Pulling Together: Making Meaning of Extreme Flesh Practices
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The Current Landscape of Prostitution and Sex Work in England and Wales
Matolcsi, A. , Mulvihill, N., Lilley-Walker, S-J., Lanau, A., & Hester, M. (2020). The Current Landscape of Prostitution and Sex Work in England and Wales. Sexuality and Culture, 25(1), 39-57. https://doi.org/10.1007/s12119-020-09756-y Publisher's PDF, also known as Version of record License (if available): CC BY Link to published version (if available): 10.1007/s12119-020-09756-y Link to publication record in Explore Bristol Research PDF-document This is the final published version of the article (version of record). It first appeared online via Springer at https://link.springer.com/article/10.1007/s12119-020-09756-y . Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ Sexuality & Culture https://doi.org/10.1007/s12119-020-09756-y ORIGINAL PAPER The Current Landscape of Prostitution and Sex Work in England and Wales Andrea Matolcsi1 · Natasha Mulvihill1 · Sarah‑Jane Lilley‑Walker1 · 1 1 Alba Lanau · Marianne Hester © The Author(s) 2020 Abstract This paper presents a comprehensive typology of the sex industry based on primary data collected between 2018 and 2019 for a UK Home Ofce-funded study. Typolo- gies of the contemporary sex industry in England and Wales have tended to be lim- ited to particular sectors or have been developed from a specifc disciplinary per- spective or theme (e.g. -
Sex, Violence and the Body: the Erotics of Wounding
Sex, Violence and the Body The Erotics of Wounding Edited by Viv Burr and Jeff Hearn PPL-UK_SVB-Burr_FM.qxd 9/24/2008 2:33 PM Page i Sex, Violence and the Body PPL-UK_SVB-Burr_FM.qxd 9/24/2008 2:33 PM Page ii Also by Viv Burr AN INTRODUCTION TO SOCIAL CONSTRUCTIONISM GENDER AND SOCIAL PSYCHOLOGY INVITATION TO PERSONAL CONSTRUCT PSYCHOLOGY (with Trevor W. Butt) THE PERSON IN SOCIAL PSYCHOLOGY Also by Jeff Hearn BIRTH AND AFTERBIRTH: A Materialist Account ‘SEX’ AT ‘WORK’: The Power and Paradox of Organisation Sexuality (with Wendy Parkin) THE GENDER OF OPPRESSION: Men, Masculinity and the Critique of Marxism MEN, MASCULINITIES AND SOCIAL THEORY (co-editor with David Morgan) MEN IN THE PUBLIC EYE: The Construction and Deconstruction of Public Men and Public Patriarchies THE VIOLENCES OF MEN: How Men Talk about and How Agencies Respond to Men’s Violence to Women CONSUMING CULTURES: Power and Resistance (co-editor with Sasha Roseneil) TRANSFORMING POLITICS: Power and Resistance (co-editor with Paul Bagguley) GENDER, SEXUALITY AND VIOLENCE IN ORGANIZATIONS: The Unspoken Forces of Organization Violations (with Wendy Parkin) ENDING GENDER-BASED VIOLENCE: A Call for Global Action to Involve Men (with Harry Ferguson et al.) INFORMATION SOCIETY AND THE WORKPLACE: Spaces, Boundaries and Agency (co-editor with Tuula Heiskanen) GENDER AND ORGANISATIONS IN FLUX? (co-editor with Päivi Eriksson et al.) HANDBOOK OF STUDIES ON MEN AND MASCULINITIES (co-editor with Michael Kimmel and R. W. Connell) MEN AND MASCULINITIES IN EUROPE (with Keith Pringle et al.) -
Blood Rituals from Art to Murder
The Sacrificial Aesthetic: Blood Rituals from Art to Murder Dawn Perlmutter Department of Fine Arts Cheyney University of Pennsylvania Cheyney PA 19319-0200 [email protected] [Ed. note 2/2017: Many of the links in this article have become invalid and been removed] The concept of the “sacrificial esthetic” introduced in Eric Gans’s Chronicle No. 184 entitled “Sacrificing Culture” describes a situation in which aesthetic forms remain sacrificial but have evolved from a necessary feature of social organization to a psychological element of the human condition. Gans concludes that art’s sacrificial esthetic is essentially exhausted as a creative force and argues that the future lies with simulations, virtual realities in which the spectator plays a partially interactive role. His most significant claim is that “This end of the ability of the esthetic to discriminate between the sacrificial and the antisacrificial is not the end of art. On the contrary, it liberates the esthetic from the ethical end of justifying sacrifice.” The consequence of the liberation of the ethical justification of sacrifice is the main concern of this essay. Throughout the history of art we have encountered images of blood, from the representations of wounded animals in the cave paintings of Lascaux through century after century of brutal Biblical images, through history paintings depicting scenes of war, up through the many films of war, horror, and violence. Blood is now off the canvas, off the screen and sometimes literally in your face. It is no coincidence that this substance has intrigued artists throughout history. Blood is fascinating; it simultaneously represents purity and impurity, the sacred and the profane, life and death. -
12, 2017 Manchester, NH Table of Contents
November 10 - 12, 2017 Manchester, NH Table of Contents Note from the Board 3 General Event Rules 4 Dress Code 6 Nighttime Party Rules 7 Security, Health, & Safety 8 Consent Policy 9 Film Screening 10 Photo Lounge 11 Friday Night Erotic Art Show 12 Presenter Bios 14 Vendors 19 Vendor Bingo 19 Maps 23 Friday Schedule 28 Friday Night Scavenger Hunt 28 Saturday Schedule 30 Sunday Schedule 32 Class Descriptions 34 SIGs and Lounges 51 About Our Sponsor 52 Lunch Options 52 About the Board 54 About the Staff 55 Thank Yous Back Cover Hungry? Boxed lunches may be purchased for Saturday and/or Sunday. Purchases must be made at the Registration Desk by 9:30am the day of. Lunches are $15 each and include: sandwich with lettuce (ham, turkey, or roast beef), chips, fruit, and desert. There is also a vegetarian box option. Looking for more options? See what’s in the area. https://goo.gl/LpWTuV -2- Note from the Board Welcome, and thank you for attending KinkyCon XI! KinkyCon is a grassroots, locally-focused event. Most of our presenters are from our own kinky community. Many of our vendors are folks you know, and they offer their wares at fair prices with exceptional quality, and local service. Our volunteers are from the local community, and give their time to make the Con run as smoothly as possible. They are the reason for the warm, welcoming feel throughout the weekend. We are here to make sure you have a great experience at KinkyCon. If you have any questions, concerns, or problems, please talk to one of the KinkyCon staff members right away. -
The Atrocity Exhibition
The Atrocity Exhibition WITH AUTHOR'S ANNOTATIONS PUBLISHERS/EDITORS V. Vale and Andrea Juno BOOK DESIGN Andrea Juno PRODUCTION & PROOFREADING Elizabeth Amon, Laura Anders, Elizabeth Borowski, Curt Gardner, Mason Jones, Christine Sulewski CONSULTANT: Ken Werner Revised, expanded, annotated, illustrated edition. Copyright © 1990 by J. G. Ballard. Design and introduction copyright © 1990 by Re/Search Publications. Paperback: ISBN 0-940642-18-2 Limited edition of 300 autographed hardbacks: ISBN 0-940642-19-0 BOOKSTORE DISTRIBUTION: Consortium, 1045 Westgate Drive, Suite 90, Saint Paul, MN 55114-1065. TOLL FREE: 1-800-283-3572. TEL: 612-221-9035. FAX: 612-221-0124 NON-BOOKSTORE DISTRIBUTION: Last Gasp, 777 Florida Street, San Francisco, CA 94110. TEL: 415-824-6636. FAX: 415-824-1836 U.K. DISTRIBUTION: Airlift, 26 Eden Grove, London N7 8EL TEL: 071-607-5792. FAX: 071-607-6714 LETTERS, ORDERS & CATALOG REQUESTS TO: RE/SEARCH PUBLICATIONS SEND SASE 20ROMOLOST#B FOR SAN FRANCISCO, CA 94133 CATALOG PH (415) 362-1465 FAX (415) 362-0742 REQUESTS Printed in Hong Kong by Colorcraft Ltd. 10987654 Front Cover and all illustrations by Phoebe Gloeckner Back Cover and all photographs by Ana Barrado Endpapers: "Mucous and serous acini, sublingual gland" by Phoebe Gloeckner Phoebe Gloeckner (M.A. Biomedical Communication, Univ. Texas) is an award-winning medical illustrator whose work has been published internationally. She has also won awards for her independent films and comic art, and edited the most recent issue of Wimmin's Comix published by Last Gasp. Currently she resides in the San Francisco Bay Area. Ana Barrado is a photographer whose work has been exhibited in Italy, Mexico City, Japan the United States. -
MAKING MEANING of EXTREME FLESH PRACTICES by Alicia D
PULLING TOGETHER: MAKING MEANING OF EXTREME FLESH PRACTICES By Alicia D. Horton A THESIS SUBMITTED TO THE DEPARTMENT OF SOCIOLOGY IN CONFORMITY WITH THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS QUEEN‟S UNIVERSITY KINGSTON, ONTARIO, CANADA APRIL 2010 Copyright Alicia D. Horton, 2010 Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-70025-9 Our file Notre référence ISBN: 978-0-494-70025-9 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
KINK KARNIVAL 2006 by Terry Areas of Interest
Page 1 of 8 APEX News October 2006 Volume 18, Issue 10 KINK KARNIVAL 2006 By terry Areas of Interest: • Southwest Leather Conference Come see what under our November 4th at APEX. Information BIG TOP! Those on the auction bl ock • The final pa rt of include Master Steve The time is drawing near ! Diaper The Arizona Power Sampson, SWLC (CEO) Domination Exchange will be hosting its Robert, Master Kalan, For prices and information on open-to-the -public Kink Southwest LeatherSIR vending or performing please • October Meetin g Information Karnival on Saturday, 2006, Lauren, Sout hwest contact {MG} slave terry, APEX November 4th from 9am to Ms Leather 2006, boy Outreach Chair at 5pm at APEX in Phoenix, marshallSouthwest [email protected] . Or Arizona. Leatherboy 2006 and see arizonapowerexchange.o rg. many others. We hope to see you t here. What goes on at a Ki nk Karnival? The National Center for Must be 18 or older to attend. Individual Sexual Freedom. (NCSF) Highlights: Entertainment: will receive 100% of the Sponsors for this year’s Kink proceeds from the silent Karnivali nclude: APEX contacts 2 Come enjoy The Royal auction. Court, “Something Bloody” Southwest Leather Conference : Untitled Story 4 byMaster Kalan, So uthwest What would a Kink http://southwestleather.org/ SWLC info 5 LeatherSIR 2006 a nd Karnival be without Desert Dominion : Community ties 7 Lauren, Southwest Ms GREAT vendors? http://www.desertdominion.org/ Leather2006 , S hibari a nd Dungeon Delights, Tops Dungeon Delights Meeting info. 8 Rope s uspension by Master and bottoms, Passion http://www.dungeondelights.com Calendar 8 Gudie, Sol of “Edge Art” , Wolf, Fetish Falls / and Scary Terry and Sir and more will be there. -
Becoming Heavily Tattooed in the Postmodern West: Sacred Rite
Becoming heavily tattooed in the postmodern West: sacred rite, 'Modern Primitivism', or profane simulation? by Fareed Kaviani Thesis submitted as partial fulfilment of the requirements for the degree of Bachelor of Arts (Hons.) Sociology, Anthropology and International Development Department of Social Inquiry La Trobe University October 2017 1 Statement of Authorship This thesis is my own work containing, to the best of my knowledge and belief, no material published or written by another person except as referred to in the text. 18 / 10 / 17 Acknowledgements I would like to thank my supervisor, Sara James, for her generous support, patience, time and knowledge, and Anthony Moran, for his tireless administrative assistance. 2 Contents Abstract ...................................................................................................................................... 4 Introduction ............................................................................................................................... 5 Chapter 1 .................................................................................................................................. 11 Premodern Tatau and Tattoo: The Makings of the ‘Noble Savage’ ........................................ 11 Premodern Tatau ................................................................................................................. 11 Rite of Passage and Sacredness ........................................................................................... 12 Premodern European -
Introduction 1 Situating the Controlled Body 2 Bondage and Discipline, Dominance and Submission, and Sadomasochism (BDSM) At
Notes Introduction 1. In many respects, Blaine’s London feat is part of that shift. Whereas his entombment in ice in New York in 2000 prompted a media focus on his pun- ishing preparations (see Anonymous 2000, 17; Gordon 2000a, 11 and 2000b, 17), his time in the box brought much ridicule and various attempts to make the experience more intense, for instance a man beating a drum to deprive Blaine of sleep and a ‘flash mob’ tormenting him with hamburgers. 2. For some artists, pain is fundamental to the performance, but Franko B uses local anaesthetic, as he considers the end effect more important than the pain. 3. BDSM is regarded by many as less pejorative than sadomasochism; others choose S&M, S/M and SM. Throughout the book I retain each author’s appel- lation but see them fitting into the overarching concept of BDSM. 4. Within the BDSM scene there are specific distinctions and pairings of tops/ bottoms, Doms/subs and Masters/slaves, with increasing levels of control of the latter in each pairing by the former; for instance, a bottom will be the ‘receiver’ or takes the ‘passive’ part in a scene, whilst a sub will surrender control of part of their life to their Dominant. For the purposes of this book, I use the terms top and bottom (except when citing opinions of others) to suggest the respec- tive positions as I am mostly referring to broader notions of control. 5. Stressing its performative qualities, the term ‘scene’ is frequently used for the engagement in actual BDSM acts; others choose the term ‘play’, which as well as stressing its separation from the real has the advantage of indicating it is governed by predetermined rules. -
V. Vale Collection of Search and Destroy and RE/Search Publications Records, 1927-2014 LSC.1858
http://oac.cdlib.org/findaid/ark:/13030/c83f4vs3 No online items Finding Aid for the V. Vale Collection of Search and Destroy and RE/Search Publications Records, 1927-2014 LSC.1858 Finding aid prepared by Molly Horne, Jesse Arlen, Joyce Wang, and Courtney Dean, May 2017 UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] Online finding aid last updated 25 August 2017 LSC.1858 1 Title: V. Vale Collection of Search and Destroy and RE/Search Publications records Identifier/Call Number: LSC.1858 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 265.4 linear feet(371 boxes, 40 oversized flat boxes, 33 media boxes, 30 flat boxes, 24 record cartons, 19 shoeboxes, 8 half boxes, 7 poster storage boxes) Date (bulk): Bulk, 1978-2010 Date (inclusive): 1927-2014 Abstract: Collection contains production materials, administrative records, press and promotional materials, and correspondence from late 1970’s San Francisco punk zine Search & Destroy and subcultural publishing outfit RE/Search Publications (briefly V/Search Publications). Established in 1981, RE/Search documents underground trends including body modification, industrial culture, and zines, as well as countercultural literary figures such as J. G. Ballard and William S. Burroughs. Material represented in this collection was accumulated by San Francisco-based publisher, writer, musician, and artist V. Vale. Language of Materials: Materials are primarily in English. Physical Location: Portions of this collection stored off-site at SRLF. All requests to access special collections material must be made in advance using the request button located on this page. -
This Thesis Has Been Approved by the Honors Tutorial College and the Department of Art History
This thesis has been approved by The Honors Tutorial College and the Department of Art History __________________________ Dr. Jennie Klein, Art History Thesis Adviser ___________________________ Dr. Jennie Klein, Director of Studies, Art History ___________________________ Dr. Donal Skinner Dean, Honors Tutorial College SHE INKED! WOMEN IN AMERICAN TATTOO CULTURE ____________________________________ A Thesis Presented to The Honors Tutorial College Ohio University _______________________________________ In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Arts in Art History ______________________________________ by Jessica Xiao Jin Long May 2020 ABSTRACT In my thesis, I trace the niche that women have created for themselves in the tattoo community, with a focus on the United States. I discuss the relationship between increasing visibility for women in the tattoo industry and the shift in women’s status in American culture. My study concludes with contemporary tattooed women, including prominent female tattoo artists, collectors, and media personalities. TABLE OF CONTENTS INTRODUCTION: TATTOOS AND THE WOMEN WHO WEAR THEM 1-2 LITERATURE REVIEW 3-12 CH 1. FOUNDING FEMALES: THE TATTOOED LADIES 13-41 DIME MUSEUMS 15-18 THE FIRST TATTOOED LADIES 19-27 SELF-MADE FREAKS 27-30 THE CARNIVAL FREAK SHOW 30-34 NEW TATTOOED WOMEN 34-38 CONTINUING INFLUENCES 38-40 CH 2. FEMINISM AND RENAISSANCE 42-77 VIOLENCE AND MASCULINITY 46-52 TECHNICAL TRANSFORMATIONS 52-57 TATTOOS AS FINE ART 57-61 CELEBRITIES AND COUNTERCULTURE 61-64 THE SECOND WAVE 64-69 TATTOOING FEMINISM 69-74 CH 3. MIDDLE CLASS ACCEPTANCE & MASS COMMODIFICATION 78-119 PUNK TRIBALISM 80-86 END OF THE CENTURY ARTISTS 86-88 MIDDLE CLASS ACCEPTANCE 89-94 TATTOO MAGAZINES 95-97 MODERN PRIMITIVES 98-103 MAGAZINE MADNESS & INKED COVER GIRLS 103-107 TATTOOS ON TV 107-112 SEXUALITY AND STARDOM 112-116 CH 4. -
CDR's Kink Interest & Willingness Inventory
Name ___________________________ 1 CDR’s Kink Interest & Willingness Inventory Purpose: This inventory is designed to help facilitate communication between you and your partner about your kink and sexual interests, desires and curiosities as well as to gauge your willingness to try things outside your own interests if it means pleasing your partner. Directions: 1. Decide if you wish to fill this out as someone taking on the role of a dominant/top, submissive/bottom or (if the role you like to take varies) as a switch. 2. Fill out your copy of this inventory privately. Try not to rush. 3. Set a time to sit down with your partner to exchange inventories, read them and discuss. This should be outside the bedroom, like over coffee, where there is no pressure to immediately try any of the activities. Rate your interest or willingness on a scale of 0 to 3, as a hard limit or unknown: • 0 = I have no interest, but it’s not a hard limit • 1 = I have very little interest or willingness • 2 = I have some interest or willingness • 3 = I am very interested or willing • X = This is a hard limit. I am not willing to do this under any circumstances. • ? = I don’t know what this is. Definitions: “Interested In” is about your desires. It means that you would like, or think you would like, to experience this activity. “Willing To” is about experimenting with or pleasing your partner. It indicates your level of willingness to try something for your partner, regardless of your own level of interest in an activity.