Feakle Festival August 6-12 '08
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Finding Aid for the Sheldon Harris Collection (MUM00682)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr. -
March 23, 2012 Masters of Tradition Celebrates the Art of Irish Music At
March 23, 2012 Masters of Tradition celebrates the art of Irish music at the Annenberg Center “A terrifically enjoyable show—accomplished line-up...thrilling climax of galloping jigs and reels.” The Australian (Philadelphia, March 23, 2012)—In its American debut, Masters of Tradition, the ensemble comprised of seven of Ireland's most compelling musicians, brings the heart of Ireland to the Annenberg Center stage. Named for the music festival held each August in the Irish coastal town of Bantry, West County Cork and curated by renowned fiddler Martin Hayes, Masters of Tradition captivates audiences with intimate performances and dazzling instrumentals. The performance will take place on April 15, 2012 at 7 PM. Tickets are $20-$40 (prices are subject to change). For tickets or for more information, please visit AnnenbergCenter.org or call 215.898.3900. Tickets can also be purchased in person at the Annenberg Center Box Office. A celebration of traditional Irish music in its purest form, the performance will showcase a variety of intimate solos, duets and trios as well as full group collaborations. The ensemble reads as a ‘who’s who’ in Irish music and includes vocalist Iarla Ó Lionnáird, fiddlers Martin Hayes and Cathal Hayden, guitarists Dennis Cahill and Seamie O’Dowd, accordionist Máirtín O’Connor and piper David Power. Artistic director Martin Hayes launched the Masters of Tradition Festival in 2002. "The goal of this tour is to focus on the nuances of Irish traditional music," says Hayes. "The performers are all masters of their instruments. Through their talent and abilities, the sophistication and artfulness of the music is revealed." Born in East County Clare, a part of Ireland renowned for traditional music, Hayes is lauded for his distinctly lyrical style. -
Sunspot Concerts at the Lyceum Furnace Mountain Martin Hayes
Sunspot Concerts at the Lyceum Furnace Mountain Saturday, March 20, 2010, 8 PM $18 advance/$21 door Furnace Mountain, named after the tallest peak of the Catoctin Mountains, is a quartet of traditional musicians who play the music of the Virginia countryside and mountains. Dave Van Deventer (fiddle) and Danny Knicely (mandolin & guitar) front the instrumental side of things, while vocalists Morgan Morrison (bouzouki) and Aimee Curl (bass) layer in a stunning mix of the earthy and ethereal. Their music is at times lively and raucous, with spirited fiddle melodies weaving in and around the powerful rhythms of the bass and bouzouki. At other times it is poignant and poetic, with sublime vocal harmonies beautifully interpreting some of the oldest songs ever written. They’ve just released a new CD, Fields of Fescue. www.furnacemountain.com. Martin Hayes & Dennis Cahill Saturday, April 10, 2010, 8 PM $26 advance/$30 door Martin Hayes has drawn musical inspiration from sources as diverse as the Estonian composer Arvo Pärt, the Spanish viola da gamba master Jordi Savall and the jazz genius John Coltrane to create his own signature style of Irish fiddle music. Still, he remains grounded in the music he grew up with in his own locality, Maghera, Feakle, East County Clare. Coming this Summer & Fall: Saturday, July 31, The Kane Sisters Friday, Sept. 17, Red Molly Tickets available at www.sunspotpro.com The Lyceum, 201 South Washington St, Alexandria, VA Join Sunspot online at www.myspace.com/sunspotpro and on Facebook www.groups.to/sunspotconcerts Sunspot Production • www.sunspotpro.com • 800 404-9049 About the Concerts Past Sunspot Shows Sunspot Concerts Sunspot showcases musicians from the United Irish singer Karan Casey ● Irish-American At The Lyceum States and around the globe, representing all singer Cathie Ryan ● American banjo master styles of traditional and contemporary folk Tony Trischka ● Connemara fiddlers The Kane Spring 2010 music. -
7. Audit of Traditional Music Services (Including Tuition) …Page 17 8
Contents 1. Introduction……………………………………………………………….. page 2 2. Acknowledgements……………………………………………………..page 4 3. Executive Summary………………………………………………………page 5 4. Main Findings……………………………………………………………….page 7 5. Recommendations……………………………………………………….page 10 6. Defining the Traditional Musics sector………………………...page 13 7. Audit of Traditional Music services (including tuition) …page 17 8. How Traditional Music tuition is delivered…………………..page 30 9. Access to instruments………………………………………………… page 37 10. Competitions……………………………………………………………….page 43 11. Performance Infrastructure..……………………………………… page 47 12. Professional development opportunities……………………. page 51 13. Partnerships and collaborations…………………………………. page 52 14. Investment…………………………………………………………………. page 54 15. Media…………………………………………………………………………. page 58 16. CD production……………………………………………………………. page 61 Appendix 1 individuals and organisations contacted………………. page 64 Appendix 2 publications and other sources consulted…………….. page 68 2 1. Introduction This audit of Traditional Music in Northern Ireland was commissioned by the Arts Council of Northern Ireland (ACNI) as one of the actions contained in the Arts Council of Northern Music Strategy 2013-2018 (ACNI) and as an action under its Traditional Arts Policy as set out in Art Form and Specialist Area Policy 2013-2018 - Traditional Arts. The strategic context and rationale for commissioning the review is described in the Arts Council of Northern Ireland Music Review and Strategy (Ackrill, Knowles 2011). The terms of reference for the audit -
Caoimhín Mac Aoidh on Regional Irish Fiddle Styles
20/03/2018, 0018 Page 1 of 1 Translate this page to French Go Translation by GO! Network Caoimhín Mac Aoidh on Regional Irish Fiddle Styles REPRODUCED BY PERMISSION OF THE AUTHOR: By all means feel free to use the article at the site. The only thing you need to point out is that the article is now at least 20 years old and was originally published in Vol. 1 of An Fhidil Ghaelach (now out of print).—Caoimhín Mac Aoidh Part 1 Part 2 Part 3 Part 1 Approximately 90 years ago the Irish language was spoken without break along the entire southern western and northern coastline and as far inland as County Roscommon (Irish Language Survey of 1891). At this time the Irish of these areas, dialectically speaking, gradually flowed into one another, thus making distinct dialects along a continuous transverse section almost undetectable. A language can be simply defined as a highly organised series of sounds and it is important to note that music, and in this case traditional Irish dance music, also fits well with this definition. I feel that both language and music are reflective of their practitioners or creators. Northerners to me generally are straightforward people in their humour and speech. Their music is usually straightforward as well; their song, ornamentally, is also. The Ulster dialect of Irish is often referred to as bland or flat. The music of the more southern counties, as regards their sound, and Irish dialects are significantly lighter in nature. A link between the music and the language is herein implied. -
Foreign Bodies in the River of Sound
FOREIGN BODIES IN THE RIVER OF SOUND SEEKING IDENTITY AND IRISH TRADITIONAL MUSIC Helen O’Shea Thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Social Sciences Faculty of Arts Victoria University of Technology 2005 CONTENTS Images................................................................................................................................ v Musical Examples............................................................................................................ vi Abstract ........................................................................................................................... ix Declaration........................................................................................................................ x Acknowledgements.......................................................................................................... xi INTRODUCTION ............................................................................................................ 1 Chapter 1 THE RESEARCHER’S QUEST: THEORIZING MUSIC AND IDENTITY ..................... 6 1.1 Identifying identity .................................................................................................. 6 1.2 Theorizing music.................................................................................................... 10 1.3 Understanding Irish music..................................................................................... 21 1.4 The researcher’s quest........................................................................................... -
Trad Ireland / Traid Éireann Future of Media Commission
Submission by Trad Ireland / Traid Éireann Future of Media Commission 8 January 2021 About Trad Ireland / Traid Éireann Trad Ireland's mission is to promote the traditional arts throughout the island of Ireland and support practitioners through advocacy and expanding career opportunities. Established in 2018 by traditional artists Tristan Rosenstock and Oisín Mac Diarmada, we have successfully curated several projects and initiatives which have developed audiences, created opportunities for artists, and enhanced our understanding of the traditional arts community through a major piece of research. The report Navigating the Traditional Arts Sector in Ireland: A Report on Resources, Challenges, and Opportunities, written by Jack Talty and funded by The Arts Council, was launched by renowned fiddler Martin Hayes in December 2020 and a section 2.2 of that report focuses on the media (see below). Trad Ireland also offers support and facilitates peer-support through our annual gathering TradTalk, which gives voice to the community, harnessing the energy & ideas of the sector into a strategy for future renewal. Other recent initiatives include 20/20 Visionaries, which saw twenty leading traditional artists create online audio-visual content celebrating a figure or a source of inspiration. The series was funded by Culture Ireland and featured the likes of Mairéad Ní Mhaonaigh (Altan), Peter O’Toole (Hothouse Flowers), and Fergal Scahill (We Banjo 3). Note: The term “traditional arts” covers traditional music, song, and dance. Causes of concern The aforementioned report Navigating the Traditional Arts Sector in Ireland: A Report on Resources, Challenges, and Opportunities brings together the voices of leading figures within the traditional arts community. -
Donegal Derry
Welcome The Ultimate Fiddle Fleadh Conferences @ NAFCo From June 27th - July 1st 2012 the north-west will Featuring The Chieftains (Ireland), String Sisters (Liz Carroll, Annbjorg Lien, Catriona McDonald, Liz Knowles, Emma Hardelin, Liz Doherty), Foyle Arts Building, University of Ulster, come alive with fiddle music and dance as part of Martin Hayes & Denis Cahill (Ireland), Four Men and a Dog (Ireland), Magee Campus, Derry/Londonderry BT48 7JL the North Atlantic Fiddle Convention. This is the Alasdair Fraser & Natalie Haas (Scotland/USA), Lau (Scotland), The Wrigleys (Orkney), Habadekuk (Denmark), Troy MacGillivray/Shane first time that NAFCo will be held on the island of Cook/Jake Charron (Canada), Brendan de Gallaí (Ireland), Majorstuen (Wednesday 27th June - Sunday 1st July) Ireland having previously taken place in Scotland (Norway), Blazing Bows (Cathal Hayden, Dezi Donnelly, Tola Custy, NAFCo Conference ‘Ón gCos go Cluas and Canada. We are delighted to welcome John Joe Kelly and Ed Boyd), Chris Stout and Catriona MacKay (Scotland), Pierre Schryer Trio (Canada), Fidil (Ireland), Nic Gareiss /From Dancing to Listening’ participants and visitors to Derry/Londonerry and (USA), Fiolministeriet (Denmark), Nancy Kerr & James Fagan (UK), to Co. Donegal for what promises to be a truly Andrea Beaton (Canada), Caoimhín Ó Raghallaigh (Ireland), Cleek Schrey & Stephanie Coleman (USA), Dawn & Margie Beaton (Canada), (Thursday 28th June -Sunday 1st July) memorable event. A jam-packed programme of Eric Favreau Trio (Canada), Pierre Chartrand (Canada), -
Cover CW 476 December 2018
CONCERTINA WORLD Magazine of the International Concertina Association since 1952 CW 476 December 2018 with separate December supplement In this issue: Interviews with Cormac Begley and Vox Hunters Information/interviews/techniques/ events/music supplement Subscriptions run from 1 January each year Quantock Lodge Photographs by Martin Henshaw Claire Wren’s Band Colin Sleath’s English Workshop Sally Barrett Ensemble workshop workshop Steve Grayland’s Anglo workshop . Concertina World Editor: 1 Index Pauline de Snoo, tel. 0031 73 54 79837 2 Editorial Goudenregenstraat 5, 5482 CW Schijndel, Netherlands 4 Chairman Committee Email: [email protected] 5 Internet Video Jukebox 18 or [email protected] 7 Interview Vox Hunters Concertina World Correspondent: 15 cd review Paul Walker 16 West Country Concertina Players’ Email: [email protected] Weekend at Quantock Lodge Membership Secretary: 20 Grave Matters Martin Henshaw, tel. 01767 627 566 21 Interview Cormac Begley Oak End, 23A Bedford Road 30 Hawkwood Concertina Band Northill, Biggleswade, Beds, SG18 9AH Email: [email protected] 32 ICA AGM 2019 33 Obituary: Jean Margery Perree Treasurer and Chairman Committee: 35 Subscription renewals Paul McCann Email: [email protected] Inside cover: photos Martin Henshaw Librarian/Archivist: Jeremy Hague Email: [email protected] Secretary: Roger Gawley Contributors: Jenny Cox, Bill Crossland, Email: [email protected] Pauline de Snoo, Roger Gawley, Martin Henshaw, Paul McCann, Paul Walker. Webmaster: Michel van der Meiren Email: [email protected] Music Supplement: Pauline de Snoo Other committee members: December Supplement: Pauline de Snoo Graham Heffernann; Jon McNamara; Gill Noppen-Spacie, Tracy Tye, Colin Whyles. Subscriptions run from 1 January to 31 December. -
From Singer/Songwriter Josh Malerman, Author of the New York Times® Best Seller Bird Box (Now a Feature Film Starring Sandra Bullock)
March 2019 New Releases From singer/songwriter Josh Malerman, author of The New York Times® Best Seller Bird Box (now a feature film starring Sandra Bullock) what’s PAGE inside featured exclusives 3 RUSH Releases Vinyl Available Immediately! 66 Vinyl Audio 3 CD Audio 13 FEATURED RELEASES THE HIGH STRUNG - DEAD MILKMEN - COLIN LINDEN, & LUTHER QUIET RIOTS WELCOME TO THE END... DICKINSON & THE TENNESSEE Music Video VALENTINES- AMOUR DVD & Blu-ray 41 Non-Music Video DVD & Blu-ray 43 MVD Distribution Independent Releases 65 Order Form 74 Deletions and Price Changes 70 FREDDIE MERCURY - BEYOND ATLANTIS THE PRISONER 800.888.0486 THE GREATEST SHOWMAN 203 Windsor Rd., Pottstown, PA 19464 THE HIGH STRUNG - DEAD MILKMEN - DAVE BRUBECK - www.MVDb2b.com QUIET RIOTS WELCOME TO THE END NDR 60 YEARS OF THE WORLD JAZZ EDITION NO02 More AMOUR from MVD! February may be manufactured romance month, but MVD spreads real love throughout the year, no matter the calendar! We are giddy over our offerings this month, leading off with AMOUR, the debut CD from Blackie and the Rodeo Kings’ Colin Linden and jam band legend and North Mississippi All Star Luther Dickinson. They honor their roots and brew up an affair that sparks passionate Americana. Welcome Stony Plain Records! It’s hard not to get passionate about an artist who is also on the NEW YORK TIMES Best Seller list! The artist/author is Josh Malerman, the book is BIRD BOX, the band is THE HIGH STRUNG, and the vinyl is QUIET RIOTS. A harmony laden masterwork! More black wax for March with titles from BLACK LUNG, DAVE BRUBECK, DEAD MILKMEN, MODERN JAZZ QUARTET, NEKTAR and more. -
The Gloaming Martin Hayes, Iarla O'lionaird, Caoimhin O'raghallaigh, Dennis Cahill, Thomas Bartlett
The Gloaming Martin Hayes, Iarla O'Lionaird, Caoimhin O'Raghallaigh, Dennis Cahill, Thomas Bartlett It’s too late to stop now. What began as an experiment has turned into something truly compelling, enthralling and thrilling. Something which never fails to lift the heart or lift a roof. Something which connects you to old souls and wild ways and fierce times. Something which certainly didn’t exist before, but which often feels as if it has been been part and parcel of the furniture forever. In many ways, The Gloaming began with a question: what would happen if you amplified and enhanced traditional Irish music’s rich, melancholic, soulful tones with modern hues of jazz, contemporary classical and experimental music? In many ways, the musicians who started out on this odyssey are still answering that question every night they go onstage to play another sold-out show in some of the most prestigious concert halls around the world. It’s an answer without a full stop in sight. The Gloaming brings together five musical masters. Steeped in traditional Irish music since birth, fiddlers Martin Hayes and Caoimhin Ó Raghallaigh and sean-nós singer Iarla Ó Lionáird are joined by New York pianist Thomas Bartlett (Doveman), and Chicago- born guitarist Dennis Cahill. The backgrounds of The Gloaming’s three Irish members show the strength, diversity, history and colour of the traditional music ecosystem. Hayes hails from County Clare, where a slow, contemplative, and melancholic sweep of fiddle music holds sway amongst its musicians. A move to America burnished his sound with new idioms, ranging from Arvo Pärt to Sigur Ros. -
Imagine Ireland . . . in Boston Culture Ireland Sponsors Events at Artsemerson’S Irish Festival
February 2011 VOL. 22 #2 $1.50 Boston’s hometown journal of Irish culture. Worldwide at bostonirish.com All contents copyright © 2011 Boston Neighborhood News, Inc. IMAGINE IrElAND . IN BoSToN Culture Ireland Sponsors Events At ArtsEmerson’s Irish Festival By R. J. Donovan SpecIal to the BIR ArtsEmerson’s highly anticipated Irish Festival kicks into full swing this month with an eclectic program of plays, read- ings, discussions, and films (see Calendar in this edition for full listing). Funding for two plays in the Festival – the Druid Theatre’s “The Cripple of Inishmaan” and Abbey Theatre’s “Terminus” – comes in part from Imag- ine Ireland, an initiative of Culture Ireland. Both productions will tour na- tionally following their Boston engagements. To provide a bit of history, Culture Ireland was established in 2005 ‘The Sole Mates’ dancing team features, from left, Danielle enblom, Nicholas Yenson, and director/choreographer Kieran Jordan. Sean McComiskey on by Ireland’s Minister for the accordion and Josh Dukes on flute and guitar fill out the unit that will Arts, Sport and Tourism be performing in Cambridge on Feb. 20. as the state agency for the promotion of Irish arts worldwide. In March of Introducing ‘The Sole Mates,’ 2009, Taoiseach Brian Cowen, requested that Culture Ireland mount a Catherine Walker, Declan Conlon, Olwen Fouere Free Spirits of Dance and Music year-long strategic initia- in abbey Theatre’s “Terminus.” tive, to be called Imagine Photo: Courtesy ArtsEmerson New Ensemble to Perform in Cambridge Jan. 20 Ireland, promoting Irish By BIR Staff A Comeback within the traditional arts throughout the Unit- Boston-based Irish music and steps.