Annual Report 2010 年報
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4Q17 Earnings Call Presentation January 24, 2018
The Venetian Macao Sands Cotai Central, Macao Marina Bay Sands, Singapore The Parisian Macao 4Q17 Earnings Call Presentation January 24, 2018 Sands Macao Four Seasons Macao Sands Bethlehem The Venetian Las Vegas The Palazzo, Las Vegas Forward Looking Statements This presentation contains forward-looking statements that are made pursuant to the Safe Harbor Provisions of the Private Securities Litigation Reform Act of 1995. Forward-looking statements involve a number of risks, uncertainties or other factors beyond the company’s control, which may cause material differences in actual results, performance or other expectations. These factors include, but are not limited to, general economic conditions, competition, new development, construction and ventures, substantial leverage and debt service, fluctuations in currency exchange rates and interest rates, government regulation, tax law changes and the impact of U.S. tax reform, legalization of gaming, natural or man-made disasters, terrorist acts or war, outbreaks of infectious diseases, insurance, gaming promoters, risks relating to our gaming licenses, certificate and subconcession, infrastructure in Macao, our subsidiaries’ ability to make distribution payments to us, and other factors detailed in the reports filed by Las Vegas Sands with the Securities and Exchange Commission. Readers are cautioned not to place undue reliance on these forward-looking statements, which speak only as of the date thereof. Las Vegas Sands assumes no obligation to update such information. Within this presentation, -
Aarif Rahman
KGV’s Pop King Aarif Rahman - King George V School School of Rock Justin Sweeting - Island School Picture Perfect Vivian Wong - South Island School Fashion Forward Dylan Helyer - Discovery College Hot Off The Press Stephanie Kong - Sha Tin College NEWS Dec 2015 English Schools Foundation ALUMNI TABLE FOREWORD Welcome to the December issue of the ESF Alumni News titled “Express Yourself”. In this issue, we have featured several highly of talented alumni who have made a considerable impact in their chosen careers in the contemporary world of acting, music, social media, CONTENTS fashion and writing. I hope you will enjoy reading about each alumni’s KGV’s Pop King amazing journey from ESF School to the world of work. Please do not forget to check out the “Class Aarif Rahman (李治廷) Notes” and “What’s Happening” King George V School (KGV) sections as well. I was appointed as development & alumni manager for Island 04 School in October 2014. This past year has been incredibly rewarding as ESF builds on its success to provide a first class international education, develop broader community support and School of Rock embark on extensive redevelopment projects for the benefit of student learning. Island School’s redevelopment plan for its Borrett Justin Sweeting Road site started in earnest in early 2006. Island School will also Island School (IS) celebrate its 50th Anniversary in mid-2017, and the development office is working closely with stakeholders of the school in planning 08 several celebrations for this most iconic event in the school’s history! The Island School Alumni Association (“ISAA”) continues to expand its alumni network.They engage with current students, explore Fashion Forward mentorship and internship opportunities, design career sessions and provide networking opportunities. -
製作及演出credits 曲目programme
4-5.3.2011 08 創作、製作及演出 Credits 香港藝術中心 Agnès b. 電影院 09 曲目 Programme Agnès b. CINEMA Hong Kong Arts Centre 12 荒井壯一郎 Arai Soichiro 特稿 Feature 演出長約1小時15分鐘,不設中場休息。 Running time: approximately 1 hour and 14 如果有一件打擊樂器是最重要的⋯⋯ 15 minutes with no interval If there is a Percussion Instrument which is the Most Important... 17 簡歷 Biographies This programme is printed on environmentally friendly paper. 本場刊採用環保紙張印刷。 敬請關掉所有響鬧及發光裝置,請勿擅自攝影、錄音或錄影,多謝合作。 Please switch off all sound-making and light-emitting devices. Unauthorised photography or recording of any kind is strictly prohibited. Thank you for your co-operation. 8 Credits 創作、製作及演出 演出者 荒井壯一郎 Performer Arai Soichiro 特邀演出 林二汶 Guest Performer Eman Lam 鍵琴手 秦四風 Keyboard Sedar Chin 電子音樂 何山 Electronic Music Ho Shan 音響設計 Sound Designer Miso Tech Company Ltd. 多媒體影像設計 盧榮 Multi-media Video Designer Lo Wing 現場錄像騎師 陳天思 VJ Timmy Chan 監製 方寶儀 Producer Sandy Fong 製作助理 李麗容 Production Assistant Wincy Lee 曲目 Programme 9 序擊 荒井壯一郎 Prelude Crash Arai Soichiro 遊樂唱擊 荒井壯一郎 Singing Crash Arai Soichiro 林二汶 Eman Lam 突擊 I Shock Crash I 爵士二擊 荒井壯一郎 Jazz Duo Crash Arai Soichiro 秦四風 Sedar Chin 突擊 II Shock Crash II 遊樂電擊 荒井壯一郎 Electronic Crash Arai Soichiro 何山 Ho Shan 突擊 III Shock Crash III 集擊 荒井壯一郎 Collective Crash Arai Soichiro 林二汶 Eman Lam 何山 Ho Shan 秦四風 Sedar Chin 演奏曲目及次序或有改動 Songs and their order of performance are subject to change 12 荒井壯一郎 Arai Soichiro 演出者 Performer 打擊樂手、鼓手、音樂製作人。香 Soichiro is a percussionist, drummer and music 港長大,九歲學習打擊樂。少年時 producer who was born and raised in Hong 擔任香港青年交響樂團打擊樂首 Kong. -
Shadowrun: Hong Kong
SHADOWRUN HONG KONG MEL ODOM BASED ON A STORY BY HAREBRAINED SCHEMES PROLOGUE RAYMOND BLACK The Redmond Barrens Seattle United Canadian and American States 2044 I’ll never forget the night I met Raymond Black, mostly because I’d believed Duncan was going to die and leave me all alone. Raymond Black changed that. He changed a lot of things. Me and Duncan, we’d been alone for a long time. I was a couple years older than him, so I could remember back farther than he could, but every time I did, all I could recall were the foster homes I got bounced out of regularly. The longest I’d ever stayed in one was with the Croydon family for two years. They taught me how to pick pockets, hotwire a car, fight with a blade, and pick a lock. When I turned thirteen, I used those skills to get away from them and escape into the shadows. A few months after that, I found Duncan Wu living on dumpster food in an alley. He hadn’t run away from his foster home to find something better. He’d run for his life. His foster parents had set up a deal to sell him and the three other kids to a sex slave ring. He was the only one who’d gotten away. Part of me wanted to leave him there, but I couldn’t because I knew from the shape he was in, starving and covered in sores, he wouldn’t make it on his own. So I’d taken him with me, fed him, sheltered him, and gotten him as healthy as we could be under the circumstances. -
China's Strategic Modernization: Implications for the United States
CHINA’S STRATEGIC MODERNIZATION: IMPLICATIONS FOR THE UNITED STATES Mark A. Stokes September 1999 ***** The views expressed in this report are those of the author and do not necessarily reflect the official policy or position of the Department of the Army, the Department of the Air Force, the Department of Defense, or the U.S. Government. This report is cleared for public release; distribution is unlimited. ***** Comments pertaining to this report are invited and should be forwarded to: Director, Strategic Studies Institute, U.S. Army War College, 122 Forbes Ave., Carlisle, PA 17013-5244. Copies of this report may be obtained from the Publications and Production Office by calling commercial (717) 245-4133, FAX (717) 245-3820, or via the Internet at [email protected] ***** Selected 1993, 1994, and all later Strategic Studies Institute (SSI) monographs are available on the SSI Homepage for electronic dissemination. SSI’s Homepage address is: http://carlisle-www.army. mil/usassi/welcome.htm ***** The Strategic Studies Institute publishes a monthly e-mail newsletter to update the national security community on the research of our analysts, recent and forthcoming publications, and upcoming conferences sponsored by the Institute. Each newsletter also provides a strategic commentary by one of our research analysts. If you are interested in receiving this newsletter, please let us know by e-mail at [email protected] or by calling (717) 245-3133. ISBN 1-58487-004-4 ii CONTENTS Foreword .......................................v 1. Introduction ...................................1 2. Foundations of Strategic Modernization ............5 3. China’s Quest for Information Dominance ......... 25 4. -
Thread of Love Runs Through Each Mask Sewn for Binghampton
Public Records & Notices Monitoring local real estate since 1968 View a complete day’s public records Subscribe Presented by and notices today for our at memphisdailynews.com. free report www.chandlerreports.com Tuesday, August 25, 2020 MemphisDailyNews.com Vol. 135 | No. 116 Rack–50¢/Delivery–39¢ Le Bonheur statistics show pandemic’s brute force on children JANE ROBERTS among adults and a 350% increase ACEs are traumatic experi- living in the household at more or mental health issues, which Courtesy of The Daily Memphian in violence in their homes and ences before age 18. They include risk for physical abuse and ne- in turn only increase the risk Early evidence trickling in at neighborhoods. all types of abuse, neglect and pa- glect,” says Dr. Jason Yaun, head of things like abuse and ne- Le Bonheur Children’s Hospital What that constant stress rental mental illness, but also sub- of the outpatient pediatric divi- glect. It really ramps it up into a forms the outer boundaries of means for children, including stance use in the home, divorce, sion at Le Bonheur and medical cycle.”Having four or more ACE just how different life is in many how it affects brain and social incarceration of a caregiver and director of the Family Resilience experiences predisposes a child Memphis homes now, including development, is well documented domestic violence. Initiative. “ to a range of chronic diseases later a 250% increase in self-report- in extensive research of adverse “As parents become more The child may be more likely ed depression or mental illness childhood experiences. -
List of Action Films of the 2010S - Wikipedia, the Free Encyclopedia
List of action films of the 2010s - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/List_of_action_films_of_the_2010s List of action films of the 2010s From Wikipedia, the free encyclopedia This is an incomplete list, which may never be able to satisfy particular standards for completeness. You can help by expanding it (//en.wikipedia.org /w/index.php?title=List_of_action_films_of_the_2010s&action=edit) with reliably sourced entries. This is chronological list of action films originally released in the 2010s. Often there may be considerable overlap particularly between action and other genres (including, horror, comedy, and science fiction films); the list should attempt to document films which are more closely related to action, even if it bends genres. Title Director Cast Country Sub-Genre/Notes 2010 13 Assassins Takashi Miike Koji Yakusho, Takayuki Yamada, Yusuke Iseya Martial Arts[1] 14 Blades Daniel Lee Donnie Yen, Vicky Zhao, Wu Chun Martial Arts[2] The A-Team Joe Carnahan Liam Neeson, Bradley Cooper, Quinton Jackson [3] Alien vs Ninja Seiji Chiba Masanori Mimoto, Mika Hijii, Shuji Kashiwabara [4][5] Bad Blood Dennis Law Simon Yam, Bernice Liu, Andy On [6] Sorapong Chatree, Supaksorn Chaimongkol, Kiattisak Bangkok Knockout Panna Rittikrai, Morakot Kaewthanee [7] Udomnak Blades of Blood Lee Joon-ik Cha Seung-won, Hwang Jung-min, Baek Sung-hyun [8] The Book of Eli Albert Hughes, Allen Hughes Denzel Washington, Gary Oldman, Mila Kunis [9] The Bounty Hunter Andy Tennant Jennifer Aniston, Gerard Butler, Giovanni Perez Action comedy[10] The Butcher, the Chef and the Wuershan Masanobu Ando, Kitty Zhang, You Benchang [11] Swordsman Centurion Neil Marshall Michael Fassbender, Olga Kurylenko, Dominic West [12] City Under Siege Benny Chan [13] The Crazies Breck Eisner Timothy Olyphant, Radha Mitchell, Danielle Panabaker Action thriller[14] Date Night Shawn Levy Steve Carell, Tina Fey, Mark Wahlberg Action comedy[15] The Expendables Sylvester Stallone Sylvester Stallone, Jason Statham, Jet Li [16] Faster George Tillman, Jr. -
Aspects of Chinese Cinema Today
Aspects of Chinese Cinema Today By Toh, Hai Leong Spring 1997 Issue of KINEMA 1. THE TAIWANESE ANTONIONI: TSAI MING-LIANG’S DISPLACEMENT OF LOVE IN AN URBAN ENVIRONMENT NO, Tsai Ming-liang is not in fact Taiwanese. The bespectacled 40-year-old bachelor was born in Kuching, Sarawak (East Malaysia) and only came to Taiwan for a college education. After graduating with a degree in drama and film in Taiwan’s University, he settled there and impressed critics with several experimental plays and television movies such as Give Me A Home (1988), The Happy Weaver(1989), My Name is Mary (1990), Ah Hsiung’s First Love(1990). He made a brilliant film debut in 1992 with Rebels Of The Neon God and his film Vive l’amour shared Venice’s Golden Lion for Best Film with Milcho Manchevski’s Before The Rain (1994). Rebels of the Neon God, a film about aimless and nihilistic Taipei youths, won numerous awards abroad: Among them, the Best Film award at the Festival International Cinema Giovani (1993), Best Film of New Director Award of Torino Film Festival (1993), the Best Music Award, Grand Prize and Best Director Awards of Taiwan Golden Horse Festival (1992), the Best Film of Chinese Film Festival (1992), a bronze award at the Tokyo International Film Festival in 1993 and the Best Director Award and Leading Actor Award at the Nantes Festival des Trois Continents in 1994.(1) For the sake of simplicity, he will be referred to as ”Taiwanese”, since he has made Taipei, (Taiwan) his home. In fact, he is considered to be among the second generation of New Wave filmmakers in Taiwan. -
Reminder List of Productions Eligible for the 88Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 88TH ACADEMY AWARDS ADULT BEGINNERS Actors: Nick Kroll. Bobby Cannavale. Matthew Paddock. Caleb Paddock. Joel McHale. Jason Mantzoukas. Mike Birbiglia. Bobby Moynihan. Actresses: Rose Byrne. Jane Krakowski. AFTER WORDS Actors: Óscar Jaenada. Actresses: Marcia Gay Harden. Jenna Ortega. THE AGE OF ADALINE Actors: Michiel Huisman. Harrison Ford. Actresses: Blake Lively. Kathy Baker. Ellen Burstyn. ALLELUIA Actors: Laurent Lucas. Actresses: Lola Dueñas. ALOFT Actors: Cillian Murphy. Zen McGrath. Winta McGrath. Peter McRobbie. Ian Tracey. William Shimell. Andy Murray. Actresses: Jennifer Connelly. Mélanie Laurent. Oona Chaplin. ALOHA Actors: Bradley Cooper. Bill Murray. John Krasinski. Danny McBride. Alec Baldwin. Bill Camp. Actresses: Emma Stone. Rachel McAdams. ALTERED MINDS Actors: Judd Hirsch. Ryan O'Nan. C. S. Lee. Joseph Lyle Taylor. Actresses: Caroline Lagerfelt. Jaime Ray Newman. ALVIN AND THE CHIPMUNKS: THE ROAD CHIP Actors: Jason Lee. Tony Hale. Josh Green. Flula Borg. Eddie Steeples. Justin Long. Matthew Gray Gubler. Jesse McCartney. José D. Xuconoxtli, Jr.. Actresses: Kimberly Williams-Paisley. Bella Thorne. Uzo Aduba. Retta. Kaley Cuoco. Anna Faris. Christina Applegate. Jennifer Coolidge. Jesica Ahlberg. Denitra Isler. 88th Academy Awards Page 1 of 32 AMERICAN ULTRA Actors: Jesse Eisenberg. Topher Grace. Walton Goggins. John Leguizamo. Bill Pullman. Tony Hale. Actresses: Kristen Stewart. Connie Britton. AMY ANOMALISA Actors: Tom Noonan. David Thewlis. Actresses: Jennifer Jason Leigh. ANT-MAN Actors: Paul Rudd. Corey Stoll. Bobby Cannavale. Michael Peña. Tip "T.I." Harris. Anthony Mackie. Wood Harris. David Dastmalchian. Martin Donovan. Michael Douglas. Actresses: Evangeline Lilly. Judy Greer. Abby Ryder Fortson. Hayley Atwell. ARDOR Actors: Gael García Bernal. Claudio Tolcachir. -
Bleeding Steel to Be Released in Imax® Theatres Across China on December 22
BLEEDING STEEL TO BE RELEASED IN IMAX® THEATRES ACROSS CHINA ON DECEMBER 22 Beijing-December 11, 2017- IMAX China Holding, Inc. (HKSE:1970) today announced that Bleeding Steel will be digitally remastered into the IMAX 3D format and released in IMAX® theatres across China on December 22. The film is produced by Heyi Pictures Co.,Ltd and distributed by Alibaba Pictures. Bleeding Steel is also Jackie Chan’s sixth film on IMAX screens. Directed by Zhang Lijia, Bleeding Steel stars Jackie Chan and a list of Chinese and western talents, including Show Lo, Nana Ouyang, Yunshan Xiahou, Callan Mulvey, Tess Haubrich, Damien Garvey. It is the sixth Jackie Chan’s film presented in IMAX® theaters. The film is an action thriller with sci-fi elements, and it tells the story of a special policeman’s endeavor of rescuing his daughter from multiple dark forces, who are interested in the mysterious material injected into the girl’s heart as a way to save her life when she was little. The film will not only offer amazing action scenes by Jackie Chan on the roof of Sydney Opera House, but also features fierce gunfight and explosion scenes produced by top post production teams. On December 22, the audience will be able to join the heroic journey of Bleeding Steel in IMAX® theatres across China. The IMAX 3D release of Bleeding Steel will be digitally re-mastered into the image and sound quality of The IMAX Experience® with proprietary IMAX DMR® (Digital Re-mastering) technology. The crystal- clear images, coupled with IMAX's customized theatre geometry and powerful digital audio, create a unique environment that will make audiences feel as if they are in the movie. -
Cinematic Reconstruction of Historical Trauma in Twenty-First Century China
Does Time Heal?: Cinematic Reconstruction of Historical Trauma in Twenty-first Century China By Shiya Zhang B.A., Jilin University, 2004 A Thesis Submitted in Partial Fulfillment of the Requirement for the Degree of MASTER OF ARTS in the Department of Pacific and Asian Studies ©Shiya Zhang, 2018 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee Does Time Heal?: Cinematic Reconstruction of Historical Trauma in Twenty-first Century China By Shiya Zhang Bachelor of Arts., Jilin University, 2004 Supervisory Committee Dr. Richard King, Supervisor (Department of Pacific and Asian Studies) Dr. Katsuhiko Endo, Departmental Member (Department of Pacific and Asian Studies) iii Supervisory Committee Dr. Richard King, Supervisor (Department of Pacific and Asian Studies) Dr. Katsuhiko Endo, Departmental Member (Department of Pacific and Asian Studies) Abstract While the whole world is talking about China’s rise in wealth and power, most focus has been placed on understanding China’s present policies and future orientations. However, very little attention is devoted to examining how historical consciousness affects present China. People take for granted that the past—particularly the landmark traumas of the communist decades— is a far-reaching historical discontinuity, and that China’s profound changes in every aspect of society have rendered the past increasingly irrelevant. However, this thesis argues that this assumption is wrong. This thesis explores the ways that Chinese filmmakers rearticulate the historical traumas which continue to affect Chinese society in the post-WTO era. -
Music from the 1990S to the Present
j:,/ � • .. ….......:._. ‘. • '1- ;V . jn/w Tnn • ft ¾( ! \ ..' � •'. I . I .广, I n . .....Vv'Z …'.J I O > 3 . • • I •• . ^ • jr ,' ‘:'. ; , ''Jr ... Hong Kong Film Music from the 1990s to the Present CHENG LingYan A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Philosophy in Ethnomusicology © The Chinese University of Hong Kong June 2004 The Chinese University of Hong Kong holds the copyright of this thesis. Any person(s) intending to use a part or whole of the materials in the thesis in a proposed publication must seek copyright release from the Dean of the Graduate School. ^ST university~7^// ^XLIBRARy SYSTEM^W Abstract i Hong Kong Film Music from the 1990s to the Present Submitted by LingYan CHENG for the degree of Master of Philosophy in Ethnomusicology at The Chinese University of Hong Kong in June 2004 Abstract This thesis focuses on Hong Kong film music from the 1990s to the 2000s. In recent years, there has been much research and theory on western film music, especially the Hollywood film industry, by musicologists and scholars in film studies, popular music studies, and other fields. However, there has been little research on Hong Kong Film music, the system of which is different from that of western film music, and therefore I will apply basic film music concepts, but using the real situation of Hong Kong film music to formulate my own argument. The methodology used in this thesis will include the application of basic concepts used by scholars of film music, such as the functions of music in film, combined with fieldwork and analysis of films.