were sentenced to life imprisonment. Roberto Eduardo Viola (second Junta) was sentenced to 17 years’ imprisonment, Armando Lambruschini (second Junta) to 8 years and Orlando Ramón Agosti (first Junta) to 4 years. Omar Graffigna (second Junta), Leopoldo Galtieri, Jorge Isaac Anaya et Basilio Lami Dozo (third Junta) were acquitted for lack of evidence. This trial is the first in South-America where former dictators were brought before judges by a democratic government. On 29 December 1990, Argentinean President Carlos Menen published Decree 2741/90 pardoning the accused sentenced during the 1985 trial. -
The Politics of Torture in Great Britain, the United States, and Argentina, 1869-1977
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2014 Holes in the Historical Record: The olitP ics of Torture in Great Britain, the United States, and Argentina, 1869-1977 Lynsey Chediak Claremont McKenna College Recommended Citation Chediak, Lynsey, "Holes in the Historical Record: The oP litics of Torture in Great Britain, the United States, and Argentina, 1869-1977" (2014). CMC Senior Theses. Paper 875. http://scholarship.claremont.edu/cmc_theses/875 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. CLAREMONT McKENNA COLLEGE Holes in the Historical Record: The Politics of Torture in Great Britain, the United States, and Argentina, 1869-1977 SUBMITTED TO PROFESSOR LISA FORMAN CODY AND DEAN NICHOLAS WARNER BY LYNSEY CHEDIAK FOR SENIOR HISTORY THESIS SPRING 2014 April 28, 2014 Acknowledgments This thesis would not have been possible without the brilliant minds of my professors at Claremont McKenna College and the encouragement of my family. First, I would like to thank my reader and advisor, Professor Lisa Forman Cody. From my first day in her class, Professor Cody took what I was trying to say and made my statement, and me, sound ten times smarter. From that moment, I started to truly believe in the power of my ideas and a central tenet that made this thesis possible: there is no wrong answer in history, only evidence. Through countless hours of collaboration, Professor Cody spurred my ideas to levels I never could have imagined and helped me to develop my abilities to think critically and analytically of the historical record and the accuracy of sources. -
Genocides Andconflicts
0 1 Genocides and Conflicts in the 20th and 21st Centuries Preface This book provides summaries of some of the mass atrocities that have occurred in the last hundred years. We have intentionally included conflicts that often are not studied in courses about genocide. We encourage readers to learn about these events for two reasons: first, when knowledge of these atrocities is not part of our shared history and memory, those who suffered, and their once- vibrant cultures and communities, are made invisible yet again. Second, it is important for us to realize the breadth of genocides across time and place. ‘Never again’ has come to mean ‘over and over again.’ Perhaps if we can recognize that genocide is a wide-ranging and repetitive scourge on the planet, we can someday reach a world without genocide. Thanks go to Jacob Simpson, Research and Advocacy Associate, and Amalie Wilkinson, Research Intern, for their work on this book. 2 Table of Contents Native Americans, 1492-Present ............................................................................................ 3 Namibia, 1904-1907 ............................................................................................................... 5 The Armenian Genocide, 1915-1923 ....................................................................................... 7 The Ottoman Christian Genocide, 1915-23 ..............................................................................9 The Holodomor, 1932-1933................................................................................................. -
Swinging Back and Forth Between Impunity and Impeachment: the Struggle for Justice in Latin America and the International Criminal Court
Pace International Law Review Volume 19 Issue 2 Fall 2007 Article 3 September 2007 Swinging Back and Forth between Impunity and Impeachment: The Struggle for Justice in Latin America and the International Criminal Court Alberto L. Zuppi Follow this and additional works at: https://digitalcommons.pace.edu/pilr Recommended Citation Alberto L. Zuppi, Swinging Back and Forth between Impunity and Impeachment: The Struggle for Justice in Latin America and the International Criminal Court, 19 Pace Int'l L. Rev. 195 (2007) Available at: https://digitalcommons.pace.edu/pilr/vol19/iss2/3 This Article is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace International Law Review by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. SWINGING BACK AND FORTH BETWEEN IMPUNITY AND IMPEACHMENT: THE STRUGGLE FOR JUSTICE IN LATIN AMERICA AND THE INTERNATIONAL CRIMINAL COURT Alberto L. Zuppi* I. INTRODUCTION: LATIN AMERICAN STRUGGLE FOR DEMOCRACY The dreadful experiences endured in Latin America during the 1970's and 1980's evolved into a troubled transitional period before democracy began to consolidate. In those two decades, military rulers from all over the region displaced democratically elected governments through the use of force, and imprisoned, tortured and killed their opponents, including the baby-snatch- ing cases or trafficking with the newborn of murdered prison- ers.1 The term "desaparecido"was coined to name those who disappeared without a trace after being arrested by members of the security forces, burdening their relatives with the addi- tional anguish of not knowing the fate of their loved ones. -
An Analysis of Film As a Tool of Collective Memory in the Aftermath of the Dictatorships in Argentina and Chile Megan C
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2019 Constructing Memory in the Wake of Tragedy: An Analysis of Film as a Tool of Collective Memory in the Aftermath of the Dictatorships in Argentina and Chile Megan C. Schneider Claremont McKenna College Recommended Citation Schneider, Megan C., "Constructing Memory in the Wake of Tragedy: An Analysis of Film as a Tool of Collective Memory in the Aftermath of the Dictatorships in Argentina and Chile" (2019). CMC Senior Theses. 2256. https://scholarship.claremont.edu/cmc_theses/2256 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Claremont McKenna College Constructing Memory in the Wake of Tragedy: An Analysis of Film as a Tool of Collective Memory in the Aftermath of the Dictatorships in Argentina and Chile submitted to Professor Sarah Sarzynski by Megan Schneider for Senior Thesis 2019 April 29, 2019 ii Contents Acknowledgements .......................................................................................................... iv Abstract .............................................................................................................................. v Chapter 1: Introduction ..................................................................................................... 1 Chapter 2: Statement of Methodology ............................................................................. -
Abuelas De Plaza De Mayo Photographs of 30 Years in Struggle
Abuelas de Plaza de Mayo Photographs of 30 Years in Struggle Idea Abel Madariaga Compilation and production Alejandro Reynoso Text José María Pasquini Durán Captions Guillermo Wulff Design and digital retouching Horacio Petre Translation Tamara Lamela We thank the photographers and the press for their collaboration in the production of this book Copyrighted according to Argentine Law 11723 2 Abuelas de Plaza de Mayo Photographs of 30 Years in Struggle 3 4 1 were arrested. Was it not irresponsible of the youth to procreate The Wait when their own lives were at risk? In any case, they did it because they were completely confident about victory and they deeply J. M. Pasquini Durán* believed in another possible world and in another possible life for future generations. After all, instances of glorious insubordination had taken place during the 60s: the Cordobazo, the Cuban Revolution, Some of the photographs in this book could belong to any the events of May 1968 in France, and the groundbreaking music of family album: their protagonists are not heroes or bandits, but just The Beatles, just to name a few among many others. At the outset, ordinary people, in most cases young men and women who only the 70s looked promising: Chile, for the first time, had a socialist differed in the type of dreams they had. Other photographs, by president popularly elected and, here, Argentina saw the end of the contrast, should be exhibited at a horror museum to be duly eighteen-year proscription of Peronismo, the country’s biggest condemned by future generations. The so very different pictures of popular political movement during the second half of the 20th this collection, beyond the good work of their authors, aim to century. -
The Voices of the Disappeared: Politicide in Argentina and Chile
THE VOICES OF THE DISAPPEARED: POLITICIDE IN ARGENTINA AND CHILE A thesis submitted to the Kent State University Honors College in partial fulfillment of the requirements for University Honors by Evin Hessel December, 2019 i ii ii Thesis written by Evin Hessel Approved by _____________________________________________________________________, Advisor ________________________________________, Chair, Department of Anthropology Accepted by ___________________________________________________, Dean, Honors College ii iii TABLE OF CONTENTS ACKNOWLEDGEMENTS……………………………………………………...…….....iv LIST OF ABBREVIATIONS…………………………………………………………….vi CHAPTERS I. INTRODUCTION………………………………………………………...………1 i. Chile……………………………………………………...………..2 ii. Argentina…………………………………………………………..6 iii. Genocide or Politicide?..................................................................10 iv. Morality…………………………………………………………..12 II. THE ABDUCTED………………………………………………………….…....16 i. Secret Detention Centers……………………..…………….…….19 III. TORTURE……………………………………………………………………….24 i. Medical Involvement…………………………………………….28 ii. Anti-Semitism…………………………………………...……….30 IV. EXECUTION ……………………………………………………………………32 V. DISPOSAL………………………………………………………………………39 i. Mass Graves……………………………………………………...41 ii. Death Flights……………………………………………………..44 iii. Other Methods…………………………………………...………45 VI. THE AFTERMATH……………………………………………………………..48 i. The Fall of Pinochet……………………………………………..48 ii. Videla Steps Down………………………………………………51 iii. Excavations………………………………………………………53 VII. CONCLUSION…………………………………………………………………..56 i. Politicide -
Human Remains and Identification
Human remains and identification HUMAN REMAINS AND VIOLENCE Human remains and identification Human remains Human remains and identification presents a pioneering investigation into the practices and methodologies used in the search for and and identification exhumation of dead bodies resulting from mass violence. Previously absent from forensic debate, social scientists and historians here Mass violence, genocide, confront historical and contemporary exhumations with the application of social context to create an innovative and interdisciplinary dialogue. and the ‘forensic turn’ Never before has a single volume examined the context of motivations and interests behind these pursuits, each chapter enlightening the Edited by ÉLISABETH ANSTETT political, social, and legal aspects of mass crime and its aftermaths. and JEAN-MARC DREYFUS The book argues that the emergence of new technologies to facilitate the identification of dead bodies has led to a ‘forensic turn’, normalizing exhumations as a method of dealing with human remains en masse. However, are these exhumations always made for legitimate reasons? And what can we learn about societies from the way in which they deal with this consequence of mass violence? Multidisciplinary in scope, this book presents a ground-breaking selection of international case studies, including the identification of corpses by the International Criminal Tribunal for the Former Yugoslavia, the resurfacing ANSTETTand of human remains from the Gulag and the sites of Jewish massacres from the Holocaust. Human remains -
Description of Warfare in Raymond Firth's We, the Tikopia Is an Example of • Writing in This Tradition
INFORMATION TO USERS This manuscript has been reproduced tram the microfilm master. UMI films the text direetly trom the original or copy submilted. Thus, sorne thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the cOPY submitted. Broken or indistind print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. ln the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overtaps. ProQuest Information and Leaming 300 North Zeeb Road, Ann Arbor, MI 48106-1346 USA 800-521-0600 ( The Spoils of War: Accounting for the Missing Children of Argentina's "Dirty War" Ari Gandsman Department of Anthropology McGiII University, Montreal Submitted 10/2001 A thesis submitled to the Faculty of Graduale Studies and Research in partial fulfillment of the requirements of the degree of Masfer's. l CAriel Edward Gandsman 2001 National UbraJy 8tIIioIhèque natiOnale 1+1 of Canada du canada Acquisitions and AcquiIitiona et Bibliographie Services seNiees bibliographiques 315 WeIingIDn sar.t ......."......., 0Bawa ON K1A 0N4 -aa... ON K1A 0N4 c..a CIMda The author bas granted a non L'auteur a accordé une licence non exclusive licence aIlowing the exclusive pennettant à la Natioual Libnuy ofCanada to Bibliothèque nationale du Canada de reproduce, loan, distnbute or sen reproduire, prêter, distribuer ou copies ofthis thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. -
Argentinian Photography During the Military Dictatorship (1976-1983)
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2015 A Light in the Darkness: Argentinian Photography During the Military Dictatorship (1976-1983) Ana Tallone Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1152 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] A LIGHT IN THE DARKNESS: ARGENTINIAN PHOTOGRAPHY DURING THE MILITARY DICTATORSHIP (1976-1983) by Ana Tallone A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2015 © 2015 Ana Tallone All Rights Reserved ! ii! This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Katherine Manthorne _____________________ ______________________________ Date Chair of Examining Committee Rachel Kousser ______________________ ______________________________ Date Executive Officer Geoffrey Batchen Anna Indych-López Jordana Mendelson Supervisory Committee ! iii! ABSTRACT A Light in the Darkness: Argentinian Photography During the Military Dictatorship (1976-1983) by Ana Tallone Adviser: Katherine Manthorne In 2006, on the thirtieth anniversary of the military coup that brought Argentinian democracy to a halt, a group of photojournalists put together an outstanding exhibition of images from the dictatorship.1 This dissertation critically engages with the most enduring photojournalistic works produced during this period and featured in the landmark retrospective. -
La Implementación Del Plan Político De Massera a Través De Los Mecanismos Represivos De La Escuela De Mecánica De La Armada
XIV Jornadas Interescuelas/Departamentos de Historia. Departamento de Historia de la Facultad de Filosofía y Letras. Universidad Nacional de Cuyo, Mendoza, 2013. La implementación del plan político de Massera a través de los mecanismos represivos de la Escuela de Mecánica de la Armada. Durán Milena. Cita: Durán Milena (2013). La implementación del plan político de Massera a través de los mecanismos represivos de la Escuela de Mecánica de la Armada. XIV Jornadas Interescuelas/Departamentos de Historia. Departamento de Historia de la Facultad de Filosofía y Letras. Universidad Nacional de Cuyo, Mendoza. Dirección estable: https://www.aacademica.org/000-010/824 Acta Académica es un proyecto académico sin fines de lucro enmarcado en la iniciativa de acceso abierto. Acta Académica fue creado para facilitar a investigadores de todo el mundo el compartir su producción académica. Para crear un perfil gratuitamente o acceder a otros trabajos visite: https://www.aacademica.org. XIV Jornadas Interescuelas/Departamentos de Historia 2 al 5 de octubre de 2013 ORGANIZA: Departamento de Historia de la Facultad de Filosofía y Letras Universidad Nacional de Cuyo Número de la Mesa Temática: 97 Titulo de la Mesa Temática: La violencia extrema y el terrorismo de Estado argentino: problemas, enfoques, conceptos, historia e historiografía Apellido y Nombre de las/os coordinadores/as: Marteau, Héctor y Ranalletti, Mario LA IMPLEMENTACIÓN DEL PLAN POLÍTICO DE MASSERA A TRAVÉS DE LOS MECANISMOS REPRESIVOS DE LA ESCUELA DE MECÁNICA DE LA ARMADA Andrea Copani FFyL -
(Re) Thinking the Past Through Performance: the (Re) Construction of Militant Childhood Imaginaries in the Post-Dictatorship Of
University of South Carolina Scholar Commons Theses and Dissertations 2018 (Re) thinking the Past through Performance: The (Re) construction of Militant Childhood Imaginaries in the Post-Dictatorship of Argentina’s Cultural Production from 2003-2015 Stephanie Rubi Orozco University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Spanish and Portuguese Language and Literature Commons Recommended Citation Orozco, S. R.(2018). (Re) thinking the Past through Performance: The (Re) construction of Militant Childhood Imaginaries in the Post- Dictatorship of Argentina’s Cultural Production from 2003-2015. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/4832 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. (Re) thinking the Past through Performance: The (Re) construction of Militant Childhood Imaginaries in the Post-Dictatorship of Argentina’s Cultural Production from 2003-2015 by Stephanie Rubi Orozco Bachelor of Arts University of Nevada, 2009 Master of Arts University of Nevada, 2013 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in Spanish College of Arts and Sciences University of South Carolina 2018 Accepted by: Mercedes López-Rodríguez, Major Professor María Mabrey, Committee Member Andrew C. Rajca, Committee Member Rocío Zalba, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Stephanie Rubi Orozco All Rights Reserved. ii DEDICATION To my childhood adventures locked away in boxes full of old archives and photographs, and to my husband’s and children’s memories which dwell in a library full of selfies, Facebook, Instagram, and Twitter accounts .