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University of Oklahoma
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THE PIANO CONCERTOS OF PAUL HINDEMITH A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirement for the degree of Doctor of Musical Arts By YANG-MING SUN Norman, Oklahoma 2007 UMI Number: 3263429 UMI Microform 3263429 Copyright 2007 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, MI 48106-1346 THE PIANO CONCERTOS OF PAUL HINDEMITH A DOCUMENT APPROVED FOR THE SCHOOL OF MUSIC BY Dr. Edward Gates, chair Dr. Jane Magrath Dr. Eugene Enrico Dr. Sarah Reichardt Dr. Fred Lee © Copyright by YANG-MING SUN 2007 All Rights Reserved. ACKNOWLEDGMENTS This paper is dedicated to my beloved parents and my brother for their endless love and support throughout the years it took me to complete this degree. Without their financial sacrifice and constant encouragement, my desire for further musical education would have been impossible to be fulfilled. I wish also to express gratitude and sincere appreciation to my advisor, Dr. Edward Gates, for his constructive guidance and constant support during the writing of this project. Appreciation is extended to my committee members, Professors Jane Magrath, Eugene Enrico, Sarah Reichardt and Fred Lee, for their time and contributions to this document. Without the participation of the writing consultant, this study would not have been possible. I am grateful to Ms. Anna Holloway for her expertise and gracious assistance. Finally I would like to thank several individuals for their wonderful friendships and hospitalities. -
Dec 21 to 27.Txt
CLASSIC CHOICES PLAYLIST Dec. 21 - 27, 2020 PLAY DATE: Mon, 12/21/2020 6:02 AM Antonio Vivaldi Concerto, Op. 3, No. 10 6:12 AM TRADITIONAL Gabriel's Message (Basque carol) 6:17 AM Francisco Javier Moreno Symphony 6:29 AM Heinrich Ignaz Franz Biber Sonata No.4 6:42 AM Johann Christian Bach Sinfonia Concertante for Violin, Cello 7:02 AM Various In dulci jubilo/Wexford Carol/N'ia gaire 7:12 AM Wolfgang Amadeus Mozart Piano Sonata No. 7 7:30 AM Georg Philipp Telemann Concerto for Trumpet and Violin 7:43 AM Franz Joseph Haydn Concerto 8:02 AM Henri Dumont Magnificat 8:15 AM Johann ChristophFriedrich Bach Oboe Sonata 8:33 AM Franz Krommer Concerto for 2 Clarinets 9:05 AM Joaquin Turina Sinfonia Sevillana 9:27 AM Philippe Gaubert Three Watercolors for Flute, Cello and 9:44 AM Ralph Vaughan Williams Fantasia on Christmas Carols 10:00 AM Wolfgang Amadeus Mozart Prelude & Fugue after Bach in d, 10:07 AM Wolfgang Amadeus Mozart Piano Sonata No. 9 10:25 AM Wolfgang Amadeus Mozart Symphony No. 29 10:50 AM Wolfgang Amadeus Mozart Prelude (Fantasy) and Fugue 11:01 AM Mily Balakirev Symphony No. 2 11:39 AM Georg Philipp Telemann Overture (suite) for 3 oboes, bsn, 2vns, 12:00 PM THE CHRISTMAS REVELS: IN CELEBRATION OF THE WINTER SOLSTICE 1:00 PM Richard Strauss Oboe Concerto 1:26 PM Ludwig Van Beethoven String Quartet No. 9 2:00 PM James Pierpont Jingle Bells 2:07 PM Julius Chajes Piano Trio 2:28 PM Francois Devienne Symphonie Concertante for flute, 2:50 PM Antonio Vivaldi Concerto, "Il Riposo--Per Il Natale" 3:03 PM Zdenek Fibich Symphony No. -
Repertoire List
APPROVED REPERTOIRE FOR 2022 COMPETITION: Please choose your repertoire from the approved selections below. Repertoire substitution requests will be considered by the Charlotte Symphony on an individual case-by-case basis. The deadline for all repertoire approvals is September 15, 2021. Please email [email protected] with any questions. VIOLIN VIOLINCELLO J.S. BACH Violin Concerto No. 1 in A Minor BOCCHERINI All cello concerti Violin Concerto No. 2 in E Major DVORAK Cello Concerto in B Minor BEETHOVEN Romance No. 1 in G Major Romance No. 2 in F Major HAYDN Cello Concerto No. 1 in C Major Cello Concerto No. 2 in D Major BRUCH Violin Concerto No. 1 in G Minor LALO Cello Concerto in D Minor HAYDN Violin Concerto in C Major Violin Concerto in G Major SAINT-SAENS Cello Concerto No. 1 in A Minor Cello Concerto No. 2 in D Minor LALO Symphonie Espagnole for Violin SCHUMANN Cello Concerto in A Minor MENDELSSOHN Violin Concerto in E Minor DOUBLE BASS MONTI Czárdás BOTTESINI Double Bass Concerto No. 2in B Minor MOZART Violin Concerti Nos. 1 – 5 DITTERSDORF Double Bass Concerto in E Major PROKOFIEV Violin Concerto No. 2 in G Minor DRAGONETTI All double bass concerti SAINT-SAENS Introduction & Rondo Capriccioso KOUSSEVITSKY Double Bass Concerto in F# Minor Violin Concerto No. 3 in B Minor HARP SCHUBERT Rondo in A Major for Violin and Strings DEBUSSY Danses Sacrée et Profane (in entirety) SIBELIUS Violin Concerto in D Minor DITTERSDORF Harp Concerto in A Major VIVALDI The Four Seasons HANDEL Harp Concerto in Bb Major, Op. -
75Thary 1935 - 2010
ANNIVERS75thARY 1935 - 2010 The Music & the Artists of the Bach Festival Society The Mission of the Bach Festival Society of Winter Park, Inc. is to enrich the Central Florida community through presentation of exceptionally high-quality performances of the finest classical music in the repertoire, with special emphasis on oratorio and large choral works, world-class visiting artists, and the sacred and secular music of Johann Sebastian Bach and his contemporaries in the High Baroque and Early Classical periods. This Mission shall be achieved through presentation of: • the Annual Bach Festival, • the Visiting Artists Series, and • the Choral Masterworks Series. In addition, the Bach Festival Society of Winter Park, Inc. shall present a variety of educational and community outreach programs to encourage youth participation in music at all levels, to provide access to constituencies with special needs, and to participate with the community in celebrations or memorials at times of significant special occasions. Adopted by a Resolution of the Bach Festival Society Board of Trustees The Bach Festival Society of Winter Park, Inc. is a private non-profit foundation as defined under Section 509(a)(2) of the Internal Revenue Code and is exempt from federal income taxes under IRC Section 501(c)(3). Gifts and contributions are deductible for federal income tax purposes as provided by law. A copy of the Bach Festival Society official registration (CH 1655) and financial information may be obtained from the Florida Division of Consumer Services by calling toll-free 1-800-435-7352 within the State. Registration does not imply endorsement, approval, or recommendation by the State. -
Boston Symphony Orchestra Concert Programs, Season 32,1912
SANDERS THEATRE . CAMBRIDGE HARVARD UNIVERSITY !00fom g>gmpljmttj ©rrliestra Thirty-second Season* 1912— J9J3 Dr. KARL MUCK, Conductor Programme nf % SEVENTH CONCERT WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE THURSDAY EVENING, MARCH 27 AT 8.00 COPYRIGHT, 1912, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER Shown EXCLUSIVELY at Steinert Hall and our stores throughout New England STEINWAY Grand and Upright pianos in all regular models, and PIANOS in special designs of distinctive architectural styles. PIANOLA Steinway,Weber and other makes of Pianos, in 88-note PLAYER-PIANOS styles with all the exclusive Pianola features, including the Metrostyle and The- modist, at prices as low as $550. THE NEW ENGLAND- A series of quality pianos MADE PIANOS of distinctive musical char- acteristics—superb values THE HUME at their respective prices, THE JEWETT from $275 up. THE WOODBURY M. STEINERT & SONS CO. Steinert Hall, 162 Boylston Street New England's Largest Piano House SANDERS THEATRE .... CAMBRIDGE HARVARD UNIVERSITY Thirty-second Season, 1912-1913 Dr. KARL MUCK, Conductor SEVENTH CONCERT THURSDAY EVENING, MARCH 27 AT 8.00 PROGRAMME Beethoven .... Symphony in D major, No. 2, Op. 36 I. Adagio molto; Allegro con brio. IE. Larghetto. III. Scherzo: Allegro; Trio. IV. Allegro molto. Mozart Three German Dances (K. 605) Schumann . Concerto in A minor, for Pianoforte and Orchestra, Op. 54 I. Allegro affettuoso. II. Intermezzo: Andantino grazioso. III. Allegro vivace. Haydn . Symphony in G major (Breitjgopf and Hartel, No. 13) I. Adagio; Allegro. II. Largo. III. Menuetto; Trio. IV. Finale, Allegro con spirito. soloist/ Mr, NORMAN WILKS The Mason & Hamlin Pianoforte used There will be an intermission of ten minutes after the Beethoven symphony 3 : Miss Maggie Teyte THE DISTINGUISHED PRIMA DONNA Writes as follows of the fltemt&I|antlut PIANO Mason & Hamlin Co., Gentlemen The Mason & Hamlin Piano blends with the voice re- markably,—its singing quality and its carrying musical tone unite in making it unrivaled. -
Hindemith Viola Project
HINDEMITH VIOLA PROJECT CONCERT II DOCTORAL RECITAL KATHERINE LEWIS, Viola ,,, Wednesday, March 8, 2006 8:00 p.m. Lillian H. Duncan Recital Hall Z975 -2005 Ce l e b ratin g ~1/J Years THE SHEPHERD SCHOOL ~ SIC RICE UNIVERSITY The Hindemith Viola Project brings together fifteen viola students from the combined studios of Karen Ritscher and James Dunham to perform this unique series of concerts featuring music for the viola by the eminent German composer and violist Paul Hindemith. These stud ents have devoted much of the school year to learning and rehearsing this music in preparation for these concerts, and they participated in a series of all-Hindemith studio classes. Hindemith was a prolific com poser in all genres, and his numerous works for the viola occupy a sig nificant portion of the repertoire for the instrument. Hindemith's four Solo Sonatas and three Sonatas for Viola and Piano are presented on Tuesday and Thursday in a complete cycle that will demonstrate the virtuosic and sonorous qualities of the viola. These sonatas, composed between 1919 and 1939, are written in a variety of styles that reflect Hindemith's different influences and compositional phases. In addition, two chamber concertos are performed on Wednesday with orchestra: Kammermusik No. 5 and Trauermusik. All of these works were writ ten for Hindemith's own performance, and due to his intimate know ledge of the viola, they challenge the technique and skill of the violist in new and innovative ways. It is our hope that throughout the week, this project will not only showcase the talents and achievements of the violists at the Shepherd School, but also promote Paul Hindemith, who many consider to be the greatest and most creative violist-composer of all time. -
Early Music Influences in Paul Hindemith's Compositions for the Viola Domenico L
James Madison University JMU Scholarly Commons Dissertations The Graduate School Fall 2014 Early music influences in Paul Hindemith's Compositions for the Viola Domenico L. Trombetta James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/diss201019 Part of the Music Performance Commons Recommended Citation Trombetta, Domenico L., "Early music influences in Paul Hindemith's Compositions for the Viola" (2014). Dissertations. 5. https://commons.lib.jmu.edu/diss201019/5 This Dissertation is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Dissertations by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Early Music Influences in Paul Hindemith’s Compositions for the Viola Domenico Luca Trombetta A thesis submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Doctor of Musical Arts School of Music December 2014 To my wife Adelaide ii CONTENTS DEDICATION…………………………………………………………………………….ii LIST OF MUSICAL EXAMPLES……………………………………………………….iv LIST OF FIGURES………………………………………………………………………vi ABSTRACT……………………………………………………………………………..vii INTRODUCTION………………………………………………………………………...1 I. The Origins of Hindemith’s Interest in Early Music………………………………….5 II. The Influence of Bach’s D-Minor Chaconne for Solo Violin on Hindemith’s Viola Sonatas op. 11, no.5 and op. 31, no.4………………………………………………..14 III. Viola Concerto Der Schwanendreher………………………………………………..23 IV. Trauermusik for Viola and Strings…………………………………………………..35 CONCLUSION…………………………………………………………………………..42 BIBLIOGRAPHY………………………………………………………………………..45 APPENDICES…………………………………………………………………………...48 A. Musical Examples B. Figures iii Musical Examples 1a Hindemith, Solo Viola Sonata Op. 11, No. 5, movt. IV (In Form und Zeitmass einer Passacaglia), Theme…………………............................................49 1b Bach, Chaconne, Theme………………………………………………………....49 1c Hindemith, Solo Viola Sonata Op. -
Schumann-Masters-Report
Copyright by Scott Charles Schumann 2011 The Report Committee for Scott Charles Schumann Certifies that this is the approved version of the following report: Interpreting the Mourning Process Through Hindemith’s Trauermusik APPROVED BY SUPERVISING COMMITTEE: Supervisor: David Neumeyer James Buhler Interpreting the Mourning Process Through Hindemith’s Trauermusik by Scott Charles Schumann, B.Music Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Music The University of Texas at Austin May 2011 Abstract Interpreting the Mourning Process Through Hindemith’s Trauermusik Scott Charles Schumann, M.Music The University of Texas at Austin, 2011 Supervisor: David Neumeyer Paul Hindemith traveled to London in 1936 intending to give the British premiere of his concerto for viola and chamber orchestra titled Der Schwanendreher on 22 January. The premiere – and much else – was put into question a few minutes before midnight on 20 January 1936, however, when King George V passed away. The next day, Hindemith worked from 11:00 A.M. – 5:00 P.M. composing Trauermusik [Music of Mourning] for solo viola and string orchestra as a tribute to the recently deceased King of England. Thus, the circumstances surrounding the compositional origin of this piece invite a discussion of mourning in both a historical and musical context. In this paper, I will touch on issues such as how mourning defines us as humans and how emotions associated with mourning can be represented in music and experienced by the listener. I will illustrate how mourning helps us to understand the meaning of Trauermusik when it was written and first performed in 1936, following the death of iv King George V. -
Orchestra Repertoire by Composer
Concord Orchestra (1969-2019 seasons) –– Richard Pittman, 50th season as conductor by Composer Compiled by Grant Anderson, June 2019 1 Concord Orchestra Repertoire by Composer (1969-2019 seasons) — Richard Pittman, conductor Composer Composition Composed Soloists Groups Concert Adams John (1947 – ) Nixon in China: The Chairman Dances 1985 May 2000 Adams John (1947 – ) ShortA Short Ride in a Fast Machine (Fanfare for 1986 December 1990 Great Woods) Adams John (1947 – ) AShort Short Ride in a Fast Machine (Fanfare for 1986 December 2000 Great Woods) Adler Samuel (1928 – ) TheFlames Flames of Freedom: Ma’oz Tzur (Rock 1982 Lexington High School December 2015 of Ages), Mi y’mallel (Who Can Retell?) Women’s Chorus (Jason Iannuzzi) Albéniz Isaac (1860 – 1909) Suite española, Op. 47: Granada & Sevilla 1886 May 2016 Albert Stephen (1941 – 1992) River-Run: Rain Music, River's End 1984 October 1986 Alford, born Kenneth, born (1881 – 1945) Colonel Bogey March 1914 May 1994 Ricketts Frederick Anderson Leroy (1908 – 1975) Belle of the Ball 1951 May 1998 Anderson Leroy (1908 – 1975) Belle of the Ball 1951 July 1998 Anderson Leroy (1908 – 1975) Belle of the Ball 1951 May 2003 Anderson Leroy (1908 – 1975) Blue Tango 1951 May 1998 Anderson Leroy (1908 – 1975) Blue Tango 1951 May 2007 Anderson Leroy (1908 – 1975) Blue Tango 1951 May 2011 Anderson Leroy (1908 – 1975) BuglerA Bugler's Holiday 1954 Norman Plummer, April 1971 Thomas Taylor, Stanley Schultz trumpet Anderson Leroy (1908 – 1975) BuglerA Bugler's Holiday 1954f John Ossi, James May 1979 Dolham, -
Reinhold Friedrich Discographie
1 Discographie Reinhold Friedrich – Trompete Capriccio Ausgezeichnet mit dem "ECHO-Preis": B. A. Zimmermann NOBODY KNOWS DE TROUBLE I SEE / LUCI- ANO BERIO Sequenza X, WOLFGANG RIHM Sine nomine I / GIANCINTO SCELSI Vier Stücke für Trompete solo / WILHELM KILLMAYER The broken Farewell Interpret: Reinhold Friedrich, Trompete Orchester: Radio- Sinfonie-Orchester Frankfurt Dirigent: Dimitri Kitajenko Bestellnr.: CAP 10482 AUFNAHMEN ALS MITGLIED DES HR-Brass: Venetian Brass VENEZIANISCHE MEHRCHÖRIGKEIT Werke von Gabrieli, Frescobaldi, Guani, Massaino, Gussago, Lappi, Raveri-Sammlung Interpreten: HR-Brass Dirigent: Edward Tarr Bestellnr.: CAP 5012 HR-Brass DIE BLECHBLÄSER DES RADIO-SINFONIE-ORCHESTERS FRANKFURT Werke von Bach, Händel, Purcell, Copland, Carter, Barber Interpreten: HR-Brass, Dirigent: Lutz Köhler Bestellnr.: CAP 10361 HR-Brass DIE BLECHBLÄSER DES RADIO-SINFONIE-ORCHESTERS FRANKFURT MODEST MUS- SORGSKY Bilder einer Ausstellung/ SERGEJ PROKOFIEFF Romeo und Julia, Interpreten: HR-Brass, Dirigent: Lutz Köhler, Bestellnr.: CAP 10408 HR-Brass DIE BLECHBLÄSER DES RADIO-SINFONIE-ORCHESTERS FRANKFURT GEORGE GERSHWIN Strike up the band, Porgy & Bess, The best of Gershwin / LEONARD BERNSTEIN Westside Story (Arr.: Eric Crees) Interpreten: Tony Fisher (Lead Trompete) / Jiggs Whigham (Solo-Posaune) / HR-Brass Dirigent: Jiggs Whigham Bestellnr.: CAP 10429 HR-Brass DIE BLECHBLÄSER DES RADIO-SINFONIE-ORCHESTERS FRANKFURT Sergej Prokofieff: Peter und der Wolf / Camille Saint-Saens: Carneval der Tiere Interpreten: HR-Brass, Konrad Beikircher (Erzähler) Dirigent: Lutz Köhler Bestellnr.: CAP 10836 Reinhold Friedrich spielt ANDRÉ JOLIVET: Concertino für Trompete, Streichorchester und Klavier/ EDISON DE- NISOV: Con Sordino für Trompete und Klavier/ ANDRÉ DENISOV: Konzert für Trompete und Orchester Nr. 2/ JAAN RÄÄTS: Konzert für Trompete, Klavier und Streichorchester op. 92/ DMITRI SHOSTAKOVITCH: Konzert Nr. -
Part II Repertoire
125 Part II Repertoire The following is a complete listing of repertoire performed by the orchestra and/or chorus, excluding staged opera performances, and chamber works or art songs performed on MCMA concerts. The list also excludes works performed on programs that did not include either the orchestra or chorus (e.g., works performed by guest choruses). In several “Pops” concerts of the 1960s-80s, the guest artist’s featured works were listed only as “selections” and announced from the stage. It has been impossible to reconstruct some of these programs, so a certain amount of that repertoire has been lost. The repertoire list is organized by composer and cued to the dates of performance. Where possible, arrangers are listed, and cross-referenced to the composers of individual works. Most dates listed represent regular subscription or free concerts from the MCMA or MSO season. The following codes are appended to the date when the work appeared on a non-subscription concert: c = choral programs p = pops programs (1960- ) y = youth concerts (including “Young Peoples’ Concerts, “Fall Youth Concerts,” “Symphony Soup,” and other programs aimed at a young audience (1930- ) f = family neighborhood concerts (1970s) and family concerts (1990s) g = annual Concert on the Green (1996- ) r = runout concerts (outside of Madison) bb = “brown bag” concerts (mid 1970s) s = other special programs (hired concerts, festival programs, etc.) Ade Twentiana / 5/1/93(p) Abert orchestration of “Prelude, Chorale, and Fugue” - Ades see Bach arrangement “Symphonic Portrait of Irving Berlin” - see Berlin Accolay Concerto No.1 for Violin and Orchestra / Albeniz 10/17/89(y) Iberia (“Triana”) / 11/2/52 Jota Aragonesa (orch. -
The Magic Flute
The Magic Flute Opera Box Table of Contents Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .9 Reference/Tracking Guide . .10 Lesson Plans . .13 Synopsis and Musical Excerpts . .32 Flow Charts . .38 Wolfgang Amadeus Mozart – a biography ......................49 Catalogue of Mozart’s Operas . .51 Background Notes . .53 Emanuel Schikaneder, Mozart and the Masons . .57 World Events in 1791 ....................................63 History of Opera ........................................66 2003 – 2004 SEASON History of Minnesota Opera, Repertoire . .77 The Standard Repertory ...................................81 Elements of Opera .......................................82 Glossary of Opera Terms ..................................86 GIUSEPPE VERDI NOVEMBER 15 – 23, 2003 Glossary of Musical Terms .................................92 Bibliography, Discography, Videography . .95 Word Search, Crossword Puzzle . .98 GAETANO DONIZETTI JANUARY 24 – FEBRUARY 1, 2004 Evaluation . .101 Acknowledgements . .102 STEPHEN SONDHEIM FEBRUARY 28 – MARCH 6, 2004 mnopera.org WOLFGANG AMADEUS MOZART MAY 15 – 23, 2004 FOR SEASON TICKETS, CALL 612.333.6669 620 North First Street, Minneapolis, MN 55401 Kevin Ramach, PRESIDENT AND GENERAL DIRECTOR Dale Johnson, ARTISTIC DIRECTOR Dear Educator, Thank you for using a Minnesota Opera Opera Box. This collection of material has been designed to help any educator to teach students about the beauty of opera. This collection of material includes audio and video recordings, scores, reference books and a Teacher’s Guide. The Teacher’s Guide includes Lesson Plans that have been designed around the materials found in the box and other easily obtained items. In addition, Lesson Plans have been aligned with State and National Standards. See the Unit Overview for a detailed explanation. Before returning the box, please fill out the Evaluation Form at the end of the Teacher’s Guide.