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Hannah Lynch and Spain Collected Journalism of an Irish New Woman, 1892-1903
HANNAH LYNCH AND SPAIN HANNAH LYNCH e-ISSN 2610-9360 Biblioteca di Rassegna iberistica 12 ISSN 2610-8844 — Hannah Lynch and Spain Collected Journalism HURTLEY GIFRA-ADROHER, of an Irish New Woman, 1892-1903 edited by Pere Gifra-Adroher and Jacqueline Hurtley Edizioni Ca’Foscari Hannah Lynch and Spain Biblioteca di Rassegna iberistica Serie diretta da Enric Bou 12 Biblioteca di Rassegna iberistica Direzione scientifica Enric Bou (Università Ca’ Foscari Venezia, Italia) Comitato scientifico Raul Antelo (Universidade Federal de Santa Catarina, Brasil) Luisa Cam- puzano (Universidad de La Habana; Casa de las Américas, Cuba) Ivo Castro (Universidade de Lisboa, Portugal) Pedro Cátedra (Universidad de Salamanca, España) Luz Elena Gutiérrez (El Colegio de México) Hans Lauge Hansen (Aarhus University, Danmark) Noé Jitrik (Universidad de Buenos Aires, Argentina) Alfons Knauth (Ruhr-Universität Bochum, Deutschland) Dante Liano (Università Cattolica del Sacro Cuore Milano, Italia) Antonio Monegal (Universitat Pompeu Fabra, Barcelona, España) José Portolés Lázaro (Universidad Autónoma de Madrid, España) Marco Presotto (Università di Bologna, Italia) Joan Ramon Resina (Stanford University, United States) Pedro Ruiz (Universidad de Córdoba, España) Silvana Serafin (Università degli Studi di Udine, Italia) Roberto Vecchi (Università di Bologna, Italia) Marc Vitse (Université Toulouse-Le Mirail, France) Comitato di redazione Ignacio Arroyo Hernández (Università Ca’ Foscari Venezia, Italia) Vincenzo Arsillo (Università Ca’ Foscari Venezia, Italia) Florencio -
Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach. -
Neill Lecture Theatre, Trinity Long Room Hub)
MONDAY 22 JULY 9:30: Fóram iarchéimithe | Postgraduate Forum (Neill Lecture Theatre, Trinity Long Room Hub) 11:00: Osclaíonn clárú | Registration opens (Arts Building 2nd Floor) 12:00: Cruinniú Gnó IASIL | IASIL Executive Meeting (Neill Lecture Theatre, Trinity Long Room Hub) 14:30: Fáilte agus Lánseisiún | Welcome and Keynote (Burke Theatre, Arts Building 1st Floor) ‘Framing Irish Poetry: Groarke, Flynn, O’Reilly’ Matthew Campbell (University of York) 16:00: Tae/Caife | Tea/Coffee 16:30: Lánphainéal | Plenary Panel (Burke Theatre, Arts Building 1st Floor) ‘50 Years of The Critical Ground’ Angela Bourke, Patricia Coughlan, Michael Kenneally, Chris Morash, Shaun Richards, Eve Patten (Cathaoirleach|Chair) 18:00: Fáiltiú | Welcome Reception (Lower Concourse, Arts Building 1st Floor) 19:00: Léamh Ficsin Dhuais Rooney | Rooney Prize Fiction Reading (Burke Theatre, Arts Building 1st Floor) Hugo Hamilton, Caitriona Lally, Kevin Power, Carlo Gébler (Cathaoirleach|Chair) Chuir an Dr Peter Rooney tacaíocht fhial ar fáil don léamh seo | The reading is generously supported by Dr Peter Rooney 1 TUESDAY 23 JULY 9:30: Seisiún Painéal 1 | Panel Session 1 (Mis)Representations: Oscar Wilde on Film (Neill Lecture Theatre, Trinity Long Room Hub) The Happy Prince: Biography, Boys, and Binaries Helena Gurfinkel (Cathaoirleach|Chair) Oscar Wilde, Postmodern Identities and Brian Gilbert’s Graham Price Wilde Sexual representation and the zeitgeist: Wilde, film, Julie-Ann Robson and A Man of No Importance Writing Art (TRiSS Seminar Room, Arts Building 6th Floor) -
Hannah Lynch and Spain Collected Journalism of an Irish New Woman, 1892-1903
HANNAH LYNCH AND SPAIN HANNAH LYNCH e-ISSN 2610-9360 Biblioteca di Rassegna iberistica 12 ISSN 2610-8844 — Hannah Lynch and Spain Collected Journalism HURTLEY GIFRA-ADROHER, of an Irish New Woman, 1892-1903 edited by Pere Gifra-Adroher and Jacqueline Hurtley Edizioni Ca’Foscari Hannah Lynch and Spain Biblioteca di Rassegna iberistica Serie diretta da Enric Bou 12 Biblioteca di Rassegna iberistica Direzione scientifica Enric Bou (Università Ca’ Foscari Venezia, Italia) Comitato scientifico Raul Antelo (Universidade Federal de Santa Catarina, Brasil) Luisa Cam- puzano (Universidad de La Habana; Casa de las Américas, Cuba) Ivo Castro (Universidade de Lisboa, Portugal) Pedro Cátedra (Universidad de Salamanca, España) Luz Elena Gutiérrez (El Colegio de México) Hans Lauge Hansen (Aarhus University, Danmark) Noé Jitrik (Universidad de Buenos Aires, Argentina) Alfons Knauth (Ruhr-Universität Bochum, Deutschland) Dante Liano (Università Cattolica del Sacro Cuore Milano, Italia) Antonio Monegal (Universitat Pompeu Fabra, Barcelona, España) José Portolés Lázaro (Universidad Autónoma de Madrid, España) Marco Presotto (Università di Bologna, Italia) Joan Ramon Resina (Stanford University, United States) Pedro Ruiz (Universidad de Córdoba, España) Silvana Serafin (Università degli Studi di Udine, Italia) Roberto Vecchi (Università di Bologna, Italia) Marc Vitse (Université Toulouse-Le Mirail, France) Comitato di redazione Ignacio Arroyo Hernández (Università Ca’ Foscari Venezia, Italia) Vincenzo Arsillo (Università Ca’ Foscari Venezia, Italia) Florencio -
The Joyful Sounds of Being Your Own Black Self
THE JOYFUL SOUNDS OF BEING YOUR OWN BLACK SELF By AMIR ASIM GILMORE A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY WASHINGTON STATE UNIVERSITY Department of Teaching & Learning MAY 2019 © Copyright by AMIR ASIM GILMORE, 2019 All Rights Reserved © Copyright by AMIR ASIM GILMORE, 2019 All Rights Reserved To the Faculty of Washington State University: The members of the Committee appointed to examine the dissertation of AMIR ASIM GILMORE find it satisfactory and recommend that it be accepted. Pamela Jean Bettis, Ph.D., Chair Paula Groves Price, Ph.D. John Joseph Lupinacci, Ph.D. Anthony Gordon Rud Jr., Ph.D. Francene T. Watson, Ph.D. ii ACKNOWLEDGMENT This project has truly been a labor of love, as it takes a village to write a dissertation. I would first like to thank my parents. Without them, none of this would be possible. I would like to thank my dad, Cleveland Gilmore for inviting me into the Black Study through jazz. It is through jazz, I developed the identity of being an Edtiste. I would like to thank my mom, Rosita Faulkner, for showing me how to refuse and what mundane refusal looks like as a daily practice. It was her refusal that helped guide me away from doing traditional social science research. How dope is it to say that your parents made the dissertation? Very dope! While the academy might recognize and acknowledge me as the first Ph.D. in my family, my mom and dad will always be the first doctors in my eyes. -
"Made in Germany,"
"Made in Germany" E.E.Williams "Made in Germany 3 1924 031 olin,anx 247 830 BOUGHT WITH THE INCO FROM THE SAGE ENDOWMENT THE GIFT OF HenrQ W. Sage 1891 Cornell University Library The original of tliis bool< is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924031247830 "MADE IN GERMANY "MADE IN GERMANY" Crown 8vo, cloth, 2/6. :—" LORD ROSEBERY (on Technical Education) A little hook has been lately puhlished called 'Made in Germany,' which I do think is well worth the attention of everybody wfeo is interested in the prosperity of the country, of which his prosperity is a part.'— The Times : "Mr. Williams draws a gloomy picture of the growing rivalry of German with English trade, and his exhor- the British trader are salutary." tations to — St. James's Gazette : "His book is a little one, but it is better worth studying than many treatises ten times its bulk. One for all Englishmen to read and to think over ; it is uncom- monly salutary." — Pall Mall Gazette ; "A careful and particular inquiry, drawn from the best official information available, into the en- croachments of German competition upon British trade.*' Saturday Review:— "Deserves all the public attention which it has received. The facts are of the highest importance to the nation. Sensible advice is adnunistered to the British manufacturer with rare tact." — Commerce : " One of the most opportune and important commercial works ever written." LONDON : WILLIAM HEINEMANN. " MADE IN GERMANY " LORD ROSEBERr AT COLCHESTER. -
21. Joe Lovano
21. Joe Lovano o other jazz musician Bailey, Bill Hardman, the from Cleveland has great tenor player Joe N ever achieved the Alexander, and Jim Hall." world-wide acclaim that Because of his family, Tony saxophonist Joe Lovano got decided to remain in in the 1990s and early 2000s. Cleveland. But he was so He was voted "Jazz Artist respected that he often shared of the Year" by DownBeat bandstands with such artists magazine critics and readers as Stan Getz and Flip Phillips in 1995, 1996 and 2001. He when they came to Cleveland. was named "International Drummer Lawrence Artist of the Year" by Jazz "Jacktown" Jackson, who Report magazine in 1995. frequently played with the DownBeat called Cleveland elder Lovano, said, "He native Lovano "the very wasn't as advanced (as Joe epitome of the ' 90s became). He didn't have the professional jazzman." same command of his DownBeat 's Larry instrument, but Tony was a Blumenfeld wrote, "The sheer hell of a saxophone player!" breadth and ambition of When Joey, as he was Lovano's artistic endeavors called, was about 10, his reflect a consistent level of father began giving his son achievement. Lovano raises serious lessons and he began the level of the game and of listening to his father' s those around him." Joe Lovano records , particularl y The DownBeat article saxophonists Sonny Stitt, said Lovano "knows his history, not just the history of John Coltrane and Lester Young, and trumpeter Miles the music, but the value of his personal history." Davis. When Joe was II, his father bought him a King That personal history began in Cleveland where Super 20 tenor saxophone. -
Recommended Listening List
RECOMMENDED LISTENING LIST This list is obviously not a comprehensive listening list. It is intended to be a starting point for the student’s discovery, education and enjoyment. This list has been EXTREMELY condensed to account for page numbers… keep exploring!!! (Jazz Albums, except for big bands, are categorized by the instrument played by the leader.) JAZZ • Thrust * Kenny Werner: Chick Corea: • Beat Degeneration PIANO • Now He Sings Now He Bud Powell: Sobs* Steve Kuhn • Three Quartets* • The Amazing Bud • Steve Kuhn Trio- Powell, Volume 1* McCoy Tyner: Life’s Magic Thelonious Monk: • The Real McCoy* Ellis Marsalis • Misterioso * Dave Brubeck: • The Classic Ellis • Live at the Five Spot * Marsalis • Monk’s Music* • Time Out • Thelonious Monk Quartet With John Geri Allen: SAXOPHONE Coltrane: Live At Carnegie Hall* • In The Year of The Sonny Rollins: Dragon Oscar Peterson Trio: • The Nurturer • Live at the Village Vanguard * • Oscar Peterson Trio + 1 Keith Jarrett: • Saxophone Colossus* Red Garland: • Standards Volume 1 and • Way Out West* 2 * • Groovy • Changes * Joe Henderson: • Standards Live * Ahmad Jamal: • Tribute* • Inner Urge* • Belonging* • Power To The People* • Ahmad’s Blues* • The Cure * • The State Of The Tenor * Bill Evans Michel Camilo: Wayne Shorter: • Waltz for Debby * • Michel Camilo • Live at the Village • Live At The Blue Note • Speak No Evil * Vanguard * • Ju-Ju* Brad Mehldau: Herbie Hancock: Oliver Nelson: • Brad Mehldau Trio Live • Maiden Voyage * • Blues and The Abstract • Empyrean Isles* Truth* • Headhunters -
The Malady of the Century
The Malady of the Century Max Nordau The Malady of the Century Table of Contents The Malady of the Century......................................................................................................................................1 Max Nordau...................................................................................................................................................1 CHAPTER I. MOUNTAIN AND FOREST..................................................................................................1 CHAPTER II. VANITIES OF VANITIES..................................................................................................16 CHAPTER III. HEROES.............................................................................................................................26 CHAPTER IV. IT WAS NOT TO BE.........................................................................................................39 CHAPTER V. A LAY SERMON................................................................................................................53 CHAPTER VI. AN IDYLL.........................................................................................................................64 CHAPTER VII. SYMPOSIUM...................................................................................................................74 CHAPTER VIII. DARK DAYS..................................................................................................................84 CHAPTER IX. RESULTS.........................................................................................................................101 -
1 the CRITICAL GROUND the 2019 Conference of the International
THE CRITICAL GROUND The 2019 Conference of the International Association for the Study of Irish Literatures 22–26 July 2019 | Trinity College Dublin Monday 22 July Tuesday 23 July Wednesday 24 July Thursday 25 July Friday 26 July 9:00: Postgraduate Forum 9:30: Panel Session 1 9:30: Panel Session 4 9:00: Panel Session 6 9:30: Panel Session 9 11:00: Registration opens 11:00: Tea/Coffee 11:00: Tea/Coffee 10:30: Tea/Coffee 11:00: Tea/Coffee 12:00: IASIL Executive Meeting 11:30: Keynote 11:30: Panel Session 5 11:00: Panel Session 7 11:30: Keynote (Máirín Nic Eoin) (Nicholas Grene) 14:30: Welcome and Keynote 14:00: Into the Archive – 12:30: Lunch (Matthew Campbell) 12:30: Lunch show and tell sign up sessions 12:30 Lunch (Trinity College Dublin, National 13:30: Panel Session 8 16:00: Tea/Coffee 13:30: Panel Session 2 Library of Ireland, Pearse Street 13:30: Panel Session 10 Library) 15:00: Tea/Coffee 16:30: Plenary Panel 15:00: Tea/Coffee 15:00: IASIL Annual General ’50 Years of The Critical Ground’ 17:30: Book Launches 15:30: Keynote Meeting – Angela Bourke, Michael 15:30: Panel Session 3 Hannah Lynch 1859–1904: Irish (Helen Small) Kenneally, Patricia Coughlan, Writer, Cosmopolitan, New 19:00: Closing Reception Shaun Richards, Chris Morash, 17:30 Book Launch Woman 17:00: The Idea of a National – 50 years of IASIL and UNESCO Eve Patten (chair) The Danger and the Glory (Arlen Theatre in the 21st Century: Dublin City of Literature at City House) Making Integral: Critical Essays Graham McLaren and Neil Hall 18:00: Welcome Reception on Richard Murphy -
Alan Johnston Petition
ALAN JOHNSTON PETITION BBC News website users around the world have written in their thousands to demand the release of BBC Gaza correspondent Alan Johnston. An online petition was started on Monday, 2 April. It said: “We, the undersigned, demand the immediate release of BBC Gaza correspondent Alan Johnston. We ask again that everyone with influence on this situation increase their efforts, to ensure that Alan is freed quickly and unharmed.” More than 8,000 people responded in the first few days, and their names are published below. More names will appear on later documents. Ramy M. Abdallah, Texas, USA Muna Aghawani, Ramallah Mahira Afridi, Istanbul, Turkey Ahoura Afshar Silver Spring, MD, USA Prof Reza Afshari, New York, USA Nadira Artyk, Paris, France Rebecca Ashcraft, Chicago, USA Martin Asser London, UK Aida Jabalia camp, Gaza Karen Ashby Falkirk, Scotland Marian Atkinson St. John's, Newfoundland, Canada Adam Ault, Madison, USA Hafizi Azmal Kuala Lumpur, Malaysia Peter Badrick, Haywards Heath, UK Paschal B. Bagonza Kampala, Uganda Amina Baha, Minneapolis, USA Lewis Barr, Portland, Oregon Trushar Barot London, UK Kathy Bartlett Cumbria, UK Amber Bashar, London, UK Sabir Bashir, High Wycombe, UK Cat Bauman St. Louis, USA 1 Eric Bergmann, Southfield, USA Thomas Bilbrough, London, UK Philip Bland, York, England Hannah Bloch, Washington DC, USA Stuart Bowman London, UK Sue Brewer, London, UK Alex Briggs, Guildford, UK Ben Brill, London, England Jeremy Brown, Edinburgh, UK Louisa Brooke London, UK Vivienne Brooks Winchester, UK Rev Peter -
Jamaican Migrant and Canadian Host in Toronto's Transnational Re
King Alpha’s Song in a Strange Land: Jamaican Migrant and Canadian Host in Toronto’s Transnational Reggae Music Scene, 1973-1990 by John Jason Collins Wilson A dissertation Presented to The University of Guelph In partial fulfilment of requirements for the degree of Doctor of Philosophy in History Guelph, Ontario, Canada © John Jason Collins Wilson, May 2013 ABSTRACT King Alpha’s Song in a Strange Land: Jamaican Migrant and Canadian Host in Toronto’s Transnational Reggae Music Scene, 1973-1990 John Jason Collins Wilson Advisor: University of Guelph, 2013 Doctor Catharine Wilson Reggae music facilitated a cultural dialogue between Jamaican migrant and Canadian host in Toronto during the 1970s and 1980s. Exchanges flowed across the city’s ethnic frontier, bridging black and white youth together in an ‘oppositional’ and musical movement. While migrants enacted their Jamaican ethnicity in places where reggae was played, many non-Jamaicans satisfied a curiosity in the music of their migrant friends. This study examines the process of migration of people and music as seen from both the migrant and the host’s perspective. It is as much about black Jamaicans as it is about white Torontonians. Twenty Jamaicans and twenty non-Jamaicans were interviewed for this project. Though reggae became an expected part of Toronto’s musical vernacular, the Canadian version meant different things to different people. Indeed, sometimes the only thread that tied the varied experiences together was that Toronto was the place where reggae happened. Still, as a hybrid, reggae had rather evolved outside of place. It was a transnational musical form, constantly updated by influences traversing the ‘Black Atlantic’ in an on-going and triangular musical conversation.