Yorkville Month 2016
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Guitar Center Partners with Eric Clapton, John Mayer, and Carlos
Guitar Center Partners with Eric Clapton, John Mayer, and Carlos Santana on New 2019 Crossroads Guitar Collection Featuring Five Limited-Edition Signature and Replica Guitars Exclusive Guitar Collection Developed in Partnership with Eric Clapton, John Mayer, Carlos Santana, Fender®, Gibson, Martin and PRS Guitars to Benefit Eric Clapton’s Crossroads Centre Antigua Limited Quantities of the Crossroads Guitar Collection On-Sale in North America Exclusively at Guitar Center Starting August 20 Westlake Village, CA (August 21, 2019) – Guitar Center, the world’s largest musical instrument retailer, in partnership with Eric Clapton, proudly announces the launch of the 2019 Crossroads Guitar Collection. This collection includes five limited-edition meticulously crafted recreations and signature guitars – three from Eric Clapton’s legendary career and one apiece from fellow guitarists John Mayer and Carlos Santana. These guitars will be sold in North America exclusively at Guitar Center locations and online via GuitarCenter.com beginning August 20. The collection launch coincides with the 2019 Crossroads Guitar Festival in Dallas, TX, taking place Friday, September 20, and Saturday, September 21. Guitar Center is a key sponsor of the event and will have a strong presence on-site, including a Guitar Center Village where the limited-edition guitars will be displayed. All guitars in the one-of-a-kind collection were developed by Guitar Center in partnership with Eric Clapton, John Mayer, Carlos Santana, Fender, Gibson, Martin and PRS Guitars, drawing inspiration from the guitars used by Clapton, Mayer and Santana at pivotal points throughout their iconic careers. The collection includes the following models: Fender Custom Shop Eric Clapton Blind Faith Telecaster built by Master Builder Todd Krause; Gibson Custom Eric Clapton 1964 Firebird 1; Martin 000-42EC Crossroads Ziricote; Martin 00-42SC John Mayer Crossroads; and PRS Private Stock Carlos Santana Crossroads. -
SAMEDI 11 Janvier 2020 13 14 15
D E B A E C Q U E - D ’ O U I N C E - S A R R A U MArSEILLE – SAMEDI 11 JANvIEr 2020 13 14 15 16 17 18 19 20 21 D E B A E C Q U E - D ’ O U I N C E - S A R R A U samedi 11 janvier 2020 à 14H30 5 rue vincent-Courdouan 13006 Marseille vente inaugurale L'étonnante collection d'un amateur : 500 guitares électriques et acoustiques Expert Richard PICK • 06 71 63 17 32 Exposition publique Le vendredi 10 janvier de 14h à 18h et samedi 11 janvier de 9h à 12h renseignements +33 (0)4 91 50 00 00 - [email protected] Liste complète et photos sur www.debaecque.fr Commissaires priseurs habilités : Étienne de Baecque - Géraldine d’Ouince - Jean-Marie Sarrau L'EToNNANTE CoLLECTIoN D'uN AMATEur DE GuITArES L’amateur qui se sépare de cet ensemble rarissime a collectionné toute sa vie et a réuni, toujours en quête de diversité, plus de 500 guitares. Cet ensemble présente des instruments datant des années 1960 jusqu’aux années 2000, dont certains modèles rares. Féru de guitares italiennes et américaines, il s’est aussi penché sur les créations japonaises, coréennes, russes, allemandes, bulgares, tchèques, suédoises et anglaises… 98% de sa collection se compose de guitares électriques que viennent compléter quelques guitares acoustiques, des claviers et amplificateurs. De grandes marques prestigieuses américaines telles Gibson, Fender, Rickenbacker composent cette vacation que complète une grande variété de guitares vintages européennes : Eko, Vox, Davoli, Framus, Hofner, Welson, Burns, Goya… Les marques japonaises Ibanez et Teisco, quant à elles, sont aussi bien représentées dans cette vacation. -
Item List (PDF)
Item list BRNL 2021 Tascam US-122L interface Behringer UCA222 audio interface beyerdynamic DT-770 Pro 80ohms Desklight LED Devine RF20 Reflectiefilter Devine RF30 Reflectiefilter Focusrite Scarlett 18i20 (2nd Gen) USB Audio interface Focusrite Scarlett 2i2 USB Audio Interface Neumann EA 1 shockmount Neumann EA 4 shockmount Neumann SG 2 microfoon adapter live Popfilter, studio QSC K12 beschermhoes voor buitengebruik Radial Hotshot DM1 RODE popscreen w/ shockmount Sennheiser HD25 Mackie 802-VLZ3 PA Desk Mackie PRO FX12 PA Desk Midas DL32 stagebox Midas M32C Midas M32R digital mixer Soundcraft GB2-12r PA Desk Soundcraft Signature 12 audiomixer Soundcraft Signature 16 audiomixer the t.mix mix 502 small audiomixer AKG C214 condensator AKG CK91 condensator AKG D112 bassdrum microfoon Audac CMX706/S earset - light skin Audac CMX726/S headset - light skin Audio-Technica Pro 35 clip-on w/ XLR Audix D6 bassdrum microfoon Behringer C4 BSS AR133 DI DBX DB10 DI Fishman BP-100 contrabas Pick-up Fishman Full Circle Upright Bass Pickup Neumann KM 184 Neumann TLM 102 Neumann TLM 103 Neutrik NA2M-J-TX Miniatuur trafo Oktava MK012 condensator Radial SB-1 active DI Radial SB-2 passive DI RODE NT-2a condensator studio microfoon RODE NT-2a condensator studiomicrofoon set RODE NT5 Condensator microfoon Sennheiser E604 tom clip-on Sennheiser E606 instrument microfoon Sennheiser E902 Bassdrum mic Sennheiser MD421 Shure 55SH series II Shure Beta 91a Kickmicrofoon Shure RPM 626 preamp Shure SM57 Shure SM57 beta Shure SM58 Zang microfoon Shure SM7B Shure SM87a Shure -
Yek's Guide to the Fractal Audio Amplifier Models
Yek’s Guide to the Fractal Audio Amplifier Models Original content by Yek AdditionalContent: Alexander content by van Simviz Engelen (yek) Firmware:Additional Q3.03 content by Simviz Revision: April 2017 Firmware: Quantum 7.02 Fractal Audio Amplifier Models Table of Contents Table of Contents ..................................................................................................................................... 1 Introduction by simviz ............................................................................................................................. 7 Introduction by yek .................................................................................................................................. 8 Disclaimers ............................................................................................................................................... 9 Guide Revisions ......................................................................................................................................10 The Amps ...............................................................................................................................................11 5F1 Tweed (Fender Narrow Panel Tweed Champ, 5F1) ....................................................................12 5F8 Tweed (Keith Urban's Fender Narrow Panel high-powered Tweed Twin, 5F8) .........................14 6G4 Super ('60 brown Fender Super, 6G4)........................................................................................17 6G12 Concert -
Yorkville Sound History 1963 to 1991
Yorkville Sound History 1963 to 1991 Published Feb 20,2002 Written by Mike Holman Foreword People have been hollering or beating or blowing on things for ages, and whatever passes for music at any point in time seems to be louder than last generation’s version. Things got very loud through the eighteenth and nineteenth centuries as orchestras grew, sometimes to immense proportions. But then came the nineteen-twenties and jazz. Small bands became de-rigeur and vocalists became strangely less vocal. Fortunately the “electric loudspeaker” had been invented just prior to the twenties as had the amplifier and microphone, hence was born the science of voice amplification, dubbed “public address” by person or persons unknown. So there was some relief for vocalists of the day, but not a great deal. Early PA systems weren’t much of an improvement on Rudy Valee’s megaphone, and they failed to get much better for the next three decades which flew in the face of improvements ongoing elsewhere - movie theatre sound systems for instance. It would be nearly fifty years before theatre-quality sound made its way to the live music stage. Rescued from its home on the range by Gibson designer Lloyd Loar, guitar became a regular part of jazz in the nineteen-twenties. The instrument went through a brief growth process with new models getting progessively bigger and louder. But when jazz bands grew into orchestras and guitars could grow no more, they had to be amplified. At first this was done with a microphone and a modified radio, then with Adolph Rickenbacker’s magnetic pickups and a guitar amplifier. -
2010 Epiphone Catalog.Pdf
catalog 2010 Fifteen years or more ago, Epiphone instruments were being made at the same Asian guitar factories as most other competitive brands. The problem with that scenario is that it's difficult, if not impossible, to have a substantially better instrument than your competition when the parts, process and people who make them are the same. As a result, Epiphone established the first permanent presence by an American guitar brand in 1992 with the opening of our Epiphone Korea office which played a daily hands-on role in selecting and sourcing parts and materials as well as closely controlling quality. While that initial step was instrumental in moving towards continu- ous improvement and independence, Epiphone knew that ultimately it needed its own dedicated factory with its own employees. A team from Epiphone set out to change the guitar world as it was then known. Drawing on years of experience, Epiphone and Gibson U.S.A. personnel became intimately involved in facility layout, equipment design, training techniques and the establishment of quality control and by October of 2002, the Epiphone only Gibson Qingdao factory had become a reality. The effectiveness of combining Epiphone and Gibson expertise and experience with Asian production efficiencies ushered in a new era for Epiphone and brought about exceptional instruments at price points the average working musician could afford. That tradition continues today at Epiphone’s Gibson Qingdao (GQ) factory near Qingdao, China where only Epiphone instruments are crafted. To meet the growing demand for Epiphone instruments worldwide, Epiphone took another major step in 2008 with the opening of the second dedicated Epiphone factory, Epiphone Qingdao (EQ). -
Gibson Brands, Inc
Gibson Brands, Inc. For more than 100 years, Gibson Guitar Corp. has been engaged in the business of designing, manufacturing and distributing for sale a variety of musical instruments, including string instruments such as mandolins and banjos, as well as accessories, such as amplifiers and strings, throughout the United States and internationally. Gibson is best known for its guitars, including both acoustic and electric guitars. Gibson has designed and produced industry-standard models in every major style of fretted instrument, the most famous of which is the LES PAULguitar, introduced in 1952. The Gibson F-5 Master Model mandolin, Mastertone banjo, Flying V, Explorer, ES-335, SG and SJ-200 guitars and DOBRO brand resonator guitar are among Gibson best-known and most influential models. Gibson has been headquartered in Nashville since 1984. Our Registered Trademarks Over the years, Gibson has developed goodwill in its instruments and the trademarks for those instruments. Gibson's trademarks are so valuable and important because guitar buyers associate these trademarks with the high quality of Gibson products. Gibson provides the following list of some of its trademarks: MARK - U.S. TM REG # Maestro & Design - 328,690 Gibson - 510,594 Slingerland - 615,793 Fretless Wonder - 626,204 Gibson - 866,698 Dove & Design - 898,315 Stereo & Design - 905,145 Les Paul - 918,934 Dobro - 950,801 Epiphone - 964,189 Gibson - 989,617 The Ripper - 1,005,289 Design Split Diamond - 1,008,797 Design Pineapple - 1,008,798 Design Split Diamond - 1,008,799 -
Comes with Free
GODLYKE PA-9 UNIVERSAL DANELECTRO DCC-1 COOL POWER-ALL ADAPTOR L’ARRIVEE L-03SP2 (182761) The perfect solution to powering your pedals! Can 6-STRING ACOUSTIC CAT CHORUS PEDAL power up to 20 - 9V effect pedals or similar devices. (283701) 3D shimmer and swirl! Controls for Reg: $47.95 (286706) All Sapele top, back and sides construction mix/EQ, speed and depth. Compact design, with abalone rosette. Reg: $1250 metal case with true bypass switching and COMES WITH SPECIAL: $1050 metal jacks. Reg: $49.95 FREE $10 COMES WITH FREE A/C GIFT CARD! ADAPTER (VALUE: $13.95) OVATION 1771LX-CCB USA STANDARD BALLADEER LX IN CHERRY BURST DANELECTRO DCD-1 COOL IK MULTIMEDIA STEALTHPLUG (194935) Ovation's original flagship upgraded with a package of killer new features. Solid A-grade spruce top with new CAT DISTORTION PEDAL GUITAR/BASS USB AUDIO scalloped X pattern for more wide-open sound. (283702) Heavy British to classic hard rock INTERFACE CABLE WITH PLUG-INS Rosewood fingerboard atop a 5-piece tones! Controls for level, treble/bass and gain. (260316) The first compact 1/4 in. jack to USB audio interface Compact design, metal case with true bypass cable for guitar and bass players to plug into the world of switching and metal jacks. Reg: $39.95 software-based amp/effects modeling and recording. Comes bundled with 6 software and content packages: a guitar and advanced neck with dual-action truss COMES WITH FREE A/C bass standalone and plug-in solution, a full recording studio, 2 rod, graphite neck stabilizers, and dual-clamp heel block. -
(12) United States Patent (10) Patent No.: US 8,003,872 B2 Lopiccolo Et Al
USO08003872B2 (12) United States Patent (10) Patent No.: US 8,003,872 B2 Lopiccolo et al. (45) Date of Patent: Aug. 23, 2011 (54) FACILITATING INTERACTION WITH A 6,379,244 B1* 4/2002 Sagawa et al. .................... 463,7 MUSIC-BASED VIDEO GAME 6,390,923 B1 5/2002 Yoshitomi et al. 6,699,123 B2 * 3/2004 Matsuura et al. ............... 463,31 (75) Inventors: Gregory B. Lopiccolo, Brookline, MA 2004/0244566 Al 12/2004 Steiger (US); Robert Kay, Cambridge, MA FOREIGN PATENT DOCUMENTS (US); Eric J. Brosius, Arlington, MA DE 19833 989 2, 2000 (US); Daniel K. Sussman, Allston, MA EP 1 081 680 3, 2001 (US); Eran B. Egozy, Cambridge, MA WO WO 86,01927 3, 1986 (US) WO WO 2004/OO8430 1, 2004 (73) Assignee: Harmonix Music Systems, Inc., Cambridge, MA (US) OTHER PUBLICATIONS GamesRadar Guitar Hero Summary. Retrieved Jan. 2, 2010. http:// (*) Notice: Subject to any disclaimer, the term of this www.gamesradar.com/ps2/guitar-hero/g-200512169201488.3026.* patent is extended or adjusted under 35 Guitar Hero Review by T Prime. Retrieved Jan. 2, 2010. http://www. U.S.C. 154(b) by 277 days. gamefaqs.com/consoleps2/review/R113400.html.* Guitar Hero Review by Misfit 119. Retrieved Jan. 2, 2010. http:// (21) Appl. No.: 11/609,654 www.gamefaqs.com/console ps2/review/R110926.html.* 1-1. Guitar Hero Review by Ninjujitsu. Retrieved Jan. 2, 2010. http:// (22) Filed: Dec. 12, 2006 www.gamefaqs.com/console ps2/review/R94093.html.* O O Guitar Hero Review by SaxMyster. Retrieved Jan. 2, 2010. http:// (65) Prior Publication Data www.gamefaqs.com/console ps2/review/R109815.html.* US 2007/O2323.74 A1 Oct. -
2006 Epiphone Catalog Pt-2.Pdf
W1531 TextEpiphone1 3/23/06 12:38 PM Page 21 goth les paul® goth ‘58 ‘58 korina flying V™ studio flying V™ Based on the Gibson ‘58 Flying Our classic LP Studio Our classic symmetrical V, its symmetrical “modernistic” profile finished in Satin design finished in Satin design changed the look of rock Black with all-black Black with all-black and roll forever. The ultra-fast hardware and some hardware and some neck and upper fret access, crazy, hot open coil crazy, hot open coil offers any guitarist with fast humbuckers. Definitely humbuckers. Only for hands and a flair for showman- a “dark” vibe! flyin’ at night! ship a must-have axe. Often imi- tated, but never duplicated... In 1957 Epiphone was sold to until now! Gibson, Inc. Gibson was initially interested in the big “doghouse” bass line, which Gibson presi- dent, Ted McCarty thought was an excellent bass. But he got the whole thing for $20,000. with the stipulation that a portrait of “Epi” be hung wherever Epiphone guitars were made. It still hangs, side by side, with the portrait of Orville Gibson at Gibson headquarters today. ‘58 korina “worn” explorer™ firebird™ goth ‘58 Based on Gibson’s studio explorer™ space age EXP™ The Firebird Studio Our classic design introduced in combines the “reverse- “modernistic” EXP™ 1958, this breathtaking body” style with our design finished in Satin guitar was way ahead traditional set-neck Black with all-black of its time. Featuring design and full-size hardware and some two Humbuckers and Alnico Classic crazy, hot open coil Gold hardware, this axe humbuckers. -
Steinberger® GT-PRO Deluxe Outfit
Available Colors: Black, White, Frost Blue, Hot Rod Red, Hot Rod Yellow, Yin Yang - LH , Black Finish Gloss ® Neck Material 3-pc Hard Maple Steinberger GT-PRO Body Material Poplar Neck Shape Options 1960's SlimTaper™; D profile Deluxe Outfit Fingerboard Radius 14" Frets 24; Medium-Jumbo Although our most affordable Steinberger Scale Length 25.5" line, the "Spirit" collection features many of Zero Nut Width 1.625 12th Fret Width 2.04" the same advantages and revolutionary Bridge Locking R-Trem™ Tremolo System designs as found in our more expensive Saddle Material Steel Bridge String Spacing 0.42" models. With it's compact and comfortable Tuning System Patented 40:1 Ratio Direct-Pull body styling, rock-solid neck-through con - Neck Pickup Steinberger HB-2 struction, 40:1 DoubleBall tuning system Middle Pickup Steinberger SC-1 Bridge Pickup Steinberger HB-1 and headless design, the Spirit collection Controls Master Volume, Master Tone offers amazing performance and value. 5-Way Pickup Selector Hardware Black Output Jack Premium 1/4" Barrel-Style Strings Steinberger DoubleBall™ 10-46 Other Fold Down/Up Leg Rest Includes Deluxe Gigbag Weight 7.0 lbs Length 30.25" Optional Single Ball String Adaptor (#STADG06) Hard Case (#ST-A0190-BL) Case UPC = 711106370224 Left-Handed Model (BK-Only) Warranty Steinberger Limited Lifetime Website www.Steinberger.com Service 1-800-4GIBSON (1-800-444-2766) [email protected] A Part of Gibson Brands Available Colors: Trans Black, Trans Blue, Wine Red Finish Gloss ® Neck Material 3-pc Hard Maple Steinberger GT-PRO -
Die Steinberger-Story – Teil 2
RARE & VINTAGE Die Steinberger-Story – Teil 2 Kopflos geht es im zweiten Teil unseres großen Features weiter. Und wiederum stehen neue Modelle und innovative Detaillösungen im Fokus. Der Einstieg in diese Schaffensphase Ned Steinbergers führt uns zunächst direkt zum Verkauf des Unternehmens an Gibson. Von Tom Schweitzer und Bernd Meißner Öfter stolpert man im Zusammenhang mit In- Somit blieben beim so genannten „Buy-Out“ strumenten von Steinberger über die Kenn- nicht nur die Arbeitskräfte und Prozesse in zeichnung „Pre Gibson“. Diese wird zumeist Newburgh bestehen. Berichten zufolge wurde mit vermeintlich besserer Qualität der Ferti- die Belegschaft sogar vergrößert und Investitio- gung vor der Übernahme von Steinberger nen in Maschinen getätigt, was alles in allem durch die Gibson Guitar Corp. im November einen klaren Gewinn darstellte. Aber: Auch 1987 in Verbindung gebracht. In den nachfol- wenn sich die Firma vergrößert hatte, blieb sie genden Zeilen soll etwas mehr Klarheit in die- weiterhin ein mittelständisches Unternehmen sen von Gerüchten und Halbwissen geprägten innerhalb des Großkonzerns. Etwa 40 Mitarbei- Steinberger GP-2T Sachverhalt gebracht werden. ter bauten rund 100 Gitarren bzw. Bässe pro (1986) Monat. Der im ersten Teil unserer Serie be- Entgegen seiner Intention, nur als Designer schriebene Charakter der Manufaktur blieb er- aufzutreten, schlüpfte Ned Steinberger man- halten. Somit sind die eingangs erwähnten gels anderer Interessenten für seine Konzepte Qualitätseinbußen aufgrund des Verkaufs an zu Beginn der 1980er selbst in die Hersteller- Gibson in der Newburgh-Fabrik nicht belegbar. rolle. In dieser sah er sich mit umfangreichen Führungs- und Verwaltungsaufgaben konfron- Sehr wohl gab es diese aber in der ersten Zeit tiert, die ihn von seiner eigentlichen Aufgabe nach dem Umzug nach Nashville: Primär man- und Ambition, Instrumente (weiter) zu entwi- gelte es an Personal, das mit Verbundstoffen ckeln, zunehmend entfernten.