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Why Blu-Ray Vs. HD-DVD Is Not VHS Vs. Betamax: the Co-Evolution of Standard-Setting Consortia
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Christ, Julian P.; Slowak, André P. Working Paper Why Blu-ray vs. HD-DVD is not VHS vs. Betamax: The co-evolution of standard-setting consortia Schriftenreihe des Promotionsschwerpunkts Globalisierung und Beschäftigung, No. 29/2009 Provided in Cooperation with: PhD program "Globalization and Employment", University of Hohenheim, Carl von Ossietzky University Oldenburg, Evangelisches Studienwerk Suggested Citation: Christ, Julian P.; Slowak, André P. (2009) : Why Blu-ray vs. HD-DVD is not VHS vs. Betamax: The co-evolution of standard-setting consortia, Schriftenreihe des Promotionsschwerpunkts Globalisierung und Beschäftigung, No. 29/2009, Universität Hohenheim, Stuttgart, http://nbn-resolving.de/urn:nbn:de:bsz:100-opus-4434 This Version is available at: http://hdl.handle.net/10419/30377 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. -
The World's Leading Marketing Research Companies the World's Leading Marketing Research Companies
THE WORLD’S LEADING MARKETING RESEARCH COMPANIES Marketing News / HONOMICHL GLOBAL TOP 25 Aug. 15, 2006 H3 Where the top 25 Japan Brazil 0.6% are based France 3.8% 6.0% Percentage Germany 9.1% United States 30% of the combined global research revenue Netherlands 24.5% United Kingdom 26% of the Top 25, by each firm’s country NO GREAT GROWTH Compared to prior years, revenue gains small By JACK HONOMICHL duce a pure reading on the industry’s growth rate. Inc. in Reston, Va., and Market Strategies Inc. in Livo- Just these Top 25 organizations account for about nia, Mich.—were added. They filled slots left by two he world’s 25 largest marketing/advertis- two-thirds of the world spend through commercial firms who lost line item identity due to acquisition— ing/public opinion research conglomerates firms for research services. namely NOP Group, No. 9 in 2004, which was had, in toto, revenue of $14.4 billion in The global inflation rate used was calculated by tak- acquired by GfK AG (No. 4); and MORI, No. 19 in T 2005, up 5.4% over 2004. After adjusting ing the known inflation rates in the United States, 2004, which was acquired by Ipsos Group SA (No. 6). for inflation, the real growth rate is estimated at 2.9%. Japan and Western Europe and then weighting them These were the largest and most conspicuous changes How does that compare with previous years? In to derive an average for those markets, which account in ownership last year, but still just part of the general 2004, growth was 2.5% after inflation; in 2003, it was for the lion’s share of worldwide expenditures. -
The U.S. Entertainment Consumer Report State of the Media Spring 2013
THE U.S. ENTERTAINMENT CONSUMER REPORT STATE OF THE MEDIA SPRING 2013 Copyright © 2013 The Nielsen Company WELCOME HOWARD APPELBAUM We are excited to bring you Nielsen’s first-ever Entertainment Consumer Report, which explores how we listen to, buy, play and watch content in the U.S. When it comes to President, Entertainment music, home video, books and games, consumers have more choices than ever thanks Nielsen to digital formats and connected devices. CD or digital album? Print or e-Book? DVD or Netflix? Video game console or smartphone? These questions led us to three distinct types of entertainment consumers based on their spending across activities ranging from reading to video games to watching movies at home. We found that people are buying and consuming all formats and those that spend the most on entertainment also divide their time across more activities. This concept of “more” presents an interesting opportunity for content providers to engage consumers over longer periods of time, as people immerse themselves into the same content across multiple platforms. We saw this with Suzanne Collins’ The Hunger Games, which was the top selling music soundtrack, third most-purchased DVD title, and fourth best selling print book of 2012. This phenomenon now extends beyond the book-to-movie experience and was especially evident in how people use their game consoles. Although game play is still the top activity, we found that people are spending more of their overall console time streaming videos. Report highlights include: · High entertainment spenders are taking part in a larger variety of activities, giving them less time to spend on each. -
Independent Filmmaking in the Pacific Northwest
INDEPENDENT FILMMAKING IN THE PACIFIC NORTHWEST: A CRITICAL ANALYSIS OF THE REGIONAL FILM LANDSCAPE by MARY P.A. ERICKSON A DISSERTATION Presented to the School of Journalism and Communication and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2011 DISSERTATION APPROVAL PAGE Student: Mary P.A. Erickson Title: Independent Filmmaking in the Pacific Northwest: A Critical Analysis of the Regional Film Landscape This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the School of Journalism and Communication by: Dr. Janet Wasko Chairperson Dr. Gabriela Martinez Member Dr. H. Leslie Steeves Member Dr. Michael Aronson Outside Member and Richard Linton Vice President for Research and Graduate Studies/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2011 ii © 2011 Mary P.A. Erickson iii DISSERTATION ABSTRACT Mary P.A. Erickson Doctor of Philosophy School of Journalism and Communication June 2011 Title: Independent Filmmaking in the Pacific Northwest: A Critical Analysis of the Regional Film Landscape Approved: _______________________________________________ Dr. Janet Wasko Thousands of films are produced every year in the United States, and only a fraction of these is made by mainstream Hollywood film studios. Independent filmmakers working in regional locations produce the majority of these films, retaining financial, creative and distribution control and working with locally-based cast and crew members. This film activity must be acknowledged in order to fully understand the American film industry. -
The Case of Blu-Ray Disc
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output The role of institutional entrepreneurship in standard wars: the case of Blu-ray Disc https://eprints.bbk.ac.uk/id/eprint/40065/ Version: Full Version Citation: Chang, Shen-Chen (2013) The role of institutional en- trepreneurship in standard wars: the case of Blu-ray Disc. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email The Role of Institutional Entrepreneurship in Standard Wars: The Case of Blu-ray Disc Shen-Chen Chang Birkbeck, University of London PhD Management School of Business, Economics and Informatics Birkbeck, University of London 2013 1 Declaration I hereby declare that this thesis entitled 'The Role of Institutional Entrepreneurship: The Case of Blu-ray Disc' represents the results of my own work except where specified in the thesis. Shen-Chen Chang 2 Abstract The study is to use institutional entrepreneurship perspective to complement the functionalist’s viewpoint to understand the process underlying collective action in a mature eco-system and how institutional entrepreneurs manage critical stakeholder relations, collective action and discursive activities in technical standard change processes. The standard war of Sony Blu-ray Disc vs. Toshiba HD DVD is used as a critical and intrinsic case. The functionalist’s viewpoints have paid much attentions to the numbers of customers adopting new technologies, and etc. By means of institutional entrepreneurship perspective, it claims that it does not matter about the number and amount, but it does matter about how focal firms make the markets believe that they have the abilities to win standard wars. -
Record Label Marketing
Record Label Marketing This page intentionally left blank Record Label Marketing Second Edition Tom Hutchison Amy Macy Paul Allen AMSTERDAM • BOSTON • HEIDELBERG • LONDON • NEW YORK • OXFORD PARIS • SAN DIEGO • SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK This book is printed on acid-free paper. Copyright © 2010 by Thomas Hutchison, Amy Macy, and Paul Allen. Published by Elsevier, Inc. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher. Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone: ( ϩ 44) 1865 843830, fax: ( ϩ 44) 1865 853333, E-mail: permissions@ elsevier.com . You may also complete your request online via the Elsevier homepage (http:// elsevier.com ), by selecting “ Support & Contact ” then “ Copyright and Permission ” and then “ Obtaining Permissions. ” Library of Congress Cataloging-in-Publication Data Hutchison, Thomas W. (Thomas William) Record label marketing / Tom Hutchison, Amy Macy, Paul Allen. – 2nd ed. p. cm. Includes bibliographical references and index. ISBN 978-0-240-81238-0 (pbk. : alk. paper) 1.Music trade. 2. Sound recordings – Marketing. 3. Sound recording industry. I. Macy, Amy. II. Allen, Paul. III. Title. ML3790.H985 2009 780.68’8 – dc22 2009025114 British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. -
Order of the Iron Test Pattern Information & Education Obituaries Reader Input Parting Shots Subscriptions
http://www.Tech-Notes.tv March 15, 2007 Tech-Note – 137 First Edition: May 18, 1997 Our purpose, mission statement, this current edition, archived editions and other relative information is posted on our website: WWW.Tech-Notes.TV This is YOUR forum! Index Note: All Blue underscored items in this PDF newsletter are working links. (Click on the Link below to navigate to that section of Tech-Notes) Editor's Comments The Road Show Television History in the Making News Features & Opinions Order of the Iron Test Pattern Information & Education Obituaries Reader Input Parting Shots Subscriptions Editor's Comments As the saying goes, excuses are like body parts – everyone has one or more. I’m hoping that you’ll agree that the wait is worth it. I’ve tried to assimilate interesting items for our readers in this issue while dealing with other issues. I’m always open for suggestions on the kinds of things you’d like to read here. In this edition, we are privileged to once again have John Silva contribute his experiences during the early days of television in the Los Angeles market. Silva joined KTLA when it was W6XYZ in 1946, giving, that broadcast facility, though its various owners, continuous, inspired and loyal service and leadership for over 32 years. While reminiscing here in the Tech-Notes about his many experiences and contributions, John continues to contribute to the entertain media by working in the area of digital cinema. Because of the length of time in getting this edition out and the value of John Silva’s article, it has been decided that the other segments of this edition will be very brief.