Melbourne 2007 Season - 11 Oct Till 16 Dec the Arts Centre Forecourt

Total Page:16

File Type:pdf, Size:1020Kb

Melbourne 2007 Season - 11 Oct Till 16 Dec the Arts Centre Forecourt Spiegeltent International Presents Melbourne 2007 Season - 11 Oct till 16 Dec the Arts Centre Forecourt www.spiegeltent.net Welcome to The Famous Spiegeltent 2 Songmen - Shane Howard and Neil Murray P11 Radio National - The Music Show P31 Abby Dobson P15 Raga Dolls Salon Orchestra P25 ACE Amorè! Show and Clubnight P31 Frock CD Launch P24 Renée Geyer P10 Ali McGregor in Jazz Cigarette P28 Harlem Swing P24 Sally Ford and the Pachuco Playboys P9 Amanda Palmer P22 Harper with special guest Hamilton Loomis P13 Sammy J - 58 Kilograms of Pure Entertainment P19 André Camilleri & the Broken Hearts P8 Hayley Clare Quintet CD Launch P25 Scott Edgar & The Universe CD Launch P20 Arte Kanela P20 Hotel California - A Salute To The Eagles P12 Sime Nugent Happy Hour P13 Baartz Freeman P27 iOTA and The Beauty Queens P22 Skipping Girl Vinegar P15 Becky Fox CD Launch P27 James Blundell P14 Slava and Leonard Grigoryan P7 Bernadette Robinson with Paul Noonan P19 Kaki King: Direct from New York City P21 Spontaneous Broadway P24 “Follow your dreams ladies & gentlemen, follow your dreams!” Cellodiva P29 Kate Ceberano P21 Stringmansassy P27 Captain Frodo - La Clique Charles Dickens Performs: A CHRISTMAS CAROL P29 Kerri Simpson & The Prodigal Sons CD Launch P19 Teapot Ensemble of Australia P8 Cheep-Cheep P30 La Clique P5 The Burlesque Hour… SIZZLES! P22 The grand old dame is back to paint the town red... or silver or gold... or indeed any colour that takes your fancy! Chookahs Kids Festival P30 La Traviata en miniature P26 The Honeys P15 The jewel in the crown of Melbourne International Arts Festival and the Arts Centre’s spring season, The Famous Clare Bowditch and the Feeding Set P22 Lior P18 The Mighty buZZniks P30 Club Spiegel P4 Lisa Miller P14 The Needle and The Damage Done P10 Spiegeltent completes her annual Grand Tour, alighting once again in Melbourne, her Southern Hemisphere home. Coco’s Lunch For Kids P30 Lou Bennett and The Sweet Cheeks P6 The Saruzu Quartet P24 Yes, believe it or not, another chance to run away with the circus is upon you for the 7th consecutive year. Get your Croque Monsieur P9 Mark Atkins - Grungada P6 The Silo Quartet P25 glad-rags on, steam the brim of your tastiest ‘titfer’ and trip the light fantastic, down the yellow brick road of your CW Stoneking P11 Melbourne Mandolin Orchestra P8 The Squeaky Window P30 Dan Sultan P13 Melbourne Singers Of Gospel P26 The Sunwrae Ensemble P28 wildest dreams! Join the famous and the infamous, the fans and the phantoms, the festoons and the fandangos! Darren Hanlon P10 Meow Meow – Beyond Beyond Glamour: The Remix P7 The Syncopators P28 Forget yourself in the heady world that comes to town but once a year! DBR - etudes4violin&electronix P8 Mikelangelo - The Nightingale of the Adriatic P27 The Town Bikes present…THE MEAT SHOW P21 Forever the party girl, The Famous Spiegeltent shimmers until Christmas hosting a phantasmagorical program of Dead Horse Band P7 Mikelangelo & Undine Francesca Book/CD Launch P29 The Wau Wau Sisters - 12 Steps to Redemption! P12 Deborah Conway P14 My Friend The Chocolate Cake P11 Topping & Butch P12 comedy, cabaret, concerts, children’s shows, afternoon delights, storytelling, opera, jazz, theatre, Doug De Vries - Mesa Redonda P18 Noemi Liba P28 Toshi Reagon and BIGLovely P6 live radio broadcasts, classic conversations and, of course, the much anticipated return Elana Stone P26 One-Two-Three: Voice, ‘Cello, Tabla P7 Unstrung Heroes P29 of the sensational international hit, our ‘house creation’: La Clique! Famous Fashion Fridays P23 Pascal Schumacher Quartet P25 Up Close and Personal - In Conversation P9 FGHR P26 Plastic Palace Alice P20 Zulya P18 Club Spiegel will feature the best dance bands and DJs in town. The sensational Shuffle Club will once again rip up the dance floor every Friday night. Fresh -- and soon to be famous -- performers of every persuasion are waiting to tantalize and tickle your taste buds. Thanks for the support The Spiegel piazza will feature a brand new bar with tempting treats, delicious cakes, coffee and sponsorship from and other curious comestibles not to mention plenty of the long, liquid variety! Look out too for Famous Fashion Fridays and Spiegel Fancies by Bobilee. ‘The Famous’ is Melbourne and Melbourne is ‘The Famous’! We look forward, once more, Ticketmaster: to welcoming you with that cheeky smile and our trademark tip of the trilby. 1300 136 166 Salute! Strategic Website Solutions The Spiegelmaestro www.ticketmaster.com.au In person at all Ticketmaster outlets Major Sponsor Wine Partner Supporting Partner atat NefariousNefarious EveningsEvenings thethe LateLate NightNight ClubClub CLUB SPIEGEL SHUFFLE CLUB LABJACD VULGARGRAD Ah yes, the The Shuffle Club are the Melbourne’s LABJACD Sometimes good infamous Club Spiegel most formidable swing band (pronounced lab-jacked) men do bad things... VulgarGrad returns with wild late night to be heard for some time. have developed a bring you the old songs of the antics and dancing till the With energetic exuberance reputation as one of the Russian thieves, along with wee hours with some of and true showmanship, this country’s best live acts. punk classics of the Perestroika the best DJs in town. We are driving quartet has made an LABJACD make hip-hop era and a strong dose of ready to unleash that Spiegel impression on all that have music to dance to - an contemporary St. Petersburg brand of utter ebullient escapism. experienced their hot blend exhilarating mix of old swearing ska. The band delivers this of swing, blues and jazz. Just school hip-hop, Cuban music with style, raucous menace, Tickets are ONLY available returned from sell out shows salsa, jazz and Andean stripy shirts and a smattering of on the door on the night. in Edinburgh, Mexico and the folk music, featuring grim smiles. Legend of stage and Fri 12th Oct - Sun 28th Oct, Caribbean, this immaculate vocals and rhymes in both screen, Jacek Koman (Children of band are back in town and English and Spanish. Men, Moulin Rouge) is the genial but 11.30pm till late except ready to cook! Prepare to be vengeful frontman who roars with where performances laid out by the hottest blend of www.labjacd.com the voice of a man betrayed, and he are noted. swing, blues, jazz and boogie is backed by a gang of Australia’s most Sun 21& 28 Oct, Wed - Sun in Nov & Dec, around. illustrious ex-cons. It’s vodka-fuelled 4 & 11 Nov, 11.30pm till late oompah swing ska punk... gulag-style. www.theshuffleclub.com 11.30pm till late (no Club on Saturdays or www.vulgargrad.com where performances are Every Friday from $5 at the door “La Clique... Le Freak, C’est Chic” noted) 12 Oct - 14 Dec Sun 25 Nov, Sun 2, (no shows Fri 26 Oct Thu 6 and Sun 16 Dec, Check guide or daily grid MONTREAL for details. or Fri 16 Nov), 11.30pm till late 11.30pm till late $5 at the door Thu 25 Oct (Preview) $45 | Fri 26 Oct - Sun 16 Dec at 9.15pm (No shows on Mon) $5 at the door Sun 16 Dec at 7pm & 9.15pm | Late shows Sat at 11.30pm | Tickets: $55 Photo Credit: Prudence Upton Dead Horse Band The Dead Horse Band brings together some of Melbourne’s finest musicians to perform MelbourneMelbourne InternationalInternational ArtsArts FestivalFestival original compositions of renowned composer, Kate Neal. Fusing musical styles and genres, the band take audiences on an exhilarating journey through powerful and engaging music. During the Festival The Famous Spiegeltent is the place for night time splendour. Artistic Director Kristy Edmunds Sun 14 & Mon 15 Oct at 7pm (60 mins) has programmed The Famous Spiegeltent for the duration of the Festival. She brings together a tremendous selection $30 ($22.50 conc) Groups (8+) $27 of artists, so luxuriate within the rich velvet canopy and be treated to some of the most spectacular shows in town! Photo: Caroline Gonzaga One-Two-Three: Voice, ’Cello, Tabla Lou Bennett and The Sweet Cheeks Local musicians Ria Soemardjo, Helen Mountfort and Sam Evans blend the subtle timbres and Combining sweet harmonies, acoustic guitar, bass and drums with powerful lyrics that speak textures of voice, ’cello, viola and tablas as in One-Two-Three, a concert featuring structured of compassion, truth, love and heartache, a session with Lou Bennett and The Sweet Cheeks is improvisations and original compositions. something you won’t easily forget. Tue 16 Oct at 7pm (60 mins) Fri 12 & Sat 13 Oct at 7pm (75 mins) $30 ($22.50 conc) Groups (8+) $27 $30 ($22.50 conc) Groups (8+) $27 Photo: James Penlidis Slava and Leonard Grigoryan Photo: Robyn Rosenfeldt/Michael Hurwood/Sheena Cooke Toshi Reagon and BIGLovely The name Grigoryan is synonymous with exquisite guitar playing. These gifted brothers bring Powerhouse singer-songwriter Toshi Reagon takes to the stage with her smoking band BIGLovely. the beauty of the guitar to The Famous Spiegeltent as part of their tour throughout Australia, Reagon, a throwback to classic R&B with some old school rock thrown in, takes any style, updates it Asia and the Baltic States. and makes it her own with incredible ease. Wed 17 & Thu 18 Oct at 7pm (75 mins) - SOLD OUT Fri 12 & Sat 13 Oct at 9.45pm (60 mins) $31.50 ($23.65 conc) Groups (8+) $28.35 $40 ($30 conc, $22 students) Groups (8+) $36 Photo: JOMOTO/Molly Rubin and Tony DiPietro Meow Meow - Beyond Beyond Glamour: The Remix Photo: Ingrid Kaiser Mark Atkins - Grungada: A Journey Of Music & Song Singing sensation and sequined sex bomb waiting to detonate, Meow Meow, returns to Mark Atkins draws on his rich and diverse background to offer an eclectic mix of original and new Melbourne with Beyond Beyond Glamour: The Remix, an explosive cocktail of kamikaze compositions featuring didgeridoo, guitar and harmonica.
Recommended publications
  • Am Free Here Comes the Sun
    Our Paradiso is Issue No. 12 So many muses pancakes with purpose, in mother December 2019–February 2020 Bobby Alu, Dayle Larter, Seabin nature's arms, creating impact, walking and we say Project, Dumbo Feather, Bronwyn in space, a better kind of fashion it's alright Bancroft, Merryn Jean, The Calile Hotel Here comes the sun ... am free Look Touch and Feel HELLO + WELCOME WE ARE HERE THIS IS PARADISO Paradiso is so very proudly brought to you by: Enjoy reading– –8 Lila Theodoros, Publisher and Creative Director @ohbabushka Nat Woods, Editor @nat.woods_ Leana Rack, Partnership Manager @leanarack Pancakes Martin Pain, Studio Manager & Distribution Here comes @lightayurveda Alana Potts, Designer @alanapotts Chris Theodoros, Accountant With Purpose –8 and Crossword Magician the sun ... businessmatters.com.au Tania Theodoros, Proof Reader @enjoyreadingourbooks –18 I love this George Harrison song for so many reasons – In Mother Thank you to our wonderful contributors– its nostalgia, its joy, its hope. Issue 12 is an ode to hope Anna Hutchcroft Brooklyn Reardon and our vision for the future. Byron Writers Festival This year has been heavy – there is so much Chris Theodoros Nature’s arms –18 Dayle Larter despair and worry running thick in our collective Dumbo Feather Magazine consciousness; so many decisions being made out Ming Nomchong Here comes the sun ... / Dec 2019–Feb 2020 Here comes the sun ... / Dec 2019–Feb Abigael Whittaker of fear instead of love. Even as I sit here writing this, Phoebe Barrett Seabin Project –26 Lara Fells the mountain range in view of our studio is covered Paris Bluett Renee Rae in terrifying thick plumes of smoke – climate change, Holly McCauley –36 budget cuts, drought.
    [Show full text]
  • Saison 2018/19 Numéro De Client / Kundennummer / Client Number Nouvel Abonné / Neuer Abonnent / New Subscriber
    Commande d’abonnement / Abo-Bestellung / Order a subscription Nom / Nachname / Last name Prénom / Vorname / First name Rue/No / Straße/Nr. / Street/No. Code postal/Localité / PLZ/Ort / Postal code/City Tel e-mail Saison 2018/19 Numéro de client / Kundennummer / Client number Nouvel abonné / Neuer Abonnent / New subscriber Tarif réduit / Ermäßigter Preis / Reduced price Moins de 27 ans / Unter 27 Jahre / Under 27 years: Je joins une copie de ma carte d’identité. Ich lege eine Kopie meines Personalausweises bei. I attach a copy of my ID card. Paiement / Bezahlung / Payment Mastercard Visa / No carte de credit / Kreditkartennummer / credit card number valable jusqu’au / gültig bis / valid until S’il n’y a plus de places dans la catégorie choisie, je préfère une catégorie supérieure inférieure Sollte es keine verfügbaren Plätze in der gewünschten Kategorie geben, bevorzuge ich eine höhere niedrigere Kategorie Should there be no seats left in the chosen category, I prefer a higher lower category 2018/19 Lieu, date / Ort, Datum / City, date Signature / Unterschrift / Signature Saison 1 MBS8041468_RiskAnAffair_S coupé&cabrio_148x190mm_LU_v02vector.indd 1 15/03/2018 17:52 Établissement public Salle de Concerts Grande-Duchesse Joséphine-Charlotte Philharmonie Luxembourg Orchestre Philharmonique du Luxembourg Saison 2018/19 Nous remercions nos partenaires qui, Partenaires de la saison: en associant leur image à la Philharmonie et à l’Orchestre Philharmonique du Luxembourg et en soutenant leur programmation, permettent leur diversité et l’accès à
    [Show full text]
  • James Turrell's Skyspace Robert Dowling Life, Death
    HANS HEYSEN ROBERT DOWLING ROBERT LIFE, DEATH AND MAGIC AND MAGIC LIFE, DEATH JAMES TURRELL’S SKYSPACE SKYSPACE TURRELL’S JAMES ISSUE 62 • winter 2010 artonview ISSUE 62 • WINTER 2010 NATIONAL GALLERY OF AUSTRALIA The National Gallery of Australia is an Australian Government Agency Issue 62, winter 2010 published quarterly by 3 Director’s foreword National Gallery of Australia GPO Box 1150 exhibitions and displays Canberra ACT 2601 nga.gov.au 6 Robert Dowling: Tasmanian son of Empire ISSN 1323-4552 Anne Gray Print Post Approved 10 Life, death and magic: 2000 years of Southeast Asian pp255003/00078 ancestral art © National Gallery of Australia 2010 Copyright for reproductions of artworks is Robyn Maxwell held by the artists or their estates. Apart from 16 Hans Heysen uses permitted under the Copyright Act 1968, no part of artonview may be reproduced, Anne Gray transmitted or copied without the prior permission of the National Gallery of Australia. 20 Portraits from India 1850s–1950s Enquiries about permissions should be made in Anne O’Hehir writing to the Rights and Permissions Officer. 22 In the Japanese manner: Australian prints 1900–1940 The opinions expressed in artonview are not necessarily those of the editor or publisher. Emma Colton Produced the National Gallery of Australia Publishing Department: acquisitions editor Eric Meredith 26 James Turrell Skyspace designer Kristin Thomas Lucina Ward photography Eleni Kypridis, Barry Le Lievre, Brenton McGeachie, Steve Nebauer, 28 Theo van Doesburg Space-time construction #3 David Pang,
    [Show full text]
  • View the Program Book for How I Got Over
    A conversation with Judith Casselberry, Charrise Barron, Mellonee Burnim, Joyce Marie Jackson, Randal Jacobs, and Matthew D. Morrison Performances by Marcelle Davies-Lashley, Jhetti, and Samuel Guillaume Sunday, December 10, 2017 3:00 p.m. Apollo Theater Front Cover: Mahalia Jackson; March on Washington for Jobs and Freedom 1957 LIVE WIRE: HOW I GOT OVER - THE SPIRIT OF GOSPEL MUSIC In 1963, when Mahalia Jackson sang “How I Got Over” before 250,000 protesters at the March on Washington for Jobs and Freedom, she epitomized the sound and sentiment of Black Americans one hundred years after Emancipation. To sing of looking back to see “how I got over,” while protesting racial violence and social, civic, economic, and political oppression, both celebrated victories won and allowed all to envision current struggles in the past tense. Gospel is the good news. Look how far God has brought us. Look at where God will take us. On its face, the gospel song composed by Clara Ward in 1951, spoke to personal trials and tribulations overcome by the power of Jesus Christ. Black gospel music, however, has always occupied a space between the push to individualistic Christian salvation and community liberation in the context of an unjust society— a declaration of faith by the communal “I”. From its incubation at the turn of the 20th century to its emergence as a genre in the 1930s, gospel was the sound of Black people on the move. People with purpose, vision, and a spirit of experimentation— clear on what they left behind, unsure of what lay ahead.
    [Show full text]
  • Stephen Harrington Thesis
    PUBLIC KNOWLEDGE BEYOND JOURNALISM: INFOTAINMENT, SATIRE AND AUSTRALIAN TELEVISION STEPHEN HARRINGTON BCI(Media&Comm), BCI(Hons)(MediaSt) Submitted April, 2009 For the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology, Australia 1 2 STATEMENT OF ORIGINAL AUTHORSHIP The work contained in this thesis has not been previously submitted to meet requirements for an award at this or any other higher education institution. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person, except where due reference is made. _____________________________________________ Stephen Matthew Harrington Date: 3 4 ABSTRACT This thesis examines the changing relationships between television, politics, audiences and the public sphere. Premised on the notion that mediated politics is now understood “in new ways by new voices” (Jones, 2005: 4), and appropriating what McNair (2003) calls a “chaos theory” of journalism sociology, this thesis explores how two different contemporary Australian political television programs (Sunrise and The Chaser’s War on Everything) are viewed, understood, and used by audiences. In analysing these programs from textual, industry and audience perspectives, this thesis argues that journalism has been largely thought about in overly simplistic binary terms which have failed to reflect the reality of audiences’ news consumption patterns. The findings of this thesis suggest that both ‘soft’ infotainment (Sunrise) and ‘frivolous’ satire (The Chaser’s War on Everything) are used by audiences in intricate ways as sources of political information, and thus these TV programs (and those like them) should be seen as legitimate and valuable forms of public knowledge production.
    [Show full text]
  • Kate Ceberano Stages Mini I'm Talking Reunion While Curating a New
    Kate Ceberano stages mini I’m Talking reunion while curating a new festival in Daylesford Cameron Adams, National music writer, Herald Sun August 27, 2018 2:22pm KATE Ceberano is staging a mini reunion of her band I’m Talking later this year. Ceberano is a co-curator of the Live. Love. Life festival in Daylesford from November 14 to 18. The event will see Ceberano and Zan Abeyrante performing I’m Talking songs with local dance band Sex on Toast. “Zan and I haven’t sung together in 30 years, so it’s going to be ace,” Ceberano said. “It’s just a little pop-up show, we’ll do a few tunes and dance our brains out. Zan and I have reconnected since the reissue of (I’m Talking’s 1986 album) Bear Witness a few months ago. This could lead to some I’m Talking shows, we’ll see.” Kate Ceberano poses in front of a David Bromley painting. Picture: Jake Nowakowski The Live. Love. Life festival will focus on music, art, culture and wellness, with Ceberano working on the project all year with the likes of artist David Bromley, a co-curator of the event. “People are escaping to Daylesford because they’re looking to an alternative way to escape the future,” Ceberano said. “Daylesford is facing the future using every single ounce of knowledge in the history of food, culture and wellness. There’s no other place like it in Australia as far as I’m concerned.” Ceberano has curated a string of musical guests including Katie Noonan, Deborah Conway, Vika and Linda Bull, Lior, Paul Grabowsky and more.
    [Show full text]
  • Toshi Reagon & Biglovely
    Toshi Reagon & BIGLovely “Whether playing solo or with her band, [Toshi’s] fusion of styles and forms draws listeners in, embraces them and sets them off in a rapturous, hand-raising, foot-stomping delight.” -RighteousBabe.com About Toshi Reagon and BIGLovely Toshi Reagon is a versatile singer-songwriter-guitarist, drawing on the traditions of uniquely American music: rock, blues, R&B, country, folk, spirituals and funk. Born in Atlanta and raised in Washington DC, she comes from a musical—and political—family. Both her parents were civil rights activists in the 1960s, and founding members of The Freedom Singers, a folk group that toured the country to teach people about civil rights through song as part of the Student Nonviolent Coordinating Committee. Her mother, Bernice Johnson Reagon, is also a founder of the legendary a cappella group, Sweet Honey in the Rock. Toshi has been performing since she was 17 years old. Her career really launched when Lenny Kravitz chose her, straight out of college, to open for him on his first world tour. Some of Toshi’s proudest moments include playing for her godfather Pete Seeger’s 90th birthday celebration at Madison Square Garden, and performing with the Freedom Singers at the White House, in a tribute to the music of the civil rights movement. As a composer and producer, Toshi has created original scores for dance works, collaborated on two contemporary operas, served as producer on multiple albums, and has had her own work featured in films and TV soundtracks, including HBO and PBS programs. BIGLovely did its first performance as a band in 1996.
    [Show full text]
  • Graduate Student Advocate, December 1993, Vol. 5, No. 6
    City University of New York (CUNY) CUNY Academic Works The Advocate Archives and Special Collections 12-1993 Graduate Student Advocate, December 1993, Vol. 5, No. 6 How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_advocate/50 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE CITY UNIVERSITY OF NEW GRADUATE STUDENT Volume 5, No. 6 December 1993 Free ~~g~?!~~d Student Support for Yomi Falters and Christina Pretto his GRE score was substandard, and told him to get OF THE ADVOCATE STAFF a second master's degree in economics. After Yomi receiv~d a ma_ster's degree from City College, While several student groups have rallied behind Grossman adrmtted him to the program. Michael Yomi, a second level economics student Grossman h.as denied Yomi' s charges of racism in who has refused to take the department's first exam the department, and said that once Yomi was admit­ on grounds of_racial bias, their momentum appears ted to the program, he was "treated like any other to have lost steam as Yomi has yet to offer a solution student." to the administration. Many groups at the graduate center have rallied .Over the summer, Yorn) was notified that he was to Yomi's support. As early as September,the Doc­ bemg terminated from the program because he had toral Studen~ Counc~l, while citing no specific ex­ not t~ken the fir~t exam.
    [Show full text]
  • Brisbane Gala the Triffid 4Th December 2019
    BRISBANE GALA THE TRIFFID 4TH DECEMBER 2019 The Director of the NLMAs, Larry Heath, would like to send his thanks to everyone who has helped make this night possible. In particular The Triffid, our home for the Gala, as well as: The NLMAs Board... Aeron Clark (Music Tasmania, TAS) Andrew Tuttle (APRA AMCOS, QLD) Damian Cunningham (Elastic Entertainment, NSW) Dallas Frasca (Musician, VIC) Katie Noonan (Musician, QLD) Mark Smith (MusicNT, NT) Michelle Padovan (QMusic, QLD) Mike Harris (WAM, WA) Ruth O’Brien (Artist & Disability Advocate, ACT) Sian Walden (Little Acorn Music, SA) ...and all the team & volunteers! With a particular mention to our Queensland event manager Helen Nash, who has been working with us since we started. And for the invaluable assistance of Lucy Joseph on admin, Filipe Franzoni on video, Mick Radojkovic on scripts, Michael Katsavos on socials and Maddi Johnson on graphics. And of course a big thanks to all our sponsors & judges. #NLMAs Program 6.30pm: Doors Open, Drinks and Food Served 7.30pm: Opening Performance: The Blockades 7.35pm: MCs Jeremy Neale, Patience Hodgson and Aimon Clark welcome you to the 2019 National Live Music Awards 7.40pm: Queensland Awards 7.55pm: LIVE: Jack Carty 8.00pm: Genre Awards Part One 8.20pm: LIVE: Little Georgia 8.25pm: Genre Awards Part Two 8.40pm: Live Legend Induction 8.55pm: International Achievement Awards 9:00pm: LIVE: Live Legend - Deborah Conway 9.10pm: Live Photographer of the Year Live Event & Musicianship Awards 9.30pm: LIVE: William Barton 9.35pm: The NLMA, Best New Act Live Voice of the Year & Live Act of the Year 9.50pm: Closing Performance 10pm: Dessert and Drinks QLD AWARDS LIVE ACT OF THE YEAR Presented by Brisbane City Council Cub Sport Sahara Beck LIVE EVENT San Mei BIGSOUND Thelma Plum Caloundra Music Festival WAAX CMC Rocks Queensland Jungle Love Festival LIVE VOICE OF THE YEAR Woodford Jack Carty Katie Noonan ALL AGES ACHIEVEMENT Monica Sottile (Sweater Curse) To be revealed on stage..
    [Show full text]
  • © 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat
    Numbers Song Title © 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat. Melanie Blatt 409 Beach Boys, The 911 Wyclef Jean & Mary J Blige 1969 Keith Stegall 1979 Smashing Pumpkins, The 1982 Randy Travis 1985 Bowling For Soup 1999 Prince 1999 Wilkinsons, The 5678 Step #1 Crush Garbage 1, 2 Step Ciara Feat. Missy Elliott 1, 2, 3 Redlight 1910 Fruitgum Co 10 Days Late Third Eye Blind 10,000 Promises Backstreet Boys, The 100 Years Five For Fighting 100 Years From Now Huey Lewis & The News 100% Chance Of Rain Gary Morris 100% Pure Love Crystal Waters 16th Avenue Lacy J Dalton 18 & Life Skid Row 18 Till I Die Bryan Adams 18 Yellow Roses Bobby Darin 19-2000 Gorillaz 19th Nervous Breakdown Rolling Stones, The 2 Become 1 Spice Girls, The 20 Good Reasons Thirsty Merc 20th Century Fox Doors, The 21 Questions 50 Cent Feat Nate Dogg 24 Hours At A Time Marshall Tucker Band, The 24-7 Kevon Edmonds 25 Miles Edwin Starr 25 Minutes Michael Learns To Rock 25 Minutes To Go Johnny Cash 25 Or 6 To 4 Chicago 26 Cents Wilkinsons, The 29 Nights Danni Leigh 29 Palms Robert Plant 3 Strange Days School Of Fish 30 Days In The Hole Humble Pie 30,000 Pounds Of Bananas Harry Chapin 32 Flavours Alana Davis 4 In The Morning Gwen Stefani 4 Seasons Of Loneiness Boyz 2 Men 4 To 1 In Atlanta Tracy Byrd 4+20 Crosby, Stills, Nash & Young 42nd Street Broadway Show “42nd Street” 455 Rocket Kathy Mattea 4th Of July Shooter Jennings 5 Miles To Empty Brownstone 50,000 Names George Jones 50/50 Lemar 500 Miles (Away From Home) Bobby Bare
    [Show full text]
  • Adelaide Festoval Centre
    ADELAIDE FESTIVAL CENTRE ANNUAL REPORT 2011-12 September 2012 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: (08) 8216 8600 Facsimile: (08) 8212 7849 Website: www.adelaidefestivalcentre.com.au ABN: 90940 220 425 ISBN: 978-0-9807040-6-8 Contents Introduction ......................................................................................................... 4 Chairman’s Report .............................................................................................. 5 CEO & Artistic Director’s Report ......................................................................... 7 ROLE, PERFORMANCE AND GOVERNANCE ................................. 9 Adelaide Festival Centre Trust Act 1971............................................................. 9 Trustees .............................................................................................................. 9 Risk and Audit Committee ................................................................................ 10 Risk Management ............................................................................................. 10 Remuneration Committee ................................................................................. 10 Precinct Reference Group ................................................................................ 10 The Adelaide Festival Centre Foundation Board .............................................. 10 Organisational Chart ........................................................................................
    [Show full text]
  • Barrier Truth – Saturday July 10Th
    Saturday, July 10, 2021 No. 32,873 $2.50 Firefighters honour late Captain South 239 Broken Hill Fire Station almost 41 years and served as the Captain “He always came down to our Open Day’s Firefi ghters (from left) Jake Trengove, Sophie of the 239 South Station for 21 years before after he retired and he loved meeting the new Milne, Captain Kristy Ramsay, Paige Cuy, Jake retiring in 2002. recruits and asking them ‘Why did you want to Benton and David Bearman prior to attending “Everyone has said he was a caring, fi rm but be a fi refi ghter?’” she said. “We missed him at the funeral of former 239 Captain, Allen ‘Dicky’ fair Captain,” said Captain Ramsay. “Everyone is the Open Day this year, he couldn’t make it.” Elliot on Thursday. sad that he is gone. “He was a beautiful man and a true 239 Captain, Kristy Ramsay spoke highly “He was a really great Captain, who gentleman.” of Elliot who was in the Fire Brigade for dedicated a lot of years. PICTURE: Emily Ferguson Will COVID trash The Bash? By Cherie von Hörchner “The team are working very been exposed so far, but we who is more worried about the closely with NSW to ensure all are mindful of the impact resident communities than the COVID safety protocols are met the disease would have attendees of the festival. With the Mundi Mundi and patrons have a fun and safe particularly in areas with limited “My concern is the amount Bash only weeks away, and event experience.” healthcare access.
    [Show full text]