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Zelenka I Penitenti Al Sepolchro Del Redentore, Zwv 63
ZELENKA I PENITENTI AL SEPOLCHRO DEL REDENTORE, ZWV 63 COLLEGIUM 1704 COLLEGIUM VOCALE 1704 VÁCLAV LUKS MENU TRACKLIST TEXTE EN FRANÇAIS ENGLISH TEXT DEUTSCH KOMMENTAR ALPHA COLLECTION 84 I PENITENTI AL SEPOLCHRO DEL REDENTORE, ZWV 63 JAN DISMAS ZELENKA (1679-1745) 1 SINFONIA. ADAGIO – ANDANTE – ADAGIO 7’32 2 ARIA [DAVIDDE]. SQUARCIA LE CHIOME 10’08 3 RECITATIVO SECCO [DAVIDDE]. TRAMONTATA È LA STELLA 1’09 4 RECITATIVO ACCOMPAGNATO [MADDALENA]. OIMÈ, QUASI NEL CAMPO 1’21 5 ARIA [MADDALENA]. DEL MIO AMOR, DIVINI SGUARDI 10’58 6 RECITATIVO SECCO [PIETRO]. QUAL LA DISPERSA GREGGIA 1’38 7 ARIA [PIETRO]. LINGUA PERFIDA 6’15 8 RECITATIVO SECCO [MADDALENA]. PER LA TRACCIA DEL SANGUE 0’54 4 MENU 9 ARIA [MADDALENA]. DA VIVO TRONCO APERTO 11’58 10 RECITATIVO ACCOMPAGNATO [DAVIDDE]. QUESTA CHE FU POSSENTE 1’25 11 ARIA [DAVIDDE]. LE TUE CORDE, ARPE SONORA 8’31 12 RECITATIVO SECCO [PIETRO]. TRIBUTO ACCETTO PIÙ, PIÙ GRATO DONO RECITATIVO SECCO [MADDALENA]. AL DIVIN NOSTRO AMANTE RECITATIVO SECC O [DAVIDDE]. QUAL IO SOLEVA UN TEMPO 2’34 13 CORO E ARIA [DAVIDDE]. MISERERE MIO DIO 7’07 TOTAL TIME: 71’30 5 MARIANA REWERSKI CONTRALTO MADDALENA ERIC STOKLOSSA TENOR DAVIDDE TOBIAS BERNDT BASS PIETRO COLLEGIUM 1704 HELENA ZEMANOVÁ FIRST VIOLIN SUPER SOLO MARKÉTA KNITTLOVÁ, JAN HÁDEK, EDUARDO GARCÍA, ELEONORA MACHOVÁ, ADÉLA MIŠONOVÁ VIOLIN I JANA CHYTILOVÁ, SIMONA TYDLITÁTOVÁ, PETRA ŠCEVKOVÁ, KATERINA ŠEDÁ, MAGDALENA MALÁ VIOLIN II ANDREAS TORGERSEN, MICHAL DUŠEK, LYDIE CILLEROVÁ, DAGMAR MAŠKOVÁ VIOLA LIBOR MAŠEK, HANA FLEKOVÁ CELLO ONDREJ BALCAR, ONDREJ ŠTAJNOCHR -
Complete Catalogue of the Musical Themes Of
COMPLETE CATALOGUE OF THE MUSICAL THEMES OF CATALOGUE CONTENTS I. Leitmotifs (Distinctive recurring musical ideas prone to development, creating meaning, & absorbing symbolism) A. Original Trilogy A New Hope (1977) | The Empire Strikes Back (1980) | The Return of the Jedi (1983) B. Prequel Trilogy The Phantom Menace (1999) | Attack of the Clones (2002) | Revenge of the Sith (2005) C. Sequel Trilogy The Force Awakens (2015) | The Last Jedi (2017) | The Rise of Skywalker (2019) D. Anthology Films & Misc. Rogue One (2016) | Solo (2018) | Galaxy's Edge (2018) II. Non-Leitmotivic Themes A. Incidental Motifs (Musical ideas that occur in multiple cues but lack substantial development or symbolism) B. Set-Piece Themes (Distinctive musical ideas restricted to a single cue) III. Source Music (Music that is performed or heard from within the film world) IV. Thematic Relationships (Connections and similarities between separate themes and theme families) A. Associative Progressions B. Thematic Interconnections C. Thematic Transformations [ coming soon ] V. Concert Arrangements & Suites (Stand-alone pieces composed & arranged specifically by Williams for performance) A. Concert Arrangements B. End Credits VI. Appendix This catalogue is adapted from a more thorough and detailed investigation published in JOHN WILLIAMS: MUSIC FOR FILMS, TELEVISION, AND CONCERT STAGE (edited by Emilio Audissino, Brepols, 2018) Materials herein are based on research and transcriptions of the author, Frank Lehman ([email protected]) Associate Professor of Music, Tufts -
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v8n4 covers.qxd 5/13/03 1:58 PM Page c1 Volume 8, Number 4 Original Music Soundtracks for Movies & Television Action Back In Bond!? pg. 18 MeetTHE Folks GUFFMAN Arrives! WIND Howls! SPINAL’s Tapped! Names Dropped! PLUS The Blue Planet GEORGE FENTON Babes & Brits ED SHEARMUR Celebrity Studded Interviews! The Way It Was Harry Shearer, Michael McKean, MARVIN HAMLISCH Annette O’Toole, Christopher Guest, Eugene Levy, Parker Posey, David L. Lander, Bob Balaban, Rob Reiner, JaneJane Lynch,Lynch, JohnJohn MichaelMichael Higgins,Higgins, 04> Catherine O’Hara, Martin Short, Steve Martin, Tom Hanks, Barbra Streisand, Diane Keaton, Anthony Newley, Woody Allen, Robert Redford, Jamie Lee Curtis, 7225274 93704 Tony Curtis, Janet Leigh, Wolfman Jack, $4.95 U.S. • $5.95 Canada JoeJoe DiMaggio,DiMaggio, OliverOliver North,North, Fawn Hall, Nick Nolte, Nastassja Kinski all mentioned inside! v8n4 covers.qxd 5/13/03 1:58 PM Page c2 On August 19th, all of Hollywood will be reading music. spotting editing composing orchestration contracting dubbing sync licensing music marketing publishing re-scoring prepping clearance music supervising musicians recording studios Summer Film & TV Music Special Issue. August 19, 2003 Music adds emotional resonance to moving pictures. And music creation is a vital part of Hollywood’s economy. Our Summer Film & TV Music Issue is the definitive guide to the music of movies and TV. It’s part 3 of our 4 part series, featuring “Who Scores Primetime,” “Calling Emmy,” upcoming fall films by distributor, director, music credits and much more. It’s the place to advertise your talent, product or service to the people who create the moving pictures. -
Track 1 Juke Box Jury
CD1: 1959-1965 CD4: 1971-1977 Track 1 Juke Box Jury Tracks 1-6 Mary, Queen Of Scots Track 2 Beat Girl Track 7 The Persuaders Track 3 Never Let Go Track 8 They Might Be Giants Track 4 Beat for Beatniks Track 9 Alice’s Adventures In Wonderland Track 5 The Girl With The Sun In Her Hair Tracks 10-11 The Man With The Golden Gun Track 6 Dr. No Track 12 The Dove Track 7 From Russia With Love Track 13 The Tamarind Seed Tracks 8-9 Goldfinger Track 14 Love Among The Ruins Tracks 10-17 Zulu Tracks 15-19 Robin And Marian Track 18 Séance On A Wet Afternoon Track 20 King Kong Tracks 19-20 Thunderball Track 21 Eleanor And Franklin Track 21 The Ipcress File Track 22 The Deep Track 22 The Knack... And How To Get It CD5: 1978-1983 CD2: 1965-1969 Track 1 The Betsy Track 1 King Rat Tracks 2-3 Moonraker Track 2 Mister Moses Track 4 The Black Hole Track 3 Born Free Track 5 Hanover Street Track 4 The Wrong Box Track 6 The Corn Is Green Track 5 The Chase Tracks 7-12 Raise The Titanic Track 6 The Quiller Memorandum Track 13 Somewhere In Time Track 7-8 You Only Live Twice Track 14 Body Heat Tracks 9-14 The Lion In Winter Track 15 Frances Track 15 Deadfall Track 16 Hammett Tracks 16-17 On Her Majesty’s Secret Service Tracks 17-18 Octopussy CD3: 1969-1971 CD6: 1983-2001 Track 1 Midnight Cowboy Track 1 High Road To China Track 2 The Appointment Track 2 The Cotton Club Tracks 3-9 The Last Valley Track 3 Until September Track 10 Monte Walsh Track 4 A View To A Kill Tracks 11-12 Diamonds Are Forever Track 5 Out Of Africa Tracks 13-21 Walkabout Track 6 My Sister’s Keeper -
A Study of Musical Affect in Howard Shore's Soundtrack to Lord of the Rings
PROJECTING TOLKIEN'S MUSICAL WORLDS: A STUDY OF MUSICAL AFFECT IN HOWARD SHORE'S SOUNDTRACK TO LORD OF THE RINGS Matthew David Young A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC IN MUSIC THEORY May 2007 Committee: Per F. Broman, Advisor Nora A. Engebretsen © 2007 Matthew David Young All Rights Reserved iii ABSTRACT Per F. Broman, Advisor In their book Ten Little Title Tunes: Towards a Musicology of the Mass Media, Philip Tagg and Bob Clarida build on Tagg’s previous efforts to define the musical affect of popular music. By breaking down a musical example into minimal units of musical meaning (called musemes), and comparing those units to other musical examples possessing sociomusical connotations, Tagg demonstrated a transfer of musical affect from the music possessing sociomusical connotations to the object of analysis. While Tagg’s studies have focused mostly on television music, this document expands his techniques in an attempt to analyze the musical affect of Howard Shore’s score to Peter Jackson’s film adaptation of The Lord of the Rings Trilogy. This thesis studies the ability of Shore’s film score not only to accompany the events occurring on-screen, but also to provide the audience with cultural and emotional information pertinent to character and story development. After a brief discussion of J.R.R. Tolkien’s description of the cultures, poetry, and music traits of the inhabitants found in Middle-earth, this document dissects the thematic material of Shore’s film score. -
Music by Alan Menken Lyrics by Lynn Ahrens Book by Mike Ockrent and Lynn Ahrens
PIANO CONDUCTOR SCORE Music by Alan Menken Lyrics by Lynn Ahrens Book by Mike Ockrent and Lynn Ahrens Based on the story by Charles Dickens NOTICE: DO NOT DEFACE! • Should you find it necessary to mark cues or cuts, use a soft black lead pencil only. NOT FOR SALE • This book is rented for the period specified in your contract. It remains the property of: MUSIC THEATRE INTERNATIONAL 421 West 54th Street New York NY 10019 MUSIC THEATRE INTERNATIONAL (212) 541-4684 www.MTIShows.com Copyright © 1994, 1995, 1996 Trunksong Music, Ltd, Menken Music and Madison Square Garden, L.P. MTI'S LATEST THEATRICAL RESOURCE IS A PLAY-ALONG PERFORMANCE SYSTEM THAT ALLOWS YOUR GROUP TO REALIZE THE FULL SOUND OF THE ORIGINAL ORCHESTRATION. rchEXTRA® is a user-friendly music enhancement system capable Oof augmenting student musicians and professionals alike. With OrchEXTRA® in the pit, actors on stage feel fully supported while the pit musicians experience the thrill of playing with a full orchestra. Many organizations interested in producing musicals don't have access to enough musicians to make up an orchestra. OrchEXTRA® was developed to assist these groups by providing the missing instruments needed to realize a full Broadway score, while at the same time encouraging all available musicians to participate. What sets OrchEXTRA® apart from any other music enhancement system is its extraordinary ability to follow a conductor's fluctuating tempo as well as its ability to handle subtle musical expression. WITH ORCHEXTRA® IN THE PIT, EVERY ORGANIZATION CAN HAVE A FULL ORCHESTRAL SOUND! Available Exclusively from In Conjunction with HOW IT WORKS: • For a given musical, each individual part of the orchestra is recorded and sculpted by a trained musician, then put together with the other parts to create a sequence. -
The Inventory of the Phyllis Curtin Collection #1247
The Inventory of the Phyllis Curtin Collection #1247 Howard Gotlieb Archival Research Center Phyllis Curtin - Box 1 Folder# Title: Photographs Folder# F3 Clothes by Worth of Paris (1900) Brooklyn Academy F3 F4 P.C. recording F4 F7 P. C. concert version Rosenkavalier Philadelphia F7 FS P.C. with Russell Stanger· FS F9 P.C. with Robert Shaw F9 FIO P.C. with Ned Rorem Fl0 F11 P.C. with Gerald Moore Fl I F12 P.C. with Andre Kostelanetz (Promenade Concerts) F12 F13 P.C. with Carlylse Floyd F13 F14 P.C. with Family (photo of Cooke photographing Phyllis) FI4 FIS P.C. with Ryan Edwards (Pianist) FIS F16 P.C. with Aaron Copland (televised from P.C. 's home - Dickinson Songs) F16 F17 P.C. with Leonard Bernstein Fl 7 F18 Concert rehearsals Fl8 FIS - Gunther Schuller Fl 8 FIS -Leontyne Price in Vienna FIS F18 -others F18 F19 P.C. with hairdresser Nina Lawson (good backstage photo) FI9 F20 P.C. with Darius Milhaud F20 F21 P.C. with Composers & Conductors F21 F21 -Eugene Ormandy F21 F21 -Benjamin Britten - Premiere War Requiem F2I F22 P.C. at White House (Fords) F22 F23 P.C. teaching (Yale) F23 F25 P.C. in Tel Aviv and U.N. F25 F26 P. C. teaching (Tanglewood) F26 F27 P. C. in Sydney, Australia - Construction of Opera House F27 F2S P.C. in Ipswich in Rehearsal (Castle Hill?) F2S F28 -P.C. in Hamburg (large photo) F2S F30 P.C. in Hamburg (Strauss I00th anniversary) F30 F31 P. C. in Munich - German TV F31 F32 P.C. -
Emily Dickinson in Song
1 Emily Dickinson in Song A Discography, 1925-2019 Compiled by Georgiana Strickland 2 Copyright © 2019 by Georgiana W. Strickland All rights reserved 3 What would the Dower be Had I the Art to stun myself With Bolts of Melody! Emily Dickinson 4 Contents Preface 5 Introduction 7 I. Recordings with Vocal Works by a Single Composer 9 Alphabetical by composer II. Compilations: Recordings with Vocal Works by Multiple Composers 54 Alphabetical by record title III. Recordings with Non-Vocal Works 72 Alphabetical by composer or record title IV: Recordings with Works in Miscellaneous Formats 76 Alphabetical by composer or record title Sources 81 Acknowledgments 83 5 Preface The American poet Emily Dickinson (1830-1886), unknown in her lifetime, is today revered by poets and poetry lovers throughout the world, and her revolutionary poetic style has been widely influential. Yet her equally wide influence on the world of music was largely unrecognized until 1992, when the late Carlton Lowenberg published his groundbreaking study Musicians Wrestle Everywhere: Emily Dickinson and Music (Fallen Leaf Press), an examination of Dickinson's involvement in the music of her time, and a "detailed inventory" of 1,615 musical settings of her poems. The result is a survey of an important segment of twentieth-century music. In the years since Lowenberg's inventory appeared, the number of Dickinson settings is estimated to have more than doubled, and a large number of them have been performed and recorded. One critic has described Dickinson as "the darling of modern composers."1 The intriguing question of why this should be so has been answered in many ways by composers and others. -
Style Guide for Vocal Recital Programs
1 Style Guide for Vocal Recital Programs This guide is intended as a resource to assist students, faculty, and BM Voice presenting the Senior Capstone, in the preparation and submission of appropriate information for recital programs. The following guidelines have been based, with some modifications to suit departmental needs, on the compilation of Holoman, D. Kern, Writing about Music: A Style Sheet. CA: University of California Press. 2008, and Turabian, Kate, A manual for writers of research papers, theses, and dissertations: Chicago style for students and researchers. Chicago: University of Chicago Press. 2008. IMPORTANT: Please submit your material using Times font, point size 12, and point 18 for the headers. 2 Style Guide for Vocal Recital Programs INDEX I. TITLE OF WORKS 1.1 SONGS - INDIVIDUAL 1.2 SONGS – TWO OR MORE, SAME COMPOSER 1.3 SONGS – TWO OR MORE, DIFFERENT COMPOSER 1.4 SONG CYCLE – ONE SONG EXTRACTED 1.5 SONG CYCLE – TWO OR MORE SONGS EXTRACTED 1.6 SONG CYCLE – ENTIRE CYCLE 1.7 OPERAS, ORATORIOS, CANTATAS, MUSICALS 1.8 MORE THAN ONE ARIA FROM LARGER WORK 1.9 ARIA WITH A RECITATIVE 1.10 CAPITALIZATION 1.11 FIRST PERFORMANCES II. COMPOSERS AND COMPOSER DATE(S) 2.1 COMPOSERS AND DATES 2.2 ADAPTATIONS AND TRANSCRIPTIONS III. PERFORMERS 3.1 PERFORMER’S NAME IN SOLO RECITAL 3.2 PERFORMER(S) NAME WITH GUEST ARTIST(S) 3.3 SHARED RECITAL 3 IV. PERFORMER(S) BIOGRAPHY 4.1 THE STUDENT PERFORMER’S BIO 4.2 FACULTY AND GUEST ARTIST BIO 4.3 ACCOMPANIST BIO V. ACKNOWLEDGEMENTS 5.1 ACKNOWLEDGEMENTS BY PERFORMER(S) VI. -
Johann Joseph Fux (1660-1741) 10 Sonata a 4 in G Minor, K.347 7’16 11 Omnis Terra Adoret, K.183 8’05
BIBER REQUIEM VOX LUMINIS FREIBURGER BAROCKCONSORT LIONEL MEUNIER MENU › TRACKLIST › FRANÇAIS › ENGLISH › DEUTSCH › SUNG TEXTS CHRISTOPH BERNHARD (1628-1692) 1 HERR, NUN LÄSSEST DU DEINEN DIENER 13’02 2 TRIBULARER SI NESCIREM 5’40 JOHANN MICHAEL NICOLAI (1629-1685) 3 SONATA A 6 IN A MINOR 7’36 HEINRICH BIBER (1644-1704) REQUIEM IN F MINOR, C 8 4 Introitus 3’46 5 Kyrie 1’53 6 Dies irae 8’25 7 Offertorium 4’33 8 Sanctus 4’46 9 Agnus Dei – Communio 6’58 JOHANN JOSEPH FUX (1660-1741) 10 SONATA A 4 IN G MINOR, K.347 7’16 11 OMNIS TERRA ADORET, K.183 8’05 TOTAL TIME: 72’08 VOX LUMINIS VICTORIA CASSANO, PERRINE DEVILLERS, SARA JÄGGI, CRESSIDA SHARP, ZSUZSI TÓTH, STEFANIE TRUE SOPRANOS ALEXANDER CHANCE, JAN KULLMANN ALTOS ROBERT BUCKLAND, PHILIPPE FROELIGER TENORS LIONEL MEUNIER, SEBASTIAN MYRUS BASSES FREIBURGER BAROCKCONSORT VERONIKA SKUPLIK, PETRA MülleJANS VIOLIN CHRISTA KITTEL, WERNER SALLER VIOLA HILLE PERL VIOLA DA GAMBA ANNA SCHALL, MARLEEN LEICHER CORNETTO SIMEN VAN MECHELEN ALTO TROMBONE MIGUEL TANTOS SEVILLANO TENOR TROMBONE JOOST SWINKELS BASS TROMBONE CARLES CRISTOBAL DULCIAN JAMES MUNRO VIOLONE LEE SANTANA LUTE TORSTEN JOHANN ORGAN LIONEL MEUNIER ARTISTIC DIRECTOR HERR, NUN LÄSSEST DU DEINEN DIENER Coro Primo C.S, S.J, J.K, P.F, L.M Coro Secondo P.D, V.C, A.C, R.B, S.M Gott gab herzbrennende Begier C.S, S.J Den Heiland, den verlangten Glanz J.K, P.F Ein Licht, das finstre Heidenthum S.M TRIBULARER SI NESCIREM Coro Primo S.T, V.C, A.C, R.B, L.M Coro Secondo P.D, S.J, J.K, P.F, S.M Vivo ego et nolo S.M Sed ut magis convertatur et -
Universi^ International
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While die most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon die quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations vdiich may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that riiould not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite mediod in “sectioning” the material. It is customary to begin filming at die upper left hand comer of a large sheet and to continue from left to rig)it in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tqiped into your xerographic copy. -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy