製作及演出credits 曲目programme
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Circular Is Important and Requires Your Immediate Attention
THIS CIRCULAR IS IMPORTANT AND REQUIRES YOUR IMMEDIATE ATTENTION. If you are in any doubt as to any aspect of this circular or as to the action to be taken, you should consult your licensed securities dealer or other registered institution in securities, bank manager, solicitor, professional accountant or other professional adviser. If you have sold or transferred all your shares in eSun Holdings Limited (the “Company”), you should at once hand this circular and the accompanying form of proxy to the purchaser(s), or the transferee(s) or to the licensed securities dealer or other registered institution in securities, bank or other agent through whom the sale or transfer was effected for transmission to the purchaser(s) or the transferee(s). This circular appears for information purposes only and does not constitute an invitation or offer to acquire, purchase or subscribe for securities of the Company. Hong Kong Exchanges and Clearing Limited and The Stock Exchange of Hong Kong Limited take no responsibility for the contents of this circular, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this circular. eSun Holdings Limited (Incorporated in Bermuda with limited liability) (Stock Code: 571) POSSIBLE VERY SUBSTANTIAL ACQUISITION AND NOTICE OF SPECIAL GENERAL MEETING Capitalised terms used in the lower portion of this cover page shall have the same respective meanings as those defined in the section headed “Definitions” in this circular. A letter from the Board is set out on pages 7 to 23 of this circular. -
Annual Report 2010 年報
Annual Report 2010 年報 Leading New Entertainment 帶領娛樂 (Stock code 股份代號: 571) AAftersrshhockk 唐唐山大大地震 Film Awards BestBest FeatureF Film 最佳電影 電影獎項 2010 AsiaAs Pacific Screen Awards 第四屆亞太電影大獎第四屆亞 BestBest ActorA 最佳男主角 - Chen Daoming陳道明 2010 AsiaAs Pacific Screen Awards 第四屆亞太電影大獎第四屆亞 FFire of CCoonssccienncce FilmFilm ofo the Year 年度影片 火火龍龍 2011 ChinaCh Film Director’s Guild Best Actor最佳男主角 - Richie Jen任賢齊 20112011年度中國電影導演協會年 2010 Puchon International Fantastic Film Festival BestBest ActressA 導演眼中的年度女演員- Xu Fan徐帆 2010 年度富川國際奇幻電影節 2011 ChinaCh Film Director’s Guild 20112011年度中國電影導演協會年 20102010 Top-GrossingT Film 2010年最高票房亞洲電影大獎 5th AsianAsia Film Awards TThe FFounddingg of a Repuubblic 建建國大業 第五屆亞洲電影大獎第五屆亞 BestBest ActressA 最佳女主角- Xu Fan徐帆 Best Feature Film 最佳故事片獎 5th AsianAsia Film Awards 30th China Hundred Flowers People Choice Awards 第五屆亞洲電影大獎第五屆亞 (aka: Chinese Biennal Awards) 第三十屆大眾電影百花獎 Best VisualV Effects 最佳視覺效果- Best Supporting Actress 最佳女配角 - Xu Qing 許晴 Phil JoJones and Zhang Yanming 蔣燕鳴 30th China Hundred Flowers People Choice Awards 5th AsianAsia Film Awards (aka: Chinese Biennal Awards) 第五屆亞洲電影大獎第五屆亞 第三十屆大眾電影百花獎 Contents 2 Corporate Information 3 Corporate Profile 4 Chairman’s Statement 16 Financial Summary 18 Property Portfolio of Lai Fung 2200 Corporate Governance Report 2288 Biographical Details of Directors 3355 Report of the Directors 4488 Shareholders’ Information 4499 Financial Section 164 Notice of Annual General Meeting eSun Holdings Limited 2 Annual Report 2010 Place of Incorporation Authorised Representatives Corporate -
November 26-30. 2003 GOVERNMENT FUNDERS
THE 7TH ANNUAL november 26-30. 2003 GOVERNMENT FUNDERS CORPORATE SPONSORS FESTIVAL SPONSORS AWARD SPONSORS CO - PRESENTERS MEDIA SPONSORS COMMUNITY SPONSORS WELCOME THE 7TH ANNUAL TORONTO REEL ASIAN FILM FESTIVAL message from the executive director It is truly a pleasure to welcome you to the 7th annual edition of the Toronto Reel Asian International Film Festival. Please accept my congratulations as you are right now holding in your hands a guide to 5 days of the best in independent Asian cinema. Over the years, Reel Asian has developed a reputation for strong programming and I encourage you to catch as many screenings as possible. Artistic Director Jane Kim and the Reel Asian Screening Committee have hand-picked an incredible line-up of films and videos, many of which have never been seen before in Toronto. We are honoured to be able to bring these difficult-to-find works to local audiences hungry for fresh sights, sounds and ideas. We have also put together a seminar and two panel discussions I am certain will be of great interest to aspiring filmmakers and industry insiders alike. The seminar and panels are free (!) and open to the public, so those of you with any interest whatsoever in the behind-the-scenes wheeling and dealing leading up to getting ideas and stories up on the screen are welcome to attend as well. And of course, there are the parties... what would a festival be without them? This year, our Opening Night and Closing Night festivities will take place at two of the city’s hottest night spots, providing audiences with the chance to rub shoulders with guest directors, producers, and members of Toronto’s vibrant media arts community. -
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Contents Pages Foreword 1‐5 Performance Pledges 6 Vision, Mission & Values 7‐8 Feedback Channels 9 Leisure Services 10‐55 Recreational and Sports Facilities 11‐26 Recreational and Sports Programmes 27‐33 Sports Subvention Scheme 34‐36 2012 London Olympic Games 37 Sports Demonstration and Extravaganza by Mainland 38‐39 Olympic Gold Medallists The 4th Hong Kong Games 40‐41 Sports Exchange and Co‐operation Programmes 42 Horticulture and Amenities 43‐46 Green Promotion 47‐50 Licensing 51 Major Recreational & Sports Events 52‐55 Cultural Services 56‐154 Performing Arts 58‐64 Cultural Presentations 65‐69 Festivals 70‐73 Arts Education and Audience‐Building Programmes 74‐77 Carnivals and Entertainment Programmes 78‐79 Subvention to Hong Kong Arts Festival 80 Cultural Exchanges 81‐87 Film Archive and Film and Media Art Programmes 88‐90 Music Office 91 Indoor Stadia 92‐94 Urban Ticketing System (URBTIX) 95 Public Libraries 96‐103 Museums 104‐132 'My Culture' App 133 Conservation Office 134‐135 Antiquities and Monuments Office (AMO) 136 Expert Advisers on Cultural Services 137 Major Cultural Events 138‐154 Administration 155‐181 Financial Management 155‐156 Public Feedback 157 Outsourcing 158‐159 Human Resources 160‐168 Environmental Efforts 169‐172 Facilities and Projects 173‐174 Information Technology 175‐179 Public Relations and Publicity 180‐181 Appendices 182‐204 Foreword The year 2012-13 was an exciting and rewarding one for the LCSD, in which we organised a remarkable range of sports, leisure and cultural programmes both within and outside Hong Kong. Some highlights of the many major events and activities organised by the department during the year are described below. -
Chew Hee Chiat Conductor
Chew Hee Chiat Conductor Currently the Resident Conductor of the Hong Kong Chinese Orchestra. Conducting aside, Chew is an award-winning composer as well. His works have characteristic features that demonstrate his Southeast Asian cultural heritage. He was second runner-up in the International Competition for Chinese Orchestral Compositions 2000 (HK) and winner of the Outstanding Composition Award in the Chinese Music Competition 2002 organized by the Council for Cultural Affairs in Taiwan. In 2011, he gave lectures for the HKAPA on Chinese orchestral conducting. In May 2010, he conducted the world premiere of four works by Hong Kong composers at the outdoor mass concert, ‘Cadenzas of Hong Kong’. In May 2008, Chew led the Orchestra’s young artists in a concert ‘Rising Stars of HKCO‘ which highlighted the young and energetic side of the Orchestra and put it in a refreshingly new light. In 2009, when the HKCO became a partner of the YouTube Symphony, Chew won rave response for his arrangement of Tan Dun’s Internet Symphony - Eroica for Chinese orchestra. Other notable occasions include the Opening Rally of the Hong Kong Dizi and Xiao Festival in 2005, in which more than 500 players performed his work, A Celebration of Dizi, under his baton, and the event achieved a new Guinness Book of Records as having the largest number of people playing the dizi at the same time. He was widely acclaimed when he guest conducted the Singapore Chinese Orchestra in the concert, ‘A Nanyang Musical Voyage II’, in March 2004. Chew received lessons in composition from Saw Boon Kiat of Malaysia and renowned composer Qian Zhaoxi of China before he went to the United States where he graduated from the Southeast Missouri State University with a double bachelor’s degree in cello performance and computer science in 1994. -
Lgbt Culture in Hong Kong
LGBT CULTURE IN HONG KONG Revised 2 June 2020 by AUSTIN CHAN AND NIGEL COLLETT PREFACE This is a compilation of information about the LGBT+ cultural scene in Hong Kong as at 2 June 2020. It is incomplete; suggestions for additions or amendments are welcome. It includes sections on literature, theatre, film, music and media. Some names appear in several categories. Each section is arranged in a loose chronological order, rather than alphabetically, to give some idea of the development of LGBT+ culture in Hong Kong. NOTE – not all those mentioned herein are LGBT+ themselves. Their inclusion here only indicates that their work is of LGBT+ interest. TABLE OF CONTENTS LITERATURE .......................................................... 1 Austin Coates ....................................................................................... 1 Aileen Bridgewater ..............................................................................2 Ken Bridgewater ..................................................................................2 Peter Moss ...........................................................................................3 Martin Booth ...................................................................................... 4 Geoffrey Charles Emerson .................................................................. 5 Timothy Mo ......................................................................................... 5 Samshasha .......................................................................................... 6 Michael -
487 © the Author(S) 2020 K. J. Wang, Hong Kong Popular Culture, Hong Kong Studies Reader Series
INDEX1 F Blood Saints the Valley of Love/ Film Xueran Xiangsigu (血染相思 Aces Go Places III (1984), 80, 82, 谷), 179n14 83 Boat People/Touben Nuhai 投奔怒海 American Dreams in China/ (1982), 137, 138 Zhongguo Hehuoren 中國合伙人 Bride from Another Town/Guobu (2013), 484 Xinniang (過埠新娘), 67, At This Crucial Juncture/Zuihou 179n14 Guantou 最後關頭 (1937), Bruce Lee Story (1993), 170 125 The Burning of Imperial Palace/ Bad Genius/Chumao Tegong Dui Huoshao Yuanmingyuan 火燒 出貓特攻隊 (2017), 473, 474 圓明園 (1983), 138 A Belated Encounter/Xiangfeng The Butterfly Murders/Die Bian 蝶 Henwan 相逢恨晚 (1948), 變 (1979), 75 189 The Cannonball Run/Paodan Feiche Belle in Penang/Bin Cheng Yan 檳城 砲彈飛車 (1981), 71 艷 (1954), 348, 349 Cape No.7/Haijiao Qihao 海角七號 A Better Tomorrow/Yingxiong Bense (2008), 99 英雄本色 (1986), 84, 373 China Behind/Zaijian Zhongguo 再 The Big Boss/Tangshan Daxiong 唐 見中國 (1974), 75, 76, 110 山大兄 (1971), 69, 70, A Chinese Ghost Story/Qiannu 168 Youhun 倩女幽魂 (1987), 83 1 Note: Page numbers followed by ‘n’ refer to notes. © The Author(s) 2020 487 K. J. Wang, Hong Kong Popular Culture, Hong Kong Studies Reader Series, https://doi.org/10.1007/978-981-13-8817-0 488 INDEX Film (cont.) Election/hei she hui 黑社會 (2005), A Chinese Odyssey Part One– 105 Pandora’s Box/Xiyouji Di Yibai Enter the Dragon/Long Zheng Hu Lingyi Hui zhi Yueguang Baohe Dou (龍爭虎鬥), 71, 184 西遊記第壹佰零壹回之月光寶 The Eye/Jian Gui 見鬼 (2002), 192 盒 (1995), 142 Factory Queen/Gong Chang A Chinese Odyssey Part Two– Huanghou 工廠皇后 (1962), Cinderella/Xiyouji Dajieju zhi 63 Xianlv Qiyuan西遊記大結局之 Farewell My Concubine/Bawang -
Hong Kong Indie Music in Mediations: a Study of C^Tifral Prosuiher
Hong Kong Indie Music in Mediations: A Study of C^tifral Prosuiher // • i m … FUNG Chui Bik A Thesis Submitted in Partial fulfillment Of the Requirement for the Degree of Master of Philosophy In Communication © The Chinese University of Hong Kong August 2005 The Chinese University of Hong Kong holds the copyright of this thesis. Any person(s) intending to use part or whole of the materials in the thesis in a proposed publication must seek copyright release for the Dean of the Graduate School fL/ Y\ 2 6 OCT 2i )|j VtiWtBRARY SYSTEM^^^ Abstract entitled: Hong Kong Indie Music in Mediations: A Study of Cultural Prosumer Submitted by: FUNG Chui Bik For the Degree of Master of Philosophy in Communication At The Chinese University of Hong Kong (August, 2005) ABSTRACT By studying a group of cultural prosumers who are active participants of the local indie music community, this paper attempts to explore the changing pattern of local indie music culture. This paper's theoretical framework follows upon Keith Negus's theory of music mediation (1997). Inspired by Bourdieu's notion of cultural intermediary, Negus contends that music culture should be comprehended according to three kinds of music mediations: intermediary, technological and social mediations. Following Negus's argument, this study is set out to see how different mediations can affect local indie listeners in producing and consuming indie music. In this study, active participants of local indie community, which include indie fans and media workers, are taken as units of analysis. Through addressing the question~'How can different levels of mediations affect indie hobbyists' reception and production of local indie music?,-- this paper tries to unfold a new indie culture of Hong Kong. -
Colonial Local Relations Through Things, Places, and Bodies in Hong Kong Culture and Society
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2019 Reconfiguring <Post->Colonial Local Relations through Things, Places and Bodies in Hong Kong Culture and Society Wu, Helena Yuen-Wai Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-174131 Dissertation Published Version Originally published at: Wu, Helena Yuen-Wai. Reconfiguring <Post->Colonial Local Relations through Things, Places and Bodies in Hong Kong Culture and Society. 2019, University of Zurich, Faculty of Arts. Reconfiguring ‘Post-’colonial Local Relations through Things, Places, and Bodies in Hong Kong Culture and Society Thesis presented to the Faculty of Arts and Social Sciences of the University of Zurich for the degree of Doctor of Philosophy By Helena Yuen-wai Wu Accepted in the fall semester 2017 on the recommendation of the Doctoral Committee: «Prof. Dr. Andrea Riemenschnitter» Prof. Dr. Sandro Zanetti Prof. Dr. Stephen Yiu-wai Chu Zürich, 2019 ABSTRACT The thesis explores how Hong Kong’s local is varyingly conceived and perceived, and how different local relations are constellated through the representation of thing, place, and bodies in cultural expression such as cinema, literature, and others, and their subsequent circulation in Hong Kong culture and society against different socio-political contexts. After the reversion of the sovereignty over Hong Kong from Britain to China in 1997, several critical moments started to emerge one after another: from the Asian financial breakdown in 2002, the SARS epidemic outbreak in 2003, to the civil disobedience campaign Umbrella Movement in 2014.