The World Premiere of Ta-Nehisi Coates's Between the World And
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In Ta-Nehisi Coates's Between the World and Me
“OVERPOLICED AND UNDERPROTECTED”:1 RACIALIZED GENDERED VIOLENCE(S) IN TA-NEHISI COATES’S BETWEEN THE WORLD AND ME “SOBREVIGILADAS Y DESPROTEGIDAS”: VIOLENCIA(S) DE GÉNERO RACIALIZADA(S) EN BETWEEN THE WORLD AND ME, DE TA-NEHISI COATES EVA PUYUELO UREÑA Universidad de Barcelona [email protected] 13 Abstract Ta-Nehisi Coates’s Between the World and Me (2015) evidences the lack of visibility of black women in discourses on racial profiling. Far from tracing a complete representation of the dimensions of racism, Coates presents a masculinized portrayal of its victims, relegating black women to liminal positions even though they are one of the most overpoliced groups in US society, and disregarding the fact that they are also subject to other forms of harassment, such as sexual fondling and other forms of abusive frisking. In the face of this situation, many women have struggled, both from an academic and a political-activist angle, to raise the visibility of the role of black women in contemporary discourses on racism. Keywords: police brutality, racism, gender, silencing, black women. Resumen Con la publicación de la obra de Ta-Nehisi Coates Between the World and Me (2015) se puso de manifiesto un problema que hacía tiempo acechaba a los discursos sobre racismo institucional: ¿dónde estaban las mujeres de color? Lejos de trazar un esbozo fiel de las dimensiones de la discriminación racial, la obra de Coates aboga por una representación masculinizada de las víctimas, relegando a las miscelánea: a journal of english and american studies 62 (2020): pp. 13-28 ISSN: 1137-6368 Eva Puyuelo Ureña mujeres a posiciones marginales y obviando formas de acoso que ellas, a diferencia de los hombres, son más propensas a experimentar. -
The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
Resources on Race, Racism, and How to Be an Anti-Racist Articles, Books, Podcasts, Movie Recommendations, and More
“Not everything that is faced can be changed, but nothing can be changed until it is faced.” – JAMES BALDWIN DIVERSITY & INCLUSION ————— Resources on Race, Racism, and How to be an Anti-Racist Articles, Books, Podcasts, Movie Recommendations, and More Below is a non-exhaustive list of resources on race, anti-racism, and allyship. It includes resources for those who are negatively impacted by racism, as well as resources for those who want to practice anti-racism and support diverse individuals and communities. We acknowledge that there are many resources listed below, and many not captured here. If after reviewing these resources you notice gaps, please email [email protected] with your suggestions. We will continue to update these resources in the coming weeks and months. EXPLORE Anguish and Action by Barack Obama The National Museum of African American History and Culture’s web portal, Talking About Race, Becoming a Parent in the Age of Black Lives which is designed to help individuals, families, and Matter. Writing for The Atlantic, Clint Smith communities talk about racism, racial identity and examines how having children has pushed him the way these forces shape society to re-evaluate his place in the Black Lives Matter movement: “Our children have raised the stakes of Antiracism Project ― The Project offers participants this fight, while also shifting the calculus of how we ways to examine the crucial and persistent issue move within it” of racism Check in on Your Black Employees, Now by Tonya Russell ARTICLES 75 Things White People Can Do For Racial Justice First, Listen. -
Undergraduate Play Reading List
UND E R G R A DU A T E PL A Y R E A DIN G L ISTS ± MSU D EPT. O F T H E A T R E (Approved 2/2010) List I ± plays with which theatre major M E DI E V A L students should be familiar when they Everyman enter MSU Second 6KHSKHUGV¶ Play Hansberry, Lorraine A Raisin in the Sun R E N A ISSA N C E Ibsen, Henrik Calderón, Pedro $'ROO¶V+RXVH Life is a Dream Miller, Arthur de Vega, Lope Death of a Salesman Fuenteovejuna Shakespeare Goldoni, Carlo Macbeth The Servant of Two Masters Romeo & Juliet Marlowe, Christopher A Midsummer Night's Dream Dr. Faustus (1604) Hamlet Shakespeare Sophocles Julius Caesar Oedipus Rex The Merchant of Venice Wilder, Thorton Othello Our Town Williams, Tennessee R EST O R A T I O N & N E O-C L ASSI C A L The Glass Menagerie T H E A T R E Behn, Aphra The Rover List II ± Plays with which Theatre Major Congreve, Richard Students should be Familiar by The Way of the World G raduation Goldsmith, Oliver She Stoops to Conquer Moliere C L ASSI C A L T H E A T R E Tartuffe Aeschylus The Misanthrope Agamemnon Sheridan, Richard Aristophanes The Rivals Lysistrata Euripides NIN E T E E N T H C E N T UR Y Medea Ibsen, Henrik Seneca Hedda Gabler Thyestes Jarry, Alfred Sophocles Ubu Roi Antigone Strindberg, August Miss Julie NIN E T E E N T H C E N T UR Y (C O N T.) Sartre, Jean Shaw, George Bernard No Exit Pygmalion Major Barbara 20T H C E N T UR Y ± M ID C E N T UR Y 0UV:DUUHQ¶V3rofession Albee, Edward Stone, John Augustus The Zoo Story Metamora :KR¶V$IUDLGRI9LUJLQLD:RROI" Beckett, Samuel E A R L Y 20T H C E N T UR Y Waiting for Godot Glaspell, Susan Endgame The Verge Genet Jean The Verge Treadwell, Sophie The Maids Machinal Ionesco, Eugene Chekhov, Anton The Bald Soprano The Cherry Orchard Miller, Arthur Coward, Noel The Crucible Blithe Spirit All My Sons Feydeau, Georges Williams, Tennessee A Flea in her Ear A Streetcar Named Desire Synge, J.M. -
Trama & Critica
3906 – SOUL Animazione Un nuovo film Pixar che porterà lo spettatore in un viaggio dalle strade di New York a altre galassie per scoprire le risposte alle domande più importanti della vita. Un viaggio psichico ed esistenziale che farà sognare i bimbi ed emozionare i più grandi, in compagnia di Duke Ellington e Frank Capra. Il film ha ottenuto 3 candidature e vinto 2 Premi Oscaree e 2 Golden Globes. Regia di Pete Docter, Kemp Powers - USA 2020. Joe Gardner è un uomo maturo, eppure sente che la sua vita non è mai veramente cominciata. Appassionato pianista di jazz, aspetta la grande occasione mentre insegna musica in una scuola media e suona quando capita nei locali notturni, facendo preoccupare la madre che vorrebbe per lui le garanzie del posto fisso. Il giorno in cui passa l'audizione per debuttare con un famoso quartetto, Joe sente finalmente di avercela fatta, ma cade in un tombino scoperchiato e la sua anima si ritrova in uno strano luogo, mentre il suo corpo giace in un letto d'ospedale. Determinato a non morire proprio ora, Joe imbroglia le carte e stringe un patto salvavita con un'inquieta giovane anima, la numero 22. 22 non vuole vivere, e Joe non vuole morire. Le due cose ci sembrano spesso accadere per caso o per destino, e se invece, in entrambi i casi, ci fosse bisogno della giusta preparazione? Pete Docter è l'uomo della Pixar con una specializzazione nei cosiddetti massimi sistemi, e con 'Soul' mira dritto al punto più alto. Le invenzioni grafiche e visive, le ambientazioni fantasiose, il geniale utilizzo del personaggio del gatto, faranno sognare anche i bambini, ma non c'è dubbio che lo spettatore ideale di questo film sia uno spettatore adulto, anche se la soluzione finale del rebus non può prescindere dalla relazione affettiva con la sua giovanissima spalla. -
The Black Male Experience in Ta-Nehisi Coates's Between The
YESMINA KHEDHIR The Black Male Experience in Ta-Nehisi Coates’s Between the World and Me and The Beautiful Struggle Pro&Contra 2 No. 2 (2018) 49–65. DOI: 10.33033/pc.2018.2.49 THE BLACK MALE EXPERIENCE... 51 Abstract Since the publication of his autobiographical essay Between the World and Me, the African American writer and journalist Ta-Nehisi Coates has garnered a wide readership as well as considerable recognition. Both in Between the World and Me (2015) and in his earlier memoir The Beautiful Struggle (2008), Coates traces his own experience as a black male growing up in a poor black neighborhood in West Baltimore. In his work, Coates tackles the major problems faced by black men in today’s America, especially poverty, mass incarceration, drug addiction and dealing, urban violence and police brutality. He contends that the present predicament of black people, and black men in particular, can only be understood in light of the continuous dehumanization, marginalization, and destruction of black bodies. The paper aims to examine Coates’ experience as a black male and to argue that despite his overt pessimism, Coates challenges hegemonic notions of black masculinity and subverts stereotypes about African American men by becoming a caring father and a conscious intellectual. Keywords: Ta-Nehisi Coates, autobiography, black masculinity, black body, manhood Since the publication of his autobiographical essay Between the World and Me (2015) written as a letter to his fifteen-year-old son, the African American writer and journalist Ta-Ne- hisi Coates has garnered a wide readership as well as considerable recognition. -
African-American Shakespeare Company "Moves on Up" with Revamp of Cinderella at the Herbst
Press Contact Liam Passmore Shave and a Haircut [email protected] 415-865-0860 (p); 415-218-1544 (c) African-American Shakespeare Company "Moves On Up" With Revamp of Cinderella at The Herbst Samantha Williams as Cinderella in the 2016 production of Cinderella from the African-American Shakespeare Company and SFBATCO After bringing on The San Francisco Bay Area Theatre Company (SFBATCO) as co-producers of the venerable Cinderella which has been a holiday season staple for the company since 2000, this year's version sees our heroine and her oh-so charming Prince navigate a fate dependent on a well-intentioned Fairy Godmother who doesn't always get things right, a scheming stepmother, and the return of a custom shoe to its owner (lost as they so often are, while fleeing a ballroom) all in order to engage in the business of pursuing a dream in order to "keep on rising;" this is not only the first production of The African-American Shakespeare Company's 2016/17 season, but its first ever at The Herbst Directed by Rodney Earl Jackson Jr and Marcelo Pereira of SFBATCO, Cinderella runs five performances only, December 22 - 24 at The Herbst; Thursday, December 22, 8:00pm; Friday, December 23, 3:00pm & 8:00pm, Saturday, December 24, 11:00am & 3:00pm Tickets from $20.00 - $40.00 Tickets at City Box Office November 17, 2016, San Francisco – The African-American Shakespeare Company begins a new chapter in 22 year history when it stages Cinderella at The Herbst Theatre in San Francisco, following its decision to leave its longtime home at the Buriel Clay Theater in the African- American Art & Cultural Complex. -
A Raisin in the Sun 2
s A TEACHER’S GUIDE TO THE SIGNET AND PLUME EDITIONS OF THE SCREENPLAY LORRAINE HANSBERRY’S RAISIN IN THE SUN By DIANA MITCHELL, Ph.D SERIES EDITORS: W. GEIGER ELLIS, ED.D., UNIVERSITY OF GEORGIA, EMERITUS and ARTHEA J. S. REED, PH.D., UNIVERSITY OF NORTH CAROLINA, RETIRED A Teacher’s Guide to Lorraine Hansberry’s A Raisin in the Sun 2 INTRODUCTION The certainty that the ideals of “life, liberty, and the pursuit of happiness” can become reality for anyone willing to work for them is what we call the American dream. For many, the dream does come true. For many it does not. Lorraine Hansberry knew about disappointment, false hope, and despair. For many of her African-American ancestors who had come north for a better life only to find exploitation and frustration, the dream had become a nightmare. In contemporary terms, she chronicles their nightmare in A Raisin in the Sun, an epic story of the Younger family struggling to realize the dream by escaping ghetto life. Hansberry’s screenplay not only tells the story of the Youngers but reveals the plight of all who have failed dreams. Her cosmic vision gives Raisin its power. For high school juniors who often study U.S. history concurrently with American literature, this previously unpublished version of the screenplay allows students to read an engrossing American play, while they experience a culture that either mirrors their own lives or provides a window into a world of people who are more similar to them than they are different from them. -
Announcing a VIEW from the BRIDGE
FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street. -
John Lithgow ‑‑ "The Crown"
AWARD 1 Supporting Actor – Drama John Lithgow ‑‑ "The Crown" JOHN LITHGOW: Well, this is fantastic. I feel so lucky to have won this in the company of my fellow nominees. You guys, so many of you are my friends and former cast mates. I can congratulate all of you. Congratulations. You deserve this. "The Crown" just keeps on giving, and this is just the last of its gifts. Once again, I have to thank Peter Morgan, Stephen Daldry, Andy Harries, Ted Sarandos of Netflix, my reps, my wife, the magnificent English crew and company of actors led by the wonderful Claire Foy. (Applause.) But most of all, I have to thank Winston Churchill. In these crazy times, his life, even as an old man, reminds us what courage and leadership in government really looks like. I thank Winston Churchill. I thank the Academy. And I thank all of you.This is simply wonderful. AWARD 2 OUTSTANDING SUPPORTING ACTRESS IN A COMEDY SERIES KATE MCKINNON ‑ "SATURDAY NIGHT LIVE" KATE McKINNON: Yikes. Well, I can't ‑‑ thank you so much. Being part of this season of "Saturday Night Live" was the most meaningful thing that I will ever do. So I should probably just stop now. Thank you so much to Lorne Michaels for letting me be a part of this and for everything else in my life. Congratulations to our incredible cast, especially Vanessa, Leslie, and Alec. Love you all so much. Thank you to our crew and thank you to our amazing writers. It's all about the writing, you guys. -
Ta-Nehisi Coates' Critique of American Culture And
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Minnesota Digital Conservancy Ta-Nehisi Coates’ Critique of American Culture and Walter J. Ong’s Thought Thomas J. Farrell Professor Emeritus in Writing Studies University of Minnesota Duluth [email protected] Recently I have been re-reading and writing about the American Jesuit cultural historian and theorist Walter J. Ong’s book about the Victorian Jesuit poet Gerard Manley Hopkins (1844- 1889), Hopkins, the Self, and God (1986), the expanded published version of Ong’s 1981 Alexander Lectures at the University of Toronto. Hopkins’ poetry was published posthumously in 1918. As the title of Ong’s book indicates, his study of Hopkins centers on Hopkins’ writings about the self, including his poetry but not just on his poetry. Now, in the title of Ta-Nehisi Coates’ short book Between the World and Me (2015), the author announces that he is writing about his sense of his self. Coates writes his autobiographical book as a letter to his 15-year old son, whose first name honors Samori Toure (page 68). So Coates is telling his son the story of his (the son’s) father’s upbringing and how his father met his mother and more. As other reviewers have noted, James Baldwin’s book The Fire Next Time (1963) begins as a letter to Baldwin’s 15-year-old nephew. So perhaps Coates’ new book addressed to his 15-year- old son represents Coates’ bid to become the new Baldwin for the 21st century. Your guess is as good as mine as to whether the book-reading American public today will see Coates as the new Baldwin for the 21st century. -
What to Watch
What MOVIES to watch YOU’LL LOVE SUNDAY All times Eastern. Start times can vary based on cable/satellite provider. Confi rm times on your on-screen guide. ‘Sixteen Candles’ NASCAR Cup Series: STEVE KAGAN Championship 4 Sixteen Candles (1984, Comedy) NBC, 3 p.m. Live Molly Ringwald, Anthony Michael ‘Moonbase 8’ Hall CMT, 6:30 p.m. The four remaining drivers eligible for the NASCAR Cup Series season championship A24 FILMS duke it out at Phoenix Raceway, with the best fi nisher among them claiming the title. Rady), who helps her heal and fi nd love during NCIS: Los Angeles the holidays. CBS, 8:30 p.m. Season Premiere CATCH The Simpsons In the Season 12 premiere episode “The By Whatever Means A CLASSIC FOX, 8 p.m. Bear,” a Russian bomber fl ying over the U.S. In the new episode “The 7 Beer Itch,” Homer goes missing, sending Sam (LL Cool J) and Necessary: The Times (voice of Dan Castellaneta) falls under the Callen (Chris O’Donnell) on a mission to track spell of a British femme fatale (guest voice of it down and secure its weapons and intel. of Godfather of Harlem EPIX, 10 p.m. New Docuseries Olivia Colman). Bob’s Burgers This four-part docuseries is inspired by the Christmas FOX, 9 p.m. music and subjects featured in Godfather of Harlem. It brings alive the dramatic true story With the Darlings Tina (voice of Dan Mintz) is put in charge of of Harlem and its music during the 1960s the Wagsta School time capsule project, Hallmark Channel, 8 p.m.