The Queen's Christmas Messages from 1952 to 2017
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Who Is Queen Elizabeth II?
Who is Queen Elizabeth II? Elizabeth Alexandra Mary, later to become Queen Elizabeth II, was born on 21 April 1926 in Mayfair, London. She was the first child of The Duke and Duchess of York, who later became King George VI and Queen Elizabeth. The Queen’s birthday is officially celebrated in Britain on the second Saturday of June each year. This special day is referred to as ‘The Trooping of the Colour’. The Queen is also known as the British Sovereign. Trooping of the Colour Elizabeth’s Family In 1936, King Edward VIII stepped down from the throne. Elizabeth’s father was crowned King George VI. Her mother became Queen Elizabeth, and Elizabeth and her sister Margaret were now Princesses. Elizabeth’s Childhood Princess Elizabeth was taught at home, not at school. • She studied art and music and enjoyed drama and swimming. • When she was 11, she joined the Girl Guides. • Elizabeth undertook her first public engagement on her 16th birthday, when she inspected the soldiers of the Grenadier Guards. The Royal Family Elizabeth got married in Westminster Abbey on 20th November 1947, when she was 21 years old. Her husband Prince Philip, also known as the Duke of Edinburgh, was the son of Prince Andrew of Greece. In 1948, the Queen’s first child Prince Charles was born. Two years later Princess Anne was born. Elizabeth would go on to have two more children, Prince Andrew and Prince Edward in 1960 and 1964. Elizabeth Becomes Queen In 1952, when she was just 25, Elizabeth’s father King George VI died. -
Me Jane Tour Playbill-Final
The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN, Chairman DEBORAH F. RUTTER, President Kennedy Center Theater for Young Audiences on Tour presents A Kennedy Center Commission Based on the book Me…Jane by Patrick McDonnell Adapted and Written by Patrick McDonnell, Andy Mitton, and Aaron Posner Music and Lyrics by Andy Mitton Co-Arranged by William Yanesh Choreographed by Christopher D’Amboise Music Direction by William Yanesh Directed by Aaron Posner With Shinah Brashears, Liz Filios, Phoebe Gonzalez, Harrison Smith, and Michael Mainwaring Scenic Designer Lighting Designer Costume Designer Projection Designer Paige Hathaway Andrew Cissna Helen Q Huang Olivia Sebesky Sound Designer Properties Artisan Dramaturg Casting Director Justin Schmitz Kasey Hendricks Erin Weaver Michelle Kozlak Executive Producer General Manager Executive Producer Mario Rossero Harry Poster David Kilpatrick Bank of America is the Presenting Sponsor of Performances for Young Audiences. Additional support for Performances for Young Audiences is provided by the A. James & Alice B. Clark Foundation; The Morris and Gwendolyn Cafritz Foundation; Paul M. Angell Family Foundation; Anne and Chris Reyes; and the U.S. Department of Education. Funding for Access and Accommodation Programs at the Kennedy Center is provided by the U.S. Department of Education. Major support for educational programs at the Kennedy Center is provided by David M. Rubenstein through the Rubenstein Arts Access Program. The contents of this document do not necessarily represent the policy of the U.S. Department of Education, and you should not assume endorsement by the Federal Government. " Patrons are requested to turn off cell phones and other electronic devices during performances. -
Notable Australians Historical Figures Portrayed on Australian Banknotes
NOTABLE AUSTRALIANS HISTORICAL FIGURES PORTRAYED ON AUSTRALIAN BANKNOTES X X I NOTABLE AUSTRALIANS HISTORICAL FIGURES PORTRAYED ON AUSTRALIAN BANKNOTES Aboriginal and Torres Strait Islander readers are respectfully advised that this book includes the names and images of people who are now deceased. Cover: Detail from Caroline Chisholm's portrait by Angelo Collen Hayter, oil on canvas, 1852, Dixson Galleries, State Library of NSW (DG 459). Notable Australians Historical Figures Portrayed on Australian Banknotes © Reserve Bank of Australia 2016 E-book ISBN 978-0-6480470-0-1 Compiled by: John Murphy Designed by: Rachel Williams Edited by: Russell Thomson and Katherine Fitzpatrick For enquiries, contact the Reserve Bank of Australia Museum, 65 Martin Place, Sydney NSW 2000 <museum.rba.gov.au> CONTENTS Introduction VI Portraits from the present series Portraits from pre-decimal of banknotes banknotes Banjo Paterson (1993: $10) 1 Matthew Flinders (1954: 10 shillings) 45 Dame Mary Gilmore (1993: $10) 3 Charles Sturt (1953: £1) 47 Mary Reibey (1994: $20) 5 Hamilton Hume (1953: £1) 49 The Reverend John Flynn (1994: $20) 7 Sir John Franklin (1954: £5) 51 David Unaipon (1995: $50) 9 Arthur Phillip (1954: £10) 53 Edith Cowan (1995: $50) 11 James Cook (1923: £1) 55 Dame Nellie Melba (1996: $100) 13 Sir John Monash (1996: $100) 15 Portraits of monarchs on Australian banknotes Portraits from the centenary Queen Elizabeth II of Federation banknote (2016: $5; 1992: $5; 1966: $1; 1953: £1) 57 Sir Henry Parkes (2001: $5) 17 King George VI Catherine Helen -
United Kingdom - Queen Elizabeth II” of the National Security Adviser’S Presidential Correspondence with Foreign Leaders Collection at the Gerald R
The original documents are located in Box 5, folder “United Kingdom - Queen Elizabeth II” of the National Security Adviser’s Presidential Correspondence with Foreign Leaders Collection at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 5 of the NSA Presidential Correspondence with Foreign Leaders Collection at the Gerald R. Ford Presidential Library I~ ·! ! ,_ I! THE WHITE HOUSE WASHINGTON ! I .i May 27, 1975 Your Majesty: . ; ' ' On behalf of the people of the United States of America, it gives me great pleasure to extend to you and to the Duke of Edinburgh a cordial invitation to make a State Visit to the United States on July 7 to 11, 1976, on the I I occasion of our 200th anniversary celebrations. I i Your visit, I know, will serve to underscore the very I close ties of friendship which unite our peoples. There could be no more fitting observance of this friendship on this iniportant occasion ti-.a.a.n a visit by Your ~.. -
Queen's Diamond Jubilee 2012
Queen’s Diamond Jubilee 2012 Background word ‘Yobel’, which refers to the ram or ram’s Queen Elizabeth ll has reigned over the United horn with which jubilee years were proclaimed. Kingdom and her Commonwealth countries for In Leviticus it states that such a horn or trumpet 60 years. 2012 and the Diamond Jubilee brings is to be blown on the tenth day of the seventh about many opportunities to celebrate, focus and month after the lapse of ‘seven Sabbaths of years’ give thanks for her Majesty’s faithful, gracious and (49 years) as a proclamation of liberty through - devoted service to the nations. out the land of the tribes of Israel. The year of jubilee was a consecrated year of ‘Sabbath- The Queen reached her 60th anniversary on the rest’ and liberty. During this year all debts were throne on 6 February 2012. On 12 March the cancelled, lands were restored to their original Queen attended Westminster Abbey to celebrate owners and family members were restored to one Commonwealth Day. Main celebrations will take another. place during an extended Bank Holiday weekend from 2 to 5 June. Coronation Day was on 2 June The year of jubilee was also central to the ministry 1953, and there are many stories of how people of of Jesus. In the Gospel of Luke Jesus makes the all ages remember spending that wonderful day. A claim to the fulfillment of Isaiah’s prophecy in few homes had televisions and the BBC broadcast Isaiah 61:1–2. Jesus states that he has come to the Coronation to over 20 million viewers. -
1 BBC Four Biopics
BBC Four biopics: Lessons in Trashy Respectability The broadcast of Burton and Taylor in July 2013 marked the end of a decade- long cycle of feature-length biographical dramas transmitted on BBC Four, the niche arts and culture digital channel of the public service broadcaster. The subjects treated in these biopics were various: political figures, famous cooks, authors of popular literature, comedians and singers. The dramas focused largely on the unhappy or complex personal lives of well-loved figures of British popular culture. From the lens of the 21st century, these dramas offered an opportunity for audiences to reflect on the culture and society of the 20th century, changing television’s famous function of ‘witness’ to one of ‘having witnessed’ and/or ‘remembering’ (Ellis, 2000). The programmes function as nostalgia pieces, revisiting personalities familiar to the anticipated older audience of BBC Four, working in concert with much of the archive and factual content on the digital broadcaster’s schedules. However, by revealing apparent ‘truths’ that reconfigure the public images of the figures they narrate, these programmes also undermine nostalgic impulses, presenting conflicting interpretations of the recent past. They might equally be seen as impudent incursions onto the memory of the public figures, unnecessarily exposing the real-life subjects to censure, ridicule or ex post facto critical judgement. Made thriftily on small budgets, the films were modest and spare in visual style but were generally well received critically, usually thanks to writerly screenplays and strong central performances. The dramas became an irregular but important staple of the BBC Four schedule, furnishing the channel with some of their highest ratings in a history chequered by low audience numbers. -
The Governor Genera. and the Head of State Functions
The Governor Genera. and the Head of State Functions THOMAS FRANCK* Lincoln, Nebraska In most, though by no means all democratic states,' the "Head o£ State" is a convenient legal and political fiction the purpose of which is to personify the complex political functions of govern- ment. What distinguishes the operations of this fiction in Canada is the fact that the functions of head of state are not discharged by any one person. Some, by legislative enactment, are vested in the Governor General. Others are delegated to the Governor General by the Crown. Still others are exercised by the Queen in person. A survey of these functions will reveal, however, that many more of the duties of the Canadian head of state are to-day dis- charged by the Governor General than are performed by the Queen. Indeed, it will reveal that some of the functions cannot be dis- charged by anyone else. It is essential that we become aware of this development in Canadian constitutional practice and take legal cognizance of the consequently increasing stature and importance of the Queen's representative in Canada. Formal Vesting of Head of State Functions in Constitutional Governments ofthe Commonnealth Reahns In most of the realms of the Commonwealth, the basic constitut- ional documents formally vest executive power in the Queen. Section 9 of the British North America Act, 1867,2 states: "The Executive Government and authority of and over Canada is hereby declared to continue and be vested in the Queen", while section 17 establishes that "There shall be one Parliament for Canada, consist- ing of the Queen, an Upper House, styled the Senate, and the *Thomas Franck, B.A., LL.B. -
The Crown Prince and the Frog-Prince: Characterisations in the Identity Construction of Firstborn Males
© Psychological Society of South Africa. All rights reserved. South African Journal of Psychology, 40(3), 2010, pp. 282-291 ISSN 0081-2463 The crown prince and the frog-prince: characterisations in the identity construction of firstborn males Gertina J. van Schalkwyk University of Macau, Macau I explore the identity construction and narrative self of firstborn males at the hand of metaphors contained in the well-known fairytale of the “Frog King”. In many societies around the world, the oldest male offspring — the firstborn, lastborn, or single child — confronts a host of legacies, privileges and social structures that lead him to adopt a particular characterisation of self. Using a non-empirical philosophical design, narrative analysis, and a fairytale as metaphoric framework, I analysed the narratives of two firstborn males explicating images of the crown prince and the frog- prince as metaphors for socially organised frameworks of meaning that define categories and specify what constitutes being a firstborn male. I searched for conceptual linkages between the crown prince, the frog-prince and the dominant discourse of patriarchy in identity construction, proposing that his enmeshment in social stereotypes precludes explorations of a multi-faceted, differentiated self and an integrated adaptation to life’s challenges. Keywords: crown prince; fairytale metaphor; firstborn male; frog-prince; male identity; patriarchy; pseudo-identity In ancient times people esteemed able-bodied men who could protect their families and livelihoods against nature and beasts. Notwithstanding economical and political progress — from monarchy to democracy, agrarian to technocratic, battlefield to so-called peaceful negotiations or from emphasis on physical and manual labour to mental enterprise — male privileging has prevailed. -
From Constitutional Convention to Republic Referendum: a Guide to the Processes, the Issues and the Participants ISSN 1328-7478
Department of the Parliamentary Library INFORMATION AND RESEARCH SERVICES •~J..>t~)~.J&~l<~t~& Research Paper No. 25 1998-99 From Constitutional Convention to Republic Referendum: A Guide to the Processes, the Issues and the Participants ISSN 1328-7478 © Copyright Commonwealth ofAustralia 1999 Except to the exteot of the uses permitted under the Copyright Act 1968, no part of this publication may be reproduced or transmitted in any form or by any means including information storage and retrieval systems, without the prior written consent of the Department ofthe Parliamentary Library, other than by Senators and Members ofthe Australian Parliament in the course oftheir official duties. This paper has been prepared for general distribntion to Senators and Members ofthe Australian Parliament. While great care is taken to ensure that the paper is accurate and balanced,the paper is written using information publicly available at the time of production. The views expressed are those of the author and should not be attributed to the Information and Research Services (IRS). Advice on legislation or legal policy issues contained in this paper is provided for use in parliamentary debate and for related parliamentary purposes. This paper is not professional legal opinion. Readers are reminded that the paper is not an official parliamentary or Australian govermnent document. IRS staff are available to discuss the paper's contents with Senators and Members and their staffbut not with members ofthe public. , ,. Published by the Department ofthe Parliamentary Library, 1999 INFORMATION AND RESEARCH SERVICES , Research Paper No. 25 1998-99 From Constitutional Convention to Republic Referendum: A Guide to the Processes, the Issues and the Participants Professor John Warhurst Consultant, Politics and Public Administration Group , 29 June 1999 Acknowledgments This is to acknowledge the considerable help that I was given in producing this paper. -
Contextual Information Timelines and Family Trees Tudors to Windsors: British Royal Portraits 16 March – 14 July 2019
16 March — 14 July 2019 British Royal Portraits Exhibition organised by the National Portrait Gallery, London Contextual Information Timelines and Family Trees Tudors to Windsors: British Royal Portraits 16 March – 14 July 2019 Tudors to Windsors traces the history of the British monarchy through the outstanding collection of the National Portrait Gallery, London. This exhibition highlights major events in British (and world) history from the sixteenth century to the present, examining the ways in which royal portraits were impacted by both the personalities of individual monarchs and wider historical change. Presenting some of the most significant royal portraits, the exhibition will explore five royal dynasties: the Tudors, the Stuarts, the Georgians, the Victorians and the Windsors shedding light on key figures and important historical moments. This exhibition also offers insight into the development of British art including works by the most important artists to have worked in Britain, from Sir Peter Lely and Sir Godfrey Kneller to Cecil Beaton and Annie Leibovitz. 2 UK WORLDWIDE 1485 Henry Tudor defeats Richard III at the Battle of Bosworth Field, becoming King Henry VII The Tudors and founding the Tudor dynasty 1492 An expedition led by Italian explorer Christopher Columbus encounters the Americas 1509 while searching for a Western passage to Asia Henry VII dies and is succeeded Introduction by King Henry VIII 1510 The Inca abandon the settlement of Machu Picchu in modern day Peru Between 1485 and 1603, England was ruled by 1517 Martin Luther nails his 95 theses to the five Tudor monarchs. From King Henry VII who won the door of the Castle Church in Wittenberg, crown in battle, to King Henry VIII with his six wives and a catalyst for the Protestant Reformation 1519 Elizabeth I, England’s ‘Virgin Queen’, the Tudors are some Hernando Cortes lands on of the most familiar figures in British history. -
Welcome to Aberdeen & Aberdeenshire
WELCOME TO ABERDEEN & ABERDEENSHIRE www.visitabdn.com @visitabdn | #visitABDN Film locations on the coast ITINERARY With its vast mountainous landscapes and outstanding coastlines, quaint fishing villages and fairytale castles, this part of Scotland has inspired world-famous story tellers and filmmakers. We've pulled together a two day itinerary to help you make the most of your 'stage and screen' trip to Aberdeenshire: Portsoy - Whisky Galore! (2016) Portsoy is a popular village thanks to its vibrant trademark boat festival and picturesque 17th century harbour, but that's not all. In 2016, Whisky Galore! was filmed on location in Portsoy. The film tells the true story of an incident that took place on the island of Eriskay when the SS Politician ran aground with a cargo including 28,000 cases of malt whisky starring James Cosmo and Eddie Izzard. Pennan - Whisky Galore! (2016) & Local Hero (1983) Whisky Galore! also filmed along the coastline in Pennan too and this wasn't the first time Pennan has shot to fame. Local Hero starring Burt Lancaster and Peter Capaldi, tells the story of an American oil executive who is sent to a remote Scottish village to acquire the village to convert it into a refinery. The film was filmed in Pennan and Banff and the red phonebox is one of the most famous in the world and can still be found in Pennan. Slains Castle - The Crown (2016 - ) & Dracula (1897) No trip to Aberdeenshire would be complete for fans of the Netflix show The Crown without a trip to Slains Castle on the coast of Cruden Bay. -
The Cultural Significance of Precious Stones in Early Modern England
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, & Student Research, Department of History History, Department of 6-2011 The Cultural Significance of Precious Stones in Early Modern England Cassandra Auble University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/historydiss Part of the Cultural History Commons, European History Commons, and the History of Gender Commons Auble, Cassandra, "The Cultural Significance of Precious Stones in Early Modern England" (2011). Dissertations, Theses, & Student Research, Department of History. 39. https://digitalcommons.unl.edu/historydiss/39 This Article is brought to you for free and open access by the History, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, & Student Research, Department of History by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE CULTURAL SIGNIFICANCE OF PRECIOUS STONES IN EARLY MODERN ENGLAND by Cassandra J. Auble A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Arts Major: History Under the Supervision of Professor Carole Levin Lincoln, Nebraska June, 2011 THE CULTURAL SIGNIFICANCE OF PRECIOUS STONES IN EARLY MODERN ENGLAND Cassandra J. Auble, M.A. University of Nebraska, 2011 Adviser: Carole Levin Sixteenth and seventeenth century sources reveal that precious stones served a number of important functions in Elizabethan and early Stuart society. The beauty and rarity of certain precious stones made them ideal additions to fashion and dress of the day. These stones also served political purposes when flaunted as examples of a country‘s wealth, bestowed as favors, or even worn as a show of royal support.