Anticipating Vegan Stigma As a Barrier to Plant-Based Diets T
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“Until That Song Is Born”: an Ethnographic Investigation of Teaching and Learning Among Collaborative Songwriters in Nashville
“UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2016 ABSTRACT “UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill With the intent of informing the practice of music educators who teach songwriting in K– 12 and college/university classrooms, the purpose of this research is to examine how professional songwriters in Nashville, Tennessee—one of songwriting’s professional “hubs”—teach and learn from one another in the process of engaging in collaborative songwriting. This study viewed songwriting as a form of “situated learning” (Lave & Wenger, 1991) and “situated practice” (Folkestad, 2012) whose investigation requires consideration of the professional culture that surrounds creative activity in a specific context (i.e., Nashville). The following research questions guided this study: (1) How do collaborative songwriters describe the process of being inducted to, and learning within, the practice of professional songwriting in Nashville, (2) What teaching and learning behaviors can be identified in the collaborative songwriting processes of Nashville songwriters, and (3) Who are the important actors in the process of learning to be a collaborative songwriter in Nashville, and what roles do they play (e.g., gatekeeper, mentor, role model)? This study combined elements of case study and ethnography. Data sources included observation of co-writing sessions, interviews with songwriters, and participation in and observation of open mic and writers’ nights. -
A Cultural Study of Gendered Onscreen
VEG-GENDERED: A CULTURAL STUDY OF GENDERED ONSCREEN REPRESENTATIONS OF FOOD AND THEIR IMPLICATIONS FOR VEGANISM by Paulina Aguilera A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts & Letters In Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, FL August 2014 Copyright by Paulina Aguilera, 2014 11 VEG-GENDERED: A STUDY OF GENDERED ONSCREEN REPRESENTATIONS OF FOOD AND THEIR IMPLICATIONS FOR VEGANISM by Paulina Aguilera This thesis was prepared under the direction of the candidate's thesis advisor, Dr. Christine Scodari, School of Communication and Multimedia Studies, and has been approved by the members of her supervisory committee. It was submitted to the faculty of The Dorothy F. Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for the degree of Master of Arts. SUPERVISORY COMMITTEE: ~t~;,~ obe, Ph.D. David C. Williams, Ph.D. Interim Director, School of Communication and Multimedia Studies Heather Coltman, DMA Dean, ;~~of;candLetters 0'7/0 /:fdf4 8 ~T.Fioyd, Ed.D~ -D-at_e _ _,__ ______ Interim Dean, Graduate College 111 ACKNOWLEDGEMENTS The author wishes to acknowledge Dr. Christi ne Scodari for her incredible guidance and immeasurable patience during the research and writing of this thesis. Acknowledgements are also in order to the participating committee members, Dr. Chris Robe and Dr. Fred Fejes, who provided further feedback and direction. Lastly, a special acknowledgement to Chandra Holst-Maldonado is necessary for her being an amazing source of moral support throughout the thesis process. -
1 "Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music S
"Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music Studies, 20, 3, 2008, 276-329 This story begins with a skinny white DJ mixing between the breaks of obscure Motown records with the ambidextrous intensity of an octopus on speed. It closes with the same man, debilitated and virtually blind, fumbling for gospel records as he spins up eternal hope in a fading dusk. In between Walter Gibbons worked as a cutting-edge discotheque DJ and remixer who, thanks to his pioneering reel-to-reel edits and contribution to the development of the twelve-inch single, revealed the immanent synergy that ran between the dance floor, the DJ booth and the recording studio. Gibbons started to mix between the breaks of disco and funk records around the same time DJ Kool Herc began to test the technique in the Bronx, and the disco spinner was as technically precise as Grandmaster Flash, even if the spinners directed their deft handiwork to differing ends. It would make sense, then, for Gibbons to be considered alongside these and other towering figures in the pantheon of turntablism, but he died in virtual anonymity in 1994, and his groundbreaking contribution to the intersecting arts of DJing and remixology has yet to register beyond disco aficionados.1 There is nothing mysterious about Gibbons's low profile. First, he operated in a culture that has been ridiculed and reviled since the "disco sucks" backlash peaked with the symbolic detonation of 40,000 disco records in the summer of 1979. -
Exposure and Vulnerability
Determinants of Risk: 2 Exposure and Vulnerability Coordinating Lead Authors: Omar-Dario Cardona (Colombia), Maarten K. van Aalst (Netherlands) Lead Authors: Jörn Birkmann (Germany), Maureen Fordham (UK), Glenn McGregor (New Zealand), Rosa Perez (Philippines), Roger S. Pulwarty (USA), E. Lisa F. Schipper (Sweden), Bach Tan Sinh (Vietnam) Review Editors: Henri Décamps (France), Mark Keim (USA) Contributing Authors: Ian Davis (UK), Kristie L. Ebi (USA), Allan Lavell (Costa Rica), Reinhard Mechler (Germany), Virginia Murray (UK), Mark Pelling (UK), Jürgen Pohl (Germany), Anthony-Oliver Smith (USA), Frank Thomalla (Australia) This chapter should be cited as: Cardona, O.D., M.K. van Aalst, J. Birkmann, M. Fordham, G. McGregor, R. Perez, R.S. Pulwarty, E.L.F. Schipper, and B.T. Sinh, 2012: Determinants of risk: exposure and vulnerability. In: Managing the Risks of Extreme Events and Disasters to Advance Climate Change Adaptation [Field, C.B., V. Barros, T.F. Stocker, D. Qin, D.J. Dokken, K.L. Ebi, M.D. Mastrandrea, K.J. Mach, G.-K. Plattner, S.K. Allen, M. Tignor, and P.M. Midgley (eds.)]. A Special Report of Working Groups I and II of the Intergovernmental Panel on Climate Change (IPCC). Cambridge University Press, Cambridge, UK, and New York, NY, USA, pp. 65-108. 65 Determinants of Risk: Exposure and Vulnerability Chapter 2 Table of Contents Executive Summary ...................................................................................................................................67 2.1. Introduction and Scope..............................................................................................................69 -
A Vegan Critique of Sausage Party Matthew Cole and Kate
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Nottingham Trent Institutional Repository (IRep) This is a pre-publication author draft. The paper will appear in the fall 2017 issue of ISLE: Interdisciplinary Studies in Literature and Environment Speciesism Party: a vegan critique of Sausage Party Matthew Cole and Kate Stewart Scholarly Article—vegan studies cluster 1 This is a pre-publication author draft. The paper will appear in the fall 2017 issue of ISLE: Interdisciplinary Studies in Literature and Environment Speciesism Party: a vegan critique of Sausage Party This paper provides a critical vegan reading of the comedy animation film Sausage Party (2016), directed by Conrad Vernon and Greg Tiernan and starring Seth Rogen and Kristen Wiig. Such a reading is situated within an emerging vegan studies framework (Wright 2015) that is sensitive to the reproduction of unequal power relations between humans and other species, but also how those power inequalities intersect with intra-human power relations along the lines of gender, sexuality, “race,” age, class, different experiences of embodiment and so on. Sociologist Erika Cudworth argues that “[w]e need as full an analysis of social intersectionality as we are capable of,” so that the critical focus remains on “relational systems of power” (Cudworth 2015, 101). Cudworth (2011) also introduced the concept of anthroparchy, to signify the human domination of nature, with “nature” including but not limited to other animals. In that context, Sausage Party perpetuates anthroparchy, in so far as it normalizes the consumption of “animal products” for the audience. -
Inside Passages
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2011 Inside Passages Keema Waterfield The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Waterfield, eema,K "Inside Passages" (2011). Graduate Student Theses, Dissertations, & Professional Papers. 581. https://scholarworks.umt.edu/etd/581 This Professional Paper is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. INSIDE PASSAGES By KEEMA MARIE WATERFIELD-CARLSON BFA, University of Alaska, Anchorage, Alaska 2006 Professional Paper presented in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Nonfiction The University of Montana Missoula, MT Summer 2011 Approved by: Perry Brown, Associate Provost for Graduate Education Graduate School Associate Professor Judy Blunt, Chair Department of Creative Writing Associate Professor Nancy Cook, Co-Chair Department of English Associate Professor Jody Pavilack, Co-Chair Department of History Inside Passage We wait for the all clear to board on a black night, the moon stitching a diamond pattern on the Gastineau Channel, the white rails of the Matanuska ferry glinting like a carnival ride. I want to be out there walking a dog, stretching my legs between rows of idling cars like the young couple holding hands and strolling slowly while their yellow lab pees on every third tire. -
The Vegan Society and Social Movement Professionalization, 1944–2017
Food and Foodways Explorations in the History and Culture of Human Nourishment ISSN: 0740-9710 (Print) 1542-3484 (Online) Journal homepage: https://www.tandfonline.com/loi/gfof20 The Vegan Society and social movement professionalization, 1944–2017 Corey Lee Wrenn To cite this article: Corey Lee Wrenn (2019): The Vegan Society and social movement professionalization, 1944–2017, Food and Foodways, DOI: 10.1080/07409710.2019.1646484 To link to this article: https://doi.org/10.1080/07409710.2019.1646484 Published online: 16 Aug 2019. Submit your article to this journal Article views: 18 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=gfof20 FOOD AND FOODWAYS https://doi.org/10.1080/07409710.2019.1646484 The Vegan Society and social movement professionalization, 1944–2017 Corey Lee Wrenn School of Social Policy, Sociology and Social Research, University of Kent, Canterbury, Kent, United Kingdom ABSTRACT KEYWORDS In a qualitative content analysis of The Vegan Society’s quar- Animal rights; food history; terly publication, The Vegan, spanning 73 years and nearly 300 social movements; issues, the trajectory of one of the world’s most radical and veganism; vegetarianism compassionate counter cuisine collectives is presented and critically assessed. The Vegan Society’s history provides a case study on the ways in which social movements negotiate dif- ference and conflict. Specifically, this article highlights the challenges of identity, professionalization, and factionalism across the 20th and 21st centuries. This research also puts into perspective the cultural impact that veganism has had on Western society, namely the dramatic increase in vegan con- sumers, vegan products, and the normalcy of vegan nutrition. -
UC Santa Cruz Electronic Theses and Dissertations
UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations Title Animal People: Freaks, Elitists, Fanatics, and Haters in U.S. Discourses about Veganism (1995-2019) Permalink https://escholarship.org/uc/item/4hb8n962 Author Skinazi, Samantha Publication Date 2019 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA SANTA CRUZ ANIMAL PEOPLE: FREAKS, ELITISTS, FANATICS, AND HATERS IN U.S. DISCOURSES ABOUT VEGANISM (1995-2019) A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in LITERATURE by Samantha Skinazi June 2019 The Dissertation of Samantha Skinazi is approved: ________________________________ Professor Sean Keilen, Chair ________________________________ Professor Carla Freccero ________________________________ Professor Wlad Godzich ______________________________ Lori Kletzer Vice Provost and Dean of Graduate Studies Copyright © by Samantha Skinazi 2019 Table of Contents LIST OF FIGURES IV ABSTRACT V DEDICATION AND ACKNOWLEDGEMENT VII INTRODUCTION: LOVING SPECIES 1 NOTES 21 FREAKS 22 RIDICULE: THAT JOKE ISN'T FUNNY ANYMORE 28 EMPATHY AND SHAME: OMNIVORE DILEMMAS IN THE VEGAN UTOPIA 41 TERRORS: HOW DO YOU KNOW IF SOMEONE'S VEGAN? 64 CONCLUSION: FROM TEARS TO TERRORISM 76 LIST OF FIGURES 79 NOTES 80 ELITISTS 88 LIFESTYLE VEGANISM: GOOP AND THE WHITE WELLNESS VEGAN BRAND 100 BLINDSPOTTING VEGANISM: RACE, GENTRIFICATION, AND GREEN JUICE 112 DEMOCRATIC VEGANISM: OF BURGERS AND PRESIDENTS -
Freaks, Elitists, Fanatics, and Haters in Us
UNIVERSITY OF CALIFORNIA SANTA CRUZ ANIMAL PEOPLE: FREAKS, ELITISTS, FANATICS, AND HATERS IN U.S. DISCOURSES ABOUT VEGANISM (1995-2019) A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in LITERATURE by Samantha Skinazi June 2019 The Dissertation of Samantha Skinazi is approved: ________________________________ Professor Sean Keilen, Chair ________________________________ Professor Carla Freccero ________________________________ Professor Wlad Godzich ______________________________ Lori Kletzer Vice Provost and Dean of Graduate Studies Copyright © by Samantha Skinazi 2019 Table of Contents LIST OF FIGURES IV ABSTRACT V DEDICATION AND ACKNOWLEDGEMENT VII INTRODUCTION: LOVING SPECIES 1 NOTES 21 FREAKS 22 RIDICULE: THAT JOKE ISN'T FUNNY ANYMORE 28 EMPATHY AND SHAME: OMNIVORE DILEMMAS IN THE VEGAN UTOPIA 41 TERRORS: HOW DO YOU KNOW IF SOMEONE'S VEGAN? 64 CONCLUSION: FROM TEARS TO TERRORISM 76 LIST OF FIGURES 79 NOTES 80 ELITISTS 88 LIFESTYLE VEGANISM: GOOP AND THE WHITE WELLNESS VEGAN BRAND 100 BLINDSPOTTING VEGANISM: RACE, GENTRIFICATION, AND GREEN JUICE 112 DEMOCRATIC VEGANISM: OF BURGERS AND PRESIDENTS 131 CONCLUSION: THE SPECTER OF NATIONAL MANDATORY VEGANISM 153 NOTES 156 FANATICS 162 WHY GIVE UP MEAT IN THE FIRST PLACE? 170 MUST IT BE ALL THE TIME? 184 WHY TELL OTHERS HOW TO LIVE? 198 CONCLUSION: MAY ALL BEINGS BE FREE FROM SUFFERING? 210 NOTES 223 CONCLUSION: HATERS 233 NOTES 239 REFERENCES 240 iii List of Figures Figure 1.1: Save a cow eat a vegetarian, bumper sticker 79 Figure 1.2: When you see a vegan choking on something, meme 79 Figure 1.3: Fun prank to play on a passed out vegan, meme 79 Figure 1.4: How do you know if someone's vegan? 79 Don't worry they'll fucking tell you, meme iv Abstract Samantha Skinazi Animal People: Freaks, Elitists, Fanatics, and Haters in U.S. -
The Songwriting Coalface: Where Multiple Intelligences Collide Clive Harrison, Australian Institute of Music, Sydney, Australia Contact: [email protected]
Journal of Pedagogic Development Volume 7, Issue 3 The Songwriting Coalface: Where Multiple Intelligences Collide Clive Harrison, Australian Institute of Music, Sydney, Australia Contact: [email protected] Abstract This paper investigates pedagogy around songwriting professional practice. Particular focus is given to the multiple intelligence theory of Howard Gardner as a lens through which to view songwriting practice, referenced to recent songwriting‐specific research (e.g. McIntyre, Bennett). Songwriting education provides some unique challenges; firstly, due to the qualitative nature of assessment and the complex and multi‐faceted nature of skills necessary (lyric writing, composing, recording, and performing), and secondly, in some less‐tangible capacities beneficial to the songwriter (creative skills, and nuanced choice‐making). From the perspective of songwriting education, Gardner’s MI theory provides a ‘useful fiction’ (his term) for knowledge transfer in the domain, especially (and for this researcher, surprisingly) in naturalistic intelligence. Keywords: Songwriting, multiple intelligences, creativity, higher education Introduction From a research perspective, we do not seek a scientific theory of songwriting, for there exists no single, perfect, repeatable answer to the question of how to write a song. What is needed is a synthesis of objective scientific analyses, combined with an appreciation of the subjective nature of song and its reception by an audience, in order to understand and educate students of songwriting. Bennett usefully identifies song in terms of lyric, melody and chords (2011), a traditional perspective which distinguishes between the melody as sung and the chords (harmony) that serve to provide context for that melody. Stepping beyond that traditional perspective and recognising the important role of song recording‐as‐ text, rather than score‐as‐text, any definition of song must reflect the changing emphasis away from melody and towards rhythmic elements, and the shifting influence of producers. -
Language and Jury Decision-Making in Texas Death Penalty Trials
The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Doing Death in Texas: Language and Jury Decision-Making in Texas Death Penalty Trials Author: Robin Helene Conley Document No.: 236354 Date Received: November 2011 Award Number: 2009-IJ-CX-0005 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this Federally- funded grant final report available electronically in addition to traditional paper copies. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. UNIVERSITY OF CALIFORNIA Los Angeles Doing Death in Texas: Language and Jury Decision-Making in Texas Death Penalty Trials A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Anthropology by Robin Helene Conley 2011 This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. -
[Untitled: a Work in Progress]
[Untitled: A Work in Progress] By Cydney Garbino I Torn Wet Red Blood, that’s blood She’s been cut Stabbed Invaded He entered her with his fingers his dirty diseased prick his knife his evil intentions and sick desire to be inside her… Deep. Her screams and pleas a song of anguish and fear music to his ears which envelops him and nearly makes him come that soft voice turning shrill and broken begging please stop stop please stop just let me go I wanna go home I won’t tell anyone I promise I swear to God please just let me go over and over less and less conviction with each repetition growing tired and weak he kept going and eventually it hurt less Numb. Silent. He didn’t like her quiet her response was the whole point Frustrated he draws his knife Blade glimmering in the moonlight…. sick sick sick shit that fucking sick motherfucker cruel bastard sick fuck! Sam I can’t think straight She’s on my mind Always It bothered me not seeing her in our 10 am lecture someone who’s usually so punctual and put together so perfect but, I guess she has seemed different lately... she comes in tardy once in awhile never more than 5 minutes mildly flustered disoriented Her presence is warm and comforting she has this pastel aura silken hair delicate lips sad eyes... she always smells like flowers not in that artificial perfume way Real flowers, a different kind every day Roses Lilies Carnations Peonies It’s like a game: which flower will she be today? Sometimes I feel like I should bring her flowers one of those fancy arrangements they have at the market those remind me of her so delicate and pretty not overwhelmingly dropdead gorgeous Just pretty but not just pretty she’s a simple kind of beautiful and so much more, underneath it all.