Work of Our Hands 2011

Total Page:16

File Type:pdf, Size:1020Kb

Work of Our Hands 2011 Work of Our Hands 2011 Triangles within Triangles Shawl Barb Scott Pattern source: Heartstring Fibre Arts Materials: Knit Picks Shine Sport, 60% Pima Cotton/40% Modal, colour Hollyberry. The story This shawl was made in the spring of 2011,using an online class at Needlecraft University.. This was my first lace project so instead of frustrating myself by using a lace weight or fingering weight yarn, I chose a sport weight cotton so that I could more easily see the stitches (and more easily frog them when necessary!!) and so that it would work up more quickly. Other than some issues in wrapping my brain around the chart repeats involved in knitting a top down triangular shawl, it went well and I am thrilled with the results. It took about 3 months to complete this project and I really enjoy wearing it. Transverse Noro Cardigan Lesley Melliship Designer:Anne Weaver Pattern Source: Interweave Knits, Spring 2010 Materials: Noro Kureyon The yarn was purchased with a gift certificate to my favourite yarn store from my 3 sons It took about 4 months to complete The pattern is knit side to side, which allows the Noro yarn to stripe vertically. Modifications : Made the sleeves full-length instead of 3/4 length. I wanted it to be hip length, so had to add stitches to both sides A bit of a challenge with the Noro keeping the striping in sequence - had to rip back the left front and re-knit so that when it joined the back the colours would be continuous. Found 2 great big buttons to finish it off Patchwork Shawl Rochelle Ribeiro Designer: Sabine Schopf PatternSource: Wollzauber 01/2010 Materials:Schoppel-Wolle Crazy Zauberball The story: I started with 3 balls of Zauberball crazy and then ran out of before the end so I had to get a 4th ball. Now I've started anotehr one with another colour of Zauberall Crazy. JOSEPH'S COAT OF MANY COLOURS Julia Bryant The story: Tunisian crochet poncho, design based on an afghan pattern in Woman's Day Magazine over 30 years ago Yarn from my stash When I had made up some of the squares for the afghan, I decided it was too nice to put on my bed, so added strips and made it into a poncho. This started my passion for colour inlay in Tunisian crochet, and I then wanted to make a sweater, but found there were no patterns out there so had to start designing my own. The rest is history! Tiger Lily Pat Eldridge Designer: Mary Ann Stephens Materials: All jumper weight yarn from my stash and 3mm needles. There are 5 orangy/gold background colours in the main motif with the pattern worked in pale peach. The bottom bands are worked in a rust/ brown/green combination. Tiger Lily – The Story “Looks great in the golden late afternoon light of a fall afternoon” I started with a border done in multi-colour garter stitch with a simple colour pattern. (This pattern was stolen from Alice Starmore’s ‘Firebirds’ design.) With the rumply texture, I like to think of the band as a little ‘rock garden’ framing the lilies. To effect a fitted garment I decreased stitches through the waist area at the two side ‘seams’ and increased again through the bust area. I also added underarm gussets for ease of movement. When I commenced picking up stitches around the sleeve I was absolutely astounded to find that I had actually misplaced the under arm gussets. They are half a pattern toward the front rather than equidistant between front and back. Fortunately this is not very noticeable. Vintage Suit Irene Reed A knitted suit I made 25 - 30 years ago It was a Jacobsdale Pattern and their wool . I thought of it the night Shirl was here talking about old patterns. I'am surprised I can still get into it. Its a nice colour of purple ,to bad suit wouldn't come back in style.The skirt is all ribbing and the jacket has some cable detail. Aoelian Shawl Judith Hanninen Designer: Elizabeth Freeman Materials: Estelle Super Alpaca Lace Paints, and over 2000 seed beads Took 6 Months to make, and surprisingly quite easy to make, no rip outs, as all the patterns fall over one another easy to see boo boos. A little tedious towards the end as there were almost 1000 stitches at the end, but really enjoyed this one and will do it again. Pine Tree Palatine Scarf Wendy Mauzeroll Designer: Galina Khmeleva Pattern source: The Gossamer Webs Design Collection Materials: Grignasco Merinosilk yarn The story: I began the project as a knit along in September 2009. This was my first lace project but I was assured that with the support I would be able to handle it. Although it took almost 2.5 years I did finally finish the shawl and in the process learned a lot about lace work. Six months into the project (about 1/3 of the way through) I came to the realization that I was half way through my 1400 yards and I was never going to make it to the end. I was faced with three choices - either adjust the pattern by removing repeats (which I felt would ruin the shawl), stop the project all together (which I was loath to do) or find more of the yarn somewhere. ... I was in a panic until I thought of all of the yarn stashes posted on Ravelry. I thought if I could find someone with it in their stash I could convince them to sell it to me. I found two knitters with the yarn in the exact dye lot – both were in the Netherlands. I was seriously considering buying from them and having it shipped here but I decided to contact someone in Montreal who had the yard but had not indicated the dye lot. Happily she had the same dye lot but she didn’t want to sell as she already had a project in mind for it. After checking around to see if she could find it anywhere else without success she took sympathy on me and agreed to sell me half of her ball. Entrelac Scarf Barb Scott Designer: Kate Atherley Materials: Noro Silk Garden 45% Silk, 45% Kid Mohair, 10% Lamb’s Wool. The story: Entrelac has always fascinated me and after several failed attempts to figure it out on my own, I took a class from the amazing Kate Atherley. I love the enterlac process so much that I have two more scarves on the needles for gifts. This one is MINE! Beaded pin and bracelet Flo Flory Designer: Flo Flory Materials: Farfalle beads This isFlo Flory`s newest project. The picture shows a bracelet and pendant/pin. What is interesting is that these items are knit with farfalle beads. These beads are peanut shaped and add another dimension to the item. Circle Vest Lorna Aitkens Designer: Elaine Eskesen Pattern source: “Silk Knits” (2007, Martingale & Co). Materials: Noro Silk Garden The story: I bought this book at the Creative Festival one year, specifically because I liked the look of the vest. It was very easy to knit. The only thing I would change is how to make the armholes. The pattern calls for using waste yarn to hold the stitches, but it would have been easier to use a stitch holder. This garment blocked beautifully. It has the advantage of being worn 2 ways as you can see in the pictures. Circle Vest Lorna Aitkens Designer: Elaine Eskesen Pattern source: “Silk Knits” (2007, Martingale & Co). Materials:Noro Silk Garden Wearing it the other way! Camisole Judith Hanninen Pattern source: Bergere de France Materials: Esterelle - 100% Mercerized cotton Took 3 months to make, had a terrible time sizing and ripped it out 3 times to get it right. Really comfortable, worth the effort. Felted Mittens with Fur Cuffs Barb Scott Patern source: TLC Yarn website Patons Classic Wool Materials: and Lyon Brand Fun Fur This was my first attempt at felting and my mittens turned out perfectly! I know they are going to keep my hands toasty warm this winter. Shadow Shawl Rochelle Ribeiro Designer: Maureen Mason-Jamieson Materials: Two skeins of Zitron Trekking XXl and two skeins of Berroco Ultra Alpaca Fine The story: I had no difficulty with the increases. When I got to the decreases I had trouble remembering to decrease. I also had more trouble with the knits and purls on the wrong side rows after I started the decreases. I do love the pattern though and when I have more time I hope to make another one. Shaded Jacket Irene Reed Designer: Laura Bryant (Prism Yarns) Lace Wool from Prism Materials: Yarns, two different of different variegated yarns( Col A @ B ) The story: To give the shaded effect You start with 3 strands of A then change to 2A and 1B, then 1A and 2 B and finally 3 B. It was a fun thing to knit and watch the colours change. It has a crocheted edging around it to finish it off. Swing Jacket Judy Ponsford Pattern source: Cabin Fever Yarn used: Buffalo wool The Cabin Fever swing coat is knit with white buffalo wool. White buffalo wool is 6 strands thick. Judy split it into two strands to knit this lovely, thick, and warm jacket Katherine of Aragon Pullover Pat Eldridge Designer: Alice Starmore Pattern source:Tudor Roses Materials: Jumper weight yarn from Pat's stash in 15 shades of blue-greens, red-rusts and purples for the background, plus seven pale shades for the foreground.
Recommended publications
  • Printable Cherry Candy Cane Potholder Pattern PDF by Liz
    Cherry Candy Cane Potholder 10 inches by 10 inches A Knitting Pattern by Liz Chandler @PurlsAndPixels MATERIALS Two 87-Yard Skeins of Lion Brand Yarns Wool- No. 17/12 MM 32-inch circular needles or 14- Ease Thick and Quick, Hudson Bay (or your inch straight needles (or size needed to obtain preferred color). Alternatively, divide one 87- gauge) yard skein into two matching balls, ensuring the yarn colors will line up when knit with two Measuring tape strands held together. Tapestry needle Uses about 87 yards (5 oz.) Cherry Candy Cane Potholder A Knitting Pattern by Liz Chandler @PurlsAndPixels Size 10 inch by 10 inch square About this Pattern This extra-thick, oversize potholder is made by doubling up strands of super bulky yarn. When using a self-striping yarn, as recommended, make sure you use a single dye lot and line up the striping colors before you begin knitting. Using two skeins from the same dye lot ensures you will have enough yarn for a complete square; however, you may try dividing one skein equally in separate balls. Shown in the color “Hudson Bay,” this quick knitting project is reminiscent of cherry candy canes. It can make a fun holiday piece, but is subdued enough to be used year-round. Gauge 7 stitches and 11 rows in stockinette = 4 inches Abbreviations k = Knit. _____________________________________________________________________________________ ©2017, Liz Chandler of PurlsAndPixels. This pattern is only for personal use, gifting, and charitable donation of completed items. You may also sell items made using this pattern. Do not copy this pattern and distribute it.
    [Show full text]
  • Sample Cover Page of Heartstrings #A45 Smoke Ring with Lace
    SAMPLE PAGE OHeartStringsNL Pattern: A45CY - 6054 Smoke Ring with Lace Edging This versatile accessory can be worn pulled down around the neck to lie on the shoulders as a dressy neckline, or pulled up over the head as an elegant head covering. Knitting is begun with a strip of lace edging. Then stitches are picked up and knit in the round in another lace stitch pattern. A decorative bind off completes the knitted tube. Sizing Directions are written for a smaller 22" size, with changes for a larger 24" size given in brackets [ ]. Finished measurements are 18" long for both sizes and 22 [24]" around. Materials Laceweight or fingering weight yarn, approximately 300 [325] yards Size 6 US (4.0 mm) circular needle, or size to obtain planned gauge, in 16” - 24" length Optional: Straight needles in same size as above (for knitting lace edging) GAUGE: 5½ stitches per inch over stockinette stitch Crochet hook in a comparable size to knitting needle (slightly larger is OK) Skill Level: Intermediate knitter Caution: Yarn requirements are based on the planned dimensions and gauge stated in this pattern. You may need additional yarns in same dye lot if you are adjusting these instructions. Abbreviations eor - end-of-round st(s) - stitch(es) k - knit stockinette stitch - knit on the right side, purl on the k2tog - knit 2 stitches together wrong side ndl(s) - needle(s) tog - together p - purl WS - wrong side (the side of the knitted fabric worn to p2tog - purl 2 stitches together the inside) rep from *'s - repeat all instructions from the previous wyif- with yarn in front of work asterisk yo - yarn over rnd(s) - round(s) Note: Instructions are written assuming you are knitting RS - right side (the side of the knitted fabric worn to the stitches off your left-hand needle point onto your outside) right-hand needle point.
    [Show full text]
  • Spanish Moss Shawl
    SPANISH MOSS SHAWL Designed and woven by John Mullarkey Overview: Inspired by a gift skein of sock yarn from a friend, and enhanced by not being able to find the same dye lot, this shawl was woven with a Zoom Loom and joined with crochet. The color and drape reminded me of the Spanish moss I saw hanging in trees when I lived in East Texas. Difficulty rating: Easy weaving with crochet join Size: 70” width; short edges 50” Yarn: Dream in Color Smooshy (450yds/4 oz.), Cloud Jungle, 1 skein (MC). Dream in Color Smooshy, either a different dye lot of Cloud Jungle, or a different but analogous colorway (CC). Crochet thread, #10 (350 yards), black or coordinating color. Other notions, equipment or tools: size 6 crochet hook; tapestry or yarn needle; scissors. Weaving and Assembly: ■ Weave 56 squares using the Zoom Loom in color MC. Work in all ends as you weave. ■ Weave 22 squares in color CC. Work in all ends as you weave. Total of 78 squares woven. ■ Using the layout chart below, join the squares by crochet- ing a single crochet (sc) in each loop pair. ■ Chain (ch) 3, sc in loop pair of adjoining square using cro- chet thread. ■ Repeat above for all rows and columns of squares. ■ After all squares have been joined, crochet a border of sc in loop pair, ch 3 around. You may want to do ch 2 where cor- ners meet to tighten up the joined edges. Finishing: Hand wash in lukewarm water. Roll in a towel to remove excess water.
    [Show full text]
  • Glossary of Carpet and Rug Terms
    Glossary of Carpet and Rug Terms 100% Transfer - The full coverage of the carpet floor adhesive into the carpet backing, including the recesses of the carpet back, while maintaining full coverage of the floor. Absorbent Pad (or Bonnet) Cleaning - A cleaning process using a minimal amount of water, where detergent solutions are sprayed onto either vacuumed carpet, or a cotton pad, and a rotary cleaning machine is used to buff the carpet, and the soil is transferred from the carpet to the buff pad, which is changed or cleaned as it becomes soiled. Acrylic/Modacrylic - A synthetic fiber introduced in the late 1940's, and carpet in the late 1950's, it disappeared from the market in the late 1980's due to the superior performance of other synthetics. Acrylics were reintroduced in 1990 in Berber styling to take advantage of their wool-like appearance. Modacrylic is a modified acrylic. While used alone in bath or scatter rugs, in carpeting it's usually blended with an acrylic. Acrylics are known for their dyeability, wearability, resistance to staining, color retention and resistance to abrasion. They're non-allergenic, mildew proof and moth proof. Adhesive - A substance that dries to a film capable of holding materials together by surface attachment. Anchor Coat - A latex or adhesive coating applied to the back of tufted carpet, to lock the tufts and prevent them from being pulled out under normal circumstances. Antimicrobial - A chemical treatment added to carpet to reduce the growth of common bacteria, fungi, yeast, mold and mildew. Antistatic - A carpet's ability to dissipate an electrostatic charge before it reaches a level that a person can feel.
    [Show full text]
  • Antron Carpet and Fiber Glossary
    For more information, write or call INVISTA today. INVISTA 175 TownPark Drive Suite 200 Kennesaw, GA 30144 INVISTA (Canada) Company P.O. Box 2800 Mississauga Mississauga, Ontario Canada L5M 7V9 antron.net 1-877-5-ANTRON C arpet and fiber G lossar Y glossary Environmentally Preferable Products (EPP) are certified by Scientific Certification Systems (SCS) as having a lesser or reduced effect on health and the environment when compared with competing products that serve the same purpose. Antron® carpet fiber is certified as an EPP. Antron®, Antron Lumena®, DSDN®, XTI®, DuraTech®, Stainmaster®, Coolmax®, Lycra® are registered trademarks and Brilliance™ and StainRESIST™ are trademarks of INVISTA. © INVISTA S.à r.l. 2007. All rights reserved. Printed in U.S.A. on recycled paper with soy inks. K 02505 (03/07) carpet and fiber glossary terms A Antimicrobial: An agent that kills microbes. Amine end groups: The terminating (-NH2) group AATCC (American Association of Textile of a nylon polymer chain. Amine end groups provide Chemists and Colorists): A widely recognized dye sites for nylon (polyamide) fibers. association whose work focuses on development of standards of testing dyed and chemically treated Antistatic properties: Resisting the tendency to fibers and fabrics. produce annoying static electric shocks in situations where friction of the foot tread builds up static in Abrasive wear: Wear or texture change to an area low-humidity conditions. Some nylon fibers introduce of carpet that has been damaged by friction caused by a conductive filament in the yarn bundle to conduct or rubbing or foot traffic. dissipate static charges from the human body.
    [Show full text]
  • 4-H Crochet Proficiency Program a Member's Guide
    4-H Crochet Proficiency Program A Member’s Guide OVERVIEW The 4‐H Crocheting Proficiency program helps There are five levels in the Project Proficiency you learn what you need to know about your 4‐ Program. You may choose how many levels you H project. Your project leader will assist you in wish to complete: setting and achieving your goals. Through your project, you will acquire an understanding of Level I – “Explorer”, you begin to learn the principles of artistic design: color, line, about many different aspects of your design, and texture. You will also learn how to crocheting. make good use of your leisure time in constructive activities as well as learning to Level II – “Producer”, you practice and make useful, artistic items. refine the many skills involved in crocheting. There are many resources to help you learn more about your project: Level III – “Consumer”, you become an experienced producer of your ¾ The University of California Davis has free crocheting. resources available online by visiting: http://anrcatalog.ucdavis.edu/4HYouthDev Level IV – “Leader”, allows you to show elopment/. This site lists a variety of project your own leadership potential. materials and resources recommended for use in your project. Level V – “Researcher”, you carry out a demonstration or experiment on some ¾ The Shasta County 4 - H Resources and aspect of crocheting, and prepare a Lending Library at our county 4‐H Office paper or portfolio. includes other books, videos, and reference materials that can be checked out by As you work through the proficiency program, members and leaders. your leader will date each skill item as you complete it.
    [Show full text]
  • Studio Classes & Events
    STUDIO CLASSES & EVENTS MAY-JUNE 2019 KNITTING CLASSES INTERMEDIATE LEVEL BEGINNER LEVEL LEARN TO KNIT SOCKS: If you have never knitted socks before, then this class is for you. You will learn all the LEARN TO KNIT: If you have never knitted before then this skills necessary to make a great pair of socks from the cuff class is for you. Learn the basics; how to cast on, knit and purl down using double pointed needles; including stretchy cast- stitch and how to cast off. DATE/TIME: Thursdays, May 9 & 16, on, ribbing, turning the heel, gussets and closing the toe. 5:30-7:30 pm OR Saturdays, June 15 & 22, 1:30-3:30 pm FEE: And when you are done, you will have opened a whole new $30 + Supplies. Instructor: Joan Daniels world of sock knitting! DATES/TIME: Tuesdays, May 7, 14 CRASH COURSE IN KNITTING: This fast-paced class is & 21, 6:30-8:30 pm OR Tuesdays, June 4, 11 & 18, 6:30- better suited to those who are re-acquainting themselves with 8:30 pm. FEE: $35 + Supplies. Instructor: Lynn Haffner the craft of knitting. In two hours you will review casting on, the Become a knit stitch and binding off. DATES/TIMES: Classes are availa- OOPs! FIXING KNITTING MISTAKES: more confident knitter by learning to read your knitting. ble every Friday, 11 am-1 pm. FEE: $25 + Supplies. Instructor: Learn how to fix these common mistakes: dropped stitch, Lynn Haffner twisted stitch, added stitch, holes in knitting and how to CONCIERGE CLASSES-ALL LEVELS change a knit to a purl and vice versa.
    [Show full text]
  • Craft with Jo-Ann Provide Adult Supervision If Children Participate in This Project
    HOW TO READ A LABEL HOW MUCH YARN IS NEEDED crochet & knitting guide NAME OF YARN free KNITTING YARDAGE CROCHET YARDAGE AFGHAN Baby 20"x30" Adult 60"x60" Baby 20"x30" Adult 60"x60" FIBER CONTENT lists what the yarn is Lace/Sock/Fingering 1351 3500 1760 4500 made of, which is very important if Sport/DK 1150 2950 1500 3835 100% Acrylic / 100% Acrylique / 100% Acrílico there is a concern for any allergies. Worsted 1000 2950 1300 3450 net weight 3.5oz / 100g 170yds / 156m Chunky/Bulky 850 1875 1100 2500 poids net 3,5oz / 100g 170verges / 156m YARDAGE & METERS HAT Child Head Size 18" Adult Head Size 20"-22" Child Head Size 18" Adult Head Size 20"-22" peso neto 3,5oz / 100g 170yd / 156m This is the amount of yarn in the ball Sport/DK 175 225 - 275 230 230 - 360 or hank. It is important to know if Worsted 175 225 - 250 230 230 - 360 4"x 4" (10 cm x 10 cm) 125 150 - 175 162 195 - 210 9 (5.5mm) J-10 (6mm) 4 substituting a different yarn than the Chunky/Bulky 15 R 22 R Medium one called for in the pattern. SCARF Child 6"x40" Adult 8"x54" Child 6"x40" Adult 8"x54" 16 STS 12 STS Moyen / Medio Lace/Sock/Fingering 440 660 572 860 GAUGE & RECOMMENDED HOOK & NEEDLE SIZE Sport/DK 350 650 455 845 This refers to the number of stitches to an inch (horizontally) and the Worsted 190 380 247 495 Chunky/Bulky 125 250 163 325 number of rows to an inch (vertically).
    [Show full text]
  • Next Meeting: Presidents' Letter San Diego North Coast Knitters Guild
    San Diego North Coast Knitters Guild San Diego, California - www.ncknit.com Number 200 – May 2014 Knitting, like life, is replete with messes. Stitches get Next Meeting: dropped, stitches get added, our count is off. The dye lot is different and a distinct, unplanned color Tuesday, May 6, 2014: 12:30-3:00 pm change appears. The yarn is knotted, and knotted San Dieguito United Methodist Church again and again in the skein. We tell ourselves 170 Calle Magdalena to knit just one more row through a complicated Encinitas, CA 92024 pattern repeat just as we are advised to do just one more single thing each day to get us through Program: Judy Graham: Knitter to the Stars difficult situations. In knitting we have a marvelous strategy to help us solve knitting Presidents’ Letter crises: ripping. We call ripping by many names—ripping out, ripping back, frogging, unkniting—but all get us to the same place. Many knitters detest ripping, and we can understand why, sort of. We all hate to see our great effort over hours or days or even longer become nothing but a heap of yarn in just a moment or two. We had plans to finish, to share our gift with our knitting sisters, to wear our new shawl or cardigan to a special event. We had plans to start the next project in our queue. But ripping out by any name is magical. We get a “do-over.” Co-Presidents Sheila and Stacy Once the yarn is undone and rewound into a ball, we can start again with the knowledge gained from whatever snafu brought us to this place.
    [Show full text]
  • Comfort Shawl* Knitting and Crochet Instructions
    Comfort Shawl* Knitting and Crochet Instructions Before You Begin: Before you begin the knitting/crocheting process, a thought, prayer or wish can be said, dedicating the work of your hands and the intentions of the receiver. You may want to light a candle and play soft music to enhance your knitting time, remembering that this is a thoughtful time. When working in a group, you may want to pass the work-in-progress around the circle, asking each person to add some stitches to the shawl, or to just hold it for a while to add their thought, energy and good wishes. Materials: Suggested Yarns: Lion Brand Homespun – Stores: Wal-Mart, Michael’s, Jo-Anne’s, and A. C. Moore. o Warning: Be aware that the Lion Brand Homespun yarn tends to unravel when cut. Fringe will need to be knotted at its ends for a more presentable look. (Make sure all the skeins have the same dye lot numbers.) Caron’s Fascination (no dye lot) – Stores: Michael’s A.C. Moore Other Yarns: o Caron’s Fascination Lion Brand Jiffy (5-6 skeins) o Red Heart: Light-n-Lofty and Baby Clouds (size 15 needles) Note: Calm, relaxing colors are preferred for Hospice patients. Note: If the yard you have chosen has a multicolored stripe, be careful when tying on a new skein. Make sure the color sequence is correct. Also, tie on the new skein in the body of the shawl, instead of an edge, as the ends tend to show. Comfort Shawl – Knitting Pattern Knitting: Knitting Needle size 11, 13, 15 or 17 3 Skeins: 6-oz., 185 yards for 54 or 57 stitches 4 Skeins: 6-oz., 185 yards for 60 stitches Suggested Width: 24-28” Note: If you use size 11 needles and cast on 54 stitches, 3 skeins of yarn is enough.
    [Show full text]
  • Hampton National Historic Site National Park Service U
    FURNISHING THE MASTER BEDCHAMBER (1790 - 1815) HAMPTON Hampton National Historic Site National Park Service U. S. Department of the Interior 1993 31o/i 3VW7? Hampton National Historic Site National Park Service U. S. Department of the Interior 1993 FURNISHING THE MASTER BEDCHAMBER (1790 - 1815) Prepared by: Lynne Dakin Hastings, Curator Recommended by: Date Approved by: CONTENTS Acknowledgments iii Management Summary 1 Administrative Data 3 Status - List of Classified Structures Administrative History Proposed Use & Prior Planning Documents Interpretive Objectives 7 Interpretive Operating Plan Access Interpretive Security Related Media Historical Data 12 Local History Hampton 1745-1829 Architectural Data 16 Features: Southwest Bedchamber Surface Treatments Paint Faux Painting: Marbleizing and Graining Wallpaper Evidence of Original Furnishings 26 FURNISHINGS STUDY 35 I . The Bed A. The Bedstead 36 B. Bedding 42 C. Linens 46 D. Bed Furnishings 53 II. Other Soft Furnishings A. Matching Window Treatments 67 B. Slipcovers 69 C. Towels 71 III. Floor Coverings A. Brussels Carpet 72 B. Hearth Rug 78 C. Drugget or Baize 79 D. Straw Matting 79 E. Painted Floor Cloth 80 IV. Other Furniture A. Crib 83 B. Low Post or Trundle Bed 84 C. Chairs 85 D. Backstool 90 E. Easy Chair 91 F. Sofa 93 G. Night Table or Close Stool 94 H. Dressing Tables 96 I. Washstand 99 J. Clothes Horse and Towel Rack 101 K. Wardrobe 102 L. Bureau 104 FURNISHINGS STUDY, Other Furniture (con't) M. Writing Desk 106 N. Table 107 O. Bed Steps 109 P. Stool 109 Q. Large Chest 110 R. Dressing Glass and Looking Glass 112 V .
    [Show full text]
  • Chapter 1 Get Set!
    05_139875 ch01.qxp 8/31/07 7:41 PM Page 3 ChapterChapter 1 get set! ow that you have this book, you’re ready to learn how to knit, but do you have everything else Nyou need to start knitting? You need yarn, needles, and a few little tools to begin with. After you’ve been knitting for a while, you’ll naturally accumulate more yarn——LOTS more yarn, if you love knitting—— plus more needles and accessories, so don’t buy too much at first. What kind of yarn should you get? And what size and type of needles do you want? This chapter tells you all you need to know to make the right choices. it’s all about yarn One of the most fun parts of knitting is choosing yarn. You may feel overwhelmed when you set out to buy yarn for your first project. Knitting yarns come in so many fibers, weights, textures, and colors that it can be confusing. Take a deep breath, read on, and you’ll get a better idea of what to look for. natural fibers Natural fibers come from animals and plants. Wool, alpaca, mohair, cashmere, and angora are spun from animal fibers, and they’re really warm to wear——and fun to knit with. Certain wools, like Shetland wool, can be scratchy; some, like merino, are nice and soft. Be sure to hold a ball of yarn against your skin to see if you would want to wear something made out of it. It would be a bummer to spend weeks knitting a scarf that is too itchy to wear.
    [Show full text]