Cover CW 476 December 2018

Total Page:16

File Type:pdf, Size:1020Kb

Cover CW 476 December 2018 CONCERTINA WORLD Magazine of the International Concertina Association since 1952 CW 476 December 2018 with separate December supplement In this issue: Interviews with Cormac Begley and Vox Hunters Information/interviews/techniques/ events/music supplement Subscriptions run from 1 January each year Quantock Lodge Photographs by Martin Henshaw Claire Wren’s Band Colin Sleath’s English Workshop Sally Barrett Ensemble workshop workshop Steve Grayland’s Anglo workshop . Concertina World Editor: 1 Index Pauline de Snoo, tel. 0031 73 54 79837 2 Editorial Goudenregenstraat 5, 5482 CW Schijndel, Netherlands 4 Chairman Committee Email: [email protected] 5 Internet Video Jukebox 18 or [email protected] 7 Interview Vox Hunters Concertina World Correspondent: 15 cd review Paul Walker 16 West Country Concertina Players’ Email: [email protected] Weekend at Quantock Lodge Membership Secretary: 20 Grave Matters Martin Henshaw, tel. 01767 627 566 21 Interview Cormac Begley Oak End, 23A Bedford Road 30 Hawkwood Concertina Band Northill, Biggleswade, Beds, SG18 9AH Email: [email protected] 32 ICA AGM 2019 33 Obituary: Jean Margery Perree Treasurer and Chairman Committee: 35 Subscription renewals Paul McCann Email: [email protected] Inside cover: photos Martin Henshaw Librarian/Archivist: Jeremy Hague Email: [email protected] Secretary: Roger Gawley Contributors: Jenny Cox, Bill Crossland, Email: [email protected] Pauline de Snoo, Roger Gawley, Martin Henshaw, Paul McCann, Paul Walker. Webmaster: Michel van der Meiren Email: [email protected] Music Supplement: Pauline de Snoo Other committee members: December Supplement: Pauline de Snoo Graham Heffernann; Jon McNamara; Gill Noppen-Spacie, Tracy Tye, Colin Whyles. Subscriptions run from 1 January to 31 December. Membership subscriptions are due on 1 January of each year. Membership UK 20 GBP, Europe 23 GBP, USA 26 GBP. For more information see website www.concertina.org, also Paypal payments for non UK members. The views expressed in “Concertina World” are solely those of the author and do not ICA bank details for subscribers: necessarily bear any relationship to the editor or A1 Account holder: International Concertina Association committee of the International Concertina Barclays Bank, Saffron Walden Business Association. Centre, Market Place, Saffron Walden, Essex CB10 1HR No effort has been spared to trace the holders Sort code 20-74-05 of possible copyright in any of the items Account no. 10514489 contained here, and the publisher trusts that IBAN GB 13 BARC 2074 0510 5144 89 SWIFTBIC BARC GB22 any inadvertent infringement will be overlooked. They express their readiness, however to make any necessary corrections in subsequent editions. CW is indexed and fully included in rilmAbstracts Concertina World 476 editor: Pauline de Snoo © 10-12-2018 1 Editorial Dear Readers, Another year has almost gone by and as always I hope you will enjoy the reading material offered to you. Maybe you can find some time to sit down and relax from preparing the festivities for the holidays and read among other things the interesting interviews that Bill Crossland and Paul Walker have provided. I have also taken the liberty to write a little personal memoir (see the supplement) while I am getting close to retiring as editor. We, the ICA, are still looking for someone who can take over the job of keeping the magazine going in whatever shape or form it may take in the future. The new editor does not necessarily have to do everything as I have done it. Every editor can put his or her own stamp on the publication. With the regular contributions coming in as they do now the life of the editor is not as difficult as it may look. Do contact me or anyone else on the committee if you are interested but uncertain as to whether you could do it. I wish you all the best for 2019 and remember as always that all contributions are welcome. Your editor Pauline de Snoo - NEXT DEADLINE 15 February 2019. - Subscription renewals for 2019 see page 35. - Vacancies (replacing present officers): Editor Concertina World Concertina World 476 editor: Pauline de Snoo © 10-12-2018 2 A Message from the Chairman Paul McCann I have been having a look at our membership data, with some interesting results! Certainly we are more “International” than we used to be: although 84% of the membership is UK-based, 17 other countries are now represented. We have 10% of our members in North America, compared with 5% in Europe. Of course this may reflect cultural and historical ties between North American, British and Irish music traditions. However, we have only 2 members in the Irish Republic, and both of these list “English” as their main system played. This means that the huge Irish concertina tradition is completely unrepresented in our membership today! How can we reach out to these players and make the ICA relevant to them? According to our records, 69% of members are male, 31% female. I was a little bit surprised by this as I meet many female concertina players at concertina events and festivals, and so I expected a more even gender balance. Presumably many of these ladies are not yet ICA members! I wonder why there is this imbalance, and whether it’s representative of the wider concertina community. Of those who identify a main system played, 67% play English, 24% Anglo and 9% Duet systems of various kinds. An impressive 35 or so play more than one system, and a very impressive 5 members list a third system! Not to mention other instruments, of course. The range of musical interests represented in our membership is very diverse, though various folk traditions and “classical” or “band playing” are probably the most popular genres. Don’t forget that the ICA Library has the world’s largest collection of music written or arranged for concertina, and it is all available exclusively to members. Turning to our ICA “vacancies”, we now have a volunteer to take over the audit role from John Wild. Rosemary Kavanagh (known to some of you through the West Country players) will take over from John after the audit of the 2018 accounts. She will be formally proposed to members at the 2019 AGM. Many thanks to Rosemary for taking this on. Concertina World 476 editor: Pauline de Snoo © 10-12-2018 3 Our other appeal for help with the magazine and social media remains open. If you can help, have any relevant expertise, or know someone who does, please do get in touch with me or any committee member as soon as possible! You can contact me at [email protected] or on 07947-217840 As we approach the end of 2018 it just remains for me to thank you for your continued membership and support, and wish you a safe, enjoyable and peaceful winter and all the best for 2019. Happy Squeezing! Delivery of Concertina World (Note from Roger Gawley) We may have given some members the idea that there are plans to discontinue Concertina World as a printed-and-posted magazine. This impression is not correct. There is no proposal to stop printing Concertina World and mailing it to members who wish to receive it in that way. Several members have asked about the possibility of electronic delivery of Concertina World. At present our efforts are concentrated on recruiting an editorial team to carry on when the present editor hands over. Once that is in place, we may consider ways in which Concertina World could be delivered to those members who prefer an electronic version as well as those who prefer to see it in print. <> Concertina World 476 editor: Pauline de Snoo © 10-12-2018 4 INTERNET VIDEO JUKEBOX 18 INTERNET VIDEO JUKEBOX 18 Compiled by Paul Walker For speedy access: Go to the ICA web site where Michel van der Meiren, our ace Webmaster, has turned the hyperlinks into a stunning TV-like slideshow. Excellent work Michel. First an exciting sneak preview of next spring’s planned tour on the Peterloo massacre. Featuring two concertina players and a melodeon squeezer (tho all are multi- instrumentalists). So plenty to interest CW readers: Brian Peters – “Kersal Moor” Broadside ballad written in 1838 about the great Chartist meeting at Kersal Moor, Salford, set to a tune written by Brian. Live performance at the Bridge Folk Club, Newcastle, November 2018. The song features in 'The Road to Peterloo' concert performance featuring Brian Peters, Pete Coe and Laura Smyth. https://www.youtube.com/watch?v=Jc41I79XWqY Steve Taggart – Hawkeyed sleuth of the WWWeb has contributed three items this issue: Danny Spooner performs at the 2009 Newfoundland and Labrador Folk Festival in Bannerman Park in St. John's, NL. Steve reports: “An object lesson in accompanying your own singing, in spite of a most disrespectful audience. Their loss, l would say:” https://www.youtube.com/watch?v=DegONENQU8U Brian Hyland – Carolan’s Concerto – “A real good effort, on Anglo:” https://www.youtube.com/watch?v=q04V6uPkIGk Do you think we could ever persuade any of the younger members of the ICA to have a go at the concertina version of this sort of thing? (l did try it myself but my amboyna Aeola really didn't like it). https://www.youtube.com/watch?v=VNIBJ0PLWNU Well Paul, you did suggest l should have a look on the Dark Web!” Chris Droney | Gradam Saoil. Well-respected elder statesman of Irish concertina playing. https://www.youtube.com/watch?v=XbTweQZTbbk&list=PLGnnNGIY 7-Ypm9bxu-22KJtpef0aoBIhf Concertina World 476 editor: Pauline de Snoo © 10-12-2018 5 Kosie Beukes: Konsertina is net 1 van 13 vir Kosie – excellent youth playing – from South Africa I think. https://www.youtube.com/watch?v=MkhiBaVsEAk Steve Wilson – The Beatles' Honey Pie on concertina.
Recommended publications
  • March 23, 2012 Masters of Tradition Celebrates the Art of Irish Music At
    March 23, 2012 Masters of Tradition celebrates the art of Irish music at the Annenberg Center “A terrifically enjoyable show—accomplished line-up...thrilling climax of galloping jigs and reels.” The Australian (Philadelphia, March 23, 2012)—In its American debut, Masters of Tradition, the ensemble comprised of seven of Ireland's most compelling musicians, brings the heart of Ireland to the Annenberg Center stage. Named for the music festival held each August in the Irish coastal town of Bantry, West County Cork and curated by renowned fiddler Martin Hayes, Masters of Tradition captivates audiences with intimate performances and dazzling instrumentals. The performance will take place on April 15, 2012 at 7 PM. Tickets are $20-$40 (prices are subject to change). For tickets or for more information, please visit AnnenbergCenter.org or call 215.898.3900. Tickets can also be purchased in person at the Annenberg Center Box Office. A celebration of traditional Irish music in its purest form, the performance will showcase a variety of intimate solos, duets and trios as well as full group collaborations. The ensemble reads as a ‘who’s who’ in Irish music and includes vocalist Iarla Ó Lionnáird, fiddlers Martin Hayes and Cathal Hayden, guitarists Dennis Cahill and Seamie O’Dowd, accordionist Máirtín O’Connor and piper David Power. Artistic director Martin Hayes launched the Masters of Tradition Festival in 2002. "The goal of this tour is to focus on the nuances of Irish traditional music," says Hayes. "The performers are all masters of their instruments. Through their talent and abilities, the sophistication and artfulness of the music is revealed." Born in East County Clare, a part of Ireland renowned for traditional music, Hayes is lauded for his distinctly lyrical style.
    [Show full text]
  • Feakle Festival August 6-12 '08
    Feakle Festival August 6-12 '08 WED 6 1.00pm – 2.00pm Riches of Clare Concert featuring: Conor Keane, Seanie O'Gorman & Dave Harper. Community Centre. Free 7.30pm Official Opening of Festival. A tribute to Paddy O'Donoghue presented by Paula Carroll. Wine and food reception. All are welcome! Community Centre. Free 10.00pm Festival Session with Mark Donnellan, Cyril O’Donoghue and friends. Peppers Bar. Free Workshops will take place on Thursday 7, Friday 8 and Saturday 9 from 10am - 1pm unless otherwise stated. Enrol at National School from 9am onwards. Workshop prices are €20.00 per day or €50.00 for three days. Instrument Tutor Fiddle (beginner) Denise Glass Fiddle (Intermediate/Advanced) Martin Hayes, Pat O’Connor, Joan Hanarahan Accordian Eoghan O’Sullivan Concertina Mary MacNamara, Kate MacNamara Flute (beginner) Jennifer Lenihan Flute (Intermediate/Advanced) Paul Smyth Guitar Denis Cahill Singing (Thursday & Friday) Helen Hayes Sean Nós Singing Ciarán Ó'Gealbháin Banjo Dave Harper Set Dancing 11.00am – 5.00pm on Saturday. Bohan's Bar. Emphasis on Clare Battering Step. €10. Peter Hanrahan Seanos Dancing 10.00am - 1.00pm on Friday and Saturday. Suzanne Leahy Tin Whistle John Kelly Singing - 'In verse and in Rhyme'; trends in traditional songmaking (Saturday only). Micheal Marrinan THURS 7 10.00am – 1.00pm Workshops 3.00pm Festival Walk – enjoy the beautiful landscape of East Clare. Walk starts from the Community Centre and includes a house session and refreshment stop! (Approx 5 miles). Free 4.00pm - 6.00pm Afternoon session for workshop students providing an opportunity for students to play in sessions led by workshop tutors.
    [Show full text]
  • Sunspot Concerts at the Lyceum Furnace Mountain Martin Hayes
    Sunspot Concerts at the Lyceum Furnace Mountain Saturday, March 20, 2010, 8 PM $18 advance/$21 door Furnace Mountain, named after the tallest peak of the Catoctin Mountains, is a quartet of traditional musicians who play the music of the Virginia countryside and mountains. Dave Van Deventer (fiddle) and Danny Knicely (mandolin & guitar) front the instrumental side of things, while vocalists Morgan Morrison (bouzouki) and Aimee Curl (bass) layer in a stunning mix of the earthy and ethereal. Their music is at times lively and raucous, with spirited fiddle melodies weaving in and around the powerful rhythms of the bass and bouzouki. At other times it is poignant and poetic, with sublime vocal harmonies beautifully interpreting some of the oldest songs ever written. They’ve just released a new CD, Fields of Fescue. www.furnacemountain.com. Martin Hayes & Dennis Cahill Saturday, April 10, 2010, 8 PM $26 advance/$30 door Martin Hayes has drawn musical inspiration from sources as diverse as the Estonian composer Arvo Pärt, the Spanish viola da gamba master Jordi Savall and the jazz genius John Coltrane to create his own signature style of Irish fiddle music. Still, he remains grounded in the music he grew up with in his own locality, Maghera, Feakle, East County Clare. Coming this Summer & Fall: Saturday, July 31, The Kane Sisters Friday, Sept. 17, Red Molly Tickets available at www.sunspotpro.com The Lyceum, 201 South Washington St, Alexandria, VA Join Sunspot online at www.myspace.com/sunspotpro and on Facebook www.groups.to/sunspotconcerts Sunspot Production • www.sunspotpro.com • 800 404-9049 About the Concerts Past Sunspot Shows Sunspot Concerts Sunspot showcases musicians from the United Irish singer Karan Casey ● Irish-American At The Lyceum States and around the globe, representing all singer Cathie Ryan ● American banjo master styles of traditional and contemporary folk Tony Trischka ● Connemara fiddlers The Kane Spring 2010 music.
    [Show full text]
  • Melodic Identity and Tune Resemblance Karen E. Mcaulay
    1 ABSTRACTS (grouped by session) Session 1: Melodic Identity and Tune Resemblance Karen E. McAulay (Royal Conservatoire of Scotland, Glasgow) ‘All the right notes, but not necessarily in the right order’*: Musical Resemblances over the Border The appealing Northumbrian pipe-tune, “I saw my love come passing by me”, appears in at least three nineteenth century sources, and again in Cock’s Tutor for the Northumbrian Half-Long Bagpipes. The latest two of these are shorter, whilst the first two elaborate the tune with variations. Nonetheless, the resemblances are clear; their kinship is indisputable. However, there are two much earlier appearances of similar tunes in publications north of the border. A century older, each has a different title, and although the shapes of these tunes are undeniably similar, they are certainly neither identical forerunners to one another, nor to “I saw my love”. Indeed, one source was linked in 1925 to a totally different tune. Notwithstanding this earlier identification, I dispute the similarity, and propose that there is some kind of link between “I saw my love” and her earlier Scottish cousins. Whilst the Tune Archive enabled me to trace the iterations of the Border tunes, it failed to flag up these Scottish tunes as potential relatives, partly because their rhythmic notation means the Theme Code index failed to pick up the same strong beats. I propose to demonstrate the methodology I have adopted to attempt to prove my hypothesis. If I’m right, it suggests that before I saw my love come passing by me, she had enjoyed a bit of a shadowy Celtic past.
    [Show full text]
  • Music in the Northern Woods: an Archaeological Exploration of Musical Instrument Remains
    Michigan Technological University Digital Commons @ Michigan Tech Dissertations, Master's Theses and Master's Reports 2018 Music in the Northern Woods: An Archaeological Exploration of Musical Instrument Remains Matthew Durocher Michigan Technological University, [email protected] Copyright 2018 Matthew Durocher Recommended Citation Durocher, Matthew, "Music in the Northern Woods: An Archaeological Exploration of Musical Instrument Remains", Open Access Master's Thesis, Michigan Technological University, 2018. https://doi.org/10.37099/mtu.dc.etdr/575 Follow this and additional works at: https://digitalcommons.mtu.edu/etdr Part of the Archaeological Anthropology Commons, Ethnomusicology Commons, and the Musicology Commons MUSIC IN THE NORTHERN WOODS: AN ARCHAEOLOGICAL EXPLORATION OF MUSICAL INSTRUMENT REMAINS By Matthew J Durocher A THESIS Submitted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE In Industrial Archaeology MICHIGAN TECHNOLOGICAL UNIVERSITY 2018 © 2018 Matthew J Durocher This thesis has been approved in partial fulfillment of the requirements for the Degree of MASTER OF SCIENCE in Industrial Archaeology. Department of Social Sciences Thesis Advisor: Dr. LouAnn Wurst Committee Member: Dr. Steven A. Walton Committee Member: M. Bartley Seigel Department Chair: Dr. Hugh Gorman Table of Contents List of Figures………………………………………………………………………….v List of Tables…………………………………………………………………………vii Acknowledgments........................................................................viii Abstract………………………………………………………………………………….x 1. There was music…………………………………………………………………..1 1.1. Enter Coalwood…………………………………………………………………………….3 1.2. A prelude……………………………………………………………………………………..7 2. Fresh Water, Ore, and Lumber……………………………………………10 2.1. Early logging and music in the Upper Peninsula………………………….…14 2.2. Cleveland Cliffs Iron Mining Company………………………………………….16 2.3. Coalwood: 1901-1912…………………………………………………………………..18 2.4. Conclusion…………………………………………………………………………………26 3. The Sounds of a Place.………………………………………………………..28 3.1.
    [Show full text]
  • Caoimhín Mac Aoidh on Regional Irish Fiddle Styles
    20/03/2018, 0018 Page 1 of 1 Translate this page to French Go Translation by GO! Network Caoimhín Mac Aoidh on Regional Irish Fiddle Styles REPRODUCED BY PERMISSION OF THE AUTHOR: By all means feel free to use the article at the site. The only thing you need to point out is that the article is now at least 20 years old and was originally published in Vol. 1 of An Fhidil Ghaelach (now out of print).—Caoimhín Mac Aoidh Part 1 Part 2 Part 3 Part 1 Approximately 90 years ago the Irish language was spoken without break along the entire southern western and northern coastline and as far inland as County Roscommon (Irish Language Survey of 1891). At this time the Irish of these areas, dialectically speaking, gradually flowed into one another, thus making distinct dialects along a continuous transverse section almost undetectable. A language can be simply defined as a highly organised series of sounds and it is important to note that music, and in this case traditional Irish dance music, also fits well with this definition. I feel that both language and music are reflective of their practitioners or creators. Northerners to me generally are straightforward people in their humour and speech. Their music is usually straightforward as well; their song, ornamentally, is also. The Ulster dialect of Irish is often referred to as bland or flat. The music of the more southern counties, as regards their sound, and Irish dialects are significantly lighter in nature. A link between the music and the language is herein implied.
    [Show full text]
  • Indoors Dapper's Delight
    Karnatic Lab Records, Postbox 2595, 1000 CN Amsterdam Dapper’s Delight Indoors [email protected], www.karnaticlabrecords.com Pagina 24 Pagina 1 0003_PRO_BK4P, booklet 4p 242x120, © Promese 05-2009 WITH SPECIAL THANKS TO: CAMILLA, ANKE, ROY, LOTTA, MARCO, RAPHAELA AND PASCAL FOR BABYSITTING DUTIES KRIS AND THOMAS FOR THEIR HELPFUL CRITICISM AND LAST MINUTE TWEAKING LIKEWISE PETER, FOR KAA THE SNAKE AND HIS UNFLINCHING LOYALTY MALCOLM FOR GARDEN GREEN AND FOR THE ERICA IN 1976 JONATHAN FOR EDITING THE TEXTS MARK FOR HELP WITH TEXTS, SOURCES AND HIS CONTINUOUS ENCOURAGEMENT AND ENTHUSIASM JOHN FOR HELP SEARCHING FOR THE ELUSIVE BOUNCE STEPHANIE FOR TRYING TO FIND THE VOICE JÜRGEN FOR HIS WONDERFUL INSTRU- MENT "SOOTY" CHRIS FOR THE NICEST TUCK SHOP IN THE WORLD NED, GIJS AND THE REST OF THE BACKROOM STAFF AT KARNATIC LAB RECORDS CARST FOR HELP WITH THE COVER PHOTO- GRAPHS ROBIN, ANNABEL AND MICHA FOR DOING ALL THE WORK OUR FAMILIES AND FRIENDS FOR THEIR UNDERSTANDING AND ANYBODY WHO STOPPED TO LISTEN ON THE STREET FINALLY TO RUFUS FOR PUTTING UP WITH US SO COURAGEOUSLY Susanna Borsch recorder & voice Dapper’s Delight Adrian Brown anglo concertina & voice programme notes and artwork: Dapper’s Delight; booklet photographs: Robin Bigwood 17th century broadsides reproduced with kind permission of the Pepys library www.dappersdelight.com Pagina 2 Pagina 23 0003_PRO_BK4P, booklet 4p 242x120, © Promese 05-2009 Dapper’s Delight is a duo formed to ex- comprising an unusual combination of plore the dance music and songs of the period 1550 – 1750, particularly pieces to perform composed pieces drawing on found in both high and low cultural sources.
    [Show full text]
  • Foreign Bodies in the River of Sound
    FOREIGN BODIES IN THE RIVER OF SOUND SEEKING IDENTITY AND IRISH TRADITIONAL MUSIC Helen O’Shea Thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Social Sciences Faculty of Arts Victoria University of Technology 2005 CONTENTS Images................................................................................................................................ v Musical Examples............................................................................................................ vi Abstract ........................................................................................................................... ix Declaration........................................................................................................................ x Acknowledgements.......................................................................................................... xi INTRODUCTION ............................................................................................................ 1 Chapter 1 THE RESEARCHER’S QUEST: THEORIZING MUSIC AND IDENTITY ..................... 6 1.1 Identifying identity .................................................................................................. 6 1.2 Theorizing music.................................................................................................... 10 1.3 Understanding Irish music..................................................................................... 21 1.4 The researcher’s quest...........................................................................................
    [Show full text]
  • Concertina World #449 2011
    CONCERTINA WORLD #449 2011 Magazine of the International Concertina Association Information/interviews/techniques/events separate music supplement Editor Music Supplement and PICA: 1 Index Jon McNamara, tel: 01279 656664 17, Nursery Road, Bishops Stortford, 2 Editorial Herts, CM23 3HJ 3 Jody Kruskal and AGM 2011 Email: [email protected] 6 Alistair Anderson weekend Librarian/Archivist: 7 Crane Concertina World Jeremy Hague 8 Westmeath Hunt Email: [email protected] 9 Crabb Concertinas Concertina World Editor: 11 Interview Paul Walker Pauline de Snoo 16 SqueezEast Tel: 00 31 73 54 79837 18 Concertina on iPod Goudenregenstraat 5, 5482 CW Schijndel, Netherlands 20 Biology of a Band Baritone Email: [email protected] or 23 Kimber Blue PLaque [email protected] 24 Blowzabella Review Secretary: 25 Douglas Lloyd Roger Gawley, Tel:0191 384 4764 26 John Nixon 17 Dryburn Road, Durham DH1 5AJ 27 Lavinia McDougall Email: [email protected] 30 Song accompaniment (2) Membership secretary: 34 Concertina for sale, Melodeon Martin Henshaw stolen Oak End, 23A Bedford Road Northill, Biggleswade, Beds. SG18 9AH Tel. 01767 627 566 Contributors: John Beckett, Les [email protected] Branchett, Pauline de Snoo, Peter Dyson, Maeve Gebruers, Martin Treasurer: Henshaw, Valmai Goodyear, Peter Paul McCann, [email protected] McDougall, Wes Williams. Other committee members: Suzanne Higgins; Gill Noppen-Spacie; Michel van der Meiren, website; Carolyn Wade; Wes Williams, document archive. The views expressed in Subscriptions run from 1 January to 31 December. “Concertina World” are solely Membership Subscriptions due on 1 January of those of the author and do not the year. Membership UK 20 GBP, Europe 23 necessarily bear any relationship GBP, USA, 26 GBP.
    [Show full text]
  • Spring Weekend: May. 28-31
    **Updated version as of 5/17/10 -- see also calendar listings on p.9 ** Folk Music Society of New York, Inc. May 2010 vol 45, No.5 April 30, Fri: Brian Peters Concert: 7:30pm 96 St & B’way-see p.2 May 1 Sat Brian Peters Ballad Wkshp: 11am-1pm, Upper West Side 2 Sun Sea Music Concert; Don Sineti and Steve Roys + NY Packet; 3 pm at South Street 5 Wed Folk Open Sing 7 pm in Brooklyn 10 Mon FMSNY Exec. Board Meeting; 7:15 pm location tba 15 Sat Chantey Sing at Seamen’s Church Institute, 8pm. 15 Sat Old-Time Jamming Workshop & Jam, 2:30 – 4:30 PM, Park Slope, Brooklyn. 16 Sun Sacred Harp Singing location to be announced 16 Sun Singing Party in Sheepshead Bay, Brooklyn; 2-5pm 21-23: Brooklyn Folk Fest at Jalopy Theatre, Brooklyn. 28-31 Spring Folk Music Weekend at Kislak Adult Center, Lake Como, PA -- see flyer in centerfold June 1 Tue Sea Music Concert-Tribute to Charlie O’Hegarty; NY Packet, David Jones, and others: 6 pm at South Street 2 Wed Folk Open Sing 7 pm in Brooklyn 3 Thur Newsletter Mailing, 7pm in Jackson Heights (Queens) 8 Tue Sea Music Concert; Peter Kasin and Richard Adrianowicz + NY Packet; 6 pm at South Street 14 Mon FMSNY Exec. Board Meeting; 7:15pm location tba 15 Tue Sea Music Concert; tba + NY Packet; 6 pm at South Street 18 Fri Nordet: a quartet from Brittany singing music of the sea; 8 pm at OSA 220 E. 23rd Street, suite 707 19 Sat Chantey Sing at Seamen’s Church Institute, 8pm.
    [Show full text]
  • Trad Ireland / Traid Éireann Future of Media Commission
    Submission by Trad Ireland / Traid Éireann Future of Media Commission 8 January 2021 About Trad Ireland / Traid Éireann Trad Ireland's mission is to promote the traditional arts throughout the island of Ireland and support practitioners through advocacy and expanding career opportunities. Established in 2018 by traditional artists Tristan Rosenstock and Oisín Mac Diarmada, we have successfully curated several projects and initiatives which have developed audiences, created opportunities for artists, and enhanced our understanding of the traditional arts community through a major piece of research. The report Navigating the Traditional Arts Sector in Ireland: A Report on Resources, Challenges, and Opportunities, written by Jack Talty and funded by The Arts Council, was launched by renowned fiddler Martin Hayes in December 2020 and a section 2.2 of that report focuses on the media (see below). Trad Ireland also offers support and facilitates peer-support through our annual gathering TradTalk, which gives voice to the community, harnessing the energy & ideas of the sector into a strategy for future renewal. Other recent initiatives include 20/20 Visionaries, which saw twenty leading traditional artists create online audio-visual content celebrating a figure or a source of inspiration. The series was funded by Culture Ireland and featured the likes of Mairéad Ní Mhaonaigh (Altan), Peter O’Toole (Hothouse Flowers), and Fergal Scahill (We Banjo 3). Note: The term “traditional arts” covers traditional music, song, and dance. Causes of concern The aforementioned report Navigating the Traditional Arts Sector in Ireland: A Report on Resources, Challenges, and Opportunities brings together the voices of leading figures within the traditional arts community.
    [Show full text]
  • CW454 March Cover and Index
    #454 2013 CONCERTINA WORLD Magazine of the International Concertina Association since 1952 Information/interviews/techniques/events separate music supplement Editor Music Supplement and PICA: 1 Editorial Jon McNamara, tel: 01279 656664 2 Annual General Meeting 17, Nursery Road, Bishops Stortford, Herts, CM23 3HJ 9 Concertina Tunings Email: [email protected] 10 Instant ceilidh, review 11 Concertina Cruinniú Librarian/Archivist: Jeremy Hague 22 internet links tunebooks Email: [email protected] 23 Concertina Ergonmics 29 Playing by ear/reading music Concertina World Editor: Pauline de Snoo 34 Concertinas at Witney Tel: 00 31 73 54 79837 35 Story “Love amidst global Goudenregenstraat 5, warming” 5482 CW Schijndel, Netherlands Email: [email protected] or 39 About the author: Bill Finnegan [email protected] 40 Concertina for sale 40 Tutor Hayden/Wiki? Secretary: Roger Gawley, Tel:0191 384 4764 17 Dryburn Road, Durham DH1 5AJ Email: [email protected] Contributors: Membership secretary: Martin Henshaw Oak End, 23A Bedford Road Pauline de Snoo, Peter Dyson, Northill, Biggleswade, Beds. SG18 9AH Roger Gawley, Bill Finnegan, Tel. 01767 627 566 Jeremy Hague, Martin Henshaw, [email protected] Brian Hayden, Paul McCann, David Palmer, Göran Rahm, Mike Wild, Treasurer: Dan Worrall (photos for Concertina Paul McCann, [email protected] Cruinniú).. Other committee members: Suzanne Higgins; Gill Noppen-Spacie; Michel van der Meiren, website; Carolyn Wade. Subscriptions run from 1 January to 31 December. Membership Subscriptions due on 1 January of the year. Membership UK 20 GBP, Europe 23 GBP, USA, 26 GBP. For more information see website www.concertina.org, also Paypal Payments for non UK Members.
    [Show full text]